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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C5C24 it is the complementary color #63A3DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C5C24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C5C24 shade: #A15C1F, #B26E32, #C38045, #D49258 and #E5A46B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C5C24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C5C24 shade: #9C5C24, #8B4A11, #7A3800, #692600 and #581400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C5C24 shade: #9D5C23, #9D3B23 and #9D2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C5C24 shade: #9D5C23, #9D7D23, #9D9D23, #7C9D23 and #5B9D23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C5C24 shade matches the following richer shades: #9D5C23, #AD5B14 and #BD5A04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C5C24 shade: #9D5C23, #8E5D33, #7E5E43, #6E5F52 and #5F6162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C5C24 shade: #9D232B, #9D3C23, #9D5C23, #9D7D23 and #9D9D23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C5C24 shade: #5A3514, #7C491C, #9D5C23, #BF702B and #D38540

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C5C24 shade: #9C5C24, #4C9D23 and #2B239D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C5C24 shade: #9C5C24, #239D5C and #5C239D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C5C24 shade: #9C5C24, #4C9D23, #23649D and #75239D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C5C24 shade: #9C5C24, #279D23, #23649D and #99239D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 77 / 39

HEX #9C5C24

RGB 156 92 36

HSL 28, 0.63%, 0.38%

LAB 45.43, 21.59, 41.75

 

Complementary color

CMYK 55 / 26 / 0 / 14

HEX #63A3DB

RGB 99 163 219

HSL 208, 0.63%, 0.62%

LAB 64.93, -4.56, -34.65

 

CMYK 0 / 43 / 81 / 37

HEX #A15C1F

RGB 161 92 31

HSL 28.15, 0.68%, 0.38%

LAB 46.08, 23.58, 44.9

 

CMYK 0 / 38 / 72 / 30

HEX #B26E32

RGB 178 110 50

HSL 28.13, 0.56%, 0.45%

LAB 52.78, 21.79, 43.56

 

CMYK 0 / 34 / 65 / 24

HEX #C38045

RGB 195 128 69

HSL 28.1, 0.51%, 0.52%

LAB 59.41, 20.25, 41.99

 

CMYK 0 / 31 / 58 / 17

HEX #D49258

RGB 212 146 88

HSL 28.06, 0.59%, 0.59%

LAB 65.95, 18.92, 40.41

 

CMYK 0 / 28 / 53 / 10

HEX #E5A46B

RGB 229 164 107

HSL 28.03, 0.7%, 0.66%

LAB 72.41, 17.77, 38.91

 

CMYK 0 / 41 / 77 / 39

HEX #9C5C24

RGB 156 92 36

HSL 28, 0.63%, 0.38%

LAB 45.43, 21.59, 41.75

 

CMYK 0 / 47 / 88 / 45

HEX #8B4A11

RGB 139 74 17

HSL 28.03, 0.78%, 0.31%

LAB 38.6, 23.58, 42.74

 

CMYK 0 / 54 / 100 / 52

HEX #7A3800

RGB 122 56 0

HSL 27.54, 1%, 0.24%

LAB 31.73, 25.82, 42.59

 

CMYK 0 / 64 / 100 / 59

HEX #692600

RGB 105 38 0

HSL 21.71, 1%, 0.21%

LAB 24.92, 28.29, 35.76

 

CMYK 0 / 77 / 100 / 65

HEX #581400

RGB 88 20 0

HSL 13.64, 1%, 0.17%

LAB 18.25, 30.16, 27.59

 

CMYK 0 / 41 / 78 / 38

HEX #9D5C23

RGB 157 92 35

HSL 28.03, 0.64%, 0.38%

LAB 45.56, 21.99, 42.4

 

CMYK 0 / 62 / 78 / 38

HEX #9D3B23

RGB 157 59 35

HSL 11.8, 0.64%, 0.38%

LAB 38.58, 39.49, 35.29

 

CMYK 0 / 78 / 78 / 38

HEX #9D2323

RGB 157 35 35

HSL 0, 0.64%, 0.38%

LAB 34.99, 49.28, 31.45

 

CMYK 0 / 41 / 78 / 38

HEX #9D5C23

RGB 157 92 35

HSL 28.03, 0.64%, 0.38%

LAB 45.56, 21.99, 42.4

 

CMYK 0 / 20 / 78 / 38

HEX #9D7D23

RGB 157 125 35

HSL 44.26, 0.64%, 0.38%

LAB 53.98, 3.21, 50.53

 

CMYK 0 / 0 / 78 / 38

HEX #9D9D23

RGB 157 157 35

HSL 60, 0.64%, 0.38%

LAB 62.85, -14.18, 58.72

 

CMYK 21 / 0 / 78 / 38

HEX #7C9D23

RGB 124 157 35

HSL 76.23, 0.64%, 0.38%

LAB 60.36, -28.43, 55.52

 

CMYK 42 / 0 / 78 / 38

HEX #5B9D23

RGB 91 157 35

HSL 92.46, 0.64%, 0.38%

LAB 58.47, -41.09, 53.07

 

CMYK 0 / 41 / 78 / 38

HEX #9D5C23

RGB 157 92 35

HSL 28.03, 0.64%, 0.38%

LAB 45.56, 21.99, 42.4

 

CMYK 0 / 47 / 88 / 32

HEX #AD5B14

RGB 173 91 20

HSL 27.84, 0.79%, 0.38%

LAB 47.52, 28.98, 51.06

 

CMYK 0 / 52 / 98 / 26

HEX #BD5A04

RGB 189 90 4

HSL 27.89, 0.96%, 0.38%

LAB 49.67, 35.88, 57.8

 

CMYK 0 / 41 / 78 / 38

HEX #9D5C23

RGB 157 92 35

HSL 28.03, 0.64%, 0.38%

LAB 45.56, 21.99, 42.4

 

CMYK 0 / 35 / 64 / 44

HEX #8E5D33

RGB 142 93 51

HSL 27.69, 0.47%, 0.38%

LAB 43.97, 15.65, 31.91

 

CMYK 0 / 25 / 47 / 51

HEX #7E5E43

RGB 126 94 67

HSL 27.46, 0.31%, 0.38%

LAB 42.53, 9.36, 20.52

 

CMYK 0 / 14 / 25 / 57

HEX #6E5F52

RGB 110 95 82

HSL 27.86, 0.15%, 0.38%

LAB 41.39, 3.79, 9.67

 

CMYK 3 / 1 / 0 / 62

HEX #5F6162

RGB 95 97 98

HSL 200, 0.02%, 0.38%

LAB 41, -0.57, -0.85

 

CMYK 0 / 78 / 73 / 38

HEX #9D232B

RGB 157 35 43

HSL 356.07, 0.64%, 0.38%

LAB 35.09, 49.63, 26.71

 

CMYK 0 / 62 / 78 / 38

HEX #9D3C23

RGB 157 60 35

HSL 12.3, 0.64%, 0.38%

LAB 38.76, 39.02, 35.48

 

CMYK 0 / 41 / 78 / 38

HEX #9D5C23

RGB 157 92 35

HSL 28.03, 0.64%, 0.38%

LAB 45.56, 21.99, 42.4

 

CMYK 0 / 20 / 78 / 38

HEX #9D7D23

RGB 157 125 35

HSL 44.26, 0.64%, 0.38%

LAB 53.98, 3.21, 50.53

 

CMYK 0 / 0 / 78 / 38

HEX #9D9D23

RGB 157 157 35

HSL 60, 0.64%, 0.38%

LAB 62.85, -14.18, 58.72

 

CMYK 0 / 41 / 78 / 65

HEX #5A3514

RGB 90 53 20

HSL 28.29, 0.64%, 0.22%

LAB 26.07, 13.41, 26.98

 

CMYK 0 / 41 / 77 / 51

HEX #7C491C

RGB 124 73 28

HSL 28.13, 0.63%, 0.3%

LAB 36.24, 17.78, 34.89

 

CMYK 0 / 41 / 78 / 38

HEX #9D5C23

RGB 157 92 35

HSL 28.03, 0.64%, 0.38%

LAB 45.56, 21.99, 42.4

 

CMYK 0 / 41 / 77 / 25

HEX #BF702B

RGB 191 112 43

HSL 27.97, 0.63%, 0.46%

LAB 54.91, 25.93, 49.54

 

CMYK 0 / 37 / 70 / 17

HEX #D38540

RGB 211 133 64

HSL 28.16, 0.63%, 0.54%

LAB 62.5, 23.98, 48.47

 

CMYK 0 / 41 / 77 / 39

HEX #9C5C24

RGB 156 92 36

HSL 28, 0.63%, 0.38%

LAB 45.43, 21.59, 41.75

 

CMYK 52 / 0 / 78 / 38

HEX #4C9D23

RGB 76 157 35

HSL 99.84, 0.64%, 0.38%

LAB 57.82, -45.96, 52.21

 

CMYK 73 / 78 / 0 / 38

HEX #2B239D

RGB 43 35 157

HSL 243.93, 0.64%, 0.38%

LAB 24.16, 43.08, -64.13

 

CMYK 0 / 41 / 77 / 39

HEX #9C5C24

RGB 156 92 36

HSL 28, 0.63%, 0.38%

LAB 45.43, 21.59, 41.75

 

CMYK 78 / 0 / 41 / 38

HEX #239D5C

RGB 35 157 92

HSL 148.03, 0.64%, 0.38%

LAB 57.31, -47.72, 24.92

 

CMYK 41 / 78 / 0 / 38

HEX #5C239D

RGB 92 35 157

HSL 268.03, 0.64%, 0.38%

LAB 29.19, 49.62, -55.69

 

CMYK 0 / 41 / 77 / 39

HEX #9C5C24

RGB 156 92 36

HSL 28, 0.63%, 0.38%

LAB 45.43, 21.59, 41.75

 

CMYK 52 / 0 / 78 / 38

HEX #4C9D23

RGB 76 157 35

HSL 99.84, 0.64%, 0.38%

LAB 57.82, -45.96, 52.21

 

CMYK 78 / 36 / 0 / 38

HEX #23649D

RGB 35 100 157

HSL 208.03, 0.64%, 0.38%

LAB 41.07, 0.14, -36.76

 

CMYK 25 / 78 / 0 / 38

HEX #75239D

RGB 117 35 157

HSL 280.33, 0.64%, 0.38%

LAB 32.74, 54.11, -49.75

 

CMYK 0 / 41 / 77 / 39

HEX #9C5C24

RGB 156 92 36

HSL 28, 0.63%, 0.38%

LAB 45.43, 21.59, 41.75

 

CMYK 75 / 0 / 78 / 38

HEX #279D23

RGB 39 157 35

HSL 118.03, 0.64%, 0.38%

LAB 56.75, -54.66, 50.81

 

CMYK 78 / 36 / 0 / 38

HEX #23649D

RGB 35 100 157

HSL 208.03, 0.64%, 0.38%

LAB 41.07, 0.14, -36.76

 

CMYK 3 / 78 / 0 / 38

HEX #99239D

RGB 153 35 157

HSL 298.03, 0.64%, 0.38%

LAB 38.57, 61.32, -40.08

 

Description

Color code: HEX #9C5C24 | qconv.com Color code: HEX #9C5C24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 92 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 92 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 77 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 77% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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