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Color name
HEX #9C6240

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C6240 it is the complementary color #639DBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C6240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C6240 shade: #A1623B, #B2744E, #C38661, #D49874 and #E5AA87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C6240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C6240 shade: #9C6240, #8B502D, #7A3E1A, #692C07 and #581A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C6240 shade: #9B613F, #9B483F and #9B3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C6240 shade: #9B613F, #9B7A3F, #9B933F, #8B9B3F and #729B3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C6240 shade matches the following richer shades: #9B613F, #AD5C2D, #BF581C and #D0530A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C6240 shade: #9B613F, #896651, #786A63, #666F74 and #547486

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C6240 shade: #9B3F4E, #9B483F, #9B613F, #9B793F and #9B923F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C6240 shade: #613C27, #7E4F33, #9B613F, #B6744D and #C28B6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C6240 shade: #9C6240, #679B3F and #3F429B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C6240 shade: #9C6240, #3F9B61 and #613F9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C6240 shade: #9C6240, #679B3F, #3F799B and #733F9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C6240 shade: #9C6240, #4B9B3F, #3F799B and #8F3F9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 59 / 39

HEX #9C6240

RGB 156 98 64

HSL 22.17, 0.42%, 0.43%

LAB 47.2, 19.95, 28.96

 

Complementary color

CMYK 48 / 18 / 0 / 25

HEX #639DBF

RGB 99 157 191

HSL 202.17, 0.42%, 0.57%

LAB 62.11, -9.59, -23.43

 

CMYK 0 / 39 / 63 / 37

HEX #A1623B

RGB 161 98 59

HSL 22.94, 0.46%, 0.43%

LAB 47.79, 21.73, 32.62

 

CMYK 0 / 35 / 56 / 30

HEX #B2744E

RGB 178 116 78

HSL 22.8, 0.39%, 0.5%

LAB 54.56, 20.36, 30.87

 

CMYK 0 / 31 / 50 / 24

HEX #C38661

RGB 195 134 97

HSL 22.65, 0.45%, 0.57%

LAB 61.23, 19.19, 29.28

 

CMYK 0 / 28 / 45 / 17

HEX #D49874

RGB 212 152 116

HSL 22.5, 0.53%, 0.64%

LAB 67.81, 18.17, 27.83

 

CMYK 0 / 26 / 41 / 10

HEX #E5AA87

RGB 229 170 135

HSL 22.34, 0.64%, 0.71%

LAB 74.29, 17.28, 26.5

 

CMYK 0 / 37 / 59 / 39

HEX #9C6240

RGB 156 98 64

HSL 22.17, 0.42%, 0.43%

LAB 47.2, 19.95, 28.96

 

CMYK 0 / 42 / 68 / 45

HEX #8B502D

RGB 139 80 45

HSL 22.34, 0.51%, 0.36%

LAB 40.27, 21.44, 30.82

 

CMYK 0 / 49 / 79 / 52

HEX #7A3E1A

RGB 122 62 26

HSL 22.5, 0.65%, 0.29%

LAB 33.26, 23.21, 32.77

 

CMYK 0 / 58 / 93 / 59

HEX #692C07

RGB 105 44 7

HSL 22.65, 0.88%, 0.22%

LAB 26.22, 25.24, 34.12

 

CMYK 0 / 70 / 100 / 65

HEX #581A00

RGB 88 26 0

HSL 17.73, 1%, 0.17%

LAB 19.28, 27.38, 28.79

 

CMYK 0 / 37 / 59 / 39

HEX #9B613F

RGB 155 97 63

HSL 22.17, 0.42%, 0.43%

LAB 46.81, 20.01, 29.02

 

CMYK 0 / 54 / 59 / 39

HEX #9B483F

RGB 155 72 63

HSL 5.87, 0.42%, 0.43%

LAB 41.16, 33.86, 21.89

 

CMYK 0 / 59 / 59 / 39

HEX #9B3F3F

RGB 155 63 63

HSL 0, 0.42%, 0.43%

LAB 39.38, 38.46, 19.59

 

CMYK 0 / 37 / 59 / 39

HEX #9B613F

RGB 155 97 63

HSL 22.17, 0.42%, 0.43%

LAB 46.81, 20.01, 29.02

 

CMYK 0 / 21 / 59 / 39

HEX #9B7A3F

RGB 155 122 63

HSL 38.48, 0.42%, 0.43%

LAB 53.22, 5.7, 36.72

 

CMYK 0 / 5 / 59 / 39

HEX #9B933F

RGB 155 147 63

HSL 54.78, 0.42%, 0.43%

LAB 60.06, -8.15, 44.56

 

CMYK 10 / 0 / 59 / 39

HEX #8B9B3F

RGB 139 155 63

HSL 70.43, 0.42%, 0.43%

LAB 61.04, -19.28, 45.28

 

CMYK 26 / 0 / 59 / 39

HEX #729B3F

RGB 114 155 63

HSL 86.74, 0.42%, 0.43%

LAB 59.32, -29.48, 42.89

 

CMYK 0 / 37 / 59 / 39

HEX #9B613F

RGB 155 97 63

HSL 22.17, 0.42%, 0.43%

LAB 46.81, 20.01, 29.02

 

CMYK 0 / 47 / 74 / 32

HEX #AD5C2D

RGB 173 92 45

HSL 22.03, 0.59%, 0.43%

LAB 47.92, 29.32, 40.66

 

CMYK 0 / 54 / 85 / 25

HEX #BF581C

RGB 191 88 28

HSL 22.09, 0.74%, 0.43%

LAB 49.67, 38.11, 51.03

 

CMYK 0 / 60 / 95 / 18

HEX #D0530A

RGB 208 83 10

HSL 22.12, 0.91%, 0.43%

LAB 51.4, 46.7, 59.09

 

CMYK 0 / 37 / 59 / 39

HEX #9B613F

RGB 155 97 63

HSL 22.17, 0.42%, 0.43%

LAB 46.81, 20.01, 29.02

 

CMYK 0 / 26 / 41 / 46

HEX #896651

RGB 137 102 81

HSL 22.5, 0.26%, 0.43%

LAB 46.2, 11.13, 17.34

 

CMYK 0 / 12 / 18 / 53

HEX #786A63

RGB 120 106 99

HSL 20, 0.1%, 0.43%

LAB 45.91, 4.26, 5.94

 

CMYK 12 / 4 / 0 / 55

HEX #666F74

RGB 102 111 116

HSL 201.43, 0.06%, 0.43%

LAB 46.25, -2.29, -3.94

 

CMYK 37 / 13 / 0 / 47

HEX #547486

RGB 84 116 134

HSL 201.6, 0.23%, 0.43%

LAB 47.1, -6.65, -13.53

 

CMYK 0 / 59 / 50 / 39

HEX #9B3F4E

RGB 155 63 78

HSL 350.22, 0.42%, 0.43%

LAB 39.7, 39.78, 10.68

 

CMYK 0 / 54 / 59 / 39

HEX #9B483F

RGB 155 72 63

HSL 5.87, 0.42%, 0.43%

LAB 41.16, 33.86, 21.89

 

CMYK 0 / 37 / 59 / 39

HEX #9B613F

RGB 155 97 63

HSL 22.17, 0.42%, 0.43%

LAB 46.81, 20.01, 29.02

 

CMYK 0 / 22 / 59 / 39

HEX #9B793F

RGB 155 121 63

HSL 37.83, 0.42%, 0.43%

LAB 52.95, 6.27, 36.4

 

CMYK 0 / 6 / 59 / 39

HEX #9B923F

RGB 155 146 63

HSL 54.13, 0.42%, 0.43%

LAB 59.78, -7.61, 44.25

 

CMYK 0 / 38 / 60 / 62

HEX #613C27

RGB 97 60 39

HSL 21.72, 0.43%, 0.27%

LAB 29.21, 13.83, 19.64

 

CMYK 0 / 37 / 60 / 51

HEX #7E4F33

RGB 126 79 51

HSL 22.4, 0.42%, 0.35%

LAB 38.32, 16.69, 24.6

 

CMYK 0 / 37 / 59 / 39

HEX #9B613F

RGB 155 97 63

HSL 22.17, 0.42%, 0.43%

LAB 46.81, 20.01, 29.02

 

CMYK 0 / 36 / 58 / 29

HEX #B6744D

RGB 182 116 77

HSL 22.29, 0.42%, 0.51%

LAB 55.04, 21.96, 32.14

 

CMYK 0 / 28 / 45 / 24

HEX #C28B6B

RGB 194 139 107

HSL 22.07, 0.42%, 0.59%

LAB 62.5, 17.02, 25.4

 

CMYK 0 / 37 / 59 / 39

HEX #9C6240

RGB 156 98 64

HSL 22.17, 0.42%, 0.43%

LAB 47.2, 19.95, 28.96

 

CMYK 34 / 0 / 59 / 39

HEX #679B3F

RGB 103 155 63

HSL 93.91, 0.42%, 0.43%

LAB 58.68, -33.65, 41.99

 

CMYK 59 / 57 / 0 / 39

HEX #3F429B

RGB 63 66 155

HSL 238.04, 0.42%, 0.43%

LAB 32.52, 26.21, -49.17

 

CMYK 0 / 37 / 59 / 39

HEX #9C6240

RGB 156 98 64

HSL 22.17, 0.42%, 0.43%

LAB 47.2, 19.95, 28.96

 

CMYK 59 / 0 / 37 / 39

HEX #3F9B61

RGB 63 155 97

HSL 142.17, 0.42%, 0.43%

LAB 57.43, -40.83, 22.47

 

CMYK 37 / 59 / 0 / 39

HEX #613F9B

RGB 97 63 155

HSL 262.17, 0.42%, 0.43%

LAB 34.93, 35.58, -45.13

 

CMYK 0 / 37 / 59 / 39

HEX #9C6240

RGB 156 98 64

HSL 22.17, 0.42%, 0.43%

LAB 47.2, 19.95, 28.96

 

CMYK 34 / 0 / 59 / 39

HEX #679B3F

RGB 103 155 63

HSL 93.91, 0.42%, 0.43%

LAB 58.68, -33.65, 41.99

 

CMYK 59 / 22 / 0 / 39

HEX #3F799B

RGB 63 121 155

HSL 202.17, 0.42%, 0.43%

LAB 48.38, -8.5, -24.05

 

CMYK 26 / 59 / 0 / 39

HEX #733F9B

RGB 115 63 155

HSL 273.91, 0.42%, 0.43%

LAB 37.05, 40.1, -41.61

 

CMYK 0 / 37 / 59 / 39

HEX #9C6240

RGB 156 98 64

HSL 22.17, 0.42%, 0.43%

LAB 47.2, 19.95, 28.96

 

CMYK 52 / 0 / 59 / 39

HEX #4B9B3F

RGB 75 155 63

HSL 112.17, 0.42%, 0.43%

LAB 57.36, -42.93, 40.13

 

CMYK 59 / 22 / 0 / 39

HEX #3F799B

RGB 63 121 155

HSL 202.17, 0.42%, 0.43%

LAB 48.38, -8.5, -24.05

 

CMYK 8 / 59 / 0 / 39

HEX #8F3F9B

RGB 143 63 155

HSL 292.17, 0.42%, 0.43%

LAB 40.83, 47.49, -35.37

 

Description

Color code: HEX #9C6240 | qconv.com Color code: HEX #9C6240 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 98 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 98 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 59 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 59% 39% C M Y K

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Provide designers and agencies with accurate color values.

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