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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C34AB it is the complementary color #63CB54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C34AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C34AB shade: #A134A6, #B246B9, #C358CC, #D46ADF and #E57CF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C34AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C34AB shade: #9C34AB, #8B2298, #7A1085, #690072 and #58005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C34AB shade: #9C34AB, #AB349A, #AB347A, #AB345A and #AB343A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C34AB shade: #9C34AB, #7C34AB, #5C34AB, #3C34AB and #3434AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C34AB shade matches the following richer shades: #9C34AB, #AA22BD and #B710CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C34AB shade: #9C34AB, #8F4699, #815987, #736B75 and #667D63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C34AB shade: #5C34AB, #7C34AB, #9B34AB, #AB349B and #AB347C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C34AB shade: #63216C, #7F2B8C, #9C34AB, #B544C5 and #C163CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C34AB shade: #9C34AB, #AB3C34 and #34AB6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C34AB shade: #9C34AB, #AB9B34 and #34AB9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C34AB shade: #9C34AB, #AB3C34, #44AB34 and #34A3AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C34AB shade: #9C34AB, #AB6034, #44AB34 and #3480AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 70 / 0 / 33

HEX #9C34AB

RGB 156 52 171

HSL 292.44, 0.53%, 0.44%

LAB 41.94, 58.57, -43.05

 

Complementary color

CMYK 51 / 0 / 59 / 20

HEX #63CB54

RGB 99 203 84

HSL 112.44, 0.53%, 0.56%

LAB 73.55, -52.89, 49.33

 

CMYK 3 / 69 / 0 / 35

HEX #A134A6

RGB 161 52 166

HSL 297.37, 0.52%, 0.43%

LAB 42.44, 58.82, -39.24

 

CMYK 4 / 62 / 0 / 27

HEX #B246B9

RGB 178 70 185

HSL 296.35, 0.45%, 0.5%

LAB 48.7, 58.93, -40.36

 

CMYK 4 / 57 / 0 / 20

HEX #C358CC

RGB 195 88 204

HSL 295.34, 0.53%, 0.57%

LAB 55.01, 58.65, -41.18

 

CMYK 5 / 52 / 0 / 13

HEX #D46ADF

RGB 212 106 223

HSL 294.36, 0.65%, 0.65%

LAB 61.34, 58.15, -41.81

 

CMYK 5 / 49 / 0 / 5

HEX #E57CF2

RGB 229 124 242

HSL 293.39, 0.82%, 0.72%

LAB 67.64, 57.52, -42.31

 

CMYK 9 / 70 / 0 / 33

HEX #9C34AB

RGB 156 52 171

HSL 292.44, 0.53%, 0.44%

LAB 41.94, 58.57, -43.05

 

CMYK 9 / 78 / 0 / 40

HEX #8B2298

RGB 139 34 152

HSL 293.39, 0.63%, 0.36%

LAB 35.79, 57.85, -41.61

 

CMYK 8 / 88 / 0 / 48

HEX #7A1085

RGB 122 16 133

HSL 294.36, 0.79%, 0.29%

LAB 29.92, 55.98, -39.48

 

CMYK 8 / 100 / 0 / 55

HEX #690072

RGB 105 0 114

HSL 295.26, 1%, 0.22%

LAB 24.38, 52.68, -36.5

 

CMYK 7 / 100 / 0 / 63

HEX #58005F

RGB 88 0 95

HSL 295.58, 1%, 0.19%

LAB 19.64, 46.44, -31.88

 

CMYK 9 / 70 / 0 / 33

HEX #9C34AB

RGB 156 52 171

HSL 292.44, 0.53%, 0.44%

LAB 41.94, 58.57, -43.05

 

CMYK 0 / 70 / 10 / 33

HEX #AB349A

RGB 171 52 154

HSL 308.57, 0.53%, 0.44%

LAB 43.43, 59.23, -30.38

 

CMYK 0 / 70 / 29 / 33

HEX #AB347A

RGB 171 52 122

HSL 324.71, 0.53%, 0.44%

LAB 42.03, 54.69, -13.06

 

CMYK 0 / 70 / 47 / 33

HEX #AB345A

RGB 171 52 90

HSL 340.84, 0.53%, 0.44%

LAB 40.98, 51.14, 5.34

 

CMYK 0 / 70 / 66 / 33

HEX #AB343A

RGB 171 52 58

HSL 356.97, 0.53%, 0.44%

LAB 40.28, 48.68, 24.39

 

CMYK 9 / 70 / 0 / 33

HEX #9C34AB

RGB 156 52 171

HSL 292.44, 0.53%, 0.44%

LAB 41.94, 58.57, -43.05

 

CMYK 27 / 70 / 0 / 33

HEX #7C34AB

RGB 124 52 171

HSL 276.3, 0.53%, 0.44%

LAB 37.26, 51.52, -50.81

 

CMYK 46 / 70 / 0 / 33

HEX #5C34AB

RGB 92 52 171

HSL 260.17, 0.53%, 0.44%

LAB 33.29, 45.11, -57.45

 

CMYK 65 / 70 / 0 / 33

HEX #3C34AB

RGB 60 52 171

HSL 244.03, 0.53%, 0.44%

LAB 30.3, 39.92, -62.46

 

CMYK 70 / 70 / 0 / 33

HEX #3434AB

RGB 52 52 171

HSL 240, 0.53%, 0.44%

LAB 29.73, 38.89, -63.42

 

CMYK 9 / 70 / 0 / 33

HEX #9C34AB

RGB 156 52 171

HSL 292.44, 0.53%, 0.44%

LAB 41.94, 58.57, -43.05

 

CMYK 10 / 82 / 0 / 26

HEX #AA22BD

RGB 170 34 189

HSL 292.65, 0.7%, 0.44%

LAB 43.31, 70.33, -51.36

 

CMYK 12 / 92 / 0 / 19

HEX #B710CF

RGB 183 16 207

HSL 292.46, 0.86%, 0.44%

LAB 45.56, 78.76, -58.1

 

CMYK 9 / 70 / 0 / 33

HEX #9C34AB

RGB 156 52 171

HSL 292.44, 0.53%, 0.44%

LAB 41.94, 58.57, -43.05

 

CMYK 7 / 54 / 0 / 40

HEX #8F4699

RGB 143 70 153

HSL 292.77, 0.37%, 0.44%

LAB 42.03, 43.59, -32.28

 

CMYK 4 / 34 / 0 / 47

HEX #815987

RGB 129 89 135

HSL 292.17, 0.21%, 0.44%

LAB 43.6, 24.82, -19.13

 

CMYK 2 / 9 / 0 / 54

HEX #736B75

RGB 115 107 117

HSL 288, 0.04%, 0.44%

LAB 46.24, 5.13, -4.44

 

CMYK 18 / 0 / 21 / 51

HEX #667D63

RGB 102 125 99

HSL 113.08, 0.12%, 0.44%

LAB 49.97, -13.76, 11.47

 

CMYK 46 / 70 / 0 / 33

HEX #5C34AB

RGB 92 52 171

HSL 260.17, 0.53%, 0.44%

LAB 33.29, 45.11, -57.45

 

CMYK 27 / 70 / 0 / 33

HEX #7C34AB

RGB 124 52 171

HSL 276.3, 0.53%, 0.44%

LAB 37.26, 51.52, -50.81

 

CMYK 9 / 70 / 0 / 33

HEX #9B34AB

RGB 155 52 171

HSL 291.93, 0.53%, 0.44%

LAB 41.79, 58.35, -43.3

 

CMYK 0 / 70 / 9 / 33

HEX #AB349B

RGB 171 52 155

HSL 308.07, 0.53%, 0.44%

LAB 43.48, 59.39, -30.91

 

CMYK 0 / 70 / 27 / 33

HEX #AB347C

RGB 171 52 124

HSL 323.7, 0.53%, 0.44%

LAB 42.11, 54.95, -14.17

 

CMYK 8 / 69 / 0 / 58

HEX #63216C

RGB 99 33 108

HSL 292.8, 0.53%, 0.28%

LAB 26.22, 40.68, -29.74

 

CMYK 9 / 69 / 0 / 45

HEX #7F2B8C

RGB 127 43 140

HSL 291.96, 0.53%, 0.36%

LAB 34.26, 49.61, -36.83

 

CMYK 9 / 70 / 0 / 33

HEX #9C34AB

RGB 156 52 171

HSL 292.44, 0.53%, 0.44%

LAB 41.94, 58.57, -43.05

 

CMYK 8 / 65 / 0 / 23

HEX #B544C5

RGB 181 68 197

HSL 292.56, 0.53%, 0.52%

LAB 49.48, 62.66, -46.04

 

CMYK 7 / 52 / 0 / 19

HEX #C163CF

RGB 193 99 207

HSL 292.22, 0.53%, 0.6%

LAB 56.85, 53.43, -40.02

 

CMYK 9 / 70 / 0 / 33

HEX #9C34AB

RGB 156 52 171

HSL 292.44, 0.53%, 0.44%

LAB 41.94, 58.57, -43.05

 

CMYK 0 / 65 / 70 / 33

HEX #AB3C34

RGB 171 60 52

HSL 4.03, 0.53%, 0.44%

LAB 41.43, 44.95, 29.43

 

CMYK 70 / 0 / 37 / 33

HEX #34AB6C

RGB 52 171 108

HSL 148.24, 0.53%, 0.44%

LAB 62.46, -47.44, 23.17

 

CMYK 9 / 70 / 0 / 33

HEX #9C34AB

RGB 156 52 171

HSL 292.44, 0.53%, 0.44%

LAB 41.94, 58.57, -43.05

 

CMYK 0 / 9 / 70 / 33

HEX #AB9B34

RGB 171 155 52

HSL 51.93, 0.53%, 0.44%

LAB 63.63, -6.1, 53.68

 

CMYK 70 / 0 / 9 / 33

HEX #34AB9B

RGB 52 171 155

HSL 171.93, 0.53%, 0.44%

LAB 63.53, -36.28, -1.28

 

CMYK 9 / 70 / 0 / 33

HEX #9C34AB

RGB 156 52 171

HSL 292.44, 0.53%, 0.44%

LAB 41.94, 58.57, -43.05

 

CMYK 0 / 65 / 70 / 33

HEX #AB3C34

RGB 171 60 52

HSL 4.03, 0.53%, 0.44%

LAB 41.43, 44.95, 29.43

 

CMYK 60 / 0 / 70 / 33

HEX #44AB34

RGB 68 171 52

HSL 111.93, 0.53%, 0.44%

LAB 62.17, -52.13, 50.22

 

CMYK 70 / 5 / 0 / 33

HEX #34A3AB

RGB 52 163 171

HSL 184.03, 0.53%, 0.44%

LAB 61.54, -27.85, -13.21

 

CMYK 9 / 70 / 0 / 33

HEX #9C34AB

RGB 156 52 171

HSL 292.44, 0.53%, 0.44%

LAB 41.94, 58.57, -43.05

 

CMYK 0 / 44 / 70 / 33

HEX #AB6034

RGB 171 96 52

HSL 22.18, 0.53%, 0.44%

LAB 48.6, 26.66, 37.7

 

CMYK 60 / 0 / 70 / 33

HEX #44AB34

RGB 68 171 52

HSL 111.93, 0.53%, 0.44%

LAB 62.17, -52.13, 50.22

 

CMYK 70 / 25 / 0 / 33

HEX #3480AB

RGB 52 128 171

HSL 201.68, 0.53%, 0.44%

LAB 50.81, -9.15, -29.63

 

Description

Color code: HEX #9C34AB | qconv.com Color code: HEX #9C34AB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 52 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 52 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 70 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 70% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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