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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C5BAD it is the complementary color #63A452. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C5BAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C5BAD shade: #A15BA8, #B26DBB, #C37FCE, #D491E1 and #E5A3F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C5BAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C5BAD shade: #9C5BAD, #8B499A, #7A3787, #692574 and #581361

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C5BAD shade: #9C5CAC, #AC5CA7, #AC5C92, #AC5C7C and #AC5C66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C5BAD shade: #9C5CAC, #865CAC, #705CAC and #5C5CAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C5BAD shade matches the following richer shades: #9C5CAC, #A748C0, #B334D4, #BF20E8 and #CA0CFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C5BAD shade: #9C5CAC, #907099, #858385, #799771 and #6DAB5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C5BAD shade: #705CAC, #855CAC, #9B5CAC, #AC5CA8 and #AC5C93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C5BAD shade: #6C3D79, #854B94, #9C5CAC, #AC77BA and #BD93C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C5BAD shade: #9C5BAD, #AC5C5D and #5CAC7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C5BAD shade: #9C5BAD, #AC9B5C and #5CAC9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C5BAD shade: #9C5BAD, #AC5C5D, #6DAC5C and #5CACAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C5BAD shade: #9C5BAD, #AC735C, #6DAC5C and #5C96AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 47 / 0 / 32

HEX #9C5BAD

RGB 156 91 173

HSL 287.56, 0.33%, 0.52%

LAB 48.97, 40.3, -33.12

 

Complementary color

CMYK 40 / 0 / 50 / 36

HEX #63A452

RGB 99 164 82

HSL 107.56, 0.33%, 0.48%

LAB 61.49, -36.9, 35.92

 

CMYK 4 / 46 / 0 / 34

HEX #A15BA8

RGB 161 91 168

HSL 294.55, 0.31%, 0.51%

LAB 49.36, 40.79, -29.54

 

CMYK 5 / 42 / 0 / 27

HEX #B26DBB

RGB 178 109 187

HSL 293.08, 0.36%, 0.58%

LAB 56.08, 40.02, -29.94

 

CMYK 5 / 38 / 0 / 19

HEX #C37FCE

RGB 195 127 206

HSL 291.65, 0.45%, 0.65%

LAB 62.71, 39.26, -30.29

 

CMYK 6 / 36 / 0 / 12

HEX #D491E1

RGB 212 145 225

HSL 290.25, 0.57%, 0.73%

LAB 69.24, 38.52, -30.6

 

CMYK 6 / 33 / 0 / 4

HEX #E5A3F4

RGB 229 163 244

HSL 288.89, 0.79%, 0.8%

LAB 75.69, 37.81, -30.9

 

CMYK 10 / 47 / 0 / 32

HEX #9C5BAD

RGB 156 91 173

HSL 287.56, 0.33%, 0.52%

LAB 48.97, 40.3, -33.12

 

CMYK 10 / 53 / 0 / 40

HEX #8B499A

RGB 139 73 154

HSL 288.89, 0.36%, 0.45%

LAB 42.13, 41.07, -32.75

 

CMYK 10 / 59 / 0 / 47

HEX #7A3787

RGB 122 55 135

HSL 290.25, 0.42%, 0.37%

LAB 35.24, 41.71, -32.23

 

CMYK 9 / 68 / 0 / 55

HEX #692574

RGB 105 37 116

HSL 291.65, 0.52%, 0.3%

LAB 28.35, 42.02, -31.43

 

CMYK 9 / 80 / 0 / 62

HEX #581361

RGB 88 19 97

HSL 293.08, 0.67%, 0.23%

LAB 21.59, 41.54, -30.07

 

CMYK 9 / 47 / 0 / 33

HEX #9C5CAC

RGB 156 92 172

HSL 288, 0.33%, 0.52%

LAB 49.13, 39.55, -32.28

 

CMYK 0 / 47 / 3 / 33

HEX #AC5CA7

RGB 172 92 167

HSL 303.75, 0.33%, 0.52%

LAB 50.94, 43.44, -26.39

 

CMYK 0 / 47 / 15 / 33

HEX #AC5C92

RGB 172 92 146

HSL 319.5, 0.33%, 0.52%

LAB 50.1, 39.79, -15.3

 

CMYK 0 / 47 / 28 / 33

HEX #AC5C7C

RGB 172 92 124

HSL 336, 0.33%, 0.52%

LAB 49.35, 36.43, -3.3

 

CMYK 0 / 47 / 41 / 33

HEX #AC5C66

RGB 172 92 102

HSL 352.5, 0.33%, 0.52%

LAB 48.74, 33.6, 9.02

 

CMYK 9 / 47 / 0 / 33

HEX #9C5CAC

RGB 156 92 172

HSL 288, 0.33%, 0.52%

LAB 49.13, 39.55, -32.28

 

CMYK 22 / 47 / 0 / 33

HEX #865CAC

RGB 134 92 172

HSL 271.5, 0.33%, 0.52%

LAB 46.58, 33.03, -36.47

 

CMYK 35 / 47 / 0 / 33

HEX #705CAC

RGB 112 92 172

HSL 255, 0.33%, 0.52%

LAB 44.34, 26.79, -40.15

 

CMYK 47 / 47 / 0 / 33

HEX #5C5CAC

RGB 92 92 172

HSL 240, 0.33%, 0.52%

LAB 42.62, 21.57, -42.99

 

CMYK 9 / 47 / 0 / 33

HEX #9C5CAC

RGB 156 92 172

HSL 288, 0.33%, 0.52%

LAB 49.13, 39.55, -32.28

 

CMYK 13 / 63 / 0 / 25

HEX #A748C0

RGB 167 72 192

HSL 287.5, 0.49%, 0.52%

LAB 47.82, 56.67, -45.91

 

CMYK 16 / 75 / 0 / 17

HEX #B334D4

RGB 179 52 212

HSL 287.63, 0.65%, 0.52%

LAB 48, 70.9, -57.07

 

CMYK 18 / 86 / 0 / 9

HEX #BF20E8

RGB 191 32 232

HSL 287.7, 0.81%, 0.52%

LAB 49.42, 81.68, -66.07

 

CMYK 20 / 95 / 0 / 1

HEX #CA0CFC

RGB 202 12 252

HSL 287.5, 0.98%, 0.52%

LAB 51.66, 89.36, -73.58

 

CMYK 9 / 47 / 0 / 33

HEX #9C5CAC

RGB 156 92 172

HSL 288, 0.33%, 0.52%

LAB 49.13, 39.55, -32.28

 

CMYK 6 / 27 / 0 / 40

HEX #907099

RGB 144 112 153

HSL 286.83, 0.17%, 0.52%

LAB 51.63, 20.27, -17.4

 

CMYK 0 / 2 / 0 / 48

HEX #858385

RGB 133 131 133

HSL 300, 0.01%, 0.52%

LAB 54.98, 1.14, -0.82

 

CMYK 20 / 0 / 25 / 41

HEX #799771

RGB 121 151 113

HSL 107.37, 0.15%, 0.52%

LAB 59.33, -18.04, 16.67

 

CMYK 36 / 0 / 46 / 33

HEX #6DAB5D

RGB 109 171 93

HSL 107.69, 0.32%, 0.52%

LAB 64.3, -35.23, 33.89

 

CMYK 35 / 47 / 0 / 33

HEX #705CAC

RGB 112 92 172

HSL 255, 0.33%, 0.52%

LAB 44.34, 26.79, -40.15

 

CMYK 23 / 47 / 0 / 33

HEX #855CAC

RGB 133 92 172

HSL 270.75, 0.33%, 0.52%

LAB 46.47, 32.74, -36.64

 

CMYK 10 / 47 / 0 / 33

HEX #9B5CAC

RGB 155 92 172

HSL 287.25, 0.33%, 0.52%

LAB 49.01, 39.25, -32.48

 

CMYK 0 / 47 / 2 / 33

HEX #AC5CA8

RGB 172 92 168

HSL 303, 0.33%, 0.52%

LAB 50.98, 43.62, -26.9

 

CMYK 0 / 47 / 15 / 33

HEX #AC5C93

RGB 172 92 147

HSL 318.75, 0.33%, 0.52%

LAB 50.13, 39.96, -15.83

 

CMYK 11 / 50 / 0 / 53

HEX #6C3D79

RGB 108 61 121

HSL 287, 0.33%, 0.36%

LAB 33.79, 31.29, -25.96

 

CMYK 10 / 49 / 0 / 42

HEX #854B94

RGB 133 75 148

HSL 287.67, 0.33%, 0.44%

LAB 41.46, 36.94, -30.25

 

CMYK 9 / 47 / 0 / 33

HEX #9C5CAC

RGB 156 92 172

HSL 288, 0.33%, 0.52%

LAB 49.13, 39.55, -32.28

 

CMYK 8 / 36 / 0 / 27

HEX #AC77BA

RGB 172 119 186

HSL 287.46, 0.33%, 0.6%

LAB 57.57, 32.44, -27.11

 

CMYK 5 / 27 / 0 / 22

HEX #BD93C8

RGB 189 147 200

HSL 287.55, 0.33%, 0.68%

LAB 66.41, 25.15, -21.3

 

CMYK 10 / 47 / 0 / 32

HEX #9C5BAD

RGB 156 91 173

HSL 287.56, 0.33%, 0.52%

LAB 48.97, 40.3, -33.12

 

CMYK 0 / 47 / 46 / 33

HEX #AC5C5D

RGB 172 92 93

HSL 359.25, 0.33%, 0.52%

LAB 48.53, 32.6, 14.12

 

CMYK 47 / 0 / 28 / 33

HEX #5CAC7B

RGB 92 172 123

HSL 143.25, 0.33%, 0.52%

LAB 64.33, -35.85, 17.77

 

CMYK 10 / 47 / 0 / 32

HEX #9C5BAD

RGB 156 91 173

HSL 287.56, 0.33%, 0.52%

LAB 48.97, 40.3, -33.12

 

CMYK 0 / 10 / 47 / 33

HEX #AC9B5C

RGB 172 155 92

HSL 47.25, 0.33%, 0.52%

LAB 64.15, -2.54, 35.18

 

CMYK 47 / 0 / 10 / 33

HEX #5CAC9B

RGB 92 172 155

HSL 167.25, 0.33%, 0.52%

LAB 65.08, -28.77, 1.14

 

CMYK 10 / 47 / 0 / 32

HEX #9C5BAD

RGB 156 91 173

HSL 287.56, 0.33%, 0.52%

LAB 48.97, 40.3, -33.12

 

CMYK 0 / 47 / 46 / 33

HEX #AC5C5D

RGB 172 92 93

HSL 359.25, 0.33%, 0.52%

LAB 48.53, 32.6, 14.12

 

CMYK 37 / 0 / 47 / 33

HEX #6DAC5C

RGB 109 172 92

HSL 107.25, 0.33%, 0.52%

LAB 64.59, -35.82, 34.77

 

CMYK 47 / 0 / 1 / 33

HEX #5CACAB

RGB 92 172 171

HSL 179.25, 0.33%, 0.52%

LAB 65.53, -24.71, -7.11

 

CMYK 10 / 47 / 0 / 32

HEX #9C5BAD

RGB 156 91 173

HSL 287.56, 0.33%, 0.52%

LAB 48.97, 40.3, -33.12

 

CMYK 0 / 33 / 47 / 33

HEX #AC735C

RGB 172 115 92

HSL 17.25, 0.33%, 0.52%

LAB 53.82, 19.74, 21.86

 

CMYK 37 / 0 / 47 / 33

HEX #6DAC5C

RGB 109 172 92

HSL 107.25, 0.33%, 0.52%

LAB 64.59, -35.82, 34.77

 

CMYK 47 / 13 / 0 / 33

HEX #5C96AC

RGB 92 150 172

HSL 196.5, 0.33%, 0.52%

LAB 59.04, -12.91, -17.42

 

Description

Color code: HEX #9C5BAD | qconv.com Color code: HEX #9C5BAD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 91 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 91 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 47 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 47% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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