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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C93B3 it is the complementary color #636C4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C93B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C93B3 shade: #A193AE, #B2A5C1, #C3B7D4, #D4C9E7 and #E5DBFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C93B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C93B3 shade: #9C93B3, #8B81A0, #7A6F8D, #695D7A and #584B67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C93B3 shade: #9C93B2, #A493B2, #AD93B2, #B293AF and #B293A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C93B3 shade: #9C93B2, #9393B2 and #9393B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C93B3 shade matches the following richer shades: #9C93B2, #9584C1, #8F75D0, #8867DF and #8258EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C93B3 shade: #9C93B2, #A2A2A3, #A9B195, #AFC086 and #B6CF77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C93B3 shade: #939BB2, #9393B2, #9B93B2, #A493B2 and #AC93B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C93B3 shade: #70658E, #867BA1, #9C93B2, #B2ABC3 and #C8C3D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C93B3 shade: #9C93B3, #B293A4 and #97B293

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C93B3 shade: #9C93B3, #B29B93 and #93B29B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C93B3 shade: #9C93B3, #B293A4, #AAB293 and #93B2A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C93B3 shade: #9C93B3, #B2939A, #AAB293 and #93B2AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 18 / 0 / 30

HEX #9C93B3

RGB 156 147 179

HSL 256.88, 0.17%, 0.64%

LAB 62.67, 9.76, -15.48

 

Complementary color

CMYK 8 / 0 / 30 / 58

HEX #636C4C

RGB 99 108 76

HSL 76.88, 0.17%, 0.36%

LAB 44.09, -9.48, 16.81

 

CMYK 7 / 16 / 0 / 32

HEX #A193AE

RGB 161 147 174

HSL 271.11, 0.14%, 0.63%

LAB 62.93, 10.4, -12.22

 

CMYK 8 / 15 / 0 / 24

HEX #B2A5C1

RGB 178 165 193

HSL 267.86, 0.18%, 0.7%

LAB 69.63, 10.05, -12.63

 

CMYK 8 / 14 / 0 / 17

HEX #C3B7D4

RGB 195 183 212

HSL 264.83, 0.25%, 0.77%

LAB 76.21, 9.72, -13.04

 

CMYK 8 / 13 / 0 / 9

HEX #D4C9E7

RGB 212 201 231

HSL 262, 0.38%, 0.85%

LAB 82.67, 9.41, -13.45

 

CMYK 8 / 12 / 0 / 2

HEX #E5DBFA

RGB 229 219 250

HSL 259.35, 0.76%, 0.92%

LAB 89.03, 9.13, -13.85

 

CMYK 13 / 18 / 0 / 30

HEX #9C93B3

RGB 156 147 179

HSL 256.88, 0.17%, 0.64%

LAB 62.67, 9.76, -15.48

 

CMYK 13 / 19 / 0 / 37

HEX #8B81A0

RGB 139 129 160

HSL 259.35, 0.14%, 0.57%

LAB 55.81, 10.14, -15.15

 

CMYK 13 / 21 / 0 / 45

HEX #7A6F8D

RGB 122 111 141

HSL 262, 0.12%, 0.49%

LAB 48.8, 10.56, -14.84

 

CMYK 14 / 24 / 0 / 52

HEX #695D7A

RGB 105 93 122

HSL 264.83, 0.13%, 0.42%

LAB 41.59, 11.04, -14.54

 

CMYK 15 / 27 / 0 / 60

HEX #584B67

RGB 88 75 103

HSL 267.86, 0.16%, 0.35%

LAB 34.16, 11.59, -14.26

 

CMYK 12 / 17 / 0 / 30

HEX #9C93B2

RGB 156 147 178

HSL 257.42, 0.17%, 0.64%

LAB 62.63, 9.55, -14.97

 

CMYK 8 / 17 / 0 / 30

HEX #A493B2

RGB 164 147 178

HSL 272.9, 0.17%, 0.64%

LAB 63.32, 12.26, -13.86

 

CMYK 3 / 17 / 0 / 30

HEX #AD93B2

RGB 173 147 178

HSL 290.32, 0.17%, 0.64%

LAB 64.13, 15.36, -12.56

 

CMYK 0 / 17 / 2 / 30

HEX #B293AF

RGB 178 147 175

HSL 305.81, 0.17%, 0.64%

LAB 64.51, 16.53, -10.27

 

CMYK 0 / 17 / 6 / 30

HEX #B293A7

RGB 178 147 167

HSL 321.29, 0.17%, 0.64%

LAB 64.26, 15.04, -6.12

 

CMYK 12 / 17 / 0 / 30

HEX #9C93B2

RGB 156 147 178

HSL 257.42, 0.17%, 0.64%

LAB 62.63, 9.55, -14.97

 

CMYK 17 / 17 / 0 / 30

HEX #9393B2

RGB 147 147 178

HSL 240, 0.17%, 0.64%

LAB 61.9, 6.55, -16.15

 

CMYK 17 / 17 / 0 / 30

HEX #9393B2

RGB 147 147 178

HSL 240, 0.17%, 0.64%

LAB 61.9, 6.55, -16.15

 

CMYK 12 / 17 / 0 / 30

HEX #9C93B2

RGB 156 147 178

HSL 257.42, 0.17%, 0.64%

LAB 62.63, 9.55, -14.97

 

CMYK 23 / 32 / 0 / 24

HEX #9584C1

RGB 149 132 193

HSL 256.72, 0.33%, 0.64%

LAB 58.74, 19.32, -29.47

 

CMYK 31 / 44 / 0 / 18

HEX #8F75D0

RGB 143 117 208

HSL 257.14, 0.49%, 0.64%

LAB 55.19, 30.03, -43.56

 

CMYK 39 / 54 / 0 / 13

HEX #8867DF

RGB 136 103 223

HSL 256.5, 0.65%, 0.64%

LAB 52.13, 40.29, -56.96

 

CMYK 45 / 63 / 0 / 7

HEX #8258EE

RGB 130 88 238

HSL 256.8, 0.82%, 0.64%

LAB 49.37, 51.42, -69.89

 

CMYK 12 / 17 / 0 / 30

HEX #9C93B2

RGB 156 147 178

HSL 257.42, 0.17%, 0.64%

LAB 62.63, 9.55, -14.97

 

CMYK 1 / 1 / 0 / 36

HEX #A2A2A3

RGB 162 162 163

HSL 240, 0.01%, 0.64%

LAB 66.65, 0.19, -0.53

 

CMYK 5 / 0 / 16 / 31

HEX #A9B195

RGB 169 177 149

HSL 77.14, 0.15%, 0.64%

LAB 70.9, -7.84, 13.39

 

CMYK 9 / 0 / 30 / 25

HEX #AFC086

RGB 175 192 134

HSL 77.59, 0.32%, 0.64%

LAB 75.16, -15.66, 27.36

 

CMYK 12 / 0 / 43 / 19

HEX #B6CF77

RGB 182 207 119

HSL 77.05, 0.48%, 0.64%

LAB 79.56, -22.38, 40.88

 

CMYK 17 / 13 / 0 / 30

HEX #939BB2

RGB 147 155 178

HSL 224.52, 0.17%, 0.64%

LAB 64.05, 2.04, -12.91

 

CMYK 17 / 17 / 0 / 30

HEX #9393B2

RGB 147 147 178

HSL 240, 0.17%, 0.64%

LAB 61.9, 6.55, -16.15

 

CMYK 13 / 17 / 0 / 30

HEX #9B93B2

RGB 155 147 178

HSL 255.48, 0.17%, 0.64%

LAB 62.55, 9.21, -15.1

 

CMYK 8 / 17 / 0 / 30

HEX #A493B2

RGB 164 147 178

HSL 272.9, 0.17%, 0.64%

LAB 63.32, 12.26, -13.86

 

CMYK 3 / 17 / 0 / 30

HEX #AC93B2

RGB 172 147 178

HSL 288.39, 0.17%, 0.64%

LAB 64.04, 15.02, -12.71

 

CMYK 21 / 29 / 0 / 44

HEX #70658E

RGB 112 101 142

HSL 256.1, 0.17%, 0.48%

LAB 45.23, 13.41, -20.97

 

CMYK 17 / 24 / 0 / 37

HEX #867BA1

RGB 134 123 161

HSL 257.37, 0.17%, 0.56%

LAB 53.82, 12.18, -18.8

 

CMYK 12 / 17 / 0 / 30

HEX #9C93B2

RGB 156 147 178

HSL 257.42, 0.17%, 0.64%

LAB 62.63, 9.55, -14.97

 

CMYK 9 / 12 / 0 / 24

HEX #B2ABC3

RGB 178 171 195

HSL 257.5, 0.17%, 0.72%

LAB 71.24, 7.15, -11.33

 

CMYK 6 / 8 / 0 / 16

HEX #C8C3D5

RGB 200 195 213

HSL 256.67, 0.18%, 0.8%

LAB 79.68, 5.12, -8.36

 

CMYK 13 / 18 / 0 / 30

HEX #9C93B3

RGB 156 147 179

HSL 256.88, 0.17%, 0.64%

LAB 62.67, 9.76, -15.48

 

CMYK 0 / 17 / 8 / 30

HEX #B293A4

RGB 178 147 164

HSL 327.1, 0.17%, 0.64%

LAB 64.17, 14.5, -4.56

 

CMYK 15 / 0 / 17 / 30

HEX #97B293

RGB 151 178 147

HSL 112.26, 0.17%, 0.64%

LAB 69.84, -15.25, 12.8

 

CMYK 13 / 18 / 0 / 30

HEX #9C93B3

RGB 156 147 179

HSL 256.88, 0.17%, 0.64%

LAB 62.67, 9.76, -15.48

 

CMYK 0 / 13 / 17 / 30

HEX #B29B93

RGB 178 155 147

HSL 15.48, 0.17%, 0.64%

LAB 65.76, 7.15, 7.31

 

CMYK 17 / 0 / 13 / 30

HEX #93B29B

RGB 147 178 155

HSL 135.48, 0.17%, 0.64%

LAB 69.76, -15.18, 8.27

 

CMYK 13 / 18 / 0 / 30

HEX #9C93B3

RGB 156 147 179

HSL 256.88, 0.17%, 0.64%

LAB 62.67, 9.76, -15.48

 

CMYK 0 / 17 / 8 / 30

HEX #B293A4

RGB 178 147 164

HSL 327.1, 0.17%, 0.64%

LAB 64.17, 14.5, -4.56

 

CMYK 4 / 0 / 17 / 30

HEX #AAB293

RGB 170 178 147

HSL 75.48, 0.17%, 0.64%

LAB 71.21, -8.32, 14.92

 

CMYK 17 / 0 / 9 / 30

HEX #93B2A2

RGB 147 178 162

HSL 149.03, 0.17%, 0.64%

LAB 69.93, -13.82, 4.67

 

CMYK 13 / 18 / 0 / 30

HEX #9C93B3

RGB 156 147 179

HSL 256.88, 0.17%, 0.64%

LAB 62.67, 9.76, -15.48

 

CMYK 0 / 17 / 13 / 30

HEX #B2939A

RGB 178 147 154

HSL 346.45, 0.17%, 0.64%

LAB 63.89, 12.75, 0.67

 

CMYK 4 / 0 / 17 / 30

HEX #AAB293

RGB 170 178 147

HSL 75.48, 0.17%, 0.64%

LAB 71.21, -8.32, 14.92

 

CMYK 17 / 0 / 4 / 30

HEX #93B2AB

RGB 147 178 171

HSL 166.45, 0.17%, 0.64%

LAB 70.16, -11.98, 0.05

 

Description

Color code: HEX #9C93B3 | qconv.com Color code: HEX #9C93B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 147 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 147 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 18 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 18% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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