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Color name
HEX #9C5D59

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C5D59 it is the complementary color #63A2A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C5D59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C5D59 shade: #A15D54, #B26F67, #C3817A, #D4938D and #E5A5A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C5D59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C5D59 shade: #9C5D59, #8B4B46, #7A3933, #692720 and #58150D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C5D59 shade: #9B5D59 and #9B5959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C5D59 shade: #9B5D59, #9B6F59, #9B8059, #9B9259 and #929B59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C5D59 shade matches the following richer shades: #9B5D59, #AF4B45, #C33A31, #D6281D and #EA170A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C5D59 shade: #9B5D59, #876E6D, #738080, #609194 and #4CA3A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C5D59 shade: #9B5979, #9B5967, #9B5C59, #9B6E59 and #9B7F59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C5D59 shade: #673D3B, #814D4A, #9B5D59, #AD7470 and #BC8D8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C5D59 shade: #9C5D59, #8A9B59 and #59709B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C5D59 shade: #9C5D59, #599B5C and #5C599B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C5D59 shade: #9C5D59, #8A9B59, #59989B and #69599B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C5D59 shade: #9C5D59, #779B59, #59989B and #7D599B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 43 / 39

HEX #9C5D59

RGB 156 93 89

HSL 3.58, 0.27%, 0.48%

LAB 46.47, 25.27, 13.33

 

Complementary color

CMYK 40 / 2 / 0 / 35

HEX #63A2A6

RGB 99 162 166

HSL 183.58, 0.27%, 0.52%

LAB 62.72, -19.15, -8.46

 

CMYK 0 / 42 / 48 / 37

HEX #A15D54

RGB 161 93 84

HSL 7.01, 0.31%, 0.48%

LAB 47.03, 26.74, 17.2

 

CMYK 0 / 38 / 42 / 30

HEX #B26F67

RGB 178 111 103

HSL 6.4, 0.33%, 0.55%

LAB 53.83, 25.63, 15.64

 

CMYK 0 / 34 / 37 / 24

HEX #C3817A

RGB 195 129 122

HSL 5.75, 0.38%, 0.62%

LAB 60.52, 24.64, 14.28

 

CMYK 0 / 31 / 33 / 17

HEX #D4938D

RGB 212 147 141

HSL 5.07, 0.45%, 0.69%

LAB 67.12, 23.76, 13.07

 

CMYK 0 / 28 / 30 / 10

HEX #E5A5A0

RGB 229 165 160

HSL 4.35, 0.57%, 0.76%

LAB 73.61, 22.97, 11.98

 

CMYK 0 / 40 / 43 / 39

HEX #9C5D59

RGB 156 93 89

HSL 3.58, 0.27%, 0.48%

LAB 46.47, 25.27, 13.33

 

CMYK 0 / 46 / 50 / 45

HEX #8B4B46

RGB 139 75 70

HSL 4.35, 0.33%, 0.41%

LAB 39.52, 26.43, 15

 

CMYK 0 / 53 / 58 / 52

HEX #7A3933

RGB 122 57 51

HSL 5.07, 0.41%, 0.34%

LAB 32.49, 27.73, 17.06

 

CMYK 0 / 63 / 70 / 59

HEX #692720

RGB 105 39 32

HSL 5.75, 0.53%, 0.27%

LAB 25.44, 29.08, 19.69

 

CMYK 0 / 76 / 85 / 65

HEX #58150D

RGB 88 21 13

HSL 6.4, 0.74%, 0.2%

LAB 18.54, 30.18, 22.52

 

CMYK 0 / 40 / 43 / 39

HEX #9B5D59

RGB 155 93 89

HSL 3.64, 0.27%, 0.48%

LAB 46.34, 24.86, 13.12

 

CMYK 0 / 43 / 43 / 39

HEX #9B5959

RGB 155 89 89

HSL 0, 0.27%, 0.48%

LAB 45.41, 27.12, 11.83

 

CMYK 0 / 40 / 43 / 39

HEX #9B5D59

RGB 155 93 89

HSL 3.64, 0.27%, 0.48%

LAB 46.34, 24.86, 13.12

 

CMYK 0 / 28 / 43 / 39

HEX #9B6F59

RGB 155 111 89

HSL 20, 0.27%, 0.48%

LAB 50.76, 14.56, 19.15

 

CMYK 0 / 17 / 43 / 39

HEX #9B8059

RGB 155 128 89

HSL 35.45, 0.27%, 0.48%

LAB 55.2, 4.84, 25.04

 

CMYK 0 / 6 / 43 / 39

HEX #9B9259

RGB 155 146 89

HSL 51.82, 0.27%, 0.48%

LAB 60.11, -5.17, 31.36

 

CMYK 6 / 0 / 43 / 39

HEX #929B59

RGB 146 155 89

HSL 68.18, 0.27%, 0.48%

LAB 61.89, -13.77, 33.45

 

CMYK 0 / 40 / 43 / 39

HEX #9B5D59

RGB 155 93 89

HSL 3.64, 0.27%, 0.48%

LAB 46.34, 24.86, 13.12

 

CMYK 0 / 57 / 61 / 31

HEX #AF4B45

RGB 175 75 69

HSL 3.4, 0.43%, 0.48%

LAB 45.05, 40.42, 23.92

 

CMYK 0 / 70 / 75 / 24

HEX #C33A31

RGB 195 58 49

HSL 3.7, 0.6%, 0.48%

LAB 45.43, 53.75, 36.88

 

CMYK 0 / 81 / 86 / 16

HEX #D6281D

RGB 214 40 29

HSL 3.57, 0.76%, 0.48%

LAB 46.85, 64.6, 49.9

 

CMYK 0 / 90 / 96 / 8

HEX #EA170A

RGB 234 23 10

HSL 3.48, 0.92%, 0.48%

LAB 49.65, 72.98, 60.61

 

CMYK 0 / 40 / 43 / 39

HEX #9B5D59

RGB 155 93 89

HSL 3.64, 0.27%, 0.48%

LAB 46.34, 24.86, 13.12

 

CMYK 0 / 19 / 19 / 47

HEX #876E6D

RGB 135 110 109

HSL 2.31, 0.11%, 0.48%

LAB 48.77, 9.69, 4.27

 

CMYK 10 / 0 / 0 / 50

HEX #738080

RGB 115 128 128

HSL 180, 0.05%, 0.48%

LAB 52.56, -4.76, -1.64

 

CMYK 35 / 2 / 0 / 42

HEX #609194

RGB 96 145 148

HSL 183.46, 0.21%, 0.48%

LAB 56.95, -15.61, -6.84

 

CMYK 55 / 3 / 0 / 34

HEX #4CA3A8

RGB 76 163 168

HSL 183.26, 0.38%, 0.48%

LAB 62.13, -24.55, -10.56

 

CMYK 0 / 43 / 22 / 39

HEX #9B5979

RGB 155 89 121

HSL 330.91, 0.27%, 0.48%

LAB 46.3, 31.51, -6.26

 

CMYK 0 / 43 / 34 / 39

HEX #9B5967

RGB 155 89 103

HSL 347.27, 0.27%, 0.48%

LAB 45.76, 28.88, 3.85

 

CMYK 0 / 41 / 43 / 39

HEX #9B5C59

RGB 155 92 89

HSL 2.73, 0.27%, 0.48%

LAB 46.1, 25.43, 12.8

 

CMYK 0 / 29 / 43 / 39

HEX #9B6E59

RGB 155 110 89

HSL 19.09, 0.27%, 0.48%

LAB 50.5, 15.13, 18.8

 

CMYK 0 / 18 / 43 / 39

HEX #9B7F59

RGB 155 127 89

HSL 34.55, 0.27%, 0.48%

LAB 54.94, 5.41, 24.69

 

CMYK 0 / 41 / 43 / 60

HEX #673D3B

RGB 103 61 59

HSL 2.73, 0.27%, 0.32%

LAB 30.73, 18.18, 9.07

 

CMYK 0 / 40 / 43 / 49

HEX #814D4A

RGB 129 77 74

HSL 3.27, 0.27%, 0.4%

LAB 38.67, 21.58, 11.14

 

CMYK 0 / 40 / 43 / 39

HEX #9B5D59

RGB 155 93 89

HSL 3.64, 0.27%, 0.48%

LAB 46.34, 24.86, 13.12

 

CMYK 0 / 33 / 35 / 32

HEX #AD7470

RGB 173 116 112

HSL 3.93, 0.27%, 0.56%

LAB 54.6, 21.93, 11.37

 

CMYK 0 / 25 / 27 / 26

HEX #BC8D8A

RGB 188 141 138

HSL 3.6, 0.27%, 0.64%

LAB 62.99, 17.4, 8.55

 

CMYK 0 / 40 / 43 / 39

HEX #9C5D59

RGB 156 93 89

HSL 3.58, 0.27%, 0.48%

LAB 46.47, 25.27, 13.33

 

CMYK 11 / 0 / 43 / 39

HEX #8A9B59

RGB 138 155 89

HSL 75.45, 0.27%, 0.48%

LAB 61.28, -17.04, 32.55

 

CMYK 43 / 28 / 0 / 39

HEX #59709B

RGB 89 112 155

HSL 219.09, 0.27%, 0.48%

LAB 47.08, 3.21, -25.97

 

CMYK 0 / 40 / 43 / 39

HEX #9C5D59

RGB 156 93 89

HSL 3.58, 0.27%, 0.48%

LAB 46.47, 25.27, 13.33

 

CMYK 43 / 0 / 41 / 39

HEX #599B5C

RGB 89 155 92

HSL 122.73, 0.27%, 0.48%

LAB 58.36, -34.59, 26.61

 

CMYK 41 / 43 / 0 / 39

HEX #5C599B

RGB 92 89 155

HSL 242.73, 0.27%, 0.48%

LAB 40.87, 18.29, -35.67

 

CMYK 0 / 40 / 43 / 39

HEX #9C5D59

RGB 156 93 89

HSL 3.58, 0.27%, 0.48%

LAB 46.47, 25.27, 13.33

 

CMYK 11 / 0 / 43 / 39

HEX #8A9B59

RGB 138 155 89

HSL 75.45, 0.27%, 0.48%

LAB 61.28, -17.04, 32.55

 

CMYK 43 / 2 / 0 / 39

HEX #59989B

RGB 89 152 155

HSL 182.73, 0.27%, 0.48%

LAB 58.93, -19.42, -7.94

 

CMYK 32 / 43 / 0 / 39

HEX #69599B

RGB 105 89 155

HSL 254.55, 0.27%, 0.48%

LAB 42.02, 21.98, -33.78

 

CMYK 0 / 40 / 43 / 39

HEX #9C5D59

RGB 156 93 89

HSL 3.58, 0.27%, 0.48%

LAB 46.47, 25.27, 13.33

 

CMYK 23 / 0 / 43 / 39

HEX #779B59

RGB 119 155 89

HSL 92.73, 0.27%, 0.48%

LAB 59.97, -24.54, 30.61

 

CMYK 43 / 2 / 0 / 39

HEX #59989B

RGB 89 152 155

HSL 182.73, 0.27%, 0.48%

LAB 58.93, -19.42, -7.94

 

CMYK 19 / 43 / 0 / 39

HEX #7D599B

RGB 125 89 155

HSL 272.73, 0.27%, 0.48%

LAB 44.05, 28.02, -30.46

 

Description

Color code: HEX #9C5D59 | qconv.com Color code: HEX #9C5D59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 93 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 93 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 43 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 43% 39% C M Y K

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Provide designers and agencies with accurate color values.

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