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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D5572 it is the complementary color #62AA8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D5572. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D5572 shade: #A2556D, #B36780, #C47993, #D58BA6 and #E69DB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D5572. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D5572 shade: #9D5572, #8C435F, #7B314C, #6A1F39 and #590D26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D5572 shade: #9B5370, #9B535D and #9B5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D5572 shade: #9B5370, #9B5384, #9B5397, #8C539B and #79539B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D5572 shade matches the following richer shades: #9B5370, #AF406D, #C22D69, #D51965 and #E90661

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D5572 shade: #9B5370, #886774, #757A78, #618E7C and #4EA17F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D5572 shade: #9B5398, #9B5385, #9B5371, #9B535E and #9B5C53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D5572 shade: #66374A, #80455D, #9B5370, #AE6A85 and #BD849B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D5572 shade: #9D5572, #9B8C53 and #538E9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D5572 shade: #9D5572, #719B53 and #53719B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D5572 shade: #9D5572, #9B8C53, #539B7D and #53639B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D5572 shade: #9D5572, #959B53, #539B7D and #59539B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 27 / 38

HEX #9D5572

RGB 157 85 114

HSL 335.83, 0.3%, 0.47%

LAB 45.47, 33.38, -3.23

 

Complementary color

CMYK 42 / 0 / 17 / 33

HEX #62AA8D

RGB 98 170 141

HSL 155.83, 0.3%, 0.53%

LAB 64.38, -29.47, 7.95

 

CMYK 0 / 48 / 33 / 36

HEX #A2556D

RGB 162 85 109

HSL 341.3, 0.31%, 0.48%

LAB 46.02, 34.51, 0.7

 

CMYK 0 / 42 / 28 / 30

HEX #B36780

RGB 179 103 128

HSL 340.26, 0.33%, 0.55%

LAB 52.78, 33.59, -0.54

 

CMYK 0 / 38 / 25 / 23

HEX #C47993

RGB 196 121 147

HSL 339.2, 0.39%, 0.62%

LAB 59.45, 32.72, -1.6

 

CMYK 0 / 35 / 22 / 16

HEX #D58BA6

RGB 213 139 166

HSL 338.11, 0.47%, 0.69%

LAB 66.03, 31.9, -2.53

 

CMYK 0 / 32 / 20 / 10

HEX #E69DB9

RGB 230 157 185

HSL 336.99, 0.59%, 0.76%

LAB 72.52, 31.14, -3.37

 

CMYK 0 / 46 / 27 / 38

HEX #9D5572

RGB 157 85 114

HSL 335.83, 0.3%, 0.47%

LAB 45.47, 33.38, -3.23

 

CMYK 0 / 52 / 32 / 45

HEX #8C435F

RGB 140 67 95

HSL 336.99, 0.35%, 0.41%

LAB 38.58, 34.27, -1.93

 

CMYK 0 / 60 / 38 / 52

HEX #7B314C

RGB 123 49 76

HSL 338.11, 0.43%, 0.34%

LAB 31.65, 35.08, -0.26

 

CMYK 0 / 71 / 46 / 58

HEX #6A1F39

RGB 106 31 57

HSL 339.2, 0.55%, 0.27%

LAB 24.76, 35.58, 2.01

 

CMYK 0 / 85 / 57 / 65

HEX #590D26

RGB 89 13 38

HSL 340.26, 0.75%, 0.2%

LAB 18.15, 35.19, 5.39

 

CMYK 0 / 46 / 28 / 39

HEX #9B5370

RGB 155 83 112

HSL 335.83, 0.3%, 0.47%

LAB 44.7, 33.46, -3.18

 

CMYK 0 / 46 / 40 / 39

HEX #9B535D

RGB 155 83 93

HSL 351.67, 0.3%, 0.47%

LAB 44.15, 30.93, 7.64

 

CMYK 0 / 46 / 46 / 39

HEX #9B5353

RGB 155 83 83

HSL 0, 0.3%, 0.47%

LAB 43.92, 29.79, 13.41

 

CMYK 0 / 46 / 28 / 39

HEX #9B5370

RGB 155 83 112

HSL 335.83, 0.3%, 0.47%

LAB 44.7, 33.46, -3.18

 

CMYK 0 / 46 / 15 / 39

HEX #9B5384

RGB 155 83 132

HSL 319.17, 0.3%, 0.47%

LAB 45.39, 36.59, -14.29

 

CMYK 0 / 46 / 3 / 39

HEX #9B5397

RGB 155 83 151

HSL 303.33, 0.3%, 0.47%

LAB 46.16, 39.96, -24.51

 

CMYK 10 / 46 / 0 / 39

HEX #8C539B

RGB 140 83 155

HSL 287.5, 0.3%, 0.47%

LAB 44.42, 36.11, -29.76

 

CMYK 22 / 46 / 0 / 39

HEX #79539B

RGB 121 83 155

HSL 271.67, 0.3%, 0.47%

LAB 42.18, 30.35, -33.42

 

CMYK 0 / 46 / 28 / 39

HEX #9B5370

RGB 155 83 112

HSL 335.83, 0.3%, 0.47%

LAB 44.7, 33.46, -3.18

 

CMYK 0 / 63 / 38 / 31

HEX #AF406D

RGB 175 64 109

HSL 335.68, 0.46%, 0.47%

LAB 44.07, 49.35, -1.92

 

CMYK 0 / 77 / 46 / 24

HEX #C22D69

RGB 194 45 105

HSL 335.84, 0.62%, 0.47%

LAB 44.75, 61.61, 1.96

 

CMYK 0 / 88 / 53 / 16

HEX #D51965

RGB 213 25 101

HSL 335.74, 0.79%, 0.47%

LAB 46.69, 70.75, 7.69

 

CMYK 0 / 97 / 58 / 9

HEX #E90661

RGB 233 6 97

HSL 335.95, 0.95%, 0.47%

LAB 49.88, 77.23, 15.21

 

CMYK 0 / 46 / 28 / 39

HEX #9B5370

RGB 155 83 112

HSL 335.83, 0.3%, 0.47%

LAB 44.7, 33.46, -3.18

 

CMYK 0 / 24 / 15 / 47

HEX #886774

RGB 136 103 116

HSL 336.36, 0.14%, 0.47%

LAB 47.23, 15.41, -2.14

 

CMYK 4 / 0 / 2 / 52

HEX #757A78

RGB 117 122 120

HSL 156, 0.02%, 0.47%

LAB 50.75, -2.28, 0.43

 

CMYK 32 / 0 / 13 / 44

HEX #618E7C

RGB 97 142 124

HSL 156, 0.19%, 0.47%

LAB 55.42, -19.45, 4.7

 

CMYK 52 / 0 / 21 / 37

HEX #4EA17F

RGB 78 161 127

HSL 155.42, 0.35%, 0.47%

LAB 60.46, -33.6, 10.08

 

CMYK 0 / 46 / 2 / 39

HEX #9B5398

RGB 155 83 152

HSL 302.5, 0.3%, 0.47%

LAB 46.21, 40.15, -25.03

 

CMYK 0 / 46 / 14 / 39

HEX #9B5385

RGB 155 83 133

HSL 318.33, 0.3%, 0.47%

LAB 45.43, 36.76, -14.84

 

CMYK 0 / 46 / 27 / 39

HEX #9B5371

RGB 155 83 113

HSL 335, 0.3%, 0.47%

LAB 44.73, 33.6, -3.75

 

CMYK 0 / 46 / 39 / 39

HEX #9B535E

RGB 155 83 94

HSL 350.83, 0.3%, 0.47%

LAB 44.18, 31.05, 7.07

 

CMYK 0 / 41 / 46 / 39

HEX #9B5C53

RGB 155 92 83

HSL 7.5, 0.3%, 0.47%

LAB 45.97, 24.75, 16.22

 

CMYK 0 / 46 / 27 / 60

HEX #66374A

RGB 102 55 74

HSL 335.74, 0.3%, 0.31%

LAB 29.54, 23.56, -2.43

 

CMYK 0 / 46 / 27 / 50

HEX #80455D

RGB 128 69 93

HSL 335.59, 0.3%, 0.39%

LAB 37.18, 28.43, -2.93

 

CMYK 0 / 46 / 28 / 39

HEX #9B5370

RGB 155 83 112

HSL 335.83, 0.3%, 0.47%

LAB 44.7, 33.46, -3.18

 

CMYK 0 / 39 / 24 / 32

HEX #AE6A85

RGB 174 106 133

HSL 336.18, 0.3%, 0.55%

LAB 52.95, 30.85, -3.31

 

CMYK 0 / 30 / 18 / 26

HEX #BD849B

RGB 189 132 155

HSL 335.79, 0.3%, 0.63%

LAB 61.38, 25.36, -3.44

 

CMYK 0 / 46 / 27 / 38

HEX #9D5572

RGB 157 85 114

HSL 335.83, 0.3%, 0.47%

LAB 45.47, 33.38, -3.23

 

CMYK 0 / 10 / 46 / 39

HEX #9B8C53

RGB 155 140 83

HSL 47.5, 0.3%, 0.47%

LAB 58.37, -2.53, 32.38

 

CMYK 46 / 8 / 0 / 39

HEX #538E9B

RGB 83 142 155

HSL 190.83, 0.3%, 0.47%

LAB 55.64, -15.62, -12.9

 

CMYK 0 / 46 / 27 / 38

HEX #9D5572

RGB 157 85 114

HSL 335.83, 0.3%, 0.47%

LAB 45.47, 33.38, -3.23

 

CMYK 27 / 0 / 46 / 39

HEX #719B53

RGB 113 155 83

HSL 95, 0.3%, 0.47%

LAB 59.51, -27.6, 33.11

 

CMYK 46 / 27 / 0 / 39

HEX #53719B

RGB 83 113 155

HSL 215, 0.3%, 0.47%

LAB 47, 0.98, -26.12

 

CMYK 0 / 46 / 27 / 38

HEX #9D5572

RGB 157 85 114

HSL 335.83, 0.3%, 0.47%

LAB 45.47, 33.38, -3.23

 

CMYK 0 / 10 / 46 / 39

HEX #9B8C53

RGB 155 140 83

HSL 47.5, 0.3%, 0.47%

LAB 58.37, -2.53, 32.38

 

CMYK 46 / 0 / 19 / 39

HEX #539B7D

RGB 83 155 125

HSL 155, 0.3%, 0.47%

LAB 58.75, -29.91, 8.8

 

CMYK 46 / 36 / 0 / 39

HEX #53639B

RGB 83 99 155

HSL 226.67, 0.3%, 0.47%

LAB 42.96, 9.59, -32.43

 

CMYK 0 / 46 / 27 / 38

HEX #9D5572

RGB 157 85 114

HSL 335.83, 0.3%, 0.47%

LAB 45.47, 33.38, -3.23

 

CMYK 4 / 0 / 46 / 39

HEX #959B53

RGB 149 155 83

HSL 65, 0.3%, 0.47%

LAB 62.05, -13.18, 36.82

 

CMYK 46 / 0 / 19 / 39

HEX #539B7D

RGB 83 155 125

HSL 155, 0.3%, 0.47%

LAB 58.75, -29.91, 8.8

 

CMYK 43 / 46 / 0 / 39

HEX #59539B

RGB 89 83 155

HSL 245, 0.3%, 0.47%

LAB 39.03, 21.27, -38.61

 

Description

Color code: HEX #9D5572 | qconv.com Color code: HEX #9D5572 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 85 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 85 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 27 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 27% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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