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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D3D30 it is the complementary color #62C2CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D3D30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D3D30 shade: #A23D2B, #B34F3E, #C46151, #D57364 and #E68577

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D3D30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D3D30 shade: #9D3D30, #8C2B1D, #7B190A, #6A0700 and #590000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D3D30 shade: #9C3C2F and #9C2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D3D30 shade: #9C3C2F, #9C592F, #9C772F, #9C942F and #869C2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D3D30 shade matches the following richer shades: #9C3C2F, #AC301F and #BD230E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D3D30 shade: #9C3C2F, #8B4940, #7B5550, #6A6261 and #5A6F71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D3D30 shade: #9C2F5C, #9C2F40, #9C3C2F, #9C592F and #9C762F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D3D30 shade: #5C241C, #7C3026, #9C3C2F, #BB4939 and #CA6254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D3D30 shade: #9D3D30, #799C2F and #2F4E9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D3D30 shade: #9D3D30, #2F9C3C and #3C2F9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D3D30 shade: #9D3D30, #799C2F, #2F8F9C and #522F9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D3D30 shade: #9D3D30, #599C2F, #2F8F9C and #722F9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 69 / 38

HEX #9D3D30

RGB 157 61 48

HSL 7.16, 0.53%, 0.4%

LAB 39.1, 39.18, 28.43

 

Complementary color

CMYK 53 / 6 / 0 / 19

HEX #62C2CF

RGB 98 194 207

HSL 187.16, 0.53%, 0.6%

LAB 73.34, -24.7, -15.2

 

CMYK 0 / 62 / 73 / 36

HEX #A23D2B

RGB 162 61 43

HSL 9.08, 0.58%, 0.4%

LAB 39.9, 40.77, 32.49

 

CMYK 0 / 56 / 65 / 30

HEX #B34F3E

RGB 179 79 62

HSL 8.72, 0.49%, 0.47%

LAB 46.34, 39.46, 29.8

 

CMYK 0 / 51 / 59 / 23

HEX #C46151

RGB 196 97 81

HSL 8.35, 0.49%, 0.54%

LAB 52.82, 38.13, 27.49

 

CMYK 0 / 46 / 53 / 16

HEX #D57364

RGB 213 115 100

HSL 7.96, 0.57%, 0.61%

LAB 59.28, 36.87, 25.49

 

CMYK 0 / 42 / 48 / 10

HEX #E68577

RGB 230 133 119

HSL 7.57, 0.69%, 0.68%

LAB 65.69, 35.68, 23.75

 

CMYK 0 / 61 / 69 / 38

HEX #9D3D30

RGB 157 61 48

HSL 7.16, 0.53%, 0.4%

LAB 39.1, 39.18, 28.43

 

CMYK 0 / 69 / 79 / 45

HEX #8C2B1D

RGB 140 43 29

HSL 7.57, 0.66%, 0.33%

LAB 32.68, 40.3, 31.5

 

CMYK 0 / 80 / 92 / 52

HEX #7B190A

RGB 123 25 10

HSL 7.96, 0.85%, 0.26%

LAB 26.53, 40.9, 34.49

 

CMYK 0 / 93 / 100 / 58

HEX #6A0700

RGB 106 7 0

HSL 3.96, 1%, 0.21%

LAB 20.89, 40.3, 31.68

 

CMYK 0 / 100 / 100 / 65

HEX #590000

RGB 89 0 0

HSL 0, 1%, 0.17%

LAB 16.12, 37.17, 25.04

 

CMYK 0 / 62 / 70 / 39

HEX #9C3C2F

RGB 156 60 47

HSL 7.16, 0.54%, 0.4%

LAB 38.73, 39.23, 28.54

 

CMYK 0 / 70 / 70 / 39

HEX #9C2F2F

RGB 156 47 47

HSL 0, 0.54%, 0.4%

LAB 36.57, 45.05, 25.96

 

CMYK 0 / 62 / 70 / 39

HEX #9C3C2F

RGB 156 60 47

HSL 7.16, 0.54%, 0.4%

LAB 38.73, 39.23, 28.54

 

CMYK 0 / 43 / 70 / 39

HEX #9C592F

RGB 156 89 47

HSL 23.12, 0.54%, 0.4%

LAB 44.83, 23.86, 35.55

 

CMYK 0 / 24 / 70 / 39

HEX #9C772F

RGB 156 119 47

HSL 39.63, 0.54%, 0.4%

LAB 52.36, 6.75, 43.74

 

CMYK 0 / 5 / 70 / 39

HEX #9C942F

RGB 156 148 47

HSL 55.6, 0.54%, 0.4%

LAB 60.3, -9.3, 51.91

 

CMYK 14 / 0 / 70 / 39

HEX #869C2F

RGB 134 156 47

HSL 72.11, 0.54%, 0.4%

LAB 60.83, -23.07, 51.87

 

CMYK 0 / 62 / 70 / 39

HEX #9C3C2F

RGB 156 60 47

HSL 7.16, 0.54%, 0.4%

LAB 38.73, 39.23, 28.54

 

CMYK 0 / 72 / 82 / 33

HEX #AC301F

RGB 172 48 31

HSL 7.23, 0.69%, 0.4%

LAB 39.55, 49.36, 39.31

 

CMYK 0 / 81 / 93 / 26

HEX #BD230E

RGB 189 35 14

HSL 7.2, 0.86%, 0.4%

LAB 41.3, 58.46, 49.81

 

CMYK 0 / 62 / 70 / 39

HEX #9C3C2F

RGB 156 60 47

HSL 7.16, 0.54%, 0.4%

LAB 38.73, 39.23, 28.54

 

CMYK 0 / 47 / 54 / 45

HEX #8B4940

RGB 139 73 64

HSL 7.2, 0.37%, 0.4%

LAB 38.94, 26.97, 17.92

 

CMYK 0 / 31 / 35 / 52

HEX #7B5550

RGB 123 85 80

HSL 6.98, 0.21%, 0.4%

LAB 40.06, 15.08, 9.24

 

CMYK 0 / 8 / 8 / 58

HEX #6A6261

RGB 106 98 97

HSL 6.67, 0.04%, 0.4%

LAB 42.25, 2.98, 1.71

 

CMYK 20 / 2 / 0 / 56

HEX #5A6F71

RGB 90 111 113

HSL 185.22, 0.11%, 0.4%

LAB 45.27, -7.26, -3.7

 

CMYK 0 / 70 / 41 / 39

HEX #9C2F5C

RGB 156 47 92

HSL 335.23, 0.54%, 0.4%

LAB 37.61, 48.72, -1.14

 

CMYK 0 / 70 / 59 / 39

HEX #9C2F40

RGB 156 47 64

HSL 350.64, 0.54%, 0.4%

LAB 36.88, 46.15, 15.68

 

CMYK 0 / 62 / 70 / 39

HEX #9C3C2F

RGB 156 60 47

HSL 7.16, 0.54%, 0.4%

LAB 38.73, 39.23, 28.54

 

CMYK 0 / 43 / 70 / 39

HEX #9C592F

RGB 156 89 47

HSL 23.12, 0.54%, 0.4%

LAB 44.83, 23.86, 35.55

 

CMYK 0 / 24 / 70 / 39

HEX #9C762F

RGB 156 118 47

HSL 39.08, 0.54%, 0.4%

LAB 52.1, 7.32, 43.46

 

CMYK 0 / 61 / 70 / 64

HEX #5C241C

RGB 92 36 28

HSL 7.5, 0.53%, 0.24%

LAB 22.38, 25.05, 18

 

CMYK 0 / 61 / 69 / 51

HEX #7C3026

RGB 124 48 38

HSL 6.98, 0.53%, 0.32%

LAB 30.73, 32.37, 23.1

 

CMYK 0 / 62 / 70 / 39

HEX #9C3C2F

RGB 156 60 47

HSL 7.16, 0.54%, 0.4%

LAB 38.73, 39.23, 28.54

 

CMYK 0 / 61 / 70 / 27

HEX #BB4939

RGB 187 73 57

HSL 7.38, 0.53%, 0.48%

LAB 46.48, 45.02, 33.16

 

CMYK 0 / 51 / 58 / 21

HEX #CA6254

RGB 202 98 84

HSL 7.12, 0.53%, 0.56%

LAB 53.95, 40.13, 27.4

 

CMYK 0 / 61 / 69 / 38

HEX #9D3D30

RGB 157 61 48

HSL 7.16, 0.53%, 0.4%

LAB 39.1, 39.18, 28.43

 

CMYK 22 / 0 / 70 / 39

HEX #799C2F

RGB 121 156 47

HSL 79.27, 0.54%, 0.4%

LAB 59.93, -28.48, 50.67

 

CMYK 70 / 50 / 0 / 39

HEX #2F4E9C

RGB 47 78 156

HSL 222.94, 0.54%, 0.4%

LAB 34.91, 15.79, -45.97

 

CMYK 0 / 61 / 69 / 38

HEX #9D3D30

RGB 157 61 48

HSL 7.16, 0.53%, 0.4%

LAB 39.1, 39.18, 28.43

 

CMYK 70 / 0 / 62 / 39

HEX #2F9C3C

RGB 47 156 60

HSL 127.16, 0.54%, 0.4%

LAB 56.79, -50.47, 40.65

 

CMYK 62 / 70 / 0 / 39

HEX #3C2F9C

RGB 60 47 156

HSL 247.16, 0.54%, 0.4%

LAB 27.83, 37.97, -57.44

 

CMYK 0 / 61 / 69 / 38

HEX #9D3D30

RGB 157 61 48

HSL 7.16, 0.53%, 0.4%

LAB 39.1, 39.18, 28.43

 

CMYK 22 / 0 / 70 / 39

HEX #799C2F

RGB 121 156 47

HSL 79.27, 0.54%, 0.4%

LAB 59.93, -28.48, 50.67

 

CMYK 70 / 8 / 0 / 39

HEX #2F8F9C

RGB 47 143 156

HSL 187.16, 0.54%, 0.4%

LAB 54.71, -23.09, -15

 

CMYK 47 / 70 / 0 / 39

HEX #522F9C

RGB 82 47 156

HSL 259.27, 0.54%, 0.4%

LAB 29.98, 41.71, -53.84

 

CMYK 0 / 61 / 69 / 38

HEX #9D3D30

RGB 157 61 48

HSL 7.16, 0.53%, 0.4%

LAB 39.1, 39.18, 28.43

 

CMYK 43 / 0 / 70 / 39

HEX #599C2F

RGB 89 156 47

HSL 96.88, 0.54%, 0.4%

LAB 58.14, -40.51, 48.25

 

CMYK 70 / 8 / 0 / 39

HEX #2F8F9C

RGB 47 143 156

HSL 187.16, 0.54%, 0.4%

LAB 54.71, -23.09, -15

 

CMYK 27 / 70 / 0 / 39

HEX #722F9C

RGB 114 47 156

HSL 276.88, 0.54%, 0.4%

LAB 34.01, 48.25, -47.12

 

Description

Color code: HEX #9D3D30 | qconv.com Color code: HEX #9D3D30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 61 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 61 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 69 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 69% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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