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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C56C7 it is the complementary color #63A938. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C56C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C56C7 shade: #A156C2, #B268D5, #C37AE8, #D48CFB and #E59EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C56C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C56C7 shade: #9C56C7, #8B44B4, #7A32A1, #69208E and #580E7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C56C7 shade: #9C56C6, #BA56C6, #C656B5, #C65696 and #C65678

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C56C7 shade: #9C56C6, #7D56C6, #5F56C6 and #5656C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C56C7 shade matches the following richer shades: #9C56C6, #A044D9, #A432EB and #A920FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C56C7 shade: #9C56C6, #9768B4, #937BA2, #8F8D90 and #8A9F7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C56C7 shade: #6056C6, #7D56C6, #9B56C6, #B956C6 and #C656B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C56C7 shade: #713298, #883DB7, #9C56C6, #AE75D1 and #C094DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C56C7 shade: #9C56C7, #C6566B and #56C66F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C56C7 shade: #9C56C7, #C69B56 and #56C69B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C56C7 shade: #9C56C7, #C6566B, #81C656 and #56C6B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C56C7 shade: #9C56C7, #C66356, #81C656 and #56B9C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 57 / 0 / 22

HEX #9C56C7

RGB 156 86 199

HSL 277.17, 0.5%, 0.56%

LAB 49.31, 48.58, -47.67

 

Complementary color

CMYK 41 / 0 / 67 / 34

HEX #63A938

RGB 99 169 56

HSL 97.17, 0.5%, 0.44%

LAB 62.77, -41.9, 49.58

 

CMYK 17 / 56 / 0 / 24

HEX #A156C2

RGB 161 86 194

HSL 281.67, 0.47%, 0.55%

LAB 49.65, 48.78, -44.21

 

CMYK 16 / 51 / 0 / 16

HEX #B268D5

RGB 178 104 213

HSL 280.73, 0.56%, 0.62%

LAB 56.26, 48.02, -44.47

 

CMYK 16 / 47 / 0 / 9

HEX #C37AE8

RGB 195 122 232

HSL 279.82, 0.71%, 0.69%

LAB 62.8, 47.23, -44.66

 

CMYK 16 / 44 / 0 / 2

HEX #D48CFB

RGB 212 140 251

HSL 278.92, 0.93%, 0.77%

LAB 69.27, 46.43, -44.82

 

CMYK 10 / 38 / 0 / 0

HEX #E59EFF

RGB 229 158 255

HSL 283.92, 1%, 0.81%

LAB 75.03, 42.62, -37.86

 

CMYK 22 / 57 / 0 / 22

HEX #9C56C7

RGB 156 86 199

HSL 277.17, 0.5%, 0.56%

LAB 49.31, 48.58, -47.67

 

CMYK 23 / 62 / 0 / 29

HEX #8B44B4

RGB 139 68 180

HSL 278.04, 0.45%, 0.49%

LAB 42.64, 49.29, -47.39

 

CMYK 24 / 69 / 0 / 37

HEX #7A32A1

RGB 122 50 161

HSL 278.92, 0.53%, 0.41%

LAB 35.97, 49.75, -46.92

 

CMYK 26 / 77 / 0 / 44

HEX #69208E

RGB 105 32 142

HSL 279.82, 0.63%, 0.34%

LAB 29.39, 49.68, -46.08

 

CMYK 28 / 89 / 0 / 52

HEX #580E7B

RGB 88 14 123

HSL 280.73, 0.8%, 0.27%

LAB 23.06, 48.5, -44.54

 

CMYK 21 / 57 / 0 / 22

HEX #9C56C6

RGB 156 86 198

HSL 277.5, 0.5%, 0.56%

LAB 49.25, 48.35, -47.19

 

CMYK 6 / 57 / 0 / 22

HEX #BA56C6

RGB 186 86 198

HSL 293.57, 0.5%, 0.56%

LAB 53.14, 56.13, -40.78

 

CMYK 0 / 57 / 9 / 22

HEX #C656B5

RGB 198 86 181

HSL 309.11, 0.5%, 0.56%

LAB 54.02, 56.41, -29.47

 

CMYK 0 / 57 / 24 / 22

HEX #C65696

RGB 198 86 150

HSL 325.71, 0.5%, 0.56%

LAB 52.8, 51.73, -13.22

 

CMYK 0 / 57 / 39 / 22

HEX #C65678

RGB 198 86 120

HSL 341.79, 0.5%, 0.56%

LAB 51.86, 47.97, 3.21

 

CMYK 21 / 57 / 0 / 22

HEX #9C56C6

RGB 156 86 198

HSL 277.5, 0.5%, 0.56%

LAB 49.25, 48.35, -47.19

 

CMYK 37 / 57 / 0 / 22

HEX #7D56C6

RGB 125 86 198

HSL 260.89, 0.5%, 0.56%

LAB 45.76, 40.68, -52.97

 

CMYK 52 / 57 / 0 / 22

HEX #5F56C6

RGB 95 86 198

HSL 244.82, 0.5%, 0.56%

LAB 43.01, 34.04, -57.54

 

CMYK 57 / 57 / 0 / 22

HEX #5656C6

RGB 86 86 198

HSL 240, 0.5%, 0.56%

LAB 42.32, 32.28, -58.69

 

CMYK 21 / 57 / 0 / 22

HEX #9C56C6

RGB 156 86 198

HSL 277.5, 0.5%, 0.56%

LAB 49.25, 48.35, -47.19

 

CMYK 26 / 69 / 0 / 15

HEX #A044D9

RGB 160 68 217

HSL 277.05, 0.66%, 0.56%

LAB 47.77, 62.06, -60.43

 

CMYK 30 / 79 / 0 / 8

HEX #A432EB

RGB 164 50 235

HSL 276.97, 0.82%, 0.56%

LAB 47.2, 73.41, -71.55

 

CMYK 33 / 87 / 0 / 1

HEX #A920FD

RGB 169 32 253

HSL 277.19, 0.98%, 0.56%

LAB 47.7, 82.47, -80.81

 

CMYK 21 / 57 / 0 / 22

HEX #9C56C6

RGB 156 86 198

HSL 277.5, 0.5%, 0.56%

LAB 49.25, 48.35, -47.19

 

CMYK 16 / 42 / 0 / 29

HEX #9768B4

RGB 151 104 180

HSL 277.11, 0.34%, 0.56%

LAB 51.58, 33.07, -33.15

 

CMYK 9 / 24 / 0 / 36

HEX #937BA2

RGB 147 123 162

HSL 276.92, 0.17%, 0.56%

LAB 55.05, 16.81, -17.4

 

CMYK 1 / 2 / 0 / 44

HEX #8F8D90

RGB 143 141 144

HSL 280, 0.01%, 0.56%

LAB 58.88, 1.32, -1.34

 

CMYK 13 / 0 / 21 / 38

HEX #8A9F7E

RGB 138 159 126

HSL 98.18, 0.15%, 0.56%

LAB 63.1, -13.71, 14.81

 

CMYK 52 / 57 / 0 / 22

HEX #6056C6

RGB 96 86 198

HSL 245.36, 0.5%, 0.56%

LAB 43.09, 34.25, -57.41

 

CMYK 37 / 57 / 0 / 22

HEX #7D56C6

RGB 125 86 198

HSL 260.89, 0.5%, 0.56%

LAB 45.76, 40.68, -52.97

 

CMYK 22 / 57 / 0 / 22

HEX #9B56C6

RGB 155 86 198

HSL 276.96, 0.5%, 0.56%

LAB 49.13, 48.1, -47.39

 

CMYK 7 / 57 / 0 / 22

HEX #B956C6

RGB 185 86 198

HSL 293.04, 0.5%, 0.56%

LAB 53, 55.87, -41.01

 

CMYK 0 / 57 / 8 / 22

HEX #C656B6

RGB 198 86 182

HSL 308.57, 0.5%, 0.56%

LAB 54.07, 56.57, -29.98

 

CMYK 26 / 67 / 0 / 40

HEX #713298

RGB 113 50 152

HSL 277.06, 0.5%, 0.4%

LAB 34.11, 45.66, -44.53

 

CMYK 26 / 67 / 0 / 28

HEX #883DB7

RGB 136 61 183

HSL 276.89, 0.5%, 0.48%

LAB 41.2, 52.66, -51.49

 

CMYK 21 / 57 / 0 / 22

HEX #9C56C6

RGB 156 86 198

HSL 277.5, 0.5%, 0.56%

LAB 49.25, 48.35, -47.19

 

CMYK 17 / 44 / 0 / 18

HEX #AE75D1

RGB 174 117 209

HSL 277.17, 0.5%, 0.64%

LAB 58.34, 39.04, -38.95

 

CMYK 12 / 32 / 0 / 14

HEX #C094DB

RGB 192 148 219

HSL 277.18, 0.5%, 0.72%

LAB 67.65, 29.46, -29.92

 

CMYK 22 / 57 / 0 / 22

HEX #9C56C7

RGB 156 86 199

HSL 277.17, 0.5%, 0.56%

LAB 49.31, 48.58, -47.67

 

CMYK 0 / 57 / 46 / 22

HEX #C6566B

RGB 198 86 107

HSL 348.75, 0.5%, 0.56%

LAB 51.52, 46.6, 10.5

 

CMYK 57 / 0 / 44 / 22

HEX #56C66F

RGB 86 198 111

HSL 133.39, 0.5%, 0.56%

LAB 71.9, -50.61, 34.16

 

CMYK 22 / 57 / 0 / 22

HEX #9C56C7

RGB 156 86 199

HSL 277.17, 0.5%, 0.56%

LAB 49.31, 48.58, -47.67

 

CMYK 0 / 22 / 57 / 22

HEX #C69B56

RGB 198 155 86

HSL 36.96, 0.5%, 0.56%

LAB 66.61, 7.97, 41.87

 

CMYK 57 / 0 / 22 / 22

HEX #56C69B

RGB 86 198 155

HSL 156.96, 0.5%, 0.56%

LAB 72.72, -42.16, 12.07

 

CMYK 22 / 57 / 0 / 22

HEX #9C56C7

RGB 156 86 199

HSL 277.17, 0.5%, 0.56%

LAB 49.31, 48.58, -47.67

 

CMYK 0 / 57 / 46 / 22

HEX #C6566B

RGB 198 86 107

HSL 348.75, 0.5%, 0.56%

LAB 51.52, 46.6, 10.5

 

CMYK 35 / 0 / 57 / 22

HEX #81C656

RGB 129 198 86

HSL 96.96, 0.5%, 0.56%

LAB 73.37, -41.3, 48.54

 

CMYK 57 / 0 / 10 / 22

HEX #56C6B2

RGB 86 198 178

HSL 169.29, 0.5%, 0.56%

LAB 73.27, -36.72, 0.42

 

CMYK 22 / 57 / 0 / 22

HEX #9C56C7

RGB 156 86 199

HSL 277.17, 0.5%, 0.56%

LAB 49.31, 48.58, -47.67

 

CMYK 0 / 50 / 57 / 22

HEX #C66356

RGB 198 99 86

HSL 6.96, 0.5%, 0.56%

LAB 53.6, 38.26, 25.68

 

CMYK 35 / 0 / 57 / 22

HEX #81C656

RGB 129 198 86

HSL 96.96, 0.5%, 0.56%

LAB 73.37, -41.3, 48.54

 

CMYK 57 / 7 / 0 / 22

HEX #56B9C6

RGB 86 185 198

HSL 186.96, 0.5%, 0.56%

LAB 70, -25.13, -15.36

 

Description

Color code: HEX #9C56C7 | qconv.com Color code: HEX #9C56C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 86 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 86 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 57 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 57% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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