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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DA490 it is the complementary color #625B6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DA490. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DA490 shade: #A2A48B, #B3B69E, #C4C8B1, #D5DAC4 and #E6ECD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DA490. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DA490 shade: #9DA490, #8C927D, #7B806A, #6A6E57 and #595C44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DA490 shade: #9CA38E, #A1A38E, #A39F8E, #A3998E and #A3948E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DA490 shade: #9CA38E, #96A38E, #91A38E, #8EA392 and #8EA397

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DA490 shade matches the following richer shades: #9CA38E, #A1B37E, #A5C46D, #AAD45D and #AFE54C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DA490 shade: #9CA38E, #97929F, #9282AF, #8D71C0 and #8861D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DA490 shade: #A39F8E, #A1A38E, #9CA38E, #96A38E and #91A38E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DA490 shade: #737A64, #889078, #9CA38E, #B0B5A5 and #C4C8BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DA490 shade: #9DA490, #8EA39A and #A28EA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DA490 shade: #9DA490, #8E9CA3 and #A38E9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DA490 shade: #9DA490, #8EA39A, #958EA3 and #A38E97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DA490 shade: #9DA490, #8EA3A0, #958EA3 and #A38E91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 12 / 36

HEX #9DA490

RGB 157 164 144

HSL 81, 0.1%, 0.6%

LAB 66.32, -6.2, 9.53

 

Complementary color

CMYK 12 / 18 / 0 / 56

HEX #625B6F

RGB 98 91 111

HSL 261, 0.1%, 0.4%

LAB 39.96, 7.15, -10.34

 

CMYK 1 / 0 / 15 / 36

HEX #A2A48B

RGB 162 164 139

HSL 64.8, 0.12%, 0.59%

LAB 66.59, -5.17, 12.75

 

CMYK 2 / 0 / 13 / 29

HEX #B3B69E

RGB 179 182 158

HSL 67.5, 0.14%, 0.67%

LAB 73.23, -5.3, 11.87

 

CMYK 2 / 0 / 12 / 22

HEX #C4C8B1

RGB 196 200 177

HSL 70.43, 0.17%, 0.74%

LAB 79.74, -5.42, 11.03

 

CMYK 2 / 0 / 10 / 15

HEX #D5DAC4

RGB 213 218 196

HSL 73.64, 0.23%, 0.81%

LAB 86.14, -5.54, 10.24

 

CMYK 3 / 0 / 9 / 7

HEX #E6ECD7

RGB 230 236 215

HSL 77.14, 0.36%, 0.88%

LAB 92.45, -5.64, 9.48

 

CMYK 4 / 0 / 12 / 36

HEX #9DA490

RGB 157 164 144

HSL 81, 0.1%, 0.6%

LAB 66.32, -6.2, 9.53

 

CMYK 4 / 0 / 14 / 43

HEX #8C927D

RGB 140 146 125

HSL 77.14, 0.09%, 0.53%

LAB 59.54, -6.11, 10.4

 

CMYK 4 / 0 / 17 / 50

HEX #7B806A

RGB 123 128 106

HSL 73.64, 0.09%, 0.46%

LAB 52.61, -6.02, 11.33

 

CMYK 4 / 0 / 21 / 57

HEX #6A6E57

RGB 106 110 87

HSL 70.43, 0.12%, 0.39%

LAB 45.5, -5.91, 12.34

 

CMYK 3 / 0 / 26 / 64

HEX #595C44

RGB 89 92 68

HSL 67.5, 0.15%, 0.31%

LAB 38.19, -5.77, 13.45

 

CMYK 4 / 0 / 13 / 36

HEX #9CA38E

RGB 156 163 142

HSL 80, 0.1%, 0.6%

LAB 65.92, -6.38, 10.06

 

CMYK 1 / 0 / 13 / 36

HEX #A1A38E

RGB 161 163 142

HSL 65.71, 0.1%, 0.6%

LAB 66.31, -4.51, 10.67

 

CMYK 0 / 2 / 13 / 36

HEX #A39F8E

RGB 163 159 142

HSL 48.57, 0.1%, 0.6%

LAB 65.39, -1.58, 9.39

 

CMYK 0 / 6 / 13 / 36

HEX #A3998E

RGB 163 153 142

HSL 31.43, 0.1%, 0.6%

LAB 63.77, 1.72, 7.09

 

CMYK 0 / 9 / 13 / 36

HEX #A3948E

RGB 163 148 142

HSL 17.14, 0.1%, 0.6%

LAB 62.44, 4.5, 5.17

 

CMYK 4 / 0 / 13 / 36

HEX #9CA38E

RGB 156 163 142

HSL 80, 0.1%, 0.6%

LAB 65.92, -6.38, 10.06

 

CMYK 8 / 0 / 13 / 36

HEX #96A38E

RGB 150 163 142

HSL 97.14, 0.1%, 0.6%

LAB 65.46, -8.6, 9.35

 

CMYK 11 / 0 / 13 / 36

HEX #91A38E

RGB 145 163 142

HSL 111.43, 0.1%, 0.6%

LAB 65.1, -10.42, 8.78

 

CMYK 13 / 0 / 10 / 36

HEX #8EA392

RGB 142 163 146

HSL 131.43, 0.1%, 0.6%

LAB 64.98, -10.74, 6.36

 

CMYK 13 / 0 / 7 / 36

HEX #8EA397

RGB 142 163 151

HSL 145.71, 0.1%, 0.6%

LAB 65.1, -9.77, 3.75

 

CMYK 4 / 0 / 13 / 36

HEX #9CA38E

RGB 156 163 142

HSL 80, 0.1%, 0.6%

LAB 65.92, -6.38, 10.06

 

CMYK 10 / 0 / 30 / 30

HEX #A1B37E

RGB 161 179 126

HSL 80.38, 0.26%, 0.6%

LAB 70.4, -15.47, 25.06

 

CMYK 16 / 0 / 44 / 23

HEX #A5C46D

RGB 165 196 109

HSL 81.38, 0.42%, 0.6%

LAB 75.19, -24.67, 40.15

 

CMYK 20 / 0 / 56 / 17

HEX #AAD45D

RGB 170 212 93

HSL 81.18, 0.58%, 0.6%

LAB 79.85, -32.03, 53.45

 

CMYK 24 / 0 / 67 / 10

HEX #AFE54C

RGB 175 229 76

HSL 81.18, 0.75%, 0.6%

LAB 84.83, -39.22, 66.07

 

CMYK 4 / 0 / 13 / 36

HEX #9CA38E

RGB 156 163 142

HSL 80, 0.1%, 0.6%

LAB 65.92, -6.38, 10.06

 

CMYK 5 / 8 / 0 / 38

HEX #97929F

RGB 151 146 159

HSL 263.08, 0.06%, 0.6%

LAB 61.34, 4.39, -6.19

 

CMYK 17 / 26 / 0 / 31

HEX #9282AF

RGB 146 130 175

HSL 261.33, 0.22%, 0.6%

LAB 57.24, 15.3, -21.54

 

CMYK 27 / 41 / 0 / 25

HEX #8D71C0

RGB 141 113 192

HSL 261.27, 0.39%, 0.6%

LAB 53.25, 27.74, -37.51

 

CMYK 35 / 53 / 0 / 18

HEX #8861D0

RGB 136 97 208

HSL 261.08, 0.54%, 0.6%

LAB 49.9, 39.73, -52.01

 

CMYK 0 / 2 / 13 / 36

HEX #A39F8E

RGB 163 159 142

HSL 48.57, 0.1%, 0.6%

LAB 65.39, -1.58, 9.39

 

CMYK 1 / 0 / 13 / 36

HEX #A1A38E

RGB 161 163 142

HSL 65.71, 0.1%, 0.6%

LAB 66.31, -4.51, 10.67

 

CMYK 4 / 0 / 13 / 36

HEX #9CA38E

RGB 156 163 142

HSL 80, 0.1%, 0.6%

LAB 65.92, -6.38, 10.06

 

CMYK 8 / 0 / 13 / 36

HEX #96A38E

RGB 150 163 142

HSL 97.14, 0.1%, 0.6%

LAB 65.46, -8.6, 9.35

 

CMYK 11 / 0 / 13 / 36

HEX #91A38E

RGB 145 163 142

HSL 111.43, 0.1%, 0.6%

LAB 65.1, -10.42, 8.78

 

CMYK 6 / 0 / 18 / 52

HEX #737A64

RGB 115 122 100

HSL 79.09, 0.1%, 0.44%

LAB 50.08, -6.86, 11.18

 

CMYK 6 / 0 / 17 / 44

HEX #889078

RGB 136 144 120

HSL 80, 0.1%, 0.52%

LAB 58.54, -7.41, 11.79

 

CMYK 4 / 0 / 13 / 36

HEX #9CA38E

RGB 156 163 142

HSL 80, 0.1%, 0.6%

LAB 65.92, -6.38, 10.06

 

CMYK 3 / 0 / 9 / 29

HEX #B0B5A5

RGB 176 181 165

HSL 78.75, 0.1%, 0.68%

LAB 72.89, -4.67, 7.54

 

CMYK 2 / 0 / 6 / 22

HEX #C4C8BC

RGB 196 200 188

HSL 80, 0.1%, 0.76%

LAB 80, -3.54, 5.51

 

CMYK 4 / 0 / 12 / 36

HEX #9DA490

RGB 157 164 144

HSL 81, 0.1%, 0.6%

LAB 66.32, -6.2, 9.53

 

CMYK 13 / 0 / 6 / 36

HEX #8EA39A

RGB 142 163 154

HSL 154.29, 0.1%, 0.6%

LAB 65.18, -9.17, 2.18

 

CMYK 1 / 13 / 0 / 36

HEX #A28EA3

RGB 162 142 163

HSL 297.14, 0.1%, 0.6%

LAB 61.37, 11.36, -8.32

 

CMYK 4 / 0 / 12 / 36

HEX #9DA490

RGB 157 164 144

HSL 81, 0.1%, 0.6%

LAB 66.32, -6.2, 9.53

 

CMYK 13 / 4 / 0 / 36

HEX #8E9CA3

RGB 142 156 163

HSL 200, 0.1%, 0.6%

LAB 63.48, -3.49, -5.35

 

CMYK 0 / 13 / 4 / 36

HEX #A38E9C

RGB 163 142 156

HSL 320, 0.1%, 0.6%

LAB 61.25, 10.38, -4.5

 

CMYK 4 / 0 / 12 / 36

HEX #9DA490

RGB 157 164 144

HSL 81, 0.1%, 0.6%

LAB 66.32, -6.2, 9.53

 

CMYK 13 / 0 / 6 / 36

HEX #8EA39A

RGB 142 163 154

HSL 154.29, 0.1%, 0.6%

LAB 65.18, -9.17, 2.18

 

CMYK 9 / 13 / 0 / 36

HEX #958EA3

RGB 149 142 163

HSL 260, 0.1%, 0.6%

LAB 60.23, 6.78, -10.14

 

CMYK 0 / 13 / 7 / 36

HEX #A38E97

RGB 163 142 151

HSL 334.29, 0.1%, 0.6%

LAB 61.1, 9.46, -1.87

 

CMYK 4 / 0 / 12 / 36

HEX #9DA490

RGB 157 164 144

HSL 81, 0.1%, 0.6%

LAB 66.32, -6.2, 9.53

 

CMYK 13 / 0 / 2 / 36

HEX #8EA3A0

RGB 142 163 160

HSL 171.43, 0.1%, 0.6%

LAB 65.34, -7.94, -0.93

 

CMYK 9 / 13 / 0 / 36

HEX #958EA3

RGB 149 142 163

HSL 260, 0.1%, 0.6%

LAB 60.23, 6.78, -10.14

 

CMYK 0 / 13 / 11 / 36

HEX #A38E91

RGB 163 142 145

HSL 351.43, 0.1%, 0.6%

LAB 60.94, 8.38, 1.3

 

Description

Color code: HEX #9DA490 | qconv.com Color code: HEX #9DA490 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 164 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 164 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 12 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 12% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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