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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D34D1 it is the complementary color #62CB2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D34D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D34D1 shade: #A234CC, #B346DF, #C458F2, #D56AFF and #E67CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D34D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D34D1 shade: #9D34D1, #8C22BE, #7B10AB, #6A0098 and #590085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D34D1 shade: #9C33D0, #C733D0, #D033AF, #D03385 and #D0335B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D34D1 shade: #9C33D0, #7233D0, #4733D0 and #3333D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D34D1 shade matches the following richer shades: #9C33D0, #A31FE4 and #AA0AF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D34D1 shade: #9C33D0, #9547BC, #8E5BA8, #886F94 and #81847F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D34D1 shade: #4833D0, #7233D0, #9C33D0, #C633D0 and #D033B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D34D1 shade: #6B2090, #8428B2, #9C33D0, #AC54D8 and #BD76E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D34D1 shade: #9D34D1, #D03348 and #33D05D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D34D1 shade: #9D34D1, #D09C33 and #33D09C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D34D1 shade: #9D34D1, #D03348, #67D033 and #33D0BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D34D1 shade: #9D34D1, #D04D33, #67D033 and #33B6D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 75 / 0 / 18

HEX #9D34D1

RGB 157 52 209

HSL 280.13, 0.63%, 0.51%

LAB 44.56, 66.2, -61.06

 

Complementary color

CMYK 52 / 0 / 77 / 20

HEX #62CB2E

RGB 98 203 46

HSL 100.13, 0.63%, 0.49%

LAB 73.22, -56.36, 63.75

 

CMYK 21 / 75 / 0 / 20

HEX #A234CC

RGB 162 52 204

HSL 283.42, 0.6%, 0.5%

LAB 44.94, 66.13, -57.53

 

CMYK 20 / 69 / 0 / 13

HEX #B346DF

RGB 179 70 223

HSL 282.75, 0.71%, 0.57%

LAB 51.03, 66.37, -58.47

 

CMYK 19 / 64 / 0 / 5

HEX #C458F2

RGB 196 88 242

HSL 282.08, 0.86%, 0.65%

LAB 57.2, 66.18, -59.12

 

CMYK 16 / 58 / 0 / 0

HEX #D56AFF

RGB 213 106 255

HSL 283.09, 1%, 0.71%

LAB 63.07, 64.52, -56.8

 

CMYK 10 / 51 / 0 / 0

HEX #E67CFF

RGB 230 124 255

HSL 288.55, 1%, 0.74%

LAB 68.36, 60.22, -48.3

 

CMYK 25 / 75 / 0 / 18

HEX #9D34D1

RGB 157 52 209

HSL 280.13, 0.63%, 0.51%

LAB 44.56, 66.2, -61.06

 

CMYK 26 / 82 / 0 / 25

HEX #8C22BE

RGB 140 34 190

HSL 280.77, 0.7%, 0.44%

LAB 38.62, 65.32, -59.76

 

CMYK 28 / 91 / 0 / 33

HEX #7B10AB

RGB 123 16 171

HSL 281.42, 0.83%, 0.37%

LAB 32.97, 63.3, -57.8

 

CMYK 30 / 100 / 0 / 40

HEX #6A0098

RGB 106 0 152

HSL 281.84, 1%, 0.3%

LAB 27.66, 59.91, -55.05

 

CMYK 33 / 100 / 0 / 48

HEX #590085

RGB 89 0 133

HSL 280.15, 1%, 0.26%

LAB 23.06, 53.95, -50.88

 

CMYK 25 / 75 / 0 / 18

HEX #9C33D0

RGB 156 51 208

HSL 280.13, 0.63%, 0.51%

LAB 44.22, 66.17, -61.04

 

CMYK 4 / 75 / 0 / 18

HEX #C733D0

RGB 199 51 208

HSL 296.56, 0.63%, 0.51%

LAB 50.76, 74.41, -50.17

 

CMYK 0 / 75 / 16 / 18

HEX #D033AF

RGB 208 51 175

HSL 312.61, 0.63%, 0.51%

LAB 50.54, 71.36, -31.28

 

CMYK 0 / 75 / 36 / 18

HEX #D03385

RGB 208 51 133

HSL 328.66, 0.63%, 0.51%

LAB 48.85, 66.24, -8.85

 

CMYK 0 / 75 / 56 / 18

HEX #D0335B

RGB 208 51 91

HSL 344.71, 0.63%, 0.51%

LAB 47.67, 62.51, 15.08

 

CMYK 25 / 75 / 0 / 18

HEX #9C33D0

RGB 156 51 208

HSL 280.13, 0.63%, 0.51%

LAB 44.22, 66.17, -61.04

 

CMYK 45 / 75 / 0 / 18

HEX #7233D0

RGB 114 51 208

HSL 264.08, 0.63%, 0.51%

LAB 38.72, 59.06, -70.23

 

CMYK 66 / 75 / 0 / 18

HEX #4733D0

RGB 71 51 208

HSL 247.64, 0.63%, 0.51%

LAB 34.52, 53.44, -77.29

 

CMYK 75 / 75 / 0 / 18

HEX #3333D0

RGB 51 51 208

HSL 240, 0.63%, 0.51%

LAB 33.19, 51.62, -79.53

 

CMYK 25 / 75 / 0 / 18

HEX #9C33D0

RGB 156 51 208

HSL 280.13, 0.63%, 0.51%

LAB 44.22, 66.17, -61.04

 

CMYK 29 / 86 / 0 / 11

HEX #A31FE4

RGB 163 31 228

HSL 280.2, 0.78%, 0.51%

LAB 44.76, 77.02, -71.57

 

CMYK 32 / 96 / 0 / 2

HEX #AA0AF9

RGB 170 10 249

HSL 280.17, 0.95%, 0.51%

LAB 46.45, 85.01, -80.62

 

CMYK 25 / 75 / 0 / 18

HEX #9C33D0

RGB 156 51 208

HSL 280.13, 0.63%, 0.51%

LAB 44.22, 66.17, -61.04

 

CMYK 21 / 62 / 0 / 26

HEX #9547BC

RGB 149 71 188

HSL 280, 0.47%, 0.51%

LAB 44.98, 51.98, -48.26

 

CMYK 15 / 46 / 0 / 34

HEX #8E5BA8

RGB 142 91 168

HSL 279.74, 0.31%, 0.51%

LAB 47.05, 35.05, -33.31

 

CMYK 8 / 25 / 0 / 42

HEX #886F94

RGB 136 111 148

HSL 280.54, 0.15%, 0.51%

LAB 50.38, 17.01, -16.43

 

CMYK 2 / 0 / 4 / 48

HEX #81847F

RGB 129 132 127

HSL 96, 0.02%, 0.51%

LAB 54.76, -2.1, 2.3

 

CMYK 65 / 75 / 0 / 18

HEX #4833D0

RGB 72 51 208

HSL 248.03, 0.63%, 0.51%

LAB 34.6, 53.55, -77.16

 

CMYK 45 / 75 / 0 / 18

HEX #7233D0

RGB 114 51 208

HSL 264.08, 0.63%, 0.51%

LAB 38.72, 59.06, -70.23

 

CMYK 25 / 75 / 0 / 18

HEX #9C33D0

RGB 156 51 208

HSL 280.13, 0.63%, 0.51%

LAB 44.22, 66.17, -61.04

 

CMYK 5 / 75 / 0 / 18

HEX #C633D0

RGB 198 51 208

HSL 296.18, 0.63%, 0.51%

LAB 50.6, 74.21, -50.44

 

CMYK 0 / 75 / 15 / 18

HEX #D033B1

RGB 208 51 177

HSL 311.85, 0.63%, 0.51%

LAB 50.63, 71.63, -32.31

 

CMYK 26 / 78 / 0 / 44

HEX #6B2090

RGB 107 32 144

HSL 280.18, 0.64%, 0.35%

LAB 29.84, 50.51, -46.56

 

CMYK 26 / 78 / 0 / 30

HEX #8428B2

RGB 132 40 178

HSL 280, 0.63%, 0.43%

LAB 37.18, 59.53, -55.06

 

CMYK 25 / 75 / 0 / 18

HEX #9C33D0

RGB 156 51 208

HSL 280.13, 0.63%, 0.51%

LAB 44.22, 66.17, -61.04

 

CMYK 20 / 61 / 0 / 15

HEX #AC54D8

RGB 172 84 216

HSL 280, 0.63%, 0.59%

LAB 51.92, 57.18, -53.12

 

CMYK 16 / 47 / 0 / 12

HEX #BD76E0

RGB 189 118 224

HSL 280.19, 0.63%, 0.67%

LAB 60.92, 45.99, -43.21

 

CMYK 25 / 75 / 0 / 18

HEX #9D34D1

RGB 157 52 209

HSL 280.13, 0.63%, 0.51%

LAB 44.56, 66.2, -61.06

 

CMYK 0 / 75 / 65 / 18

HEX #D03348

RGB 208 51 72

HSL 351.97, 0.63%, 0.51%

LAB 47.29, 61.31, 26.17

 

CMYK 75 / 0 / 55 / 18

HEX #33D05D

RGB 51 208 93

HSL 136.05, 0.63%, 0.51%

LAB 73.94, -63.51, 45.32

 

CMYK 25 / 75 / 0 / 18

HEX #9D34D1

RGB 157 52 209

HSL 280.13, 0.63%, 0.51%

LAB 44.56, 66.2, -61.06

 

CMYK 0 / 25 / 75 / 18

HEX #D09C33

RGB 208 156 51

HSL 40.13, 0.63%, 0.51%

LAB 67.6, 9.62, 59.24

 

CMYK 75 / 0 / 25 / 18

HEX #33D09C

RGB 51 208 156

HSL 160.13, 0.63%, 0.51%

LAB 74.96, -51.94, 14.57

 

CMYK 25 / 75 / 0 / 18

HEX #9D34D1

RGB 157 52 209

HSL 280.13, 0.63%, 0.51%

LAB 44.56, 66.2, -61.06

 

CMYK 0 / 75 / 65 / 18

HEX #D03348

RGB 208 51 72

HSL 351.97, 0.63%, 0.51%

LAB 47.29, 61.31, 26.17

 

CMYK 50 / 0 / 75 / 18

HEX #67D033

RGB 103 208 51

HSL 100.13, 0.63%, 0.51%

LAB 74.97, -56.5, 63.91

 

CMYK 75 / 0 / 10 / 18

HEX #33D0BB

RGB 51 208 187

HSL 171.97, 0.63%, 0.51%

LAB 75.7, -44.23, -1

 

CMYK 25 / 75 / 0 / 18

HEX #9D34D1

RGB 157 52 209

HSL 280.13, 0.63%, 0.51%

LAB 44.56, 66.2, -61.06

 

CMYK 0 / 63 / 75 / 18

HEX #D04D33

RGB 208 77 51

HSL 9.94, 0.63%, 0.51%

LAB 50.64, 50.4, 42.1

 

CMYK 50 / 0 / 75 / 18

HEX #67D033

RGB 103 208 51

HSL 100.13, 0.63%, 0.51%

LAB 74.97, -56.5, 63.91

 

CMYK 75 / 13 / 0 / 18

HEX #33B6D0

RGB 51 182 208

HSL 189.94, 0.63%, 0.51%

LAB 68.54, -25.96, -23.15

 

Description

Color code: HEX #9D34D1 | qconv.com Color code: HEX #9D34D1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 52 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 52 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 75 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 75% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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