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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D1DF0 it is the complementary color #62E20F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D1DF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D1DF0 shade: #A21DEB, #B32FFE, #C441FF, #D553FF and #E665FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D1DF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D1DF0 shade: #9D1DF0, #8C0BDD, #7B00CA, #6A00B7 and #5900A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D1DF0 shade: #9D1DF0, #D61DF0, #F01DD1, #F01D98 and #F01D60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D1DF0 shade: #9D1DF0, #641DF0, #2B1DF0 and #1D1DF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D1DF0 shade matches the following richer shades: #9D1DF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D1DF0 shade: #9D1DF0, #9931DD, #9544C9, #9157B6 and #8D6BA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D1DF0 shade: #2B1DF0, #631DF0, #9C1DF0, #D41DF0 and #F01DD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D1DF0 shade: #6F0BB0, #880DD7, #9D1DF0, #AE44F3 and #BF6BF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D1DF0 shade: #9D1DF0, #F01D47 and #1DF047

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D1DF0 shade: #9D1DF0, #F09C1D and #1DF09C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D1DF0 shade: #9D1DF0, #F01D47, #72F01D and #1DF0C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D1DF0 shade: #9D1DF0, #F0321D, #72F01D and #1DDBF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 88 / 0 / 6

HEX #9D1DF0

RGB 157 29 240

HSL 276.4, 0.88%, 0.53%

LAB 44.71, 79.01, -78.47

 

Complementary color

CMYK 57 / 0 / 93 / 11

HEX #62E20F

RGB 98 226 15

HSL 96.4, 0.88%, 0.47%

LAB 80.19, -65.64, 76.36

 

CMYK 31 / 88 / 0 / 8

HEX #A21DEB

RGB 162 29 235

HSL 278.74, 0.84%, 0.52%

LAB 45.02, 78.66, -75.11

 

CMYK 30 / 81 / 0 / 0

HEX #B32FFE

RGB 179 47 254

HSL 278.26, 0.99%, 0.59%

LAB 50.42, 80.41, -76.87

 

CMYK 23 / 75 / 0 / 0

HEX #C441FF

RGB 196 65 255

HSL 281.37, 1%, 0.63%

LAB 54.8, 77.79, -70.21

 

CMYK 16 / 67 / 0 / 0

HEX #D553FF

RGB 213 83 255

HSL 285.35, 1%, 0.66%

LAB 59.48, 74.42, -62.54

 

CMYK 10 / 60 / 0 / 0

HEX #E665FF

RGB 230 101 255

HSL 290.26, 1%, 0.7%

LAB 64.44, 70.77, -54.49

 

CMYK 35 / 88 / 0 / 6

HEX #9D1DF0

RGB 157 29 240

HSL 276.4, 0.88%, 0.53%

LAB 44.71, 79.01, -78.47

 

CMYK 37 / 95 / 0 / 13

HEX #8C0BDD

RGB 140 11 221

HSL 276.86, 0.91%, 0.45%

LAB 39.64, 76.14, -76.08

 

CMYK 39 / 100 / 0 / 21

HEX #7B00CA

RGB 123 0 202

HSL 276.53, 1%, 0.4%

LAB 34.95, 71.85, -72.88

 

CMYK 42 / 100 / 0 / 28

HEX #6A00B7

RGB 106 0 183

HSL 274.75, 1%, 0.36%

LAB 30.6, 66.25, -68.95

 

CMYK 46 / 100 / 0 / 36

HEX #5900A4

RGB 89 0 164

HSL 272.56, 1%, 0.32%

LAB 26.17, 60.57, -64.92

 

CMYK 35 / 88 / 0 / 6

HEX #9D1DF0

RGB 157 29 240

HSL 276.4, 0.88%, 0.53%

LAB 44.71, 79.01, -78.47

 

CMYK 11 / 88 / 0 / 6

HEX #D61DF0

RGB 214 29 240

HSL 292.61, 0.88%, 0.53%

LAB 53.46, 87.11, -63.87

 

CMYK 0 / 88 / 13 / 6

HEX #F01DD1

RGB 240 29 209

HSL 308.82, 0.88%, 0.53%

LAB 56.1, 87.09, -41.85

 

CMYK 0 / 88 / 37 / 6

HEX #F01D98

RGB 240 29 152

HSL 325.02, 0.88%, 0.53%

LAB 53.68, 80.64, -12.39

 

CMYK 0 / 88 / 60 / 6

HEX #F01D60

RGB 240 29 96

HSL 340.95, 0.88%, 0.53%

LAB 52.12, 76.3, 19.1

 

CMYK 35 / 88 / 0 / 6

HEX #9D1DF0

RGB 157 29 240

HSL 276.4, 0.88%, 0.53%

LAB 44.71, 79.01, -78.47

 

CMYK 58 / 88 / 0 / 6

HEX #641DF0

RGB 100 29 240

HSL 260.19, 0.88%, 0.53%

LAB 37.62, 73.15, -90.4

 

CMYK 82 / 88 / 0 / 6

HEX #2B1DF0

RGB 43 29 240

HSL 243.98, 0.88%, 0.53%

LAB 33.32, 70.05, -97.69

 

CMYK 88 / 88 / 0 / 6

HEX #1D1DF0

RGB 29 29 240

HSL 240, 0.88%, 0.53%

LAB 32.77, 69.69, -98.61

 

CMYK 35 / 88 / 0 / 6

HEX #9D1DF0

RGB 157 29 240

HSL 276.4, 0.88%, 0.53%

LAB 44.71, 79.01, -78.47

 

CMYK 35 / 88 / 0 / 6

HEX #9D1DF0

RGB 157 29 240

HSL 276.4, 0.88%, 0.53%

LAB 44.71, 79.01, -78.47

 

CMYK 31 / 78 / 0 / 13

HEX #9931DD

RGB 153 49 221

HSL 276.28, 0.72%, 0.53%

LAB 44.5, 69.05, -68.06

 

CMYK 26 / 66 / 0 / 21

HEX #9544C9

RGB 149 68 201

HSL 276.54, 0.55%, 0.53%

LAB 45.28, 56.25, -55.34

 

CMYK 20 / 52 / 0 / 29

HEX #9157B6

RGB 145 87 182

HSL 276.63, 0.39%, 0.53%

LAB 47.25, 41.3, -41.17

 

CMYK 13 / 34 / 0 / 36

HEX #8D6BA3

RGB 141 107 163

HSL 276.43, 0.23%, 0.53%

LAB 50.48, 24.37, -25.05

 

CMYK 82 / 88 / 0 / 6

HEX #2B1DF0

RGB 43 29 240

HSL 243.98, 0.88%, 0.53%

LAB 33.32, 70.05, -97.69

 

CMYK 59 / 88 / 0 / 6

HEX #631DF0

RGB 99 29 240

HSL 259.91, 0.88%, 0.53%

LAB 37.52, 73.07, -90.57

 

CMYK 35 / 88 / 0 / 6

HEX #9C1DF0

RGB 156 29 240

HSL 276.11, 0.88%, 0.53%

LAB 44.57, 78.88, -78.71

 

CMYK 12 / 88 / 0 / 6

HEX #D41DF0

RGB 212 29 240

HSL 292.04, 0.88%, 0.53%

LAB 53.13, 86.8, -64.41

 

CMYK 0 / 88 / 12 / 6

HEX #F01DD4

RGB 240 29 212

HSL 307.96, 0.88%, 0.53%

LAB 56.25, 87.48, -43.33

 

CMYK 37 / 94 / 0 / 31

HEX #6F0BB0

RGB 111 11 176

HSL 276.36, 0.88%, 0.37%

LAB 31.24, 63.62, -63.69

 

CMYK 37 / 94 / 0 / 16

HEX #880DD7

RGB 136 13 215

HSL 276.53, 0.89%, 0.45%

LAB 38.6, 74.24, -74.36

 

CMYK 35 / 88 / 0 / 6

HEX #9D1DF0

RGB 157 29 240

HSL 276.4, 0.88%, 0.53%

LAB 44.71, 79.01, -78.47

 

CMYK 28 / 72 / 0 / 5

HEX #AE44F3

RGB 174 68 243

HSL 276.34, 0.88%, 0.61%

LAB 51.39, 70.3, -69.19

 

CMYK 22 / 56 / 0 / 4

HEX #BF6BF5

RGB 191 107 245

HSL 276.52, 0.87%, 0.69%

LAB 60.05, 56.68, -56.25

 

CMYK 35 / 88 / 0 / 6

HEX #9D1DF0

RGB 157 29 240

HSL 276.4, 0.88%, 0.53%

LAB 44.71, 79.01, -78.47

 

CMYK 0 / 88 / 70 / 6

HEX #F01D47

RGB 240 29 71

HSL 348.06, 0.88%, 0.53%

LAB 51.68, 75.05, 33.56

 

CMYK 88 / 0 / 70 / 6

HEX #1DF047

RGB 29 240 71

HSL 131.94, 0.88%, 0.53%

LAB 83.46, -77.99, 65.07

 

CMYK 35 / 88 / 0 / 6

HEX #9D1DF0

RGB 157 29 240

HSL 276.4, 0.88%, 0.53%

LAB 44.71, 79.01, -78.47

 

CMYK 0 / 35 / 88 / 6

HEX #F09C1D

RGB 240 156 29

HSL 36.11, 0.88%, 0.53%

LAB 71.14, 22.7, 70.84

 

CMYK 88 / 0 / 35 / 6

HEX #1DF09C

RGB 29 240 156

HSL 156.11, 0.88%, 0.53%

LAB 84.47, -65.81, 27.63

 

CMYK 35 / 88 / 0 / 6

HEX #9D1DF0

RGB 157 29 240

HSL 276.4, 0.88%, 0.53%

LAB 44.71, 79.01, -78.47

 

CMYK 0 / 88 / 70 / 6

HEX #F01D47

RGB 240 29 71

HSL 348.06, 0.88%, 0.53%

LAB 51.68, 75.05, 33.56

 

CMYK 53 / 0 / 88 / 6

HEX #72F01D

RGB 114 240 29

HSL 95.83, 0.88%, 0.53%

LAB 84.99, -65.92, 78.55

 

CMYK 88 / 0 / 18 / 6

HEX #1DF0C6

RGB 29 240 198

HSL 168.06, 0.88%, 0.53%

LAB 85.33, -56.36, 7.1

 

CMYK 35 / 88 / 0 / 6

HEX #9D1DF0

RGB 157 29 240

HSL 276.4, 0.88%, 0.53%

LAB 44.71, 79.01, -78.47

 

CMYK 0 / 79 / 88 / 6

HEX #F0321D

RGB 240 50 29

HSL 5.97, 0.88%, 0.53%

LAB 52.83, 69.36, 56.77

 

CMYK 53 / 0 / 88 / 6

HEX #72F01D

RGB 114 240 29

HSL 95.83, 0.88%, 0.53%

LAB 84.99, -65.92, 78.55

 

CMYK 88 / 9 / 0 / 6

HEX #1DDBF0

RGB 29 219 240

HSL 185.97, 0.88%, 0.53%

LAB 80.3, -35.57, -22.55

 

Description

Color code: HEX #9D1DF0 | qconv.com Color code: HEX #9D1DF0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 29 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 29 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 88 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 88% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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