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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D8582 it is the complementary color #627A7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D8582. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D8582 shade: #A2857D, #B39790, #C4A9A3, #D5BBB6 and #E6CDC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D8582. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D8582 shade: #9D8582, #8C736F, #7B615C, #6A4F49 and #593D36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D8582 shade: #9C8481 and #9C8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D8582 shade: #9C8481, #9C8B81, #9C9281, #9C9A81 and #979C81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D8582 shade matches the following richer shades: #9C8481, #AE766F, #C0685D, #D2594A and #E44B38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D8582 shade: #9C8481, #8A9293, #77A0A5, #65AEB7 and #53BCC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D8582 shade: #9C818D, #9C8185, #9C8481, #9C8B81 and #9C9281

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D8582 shade: #715C59, #886E6B, #9C8481, #AE9A98 and #C0B1AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D8582 shade: #9D8582, #949C81 and #81899C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D8582 shade: #9D8582, #819C84 and #84819C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D8582 shade: #9D8582, #949C81, #81999C and #89819C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D8582 shade: #9D8582, #8C9C81, #81999C and #91819C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 17 / 38

HEX #9D8582

RGB 157 133 130

HSL 6.67, 0.12%, 0.56%

LAB 57.61, 8.61, 5

 

Complementary color

CMYK 22 / 2 / 0 / 51

HEX #627A7D

RGB 98 122 125

HSL 186.67, 0.12%, 0.44%

LAB 49.49, -7.96, -4.53

 

CMYK 0 / 18 / 23 / 36

HEX #A2857D

RGB 162 133 125

HSL 12.97, 0.17%, 0.56%

LAB 57.98, 9.77, 8.46

 

CMYK 0 / 16 / 20 / 30

HEX #B39790

RGB 179 151 144

HSL 12, 0.19%, 0.63%

LAB 64.75, 9.27, 7.55

 

CMYK 0 / 14 / 17 / 23

HEX #C4A9A3

RGB 196 169 163

HSL 10.91, 0.22%, 0.7%

LAB 71.39, 8.83, 6.71

 

CMYK 0 / 12 / 15 / 16

HEX #D5BBB6

RGB 213 187 182

HSL 9.68, 0.27%, 0.77%

LAB 77.91, 8.43, 5.92

 

CMYK 0 / 11 / 13 / 10

HEX #E6CDC9

RGB 230 205 201

HSL 8.28, 0.37%, 0.85%

LAB 84.33, 8.07, 5.17

 

CMYK 0 / 15 / 17 / 38

HEX #9D8582

RGB 157 133 130

HSL 6.67, 0.12%, 0.56%

LAB 57.61, 8.61, 5

 

CMYK 0 / 18 / 21 / 45

HEX #8C736F

RGB 140 115 111

HSL 8.28, 0.12%, 0.49%

LAB 50.67, 9.11, 5.88

HEX #8C736F

CMYK 0 / 21 / 25 / 52

HEX #7B615C

RGB 123 97 92

HSL 9.68, 0.14%, 0.42%

LAB 43.56, 9.69, 6.85

HEX #7B615C

CMYK 0 / 25 / 31 / 58

HEX #6A4F49

RGB 106 79 73

HSL 10.91, 0.18%, 0.35%

LAB 36.25, 10.39, 7.94

HEX #6A4F49

CMYK 0 / 31 / 39 / 65

HEX #593D36

RGB 89 61 54

HSL 12, 0.24%, 0.28%

LAB 28.71, 11.25, 9.22

HEX #593D36

CMYK 0 / 15 / 17 / 39

HEX #9C8481

RGB 156 132 129

HSL 6.67, 0.12%, 0.56%

LAB 57.23, 8.63, 5.01

 

CMYK 0 / 17 / 17 / 39

HEX #9C8181

RGB 156 129 129

HSL 0, 0.12%, 0.56%

LAB 56.44, 10.34, 3.88

 

CMYK 0 / 15 / 17 / 39

HEX #9C8481

RGB 156 132 129

HSL 6.67, 0.12%, 0.56%

LAB 57.23, 8.63, 5.01

 

CMYK 0 / 11 / 17 / 39

HEX #9C8B81

RGB 156 139 129

HSL 22.22, 0.12%, 0.56%

LAB 59.08, 4.66, 7.67

 

CMYK 0 / 6 / 17 / 39

HEX #9C9281

RGB 156 146 129

HSL 37.78, 0.12%, 0.56%

LAB 60.97, 0.75, 10.34

 

CMYK 0 / 1 / 17 / 39

HEX #9C9A81

RGB 156 154 129

HSL 55.56, 0.12%, 0.56%

LAB 63.15, -3.66, 13.41

 

CMYK 3 / 0 / 17 / 39

HEX #979C81

RGB 151 156 129

HSL 71.11, 0.12%, 0.56%

LAB 63.29, -6.68, 13.55

 

CMYK 0 / 15 / 17 / 39

HEX #9C8481

RGB 156 132 129

HSL 6.67, 0.12%, 0.56%

LAB 57.23, 8.63, 5.01

 

CMYK 0 / 32 / 36 / 32

HEX #AE766F

RGB 174 118 111

HSL 6.67, 0.28%, 0.56%

LAB 55.18, 21.08, 12.78

 

CMYK 0 / 46 / 52 / 25

HEX #C0685D

RGB 192 104 93

HSL 6.67, 0.44%, 0.56%

LAB 53.92, 33.93, 21.89

 

CMYK 0 / 58 / 65 / 18

HEX #D2594A

RGB 210 89 74

HSL 6.62, 0.6%, 0.56%

LAB 53.32, 46.8, 32.58

 

CMYK 0 / 67 / 75 / 11

HEX #E44B38

RGB 228 75 56

HSL 6.63, 0.76%, 0.56%

LAB 53.83, 58.17, 43.88

 

CMYK 0 / 15 / 17 / 39

HEX #9C8481

RGB 156 132 129

HSL 6.67, 0.12%, 0.56%

LAB 57.23, 8.63, 5.01

 

CMYK 6 / 1 / 0 / 42

HEX #8A9293

RGB 138 146 147

HSL 186.67, 0.04%, 0.56%

LAB 59.95, -2.68, -1.54

 

CMYK 28 / 3 / 0 / 35

HEX #77A0A5

RGB 119 160 165

HSL 186.52, 0.2%, 0.56%

LAB 63.16, -12.65, -7.12

 

CMYK 45 / 5 / 0 / 28

HEX #65AEB7

RGB 101 174 183

HSL 186.59, 0.36%, 0.56%

LAB 66.87, -20.39, -11.74

 

CMYK 59 / 6 / 0 / 21

HEX #53BCC9

RGB 83 188 201

HSL 186.61, 0.52%, 0.56%

LAB 70.89, -26.34, -15.68

 

CMYK 0 / 17 / 10 / 39

HEX #9C818D

RGB 156 129 141

HSL 333.33, 0.12%, 0.56%

LAB 56.77, 12.42, -2.58

 

CMYK 0 / 17 / 15 / 39

HEX #9C8185

RGB 156 129 133

HSL 351.11, 0.12%, 0.56%

LAB 56.55, 11.01, 1.72

 

CMYK 0 / 15 / 17 / 39

HEX #9C8481

RGB 156 132 129

HSL 6.67, 0.12%, 0.56%

LAB 57.23, 8.63, 5.01

 

CMYK 0 / 11 / 17 / 39

HEX #9C8B81

RGB 156 139 129

HSL 22.22, 0.12%, 0.56%

LAB 59.08, 4.66, 7.67

 

CMYK 0 / 6 / 17 / 39

HEX #9C9281

RGB 156 146 129

HSL 37.78, 0.12%, 0.56%

LAB 60.97, 0.75, 10.34

 

CMYK 0 / 19 / 21 / 56

HEX #715C59

RGB 113 92 89

HSL 7.5, 0.12%, 0.4%

LAB 41.03, 8.02, 4.93

 

CMYK 0 / 19 / 21 / 47

HEX #886E6B

RGB 136 110 107

HSL 6.21, 0.12%, 0.48%

LAB 48.82, 9.76, 5.54

 

CMYK 0 / 15 / 17 / 39

HEX #9C8481

RGB 156 132 129

HSL 6.67, 0.12%, 0.56%

LAB 57.23, 8.63, 5.01

 

CMYK 0 / 11 / 13 / 32

HEX #AE9A98

RGB 174 154 152

HSL 5.45, 0.12%, 0.64%

LAB 65.26, 7.02, 3.74

 

CMYK 0 / 8 / 9 / 25

HEX #C0B1AF

RGB 192 177 175

HSL 7.06, 0.12%, 0.72%

LAB 73.38, 5.01, 2.95

 

CMYK 0 / 15 / 17 / 38

HEX #9D8582

RGB 157 133 130

HSL 6.67, 0.12%, 0.56%

LAB 57.61, 8.61, 5

 

CMYK 5 / 0 / 17 / 39

HEX #949C81

RGB 148 156 129

HSL 77.78, 0.12%, 0.56%

LAB 63.06, -7.83, 13.19

 

CMYK 17 / 12 / 0 / 39

HEX #81899C

RGB 129 137 156

HSL 222.22, 0.12%, 0.56%

LAB 57.04, 1.22, -11.09

 

CMYK 0 / 15 / 17 / 38

HEX #9D8582

RGB 157 133 130

HSL 6.67, 0.12%, 0.56%

LAB 57.61, 8.61, 5

 

CMYK 17 / 0 / 15 / 39

HEX #819C84

RGB 129 156 132

HSL 126.67, 0.12%, 0.56%

LAB 61.75, -14.31, 9.47

 

CMYK 15 / 17 / 0 / 39

HEX #84819C

RGB 132 129 156

HSL 246.67, 0.12%, 0.56%

LAB 55.08, 6.85, -14.01

 

CMYK 0 / 15 / 17 / 38

HEX #9D8582

RGB 157 133 130

HSL 6.67, 0.12%, 0.56%

LAB 57.61, 8.61, 5

 

CMYK 5 / 0 / 17 / 39

HEX #949C81

RGB 148 156 129

HSL 77.78, 0.12%, 0.56%

LAB 63.06, -7.83, 13.19

 

CMYK 17 / 2 / 0 / 39

HEX #81999C

RGB 129 153 156

HSL 186.67, 0.12%, 0.56%

LAB 61.52, -7.74, -4.4

 

CMYK 12 / 17 / 0 / 39

HEX #89819C

RGB 137 129 156

HSL 257.78, 0.12%, 0.56%

LAB 55.5, 8.57, -13.33

 

CMYK 0 / 15 / 17 / 38

HEX #9D8582

RGB 157 133 130

HSL 6.67, 0.12%, 0.56%

LAB 57.61, 8.61, 5

 

CMYK 10 / 0 / 17 / 39

HEX #8C9C81

RGB 140 156 129

HSL 95.56, 0.12%, 0.56%

LAB 62.45, -10.84, 12.25

 

CMYK 17 / 2 / 0 / 39

HEX #81999C

RGB 129 153 156

HSL 186.67, 0.12%, 0.56%

LAB 61.52, -7.74, -4.4

 

CMYK 7 / 17 / 0 / 39

HEX #91819C

RGB 145 129 156

HSL 275.56, 0.12%, 0.56%

LAB 56.21, 11.36, -12.2

 

Description

Color code: HEX #9D8582 | qconv.com Color code: HEX #9D8582 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 133 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 133 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 17 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 17% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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