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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C2AA3 it is the complementary color #63D55C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C2AA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C2AA3 shade: #A12A9E, #B23CB1, #C34EC4, #D460D7 and #E572EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C2AA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C2AA3 shade: #9C2AA3, #8B1890, #7A067D, #69006A and #580057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C2AA3 shade: #9B29A2, #A22988, #A22968, #A22947 and #A22929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C2AA3 shade: #9B29A2, #7A29A2, #5A29A2, #3929A2 and #2929A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C2AA3 shade matches the following richer shades: #9B29A2, #A919B2 and #B808C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C2AA3 shade: #9B29A2, #8C3A91, #7E4A81, #6F5B70 and #606B60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C2AA3 shade: #5929A2, #7A29A2, #9A29A2, #A2298A and #A2296A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C2AA3 shade: #5C1860, #7B2181, #9B29A2, #BA32C2 and #C94DD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C2AA3 shade: #9C2AA3, #A23929 and #29A26A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C2AA3 shade: #9C2AA3, #A29A29 and #29A29A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C2AA3 shade: #9C2AA3, #A23929, #31A229 and #2992A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C2AA3 shade: #9C2AA3, #A25D29, #31A229 and #296EA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 74 / 0 / 36

HEX #9C2AA3

RGB 156 42 163

HSL 296.53, 0.59%, 0.4%

LAB 40.19, 60.77, -41.06

 

Complementary color

CMYK 54 / 0 / 57 / 16

HEX #63D55C

RGB 99 213 92

HSL 116.53, 0.59%, 0.6%

LAB 76.69, -55.82, 49.34

 

CMYK 0 / 74 / 2 / 37

HEX #A12A9E

RGB 161 42 158

HSL 301.51, 0.59%, 0.4%

LAB 40.74, 61.02, -37.14

 

CMYK 0 / 66 / 1 / 30

HEX #B23CB1

RGB 178 60 177

HSL 300.51, 0.5%, 0.47%

LAB 46.8, 61.63, -38.66

 

CMYK 1 / 60 / 0 / 23

HEX #C34EC4

RGB 195 78 196

HSL 299.49, 0.5%, 0.54%

LAB 52.99, 61.68, -39.78

 

CMYK 1 / 55 / 0 / 16

HEX #D460D7

RGB 212 96 215

HSL 298.49, 0.6%, 0.61%

LAB 59.22, 61.38, -40.63

 

CMYK 2 / 51 / 0 / 8

HEX #E572EA

RGB 229 114 234

HSL 297.5, 0.74%, 0.68%

LAB 65.46, 60.88, -41.31

 

CMYK 4 / 74 / 0 / 36

HEX #9C2AA3

RGB 156 42 163

HSL 296.53, 0.59%, 0.4%

LAB 40.19, 60.77, -41.06

 

CMYK 3 / 83 / 0 / 44

HEX #8B1890

RGB 139 24 144

HSL 297.5, 0.71%, 0.33%

LAB 34.31, 59.29, -39.1

 

CMYK 2 / 95 / 0 / 51

HEX #7A067D

RGB 122 6 125

HSL 298.49, 0.91%, 0.26%

LAB 28.77, 56.41, -36.29

 

CMYK 1 / 100 / 0 / 58

HEX #69006A

RGB 105 0 106

HSL 299.43, 1%, 0.21%

LAB 23.82, 51.34, -32.23

 

CMYK 0 / 100 / 1 / 65

HEX #580057

RGB 88 0 87

HSL 300.68, 1%, 0.17%

LAB 19.07, 45.07, -27.45

 

CMYK 4 / 75 / 0 / 36

HEX #9B29A2

RGB 155 41 162

HSL 296.53, 0.6%, 0.4%

LAB 39.85, 60.71, -41.02

 

CMYK 0 / 75 / 16 / 36

HEX #A22988

RGB 162 41 136

HSL 312.89, 0.6%, 0.4%

LAB 39.66, 58.18, -25.46

 

CMYK 0 / 75 / 36 / 36

HEX #A22968

RGB 162 41 104

HSL 328.76, 0.6%, 0.4%

LAB 38.32, 54.02, -7.58

 

CMYK 0 / 75 / 56 / 36

HEX #A22947

RGB 162 41 71

HSL 345.12, 0.6%, 0.4%

LAB 37.34, 50.86, 12.03

 

CMYK 0 / 75 / 75 / 36

HEX #A22929

RGB 162 41 41

HSL 0, 0.6%, 0.4%

LAB 36.79, 49.05, 30.16

 

CMYK 4 / 75 / 0 / 36

HEX #9B29A2

RGB 155 41 162

HSL 296.53, 0.6%, 0.4%

LAB 39.85, 60.71, -41.02

 

CMYK 25 / 75 / 0 / 36

HEX #7A29A2

RGB 122 41 162

HSL 280.17, 0.6%, 0.4%

LAB 34.67, 53.85, -49.63

 

CMYK 44 / 75 / 0 / 36

HEX #5A29A2

RGB 90 41 162

HSL 264.3, 0.6%, 0.4%

LAB 30.32, 47.85, -56.88

 

CMYK 65 / 75 / 0 / 36

HEX #3929A2

RGB 57 41 162

HSL 247.93, 0.6%, 0.4%

LAB 26.92, 42.92, -62.6

 

CMYK 75 / 75 / 0 / 36

HEX #2929A2

RGB 41 41 162

HSL 240, 0.6%, 0.4%

LAB 25.76, 41.19, -64.54

 

CMYK 4 / 75 / 0 / 36

HEX #9B29A2

RGB 155 41 162

HSL 296.53, 0.6%, 0.4%

LAB 39.85, 60.71, -41.02

 

CMYK 5 / 86 / 0 / 30

HEX #A919B2

RGB 169 25 178

HSL 296.47, 0.75%, 0.4%

LAB 41.76, 70.31, -47.38

 

CMYK 6 / 96 / 0 / 24

HEX #B808C3

RGB 184 8 195

HSL 296.47, 0.92%, 0.4%

LAB 44.67, 77.82, -52.56

 

CMYK 4 / 75 / 0 / 36

HEX #9B29A2

RGB 155 41 162

HSL 296.53, 0.6%, 0.4%

LAB 39.85, 60.71, -41.02

 

CMYK 3 / 60 / 0 / 43

HEX #8C3A91

RGB 140 58 145

HSL 296.55, 0.43%, 0.4%

LAB 38.98, 47.15, -32.28

 

CMYK 2 / 43 / 0 / 49

HEX #7E4A81

RGB 126 74 129

HSL 296.73, 0.27%, 0.4%

LAB 39.44, 31.32, -21.92

 

CMYK 1 / 19 / 0 / 56

HEX #6F5B70

RGB 111 91 112

HSL 297.14, 0.1%, 0.4%

LAB 41.27, 12.23, -8.86

 

CMYK 10 / 0 / 10 / 58

HEX #606B60

RGB 96 107 96

HSL 120, 0.05%, 0.4%

LAB 44.01, -6.5, 4.74

 

CMYK 45 / 75 / 0 / 36

HEX #5929A2

RGB 89 41 162

HSL 263.8, 0.6%, 0.4%

LAB 30.2, 47.68, -57.08

 

CMYK 25 / 75 / 0 / 36

HEX #7A29A2

RGB 122 41 162

HSL 280.17, 0.6%, 0.4%

LAB 34.67, 53.85, -49.63

 

CMYK 5 / 75 / 0 / 36

HEX #9A29A2

RGB 154 41 162

HSL 296.03, 0.6%, 0.4%

LAB 39.69, 60.5, -41.29

 

CMYK 0 / 75 / 15 / 36

HEX #A2298A

RGB 162 41 138

HSL 311.9, 0.6%, 0.4%

LAB 39.75, 58.47, -26.54

 

CMYK 0 / 75 / 35 / 36

HEX #A2296A

RGB 162 41 106

HSL 327.77, 0.6%, 0.4%

LAB 38.39, 54.25, -8.73

 

CMYK 4 / 75 / 0 / 62

HEX #5C1860

RGB 92 24 96

HSL 296.67, 0.6%, 0.24%

LAB 22.91, 40.39, -27.28

 

CMYK 5 / 74 / 0 / 49

HEX #7B2181

RGB 123 33 129

HSL 296.25, 0.59%, 0.32%

LAB 31.54, 50.53, -34.37

 

CMYK 4 / 75 / 0 / 36

HEX #9B29A2

RGB 155 41 162

HSL 296.53, 0.6%, 0.4%

LAB 39.85, 60.71, -41.02

 

CMYK 4 / 74 / 0 / 24

HEX #BA32C2

RGB 186 50 194

HSL 296.67, 0.59%, 0.48%

LAB 47.77, 69.77, -46.98

 

CMYK 4 / 63 / 0 / 18

HEX #C94DD1

RGB 201 77 209

HSL 296.36, 0.59%, 0.56%

LAB 54.37, 65.81, -44.98

 

CMYK 4 / 74 / 0 / 36

HEX #9C2AA3

RGB 156 42 163

HSL 296.53, 0.59%, 0.4%

LAB 40.19, 60.77, -41.06

 

CMYK 0 / 65 / 75 / 36

HEX #A23929

RGB 162 57 41

HSL 7.93, 0.6%, 0.4%

LAB 39.19, 42.53, 32.84

 

CMYK 75 / 0 / 35 / 36

HEX #29A26A

RGB 41 162 106

HSL 152.23, 0.6%, 0.4%

LAB 59.3, -46, 19.96

 

CMYK 4 / 74 / 0 / 36

HEX #9C2AA3

RGB 156 42 163

HSL 296.53, 0.59%, 0.4%

LAB 40.19, 60.77, -41.06

 

CMYK 0 / 5 / 75 / 36

HEX #A29A29

RGB 162 154 41

HSL 56.03, 0.6%, 0.4%

LAB 62.47, -10.12, 56.5

 

CMYK 75 / 0 / 5 / 36

HEX #29A29A

RGB 41 162 154

HSL 176.03, 0.6%, 0.4%

LAB 60.47, -33.86, -5.25

 

CMYK 4 / 74 / 0 / 36

HEX #9C2AA3

RGB 156 42 163

HSL 296.53, 0.59%, 0.4%

LAB 40.19, 60.77, -41.06

 

CMYK 0 / 65 / 75 / 36

HEX #A23929

RGB 162 57 41

HSL 7.93, 0.6%, 0.4%

LAB 39.19, 42.53, 32.84

 

CMYK 70 / 0 / 75 / 36

HEX #31A229

RGB 49 162 41

HSL 116.03, 0.6%, 0.4%

LAB 58.65, -54.08, 50.65

 

CMYK 75 / 10 / 0 / 36

HEX #2992A2

RGB 41 146 162

HSL 187.93, 0.6%, 0.4%

LAB 55.72, -23.54, -16.92

 

CMYK 4 / 74 / 0 / 36

HEX #9C2AA3

RGB 156 42 163

HSL 296.53, 0.59%, 0.4%

LAB 40.19, 60.77, -41.06

 

CMYK 0 / 43 / 75 / 36

HEX #A25D29

RGB 162 93 41

HSL 25.79, 0.6%, 0.4%

LAB 46.54, 23.89, 40.74

 

CMYK 70 / 0 / 75 / 36

HEX #31A229

RGB 49 162 41

HSL 116.03, 0.6%, 0.4%

LAB 58.65, -54.08, 50.65

 

CMYK 75 / 32 / 0 / 36

HEX #296EA2

RGB 41 110 162

HSL 205.79, 0.6%, 0.4%

LAB 44.56, -3.36, -34.19

 

Description

Color code: HEX #9C2AA3 | qconv.com Color code: HEX #9C2AA3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 42 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 42 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 74 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 74% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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