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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D60D9 it is the complementary color #629F26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D60D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D60D9 shade: #A260D4, #B372E7, #C484FA, #D596FF and #E6A8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D60D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D60D9 shade: #9D60D9, #8C4EC6, #7B3CB3, #6A2AA0 and #59188D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D60D9 shade: #9C5ED8, #BC5ED8, #D85ED2, #D85EB2 and #D85E91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D60D9 shade: #9C5ED8, #7B5ED8 and #5E5ED8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D60D9 shade matches the following richer shades: #9C5ED8, #9C4EE8 and #9C3EF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D60D9 shade: #9C5ED8, #9B6EC8, #9B7FB8, #9B8FA7 and #9B9F97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D60D9 shade: #5E62D8, #7B5ED8, #9B5ED8, #BB5ED8 and #D85ED4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D60D9 shade: #722CB8, #873DD0, #9C5ED8, #B080E0 and #C5A1E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D60D9 shade: #9D60D9, #D85E83 and #5ED86B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D60D9 shade: #9D60D9, #D89B5E and #5ED89B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D60D9 shade: #9D60D9, #D85E83, #9BD85E and #5ED8B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D60D9 shade: #9D60D9, #D85E5E, #9BD85E and #5ED8D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 56 / 0 / 15

HEX #9D60D9

RGB 157 96 217

HSL 270.25, 0.61%, 0.61%

LAB 52.45, 47.7, -52.94

 

Complementary color

CMYK 38 / 0 / 76 / 38

HEX #629F26

RGB 98 159 38

HSL 90.25, 0.61%, 0.39%

LAB 59.46, -39.29, 53.12

 

CMYK 24 / 55 / 0 / 17

HEX #A260D4

RGB 162 96 212

HSL 274.14, 0.57%, 0.6%

LAB 52.73, 47.8, -49.62

 

CMYK 23 / 51 / 0 / 9

HEX #B372E7

RGB 179 114 231

HSL 273.33, 0.71%, 0.68%

LAB 59.33, 46.94, -49.7

 

CMYK 22 / 47 / 0 / 2

HEX #C484FA

RGB 196 132 250

HSL 272.54, 0.92%, 0.75%

LAB 65.86, 46.09, -49.76

 

CMYK 16 / 41 / 0 / 0

HEX #D596FF

RGB 213 150 255

HSL 276, 1%, 0.79%

LAB 71.68, 42.24, -43.22

 

CMYK 10 / 34 / 0 / 0

HEX #E6A8FF

RGB 230 168 255

HSL 282.76, 1%, 0.83%

LAB 77.31, 37.61, -34.33

 

CMYK 28 / 56 / 0 / 15

HEX #9D60D9

RGB 157 96 217

HSL 270.25, 0.61%, 0.61%

LAB 52.45, 47.7, -52.94

 

CMYK 29 / 61 / 0 / 22

HEX #8C4EC6

RGB 140 78 198

HSL 271, 0.51%, 0.54%

LAB 45.77, 48.59, -52.86

 

CMYK 31 / 66 / 0 / 30

HEX #7B3CB3

RGB 123 60 179

HSL 271.76, 0.5%, 0.47%

LAB 39.07, 49.36, -52.66

 

CMYK 34 / 74 / 0 / 37

HEX #6A2AA0

RGB 106 42 160

HSL 272.54, 0.58%, 0.4%

LAB 32.39, 49.82, -52.22

 

CMYK 37 / 83 / 0 / 45

HEX #59188D

RGB 89 24 141

HSL 273.33, 0.71%, 0.32%

LAB 25.86, 49.58, -51.29

 

CMYK 28 / 56 / 0 / 15

HEX #9C5ED8

RGB 156 94 216

HSL 270.49, 0.61%, 0.61%

LAB 51.87, 48.29, -53.3

 

CMYK 13 / 56 / 0 / 15

HEX #BC5ED8

RGB 188 94 216

HSL 286.23, 0.61%, 0.61%

LAB 55.74, 56.31, -46.91

 

CMYK 0 / 56 / 3 / 15

HEX #D85ED2

RGB 216 94 210

HSL 302.95, 0.61%, 0.61%

LAB 59.21, 62.47, -37.79

 

CMYK 0 / 56 / 18 / 15

HEX #D85EB2

RGB 216 94 178

HSL 318.69, 0.61%, 0.61%

LAB 57.86, 57.43, -21.6

 

CMYK 0 / 56 / 33 / 15

HEX #D85E91

RGB 216 94 145

HSL 334.92, 0.61%, 0.61%

LAB 56.73, 53, -4.12

 

CMYK 28 / 56 / 0 / 15

HEX #9C5ED8

RGB 156 94 216

HSL 270.49, 0.61%, 0.61%

LAB 51.87, 48.29, -53.3

 

CMYK 43 / 56 / 0 / 15

HEX #7B5ED8

RGB 123 94 216

HSL 254.26, 0.61%, 0.61%

LAB 48.48, 40.57, -58.93

 

CMYK 56 / 56 / 0 / 15

HEX #5E5ED8

RGB 94 94 216

HSL 240, 0.61%, 0.61%

LAB 46.1, 34.66, -62.89

 

CMYK 28 / 56 / 0 / 15

HEX #9C5ED8

RGB 156 94 216

HSL 270.49, 0.61%, 0.61%

LAB 51.87, 48.29, -53.3

 

CMYK 33 / 66 / 0 / 9

HEX #9C4EE8

RGB 156 78 232

HSL 270.39, 0.77%, 0.61%

LAB 49.91, 60.08, -65.51

 

CMYK 37 / 75 / 0 / 3

HEX #9C3EF8

RGB 156 62 248

HSL 270.32, 0.93%, 0.61%

LAB 48.62, 70.64, -76.58

 

CMYK 28 / 56 / 0 / 15

HEX #9C5ED8

RGB 156 94 216

HSL 270.49, 0.61%, 0.61%

LAB 51.87, 48.29, -53.3

 

CMYK 23 / 45 / 0 / 22

HEX #9B6EC8

RGB 155 110 200

HSL 270, 0.45%, 0.61%

LAB 54.33, 35.44, -40.29

 

CMYK 16 / 31 / 0 / 28

HEX #9B7FB8

RGB 155 127 184

HSL 269.47, 0.29%, 0.61%

LAB 57.66, 22, -25.97

 

CMYK 7 / 14 / 0 / 35

HEX #9B8FA7

RGB 155 143 167

HSL 270, 0.12%, 0.61%

LAB 61.14, 9.14, -11

 

CMYK 3 / 0 / 5 / 38

HEX #9B9F97

RGB 155 159 151

HSL 90, 0.04%, 0.61%

LAB 64.96, -2.95, 3.66

 

CMYK 56 / 55 / 0 / 15

HEX #5E62D8

RGB 94 98 216

HSL 238.03, 0.61%, 0.61%

LAB 47.07, 32.22, -61.32

 

CMYK 43 / 56 / 0 / 15

HEX #7B5ED8

RGB 123 94 216

HSL 254.26, 0.61%, 0.61%

LAB 48.48, 40.57, -58.93

 

CMYK 28 / 56 / 0 / 15

HEX #9B5ED8

RGB 155 94 216

HSL 270, 0.61%, 0.61%

LAB 51.76, 48.04, -53.48

 

CMYK 13 / 56 / 0 / 15

HEX #BB5ED8

RGB 187 94 216

HSL 285.74, 0.61%, 0.61%

LAB 55.61, 56.05, -47.12

 

CMYK 0 / 56 / 2 / 15

HEX #D85ED4

RGB 216 94 212

HSL 301.97, 0.61%, 0.61%

LAB 59.3, 62.8, -38.77

 

CMYK 38 / 76 / 0 / 28

HEX #722CB8

RGB 114 44 184

HSL 270, 0.61%, 0.45%

LAB 35.67, 56.15, -61.18

 

CMYK 35 / 71 / 0 / 18

HEX #873DD0

RGB 135 61 208

HSL 270.2, 0.61%, 0.53%

LAB 42.83, 58.22, -63.43

 

CMYK 28 / 56 / 0 / 15

HEX #9C5ED8

RGB 156 94 216

HSL 270.49, 0.61%, 0.61%

LAB 51.87, 48.29, -53.3

 

CMYK 21 / 43 / 0 / 12

HEX #B080E0

RGB 176 128 224

HSL 270, 0.61%, 0.69%

LAB 61.7, 36.89, -42.09

 

CMYK 15 / 31 / 0 / 9

HEX #C5A1E8

RGB 197 161 232

HSL 270.42, 0.61%, 0.77%

LAB 71.68, 26.59, -30.81

 

CMYK 28 / 56 / 0 / 15

HEX #9D60D9

RGB 157 96 217

HSL 270.25, 0.61%, 0.61%

LAB 52.45, 47.7, -52.94

 

CMYK 0 / 56 / 39 / 15

HEX #D85E83

RGB 216 94 131

HSL 341.8, 0.61%, 0.61%

LAB 56.33, 51.39, 3.51

 

CMYK 56 / 0 / 50 / 15

HEX #5ED86B

RGB 94 216 107

HSL 126.39, 0.61%, 0.61%

LAB 77.61, -56.29, 43.37

 

CMYK 28 / 56 / 0 / 15

HEX #9D60D9

RGB 157 96 217

HSL 270.25, 0.61%, 0.61%

LAB 52.45, 47.7, -52.94

 

CMYK 0 / 28 / 56 / 15

HEX #D89B5E

RGB 216 155 94

HSL 30, 0.61%, 0.61%

LAB 68.64, 16.18, 40.68

 

CMYK 56 / 0 / 28 / 15

HEX #5ED89B

RGB 94 216 155

HSL 150, 0.61%, 0.61%

LAB 78.38, -48.12, 20.01

 

CMYK 28 / 56 / 0 / 15

HEX #9D60D9

RGB 157 96 217

HSL 270.25, 0.61%, 0.61%

LAB 52.45, 47.7, -52.94

 

CMYK 0 / 56 / 39 / 15

HEX #D85E83

RGB 216 94 131

HSL 341.8, 0.61%, 0.61%

LAB 56.33, 51.39, 3.51

 

CMYK 28 / 0 / 56 / 15

HEX #9BD85E

RGB 155 216 94

HSL 90, 0.61%, 0.61%

LAB 80.12, -39.31, 53.07

 

CMYK 56 / 0 / 17 / 15

HEX #5ED8B3

RGB 94 216 179

HSL 161.8, 0.61%, 0.61%

LAB 78.89, -42.93, 8.04

 

CMYK 28 / 56 / 0 / 15

HEX #9D60D9

RGB 157 96 217

HSL 270.25, 0.61%, 0.61%

LAB 52.45, 47.7, -52.94

 

CMYK 0 / 56 / 56 / 15

HEX #D85E5E

RGB 216 94 94

HSL 0, 0.61%, 0.61%

LAB 55.49, 47.96, 24.04

 

CMYK 28 / 0 / 56 / 15

HEX #9BD85E

RGB 155 216 94

HSL 90, 0.61%, 0.61%

LAB 80.12, -39.31, 53.07

 

CMYK 56 / 0 / 0 / 15

HEX #5ED8D8

RGB 94 216 216

HSL 180, 0.61%, 0.61%

LAB 79.87, -33.7, -10.29

 

Description

Color code: HEX #9D60D9 | qconv.com Color code: HEX #9D60D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 96 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 96 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 56 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 56% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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