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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D81E8 it is the complementary color #627E17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D81E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D81E8 shade: #A281E3, #B393F6, #C4A5FF, #D5B7FF and #E6C9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D81E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D81E8 shade: #9D81E8, #8C6FD5, #7B5DC2, #6A4BAF and #59399C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D81E8 shade: #9D82E8, #B982E8, #D482E8, #E882DF and #E882C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D81E8 shade: #9D82E8, #8282E8 and #8282E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D81E8 shade matches the following richer shades: #9D82E8 and #9876F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D81E8 shade: #9D82E8, #A38DDC, #A899D0, #AEA5C4 and #B3B1B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D81E8 shade: #829DE8, #8282E8, #9D82E8, #B882E8 and #D382E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D81E8 shade: #673CDB, #825FE1, #9D82E8, #B8A4EE and #D4C7F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D81E8 shade: #9D81E8, #E882B8 and #8FE882

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D81E8 shade: #9D81E8, #E89D82 and #82E89D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D81E8 shade: #9D81E8, #E882B8, #CCE882 and #82E8B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D81E8 shade: #9D81E8, #E88299, #CCE882 and #82E8D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 44 / 0 / 9

HEX #9D81E8

RGB 157 129 232

HSL 256.31, 0.69%, 0.71%

LAB 60.51, 33.04, -48.53

 

Complementary color

CMYK 22 / 0 / 82 / 51

HEX #627E17

RGB 98 126 23

HSL 76.31, 0.69%, 0.29%

LAB 48.98, -24.8, 48.22

 

CMYK 29 / 43 / 0 / 11

HEX #A281E3

RGB 162 129 227

HSL 260.2, 0.64%, 0.7%

LAB 60.72, 33.13, -45.39

 

CMYK 27 / 40 / 0 / 4

HEX #B393F6

RGB 179 147 246

HSL 259.39, 0.85%, 0.77%

LAB 67.36, 32.3, -45.32

 

CMYK 23 / 35 / 0 / 0

HEX #C4A5FF

RGB 196 165 255

HSL 260.67, 1%, 0.82%

LAB 73.46, 29.21, -40.56

 

CMYK 16 / 28 / 0 / 0

HEX #D5B7FF

RGB 213 183 255

HSL 265, 1%, 0.86%

LAB 79.18, 24.38, -31.58

 

CMYK 10 / 21 / 0 / 0

HEX #E6C9FF

RGB 230 201 255

HSL 272.22, 1%, 0.89%

LAB 84.9, 19.96, -22.7

 

CMYK 32 / 44 / 0 / 9

HEX #9D81E8

RGB 157 129 232

HSL 256.31, 0.69%, 0.71%

LAB 60.51, 33.04, -48.53

 

CMYK 34 / 48 / 0 / 16

HEX #8C6FD5

RGB 140 111 213

HSL 257.06, 0.55%, 0.64%

LAB 53.76, 34.01, -48.68

 

CMYK 37 / 52 / 0 / 24

HEX #7B5DC2

RGB 123 93 194

HSL 257.82, 0.45%, 0.56%

LAB 46.89, 35.09, -48.86

 

CMYK 39 / 57 / 0 / 31

HEX #6A4BAF

RGB 106 75 175

HSL 258.6, 0.4%, 0.49%

LAB 39.9, 36.26, -49.05

 

CMYK 43 / 63 / 0 / 39

HEX #59399C

RGB 89 57 156

HSL 259.39, 0.46%, 0.42%

LAB 32.81, 37.51, -49.2

 

CMYK 32 / 44 / 0 / 9

HEX #9D82E8

RGB 157 130 232

HSL 255.88, 0.69%, 0.71%

LAB 60.75, 32.47, -48.16

 

CMYK 20 / 44 / 0 / 9

HEX #B982E8

RGB 185 130 232

HSL 272.35, 0.69%, 0.71%

LAB 63.43, 40.14, -43.75

 

CMYK 9 / 44 / 0 / 9

HEX #D482E8

RGB 212 130 232

HSL 288.24, 0.69%, 0.71%

LAB 66.36, 47.83, -38.95

 

CMYK 0 / 44 / 4 / 9

HEX #E882DF

RGB 232 130 223

HSL 305.29, 0.69%, 0.71%

LAB 68.35, 52.02, -30.69

 

CMYK 0 / 44 / 16 / 9

HEX #E882C4

RGB 232 130 196

HSL 321.18, 0.69%, 0.71%

LAB 67.36, 47.6, -17.17

 

CMYK 32 / 44 / 0 / 9

HEX #9D82E8

RGB 157 130 232

HSL 255.88, 0.69%, 0.71%

LAB 60.75, 32.47, -48.16

 

CMYK 44 / 44 / 0 / 9

HEX #8282E8

RGB 130 130 232

HSL 240, 0.69%, 0.71%

LAB 58.54, 25.63, -51.79

 

CMYK 44 / 44 / 0 / 9

HEX #8282E8

RGB 130 130 232

HSL 240, 0.69%, 0.71%

LAB 58.54, 25.63, -51.79

 

CMYK 32 / 44 / 0 / 9

HEX #9D82E8

RGB 157 130 232

HSL 255.88, 0.69%, 0.71%

LAB 60.75, 32.47, -48.16

 

CMYK 38 / 52 / 0 / 4

HEX #9876F4

RGB 152 118 244

HSL 256.19, 0.85%, 0.71%

LAB 58.19, 41.15, -58.91

 

CMYK 32 / 44 / 0 / 9

HEX #9D82E8

RGB 157 130 232

HSL 255.88, 0.69%, 0.71%

LAB 60.75, 32.47, -48.16

 

CMYK 26 / 36 / 0 / 14

HEX #A38DDC

RGB 163 141 220

HSL 256.71, 0.53%, 0.71%

LAB 63.35, 24.87, -37.37

 

CMYK 19 / 26 / 0 / 18

HEX #A899D0

RGB 168 153 208

HSL 256.36, 0.37%, 0.71%

LAB 66.26, 16.74, -26.15

 

CMYK 11 / 16 / 0 / 23

HEX #AEA5C4

RGB 174 165 196

HSL 257.42, 0.21%, 0.71%

LAB 69.39, 9.33, -14.68

 

CMYK 3 / 4 / 0 / 28

HEX #B3B1B8

RGB 179 177 184

HSL 257.14, 0.05%, 0.71%

LAB 72.55, 2.03, -3.32

 

CMYK 44 / 32 / 0 / 9

HEX #829DE8

RGB 130 157 232

HSL 224.12, 0.69%, 0.71%

LAB 65.5, 9.88, -40.81

 

CMYK 44 / 44 / 0 / 9

HEX #8282E8

RGB 130 130 232

HSL 240, 0.69%, 0.71%

LAB 58.54, 25.63, -51.79

 

CMYK 32 / 44 / 0 / 9

HEX #9D82E8

RGB 157 130 232

HSL 255.88, 0.69%, 0.71%

LAB 60.75, 32.47, -48.16

 

CMYK 21 / 44 / 0 / 9

HEX #B882E8

RGB 184 130 232

HSL 271.76, 0.69%, 0.71%

LAB 63.33, 39.86, -43.91

 

CMYK 9 / 44 / 0 / 9

HEX #D382E8

RGB 211 130 232

HSL 287.65, 0.69%, 0.71%

LAB 66.24, 47.54, -39.13

 

CMYK 53 / 73 / 0 / 14

HEX #673CDB

RGB 103 60 219

HSL 256.23, 0.69%, 0.55%

LAB 39.96, 56.15, -74.57

 

CMYK 42 / 58 / 0 / 12

HEX #825FE1

RGB 130 95 225

HSL 256.15, 0.68%, 0.63%

LAB 49.94, 44.02, -61.65

 

CMYK 32 / 44 / 0 / 9

HEX #9D82E8

RGB 157 130 232

HSL 255.88, 0.69%, 0.71%

LAB 60.75, 32.47, -48.16

 

CMYK 23 / 31 / 0 / 7

HEX #B8A4EE

RGB 184 164 238

HSL 256.22, 0.69%, 0.79%

LAB 71.5, 22.34, -34.46

 

CMYK 13 / 18 / 0 / 4

HEX #D4C7F4

RGB 212 199 244

HSL 257.33, 0.67%, 0.87%

LAB 82.58, 13.11, -20.52

 

CMYK 32 / 44 / 0 / 9

HEX #9D81E8

RGB 157 129 232

HSL 256.31, 0.69%, 0.71%

LAB 60.51, 33.04, -48.53

 

CMYK 0 / 44 / 21 / 9

HEX #E882B8

RGB 232 130 184

HSL 328.24, 0.69%, 0.71%

LAB 66.96, 45.8, -11.03

 

CMYK 38 / 0 / 44 / 9

HEX #8FE882

RGB 143 232 130

HSL 112.35, 0.69%, 0.71%

LAB 84.57, -46.07, 41.3

 

CMYK 32 / 44 / 0 / 9

HEX #9D81E8

RGB 157 129 232

HSL 256.31, 0.69%, 0.71%

LAB 60.51, 33.04, -48.53

 

CMYK 0 / 32 / 44 / 9

HEX #E89D82

RGB 232 157 130

HSL 15.88, 0.69%, 0.71%

LAB 71.47, 24.87, 25.49

 

CMYK 44 / 0 / 32 / 9

HEX #82E89D

RGB 130 232 157

HSL 135.88, 0.69%, 0.71%

LAB 84.43, -45.66, 27.45

 

CMYK 32 / 44 / 0 / 9

HEX #9D81E8

RGB 157 129 232

HSL 256.31, 0.69%, 0.71%

LAB 60.51, 33.04, -48.53

 

CMYK 0 / 44 / 21 / 9

HEX #E882B8

RGB 232 130 184

HSL 328.24, 0.69%, 0.71%

LAB 66.96, 45.8, -11.03

 

CMYK 12 / 0 / 44 / 9

HEX #CCE882

RGB 204 232 130

HSL 76.47, 0.69%, 0.71%

LAB 88.05, -24.9, 46.42

 

CMYK 44 / 0 / 24 / 9

HEX #82E8B1

RGB 130 232 177

HSL 147.65, 0.69%, 0.71%

LAB 84.81, -41.96, 17.64

 

CMYK 32 / 44 / 0 / 9

HEX #9D81E8

RGB 157 129 232

HSL 256.31, 0.69%, 0.71%

LAB 60.51, 33.04, -48.53

 

CMYK 0 / 44 / 34 / 9

HEX #E88299

RGB 232 130 153

HSL 346.47, 0.69%, 0.71%

LAB 66.08, 41.65, 5.17

 

CMYK 12 / 0 / 44 / 9

HEX #CCE882

RGB 204 232 130

HSL 76.47, 0.69%, 0.71%

LAB 88.05, -24.9, 46.42

 

CMYK 44 / 0 / 10 / 9

HEX #82E8D0

RGB 130 232 208

HSL 165.88, 0.69%, 0.71%

LAB 85.51, -35.41, 2.4

 

Description

Color code: HEX #9D81E8 | qconv.com Color code: HEX #9D81E8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 129 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 129 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 44 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 44% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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