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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D62EF it is the complementary color #629D10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D62EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D62EF shade: #A262EA, #B374FD, #C486FF, #D598FF and #E6AAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D62EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D62EF shade: #9D62EF, #8C50DC, #7B3EC9, #6A2CB6 and #591AA3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D62EF shade: #9C61EF, #C361EF, #E961EF, #EF61CF and #EF61A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D62EF shade: #9C61EF, #7661EF and #6161EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D62EF shade matches the following richer shades: #9C61EF and #9A53FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D62EF shade: #9C61EF, #9E6FE1, #A17DD3, #A38BC5 and #A599B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D62EF shade: #6171EF, #7661EF, #9C61EF, #C261EF and #E861EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D62EF shade: #6E16E7, #853BEB, #9C61EF, #B486F3 and #CBACF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D62EF shade: #9D62EF, #EF6197 and #61EF63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D62EF shade: #9D62EF, #EF9C61 and #61EF9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D62EF shade: #9D62EF, #EF6197, #B4EF61 and #61EFB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D62EF shade: #9D62EF, #EF616D, #B4EF61 and #61EFE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 59 / 0 / 6

HEX #9D62EF

RGB 157 98 239

HSL 265.11, 0.82%, 0.66%

LAB 54.17, 51.96, -62.56

 

Complementary color

CMYK 38 / 0 / 90 / 38

HEX #629D10

RGB 98 157 16

HSL 85.11, 0.82%, 0.34%

LAB 58.74, -39.41, 58.47

 

CMYK 31 / 58 / 0 / 8

HEX #A262EA

RGB 162 98 234

HSL 268.24, 0.76%, 0.65%

LAB 54.4, 51.88, -59.35

 

CMYK 29 / 54 / 0 / 1

HEX #B374FD

RGB 179 116 253

HSL 267.59, 0.97%, 0.72%

LAB 60.93, 50.95, -59.35

 

CMYK 23 / 47 / 0 / 0

HEX #C486FF

RGB 196 134 255

HSL 270.74, 1%, 0.76%

LAB 66.52, 46.13, -51.44

 

CMYK 16 / 40 / 0 / 0

HEX #D598FF

RGB 213 152 255

HSL 275.53, 1%, 0.8%

LAB 72.11, 41.17, -42.54

 

CMYK 10 / 33 / 0 / 0

HEX #E6AAFF

RGB 230 170 255

HSL 282.35, 1%, 0.83%

LAB 77.75, 36.54, -33.65

 

CMYK 34 / 59 / 0 / 6

HEX #9D62EF

RGB 157 98 239

HSL 265.11, 0.82%, 0.66%

LAB 54.17, 51.96, -62.56

 

CMYK 36 / 64 / 0 / 14

HEX #8C50DC

RGB 140 80 220

HSL 265.71, 0.67%, 0.59%

LAB 47.6, 52.93, -62.54

 

CMYK 39 / 69 / 0 / 21

HEX #7B3EC9

RGB 123 62 201

HSL 266.33, 0.56%, 0.52%

LAB 41.01, 53.78, -62.39

 

CMYK 42 / 76 / 0 / 29

HEX #6A2CB6

RGB 106 44 182

HSL 266.96, 0.61%, 0.44%

LAB 34.48, 54.32, -61.98

 

CMYK 45 / 84 / 0 / 36

HEX #591AA3

RGB 89 26 163

HSL 267.59, 0.72%, 0.37%

LAB 28.13, 54.17, -61.08

 

CMYK 35 / 59 / 0 / 6

HEX #9C61EF

RGB 156 97 239

HSL 264.93, 0.82%, 0.66%

LAB 53.87, 52.27, -63.05

 

CMYK 18 / 59 / 0 / 6

HEX #C361EF

RGB 195 97 239

HSL 281.41, 0.82%, 0.66%

LAB 58.4, 61.24, -55.53

 

CMYK 3 / 59 / 0 / 6

HEX #E961EF

RGB 233 97 239

HSL 297.46, 0.82%, 0.66%

LAB 63.43, 70.36, -47.24

 

CMYK 0 / 59 / 13 / 6

HEX #EF61CF

RGB 239 97 207

HSL 313.52, 0.82%, 0.66%

LAB 62.85, 66.79, -30.18

 

CMYK 0 / 59 / 30 / 6

HEX #EF61A8

RGB 239 97 168

HSL 330, 0.82%, 0.66%

LAB 61.42, 61.52, -10.13

 

CMYK 35 / 59 / 0 / 6

HEX #9C61EF

RGB 156 97 239

HSL 264.93, 0.82%, 0.66%

LAB 53.87, 52.27, -63.05

 

CMYK 51 / 59 / 0 / 6

HEX #7661EF

RGB 118 97 239

HSL 248.87, 0.82%, 0.66%

LAB 50.25, 44.42, -69.06

 

CMYK 59 / 59 / 0 / 6

HEX #6161EF

RGB 97 97 239

HSL 240, 0.82%, 0.66%

LAB 48.66, 40.71, -71.72

 

CMYK 35 / 59 / 0 / 6

HEX #9C61EF

RGB 156 97 239

HSL 264.93, 0.82%, 0.66%

LAB 53.87, 52.27, -63.05

 

CMYK 39 / 67 / 0 / 1

HEX #9A53FD

RGB 154 83 253

HSL 265.06, 0.98%, 0.66%

LAB 52, 62.33, -73.87

 

CMYK 35 / 59 / 0 / 6

HEX #9C61EF

RGB 156 97 239

HSL 264.93, 0.82%, 0.66%

LAB 53.87, 52.27, -63.05

 

CMYK 30 / 51 / 0 / 12

HEX #9E6FE1

RGB 158 111 225

HSL 264.74, 0.66%, 0.66%

LAB 56.16, 41.71, -51.52

 

CMYK 24 / 41 / 0 / 17

HEX #A17DD3

RGB 161 125 211

HSL 265.12, 0.49%, 0.66%

LAB 58.93, 31.25, -39.26

 

CMYK 17 / 29 / 0 / 23

HEX #A38BC5

RGB 163 139 197

HSL 264.83, 0.33%, 0.66%

LAB 61.9, 20.61, -26.75

 

CMYK 10 / 16 / 0 / 28

HEX #A599B7

RGB 165 153 183

HSL 264, 0.17%, 0.66%

LAB 65.12, 10.27, -13.95

 

CMYK 59 / 53 / 0 / 6

HEX #6171EF

RGB 97 113 239

HSL 233.24, 0.82%, 0.66%

LAB 52.49, 31.07, -65.52

 

CMYK 51 / 59 / 0 / 6

HEX #7661EF

RGB 118 97 239

HSL 248.87, 0.82%, 0.66%

LAB 50.25, 44.42, -69.06

 

CMYK 35 / 59 / 0 / 6

HEX #9C61EF

RGB 156 97 239

HSL 264.93, 0.82%, 0.66%

LAB 53.87, 52.27, -63.05

 

CMYK 19 / 59 / 0 / 6

HEX #C261EF

RGB 194 97 239

HSL 280.99, 0.82%, 0.66%

LAB 58.27, 61, -55.74

 

CMYK 3 / 59 / 0 / 6

HEX #E861EF

RGB 232 97 239

HSL 297.04, 0.82%, 0.66%

LAB 63.29, 70.12, -47.46

 

CMYK 52 / 90 / 0 / 9

HEX #6E16E7

RGB 110 22 231

HSL 265.26, 0.83%, 0.5%

LAB 37.22, 73.54, -85.92

 

CMYK 43 / 75 / 0 / 8

HEX #853BEB

RGB 133 59 235

HSL 265.23, 0.81%, 0.58%

LAB 44.39, 65.22, -76.3

 

CMYK 35 / 59 / 0 / 6

HEX #9C61EF

RGB 156 97 239

HSL 264.93, 0.82%, 0.66%

LAB 53.87, 52.27, -63.05

 

CMYK 26 / 45 / 0 / 5

HEX #B486F3

RGB 180 134 243

HSL 265.32, 0.82%, 0.74%

LAB 64.34, 39.09, -48.42

 

CMYK 17 / 30 / 0 / 4

HEX #CBACF6

RGB 203 172 246

HSL 265.14, 0.8%, 0.82%

LAB 75.36, 25.41, -32.69

 

CMYK 34 / 59 / 0 / 6

HEX #9D62EF

RGB 157 98 239

HSL 265.11, 0.82%, 0.66%

LAB 54.17, 51.96, -62.56

 

CMYK 0 / 59 / 37 / 6

HEX #EF6197

RGB 239 97 151

HSL 337.18, 0.82%, 0.66%

LAB 60.9, 59.55, -1.08

 

CMYK 59 / 0 / 59 / 6

HEX #61EF63

RGB 97 239 99

HSL 120.85, 0.82%, 0.66%

LAB 84.57, -65.01, 55.37

 

CMYK 34 / 59 / 0 / 6

HEX #9D62EF

RGB 157 98 239

HSL 265.11, 0.82%, 0.66%

LAB 54.17, 51.96, -62.56

 

CMYK 0 / 35 / 59 / 6

HEX #EF9C61

RGB 239 156 97

HSL 24.93, 0.82%, 0.66%

LAB 71.55, 25.3, 43.27

 

CMYK 59 / 0 / 35 / 6

HEX #61EF9C

RGB 97 239 156

HSL 144.93, 0.82%, 0.66%

LAB 85.34, -56.58, 29

 

CMYK 34 / 59 / 0 / 6

HEX #9D62EF

RGB 157 98 239

HSL 265.11, 0.82%, 0.66%

LAB 54.17, 51.96, -62.56

 

CMYK 0 / 59 / 37 / 6

HEX #EF6197

RGB 239 97 151

HSL 337.18, 0.82%, 0.66%

LAB 60.9, 59.55, -1.08

 

CMYK 25 / 0 / 59 / 6

HEX #B4EF61

RGB 180 239 97

HSL 84.93, 0.82%, 0.66%

LAB 88.11, -40.22, 61.21

 

CMYK 59 / 0 / 23 / 6

HEX #61EFB8

RGB 97 239 184

HSL 156.76, 0.82%, 0.66%

LAB 85.87, -51.01, 15.33

 

CMYK 34 / 59 / 0 / 6

HEX #9D62EF

RGB 157 98 239

HSL 265.11, 0.82%, 0.66%

LAB 54.17, 51.96, -62.56

 

CMYK 0 / 59 / 54 / 6

HEX #EF616D

RGB 239 97 109

HSL 354.93, 0.82%, 0.66%

LAB 59.89, 55.61, 21.85

 

CMYK 25 / 0 / 59 / 6

HEX #B4EF61

RGB 180 239 97

HSL 84.93, 0.82%, 0.66%

LAB 88.11, -40.22, 61.21

 

CMYK 59 / 0 / 5 / 6

HEX #61EFE3

RGB 97 239 227

HSL 174.93, 0.82%, 0.66%

LAB 86.91, -40.86, -5.66

 

Description

Color code: HEX #9D62EF | qconv.com Color code: HEX #9D62EF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 98 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 98 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 59 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 59% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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