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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D6C48 it is the complementary color #6293B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D6C48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D6C48 shade: #A26C43, #B37E56, #C49069, #D5A27C and #E6B48F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D6C48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D6C48 shade: #9D6C48, #8C5A35, #7B4822, #6A360F and #592400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D6C48 shade: #9D6C48, #9D5548 and #9D4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D6C48 shade: #9D6C48, #9D8348, #9D9A48, #899D48 and #729D48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D6C48 shade matches the following richer shades: #9D6C48, #AF6935, #C26623 and #D46310

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D6C48 shade: #9D6C48, #8A6F5A, #78716D, #65747F and #527792

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D6C48 shade: #9D4852, #9D5548, #9D6B48, #9D8248 and #9D9848

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D6C48 shade: #64452E, #80583B, #9D6C48, #B3805B and #C09677

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D6C48 shade: #9D6C48, #689D48 and #49489D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D6C48 shade: #9D6C48, #489D6B and #6B489D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D6C48 shade: #9D6C48, #689D48, #48799D and #7C489D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D6C48 shade: #9D6C48, #4F9D48, #48799D and #96489D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 54 / 38

HEX #9D6C48

RGB 157 108 72

HSL 25.41, 0.37%, 0.45%

LAB 49.93, 15.36, 27.87

 

Complementary color

CMYK 46 / 20 / 0 / 28

HEX #6293B7

RGB 98 147 183

HSL 205.41, 0.37%, 0.55%

LAB 58.87, -6.59, -23.9

 

CMYK 0 / 33 / 59 / 36

HEX #A26C43

RGB 162 108 67

HSL 25.89, 0.41%, 0.45%

LAB 50.47, 17.1, 31.46

 

CMYK 0 / 30 / 52 / 30

HEX #B37E56

RGB 179 126 86

HSL 25.81, 0.38%, 0.52%

LAB 57.25, 15.9, 29.86

 

CMYK 0 / 27 / 46 / 23

HEX #C49069

RGB 196 144 105

HSL 25.71, 0.44%, 0.59%

LAB 63.92, 14.88, 28.4

 

CMYK 0 / 24 / 42 / 16

HEX #D5A27C

RGB 213 162 124

HSL 25.62, 0.51%, 0.66%

LAB 70.48, 14.01, 27.05

 

CMYK 0 / 22 / 38 / 10

HEX #E6B48F

RGB 230 180 143

HSL 25.52, 0.64%, 0.73%

LAB 76.95, 13.24, 25.81

 

CMYK 0 / 31 / 54 / 38

HEX #9D6C48

RGB 157 108 72

HSL 25.41, 0.37%, 0.45%

LAB 49.93, 15.36, 27.87

 

CMYK 0 / 36 / 62 / 45

HEX #8C5A35

RGB 140 90 53

HSL 25.52, 0.45%, 0.38%

LAB 42.98, 16.66, 29.56

 

CMYK 0 / 41 / 72 / 52

HEX #7B4822

RGB 123 72 34

HSL 25.62, 0.57%, 0.31%

LAB 35.91, 18.24, 31.36

 

CMYK 0 / 49 / 86 / 58

HEX #6A360F

RGB 106 54 15

HSL 25.71, 0.75%, 0.24%

LAB 28.74, 20.17, 32.98

 

CMYK 0 / 60 / 100 / 65

HEX #592400

RGB 89 36 0

HSL 24.27, 1%, 0.17%

LAB 21.53, 22.43, 31.35

 

CMYK 0 / 31 / 54 / 38

HEX #9D6C48

RGB 157 108 72

HSL 25.41, 0.37%, 0.45%

LAB 49.93, 15.36, 27.87

 

CMYK 0 / 46 / 54 / 38

HEX #9D5548

RGB 157 85 72

HSL 9.18, 0.37%, 0.45%

LAB 44.42, 28.39, 20.79

 

CMYK 0 / 54 / 54 / 38

HEX #9D4848

RGB 157 72 72

HSL 0, 0.37%, 0.45%

LAB 41.64, 35.4, 17.1

 

CMYK 0 / 31 / 54 / 38

HEX #9D6C48

RGB 157 108 72

HSL 25.41, 0.37%, 0.45%

LAB 49.93, 15.36, 27.87

 

CMYK 0 / 17 / 54 / 38

HEX #9D8348

RGB 157 131 72

HSL 41.65, 0.37%, 0.45%

LAB 55.96, 2.28, 35.31

 

CMYK 0 / 2 / 54 / 38

HEX #9D9A48

RGB 157 154 72

HSL 57.88, 0.37%, 0.45%

LAB 62.29, -10.3, 42.8

 

CMYK 13 / 0 / 54 / 38

HEX #899D48

RGB 137 157 72

HSL 74.12, 0.37%, 0.45%

LAB 61.57, -20.33, 41.56

 

CMYK 27 / 0 / 54 / 38

HEX #729D48

RGB 114 157 72

HSL 90.35, 0.37%, 0.45%

LAB 60.03, -29.51, 39.37

 

CMYK 0 / 31 / 54 / 38

HEX #9D6C48

RGB 157 108 72

HSL 25.41, 0.37%, 0.45%

LAB 49.93, 15.36, 27.87

 

CMYK 0 / 40 / 70 / 31

HEX #AF6935

RGB 175 105 53

HSL 25.57, 0.54%, 0.45%

LAB 51.24, 23.44, 40.27

 

CMYK 0 / 47 / 82 / 24

HEX #C26623

RGB 194 102 35

HSL 25.28, 0.69%, 0.45%

LAB 53.05, 32.27, 51.36

 

CMYK 0 / 53 / 92 / 17

HEX #D46310

RGB 212 99 16

HSL 25.41, 0.86%, 0.45%

LAB 55.03, 40.61, 60.42

 

CMYK 0 / 31 / 54 / 38

HEX #9D6C48

RGB 157 108 72

HSL 25.41, 0.37%, 0.45%

LAB 49.93, 15.36, 27.87

 

CMYK 0 / 20 / 35 / 46

HEX #8A6F5A

RGB 138 111 90

HSL 26.25, 0.21%, 0.45%

LAB 48.9, 7.46, 15.73

 

CMYK 0 / 6 / 9 / 53

HEX #78716D

RGB 120 113 109

HSL 21.82, 0.05%, 0.45%

LAB 48.14, 1.94, 3.18

 

CMYK 20 / 9 / 0 / 50

HEX #65747F

RGB 101 116 127

HSL 205.38, 0.11%, 0.45%

LAB 47.99, -3, -7.92

 

CMYK 44 / 18 / 0 / 43

HEX #527792

RGB 82 119 146

HSL 205.31, 0.28%, 0.45%

LAB 48.34, -5.54, -18.75

 

CMYK 0 / 54 / 48 / 38

HEX #9D4852

RGB 157 72 82

HSL 352.94, 0.37%, 0.45%

LAB 41.86, 36.36, 11.24

 

CMYK 0 / 46 / 54 / 38

HEX #9D5548

RGB 157 85 72

HSL 9.18, 0.37%, 0.45%

LAB 44.42, 28.39, 20.79

 

CMYK 0 / 32 / 54 / 38

HEX #9D6B48

RGB 157 107 72

HSL 24.71, 0.37%, 0.45%

LAB 49.68, 15.93, 27.55

 

CMYK 0 / 17 / 54 / 38

HEX #9D8248

RGB 157 130 72

HSL 40.94, 0.37%, 0.45%

LAB 55.69, 2.84, 34.98

 

CMYK 0 / 3 / 54 / 38

HEX #9D9848

RGB 157 152 72

HSL 56.47, 0.37%, 0.45%

LAB 61.73, -9.23, 42.15

 

CMYK 0 / 31 / 54 / 61

HEX #64452E

RGB 100 69 46

HSL 25.56, 0.37%, 0.29%

LAB 32.17, 10.34, 19.15

 

CMYK 0 / 31 / 54 / 50

HEX #80583B

RGB 128 88 59

HSL 25.22, 0.37%, 0.37%

LAB 41.03, 12.98, 23.35

 

CMYK 0 / 31 / 54 / 38

HEX #9D6C48

RGB 157 108 72

HSL 25.41, 0.37%, 0.45%

LAB 49.93, 15.36, 27.87

 

CMYK 0 / 28 / 49 / 30

HEX #B3805B

RGB 179 128 91

HSL 25.23, 0.37%, 0.53%

LAB 57.83, 15.26, 27.84

 

CMYK 0 / 22 / 38 / 25

HEX #C09677

RGB 192 150 119

HSL 25.48, 0.37%, 0.61%

LAB 65.24, 11.5, 22.38

 

CMYK 0 / 31 / 54 / 38

HEX #9D6C48

RGB 157 108 72

HSL 25.41, 0.37%, 0.45%

LAB 49.93, 15.36, 27.87

 

CMYK 34 / 0 / 54 / 38

HEX #689D48

RGB 104 157 72

HSL 97.41, 0.37%, 0.45%

LAB 59.46, -33.22, 38.54

 

CMYK 54 / 54 / 0 / 38

HEX #49489D

RGB 73 72 157

HSL 240.71, 0.37%, 0.45%

LAB 34.97, 25.05, -46.39

 

CMYK 0 / 31 / 54 / 38

HEX #9D6C48

RGB 157 108 72

HSL 25.41, 0.37%, 0.45%

LAB 49.93, 15.36, 27.87

 

CMYK 54 / 0 / 32 / 38

HEX #489D6B

RGB 72 157 107

HSL 144.71, 0.37%, 0.45%

LAB 58.56, -37.56, 18.54

 

CMYK 32 / 54 / 0 / 38

HEX #6B489D

RGB 107 72 157

HSL 264.71, 0.37%, 0.45%

LAB 38.19, 33.38, -41.05

 

CMYK 0 / 31 / 54 / 38

HEX #9D6C48

RGB 157 108 72

HSL 25.41, 0.37%, 0.45%

LAB 49.93, 15.36, 27.87

 

CMYK 34 / 0 / 54 / 38

HEX #689D48

RGB 104 157 72

HSL 97.41, 0.37%, 0.45%

LAB 59.46, -33.22, 38.54

 

CMYK 54 / 23 / 0 / 38

HEX #48799D

RGB 72 121 157

HSL 205.41, 0.37%, 0.45%

LAB 48.87, -5.87, -24.44

 

CMYK 21 / 54 / 0 / 38

HEX #7C489D

RGB 124 72 157

HSL 276.71, 0.37%, 0.45%

LAB 40.17, 38.02, -37.78

 

CMYK 0 / 31 / 54 / 38

HEX #9D6C48

RGB 157 108 72

HSL 25.41, 0.37%, 0.45%

LAB 49.93, 15.36, 27.87

 

CMYK 50 / 0 / 54 / 38

HEX #4F9D48

RGB 79 157 72

HSL 115.06, 0.37%, 0.45%

LAB 58.27, -41.47, 36.83

 

CMYK 54 / 23 / 0 / 38

HEX #48799D

RGB 72 121 157

HSL 205.41, 0.37%, 0.45%

LAB 48.87, -5.87, -24.44

 

CMYK 4 / 54 / 0 / 38

HEX #96489D

RGB 150 72 157

HSL 295.06, 0.37%, 0.45%

LAB 43.59, 45.35, -32.16

 

Description

Color code: HEX #9D6C48 | qconv.com Color code: HEX #9D6C48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 108 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 108 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 54 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 54% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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