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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C7FF5 it is the complementary color #63800A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C7FF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C7FF5 shade: #A17FF0, #B291FF, #C3A3FF, #D4B5FF and #E5C7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C7FF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C7FF5 shade: #9C7FF5, #8B6DE2, #7A5BCF, #6949BC and #5837A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C7FF5 shade: #9C7EF5, #BB7EF5, #DB7EF5, #F57EEE and #F57ECE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C7FF5 shade: #9C7EF5 and #7E7EF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C7FF5 shade matches the following richer shades: #9C7EF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C7FF5 shade: #9C7EF5, #A18AEA, #A795DF, #ADA0D3 and #B2ABC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C7FF5 shade: #7EA2F5, #7E82F5, #9A7EF5, #BA7EF5 and #D97EF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C7FF5 shade: #6032EF, #7E58F2, #9C7EF5, #B9A5F8 and #D7CBFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C7FF5 shade: #9C7FF5, #F57EC2 and #92F57E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C7FF5 shade: #9C7FF5, #F59A7E and #7EF59A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C7FF5 shade: #9C7FF5, #F57EC2, #D9F57E and #7EF5B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C7FF5 shade: #9C7FF5, #F57E9E, #D9F57E and #7EF5D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 48 / 0 / 4

HEX #9C7FF5

RGB 156 127 245

HSL 254.75, 0.86%, 0.73%

LAB 60.64, 37.29, -55.53

 

Complementary color

CMYK 23 / 0 / 92 / 50

HEX #63800A

RGB 99 128 10

HSL 74.75, 0.86%, 0.27%

LAB 49.63, -25.82, 52.07

 

CMYK 33 / 47 / 0 / 6

HEX #A17FF0

RGB 161 127 240

HSL 258.05, 0.79%, 0.72%

LAB 60.82, 37.26, -52.45

 

CMYK 30 / 43 / 0 / 0

HEX #B291FF

RGB 178 145 255

HSL 258, 1%, 0.78%

LAB 67.23, 35.34, -50.44

 

CMYK 24 / 36 / 0 / 0

HEX #C3A3FF

RGB 195 163 255

HSL 260.87, 1%, 0.82%

LAB 72.9, 30.03, -41.43

 

CMYK 17 / 29 / 0 / 0

HEX #D4B5FF

RGB 212 181 255

HSL 265.14, 1%, 0.85%

LAB 78.62, 25.16, -32.45

 

CMYK 10 / 22 / 0 / 0

HEX #E5C7FF

RGB 229 199 255

HSL 272.14, 1%, 0.89%

LAB 84.34, 20.71, -23.56

 

CMYK 36 / 48 / 0 / 4

HEX #9C7FF5

RGB 156 127 245

HSL 254.75, 0.86%, 0.73%

LAB 60.64, 37.29, -55.53

 

CMYK 38 / 52 / 0 / 11

HEX #8B6DE2

RGB 139 109 226

HSL 255.38, 0.67%, 0.66%

LAB 53.94, 38.38, -55.74

 

CMYK 41 / 56 / 0 / 19

HEX #7A5BCF

RGB 122 91 207

HSL 256.03, 0.55%, 0.58%

LAB 47.14, 39.57, -55.95

 

CMYK 44 / 61 / 0 / 26

HEX #6949BC

RGB 105 73 188

HSL 256.7, 0.46%, 0.51%

LAB 40.24, 40.85, -56.15

 

CMYK 48 / 67 / 0 / 34

HEX #5837A9

RGB 88 55 169

HSL 257.37, 0.51%, 0.44%

LAB 33.29, 42.17, -56.27

 

CMYK 36 / 49 / 0 / 4

HEX #9C7EF5

RGB 156 126 245

HSL 255.13, 0.86%, 0.73%

LAB 60.41, 37.86, -55.9

 

CMYK 24 / 49 / 0 / 4

HEX #BB7EF5

RGB 187 126 245

HSL 270.76, 0.86%, 0.73%

LAB 63.41, 45.79, -50.95

 

CMYK 11 / 49 / 0 / 4

HEX #DB7EF5

RGB 219 126 245

HSL 286.89, 0.86%, 0.73%

LAB 66.96, 54.38, -45.12

 

CMYK 0 / 49 / 3 / 4

HEX #F57EEE

RGB 245 126 238

HSL 303.53, 0.86%, 0.73%

LAB 69.83, 60.27, -36.55

 

CMYK 0 / 49 / 16 / 4

HEX #F57ECE

RGB 245 126 206

HSL 319.66, 0.86%, 0.73%

LAB 68.6, 55.16, -20.72

 

CMYK 36 / 49 / 0 / 4

HEX #9C7EF5

RGB 156 126 245

HSL 255.13, 0.86%, 0.73%

LAB 60.41, 37.86, -55.9

 

CMYK 49 / 49 / 0 / 4

HEX #7E7EF5

RGB 126 126 245

HSL 240, 0.86%, 0.73%

LAB 57.99, 30.88, -59.91

 

CMYK 36 / 49 / 0 / 4

HEX #9C7EF5

RGB 156 126 245

HSL 255.13, 0.86%, 0.73%

LAB 60.41, 37.86, -55.9

 

CMYK 36 / 49 / 0 / 4

HEX #9C7EF5

RGB 156 126 245

HSL 255.13, 0.86%, 0.73%

LAB 60.41, 37.86, -55.9

 

CMYK 31 / 41 / 0 / 8

HEX #A18AEA

RGB 161 138 234

HSL 254.38, 0.7%, 0.73%

LAB 63.09, 29.49, -45.54

 

CMYK 25 / 33 / 0 / 13

HEX #A795DF

RGB 167 149 223

HSL 254.59, 0.54%, 0.73%

LAB 65.78, 22.21, -35.21

 

CMYK 18 / 24 / 0 / 17

HEX #ADA0D3

RGB 173 160 211

HSL 255.29, 0.37%, 0.73%

LAB 68.55, 15.05, -24.25

 

CMYK 11 / 15 / 0 / 22

HEX #B2ABC8

RGB 178 171 200

HSL 254.48, 0.21%, 0.73%

LAB 71.39, 8.18, -13.85

 

CMYK 49 / 34 / 0 / 4

HEX #7EA2F5

RGB 126 162 245

HSL 221.85, 0.86%, 0.73%

LAB 67.18, 9.83, -45.32

 

CMYK 49 / 47 / 0 / 4

HEX #7E82F5

RGB 126 130 245

HSL 237.98, 0.86%, 0.73%

LAB 58.97, 28.52, -58.34

 

CMYK 37 / 49 / 0 / 4

HEX #9A7EF5

RGB 154 126 245

HSL 254.12, 0.86%, 0.73%

LAB 60.23, 37.37, -56.19

 

CMYK 24 / 49 / 0 / 4

HEX #BA7EF5

RGB 186 126 245

HSL 270.25, 0.86%, 0.73%

LAB 63.3, 45.52, -51.12

 

CMYK 11 / 49 / 0 / 4

HEX #D97EF5

RGB 217 126 245

HSL 285.88, 0.86%, 0.73%

LAB 66.72, 53.83, -45.5

 

CMYK 60 / 79 / 0 / 6

HEX #6032EF

RGB 96 50 239

HSL 254.6, 0.86%, 0.57%

LAB 39.58, 65.29, -86.61

 

CMYK 48 / 64 / 0 / 5

HEX #7E58F2

RGB 126 88 242

HSL 254.81, 0.86%, 0.65%

LAB 49.28, 51.77, -72.29

 

CMYK 36 / 49 / 0 / 4

HEX #9C7EF5

RGB 156 126 245

HSL 255.13, 0.86%, 0.73%

LAB 60.41, 37.86, -55.9

 

CMYK 25 / 33 / 0 / 3

HEX #B9A5F8

RGB 185 165 248

HSL 254.46, 0.86%, 0.81%

LAB 72.23, 24.42, -38.75

 

CMYK 14 / 19 / 0 / 2

HEX #D7CBFB

RGB 215 203 251

HSL 255, 0.86%, 0.89%

LAB 84.03, 13.36, -22.02

 

CMYK 36 / 48 / 0 / 4

HEX #9C7FF5

RGB 156 127 245

HSL 254.75, 0.86%, 0.73%

LAB 60.64, 37.29, -55.53

 

CMYK 0 / 49 / 21 / 4

HEX #F57EC2

RGB 245 126 194

HSL 325.71, 0.86%, 0.73%

LAB 68.19, 53.4, -14.63

 

CMYK 40 / 0 / 49 / 4

HEX #92F57E

RGB 146 245 126

HSL 109.92, 0.86%, 0.73%

LAB 88.41, -51.12, 48.07

 

CMYK 36 / 48 / 0 / 4

HEX #9C7FF5

RGB 156 127 245

HSL 254.75, 0.86%, 0.73%

LAB 60.64, 37.29, -55.53

 

CMYK 0 / 37 / 49 / 4

HEX #F59A7E

RGB 245 154 126

HSL 14.12, 0.86%, 0.73%

LAB 72.25, 31.1, 28.96

 

CMYK 49 / 0 / 37 / 4

HEX #7EF59A

RGB 126 245 154

HSL 134.12, 0.86%, 0.73%

LAB 88, -52.65, 33.73

 

CMYK 36 / 48 / 0 / 4

HEX #9C7FF5

RGB 156 127 245

HSL 254.75, 0.86%, 0.73%

LAB 60.64, 37.29, -55.53

 

CMYK 0 / 49 / 21 / 4

HEX #F57EC2

RGB 245 126 194

HSL 325.71, 0.86%, 0.73%

LAB 68.19, 53.4, -14.63

 

CMYK 11 / 0 / 49 / 4

HEX #D9F57E

RGB 217 245 126

HSL 74.12, 0.86%, 0.73%

LAB 92.38, -26.57, 53.82

 

CMYK 49 / 0 / 27 / 4

HEX #7EF5B2

RGB 126 245 178

HSL 146.22, 0.86%, 0.73%

LAB 88.43, -48.4, 22.12

 

CMYK 36 / 48 / 0 / 4

HEX #9C7FF5

RGB 156 127 245

HSL 254.75, 0.86%, 0.73%

LAB 60.64, 37.29, -55.53

 

CMYK 0 / 49 / 36 / 4

HEX #F57E9E

RGB 245 126 158

HSL 343.87, 0.86%, 0.73%

LAB 67.13, 48.75, 4.08

 

CMYK 11 / 0 / 49 / 4

HEX #D9F57E

RGB 217 245 126

HSL 74.12, 0.86%, 0.73%

LAB 92.38, -26.57, 53.82

 

CMYK 49 / 0 / 13 / 4

HEX #7EF5D5

RGB 126 245 213

HSL 163.87, 0.86%, 0.73%

LAB 89.18, -41.13, 5.08

 

Description

Color code: HEX #9C7FF5 | qconv.com Color code: HEX #9C7FF5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 127 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 127 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 48 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 48% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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