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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BF0D9 it is the complementary color #640F26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BF0D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BF0D9 shade: #A0F0D4, #B1FFE7, #C2FFFA, #D3FFFF and #E4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BF0D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BF0D9 shade: #9BF0D9, #8ADEC6, #79CCB3, #68BAA0 and #57A88D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BF0D9 shade: #98EFD8, #98EFC0, #98EFA9, #9FEF98 and #B7EF98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BF0D9 shade: #98EFD8, #98EFEF, #98D8EF, #98C1EF and #98A9EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BF0D9 shade matches the following richer shades: #98EFD8 and #8FF9DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BF0D9 shade: #98EFD8, #A2E6D3, #ABDCCF, #B5D3CB and #BEC9C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BF0D9 shade: #98EFA8, #98EFC0, #98EFD7, #98EFEE and #98DAEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BF0D9 shade: #51E5BD, #75EACA, #98EFD8, #BCF5E5 and #E0FAF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BF0D9 shade: #9BF0D9, #98A0EF and #EFB498

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BF0D9 shade: #9BF0D9, #D798EF and #EFD798

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BF0D9 shade: #9BF0D9, #98A0EF, #EF98B1 and #EFE898

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BF0D9 shade: #9BF0D9, #AB98EF, #EF98B1 and #DCEF98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 10 / 6

HEX #9BF0D9

RGB 155 240 217

HSL 163.76, 0.74%, 0.77%

LAB 89.06, -30.71, 2.98

 

Complementary color

CMYK 0 / 85 / 62 / 61

HEX #640F26

RGB 100 15 38

HSL 343.76, 0.74%, 0.23%

LAB 20.79, 37.99, 9.42

 

CMYK 33 / 0 / 12 / 6

HEX #A0F0D4

RGB 160 240 212

HSL 159, 0.73%, 0.78%

LAB 89.18, -30.39, 5.79

 

CMYK 31 / 0 / 9 / 0

HEX #B1FFE7

RGB 177 255 231

HSL 161.54, 1%, 0.85%

LAB 94.58, -28.77, 3.86

 

CMYK 24 / 0 / 2 / 0

HEX #C2FFFA

RGB 194 255 250

HSL 175.08, 1%, 0.88%

LAB 95.95, -19.97, -3.83

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 35 / 0 / 10 / 6

HEX #9BF0D9

RGB 155 240 217

HSL 163.76, 0.74%, 0.77%

LAB 89.06, -30.71, 2.98

 

CMYK 38 / 0 / 11 / 13

HEX #8ADEC6

RGB 138 222 198

HSL 162.86, 0.56%, 0.71%

LAB 82.77, -30.9, 3.74

 

CMYK 41 / 0 / 12 / 20

HEX #79CCB3

RGB 121 204 179

HSL 161.93, 0.45%, 0.64%

LAB 76.38, -31.09, 4.55

 

CMYK 44 / 0 / 14 / 27

HEX #68BAA0

RGB 104 186 160

HSL 160.98, 0.37%, 0.57%

LAB 69.89, -31.27, 5.41

 

CMYK 48 / 0 / 16 / 34

HEX #57A88D

RGB 87 168 141

HSL 160, 0.32%, 0.5%

LAB 63.31, -31.43, 6.35

 

CMYK 36 / 0 / 10 / 6

HEX #98EFD8

RGB 152 239 216

HSL 164.14, 0.73%, 0.77%

LAB 88.62, -31.27, 2.84

 

CMYK 36 / 0 / 20 / 6

HEX #98EFC0

RGB 152 239 192

HSL 147.59, 0.73%, 0.77%

LAB 88.07, -36.19, 14.56

 

CMYK 36 / 0 / 29 / 6

HEX #98EFA9

RGB 152 239 169

HSL 131.72, 0.73%, 0.77%

LAB 87.62, -40.39, 25.8

 

CMYK 33 / 0 / 36 / 6

HEX #9FEF98

RGB 159 239 152

HSL 115.17, 0.73%, 0.77%

LAB 87.66, -40.98, 34.54

 

CMYK 23 / 0 / 36 / 6

HEX #B7EF98

RGB 183 239 152

HSL 98.62, 0.73%, 0.77%

LAB 88.95, -33.07, 36.48

 

CMYK 36 / 0 / 10 / 6

HEX #98EFD8

RGB 152 239 216

HSL 164.14, 0.73%, 0.77%

LAB 88.62, -31.27, 2.84

 

CMYK 36 / 0 / 0 / 6

HEX #98EFEF

RGB 152 239 239

HSL 180, 0.73%, 0.77%

LAB 89.22, -26.08, -8.3

 

CMYK 36 / 10 / 0 / 6

HEX #98D8EF

RGB 152 216 239

HSL 195.86, 0.73%, 0.77%

LAB 82.92, -14.63, -17.72

 

CMYK 36 / 19 / 0 / 6

HEX #98C1EF

RGB 152 193 239

HSL 211.72, 0.73%, 0.77%

LAB 76.71, -2.54, -27.16

 

CMYK 36 / 29 / 0 / 6

HEX #98A9EF

RGB 152 169 239

HSL 228.28, 0.73%, 0.77%

LAB 70.37, 10.69, -36.94

 

CMYK 36 / 0 / 10 / 6

HEX #98EFD8

RGB 152 239 216

HSL 164.14, 0.73%, 0.77%

LAB 88.62, -31.27, 2.84

 

CMYK 43 / 0 / 12 / 2

HEX #8FF9DC

RGB 143 249 220

HSL 163.58, 0.9%, 0.77%

LAB 91.12, -37.35, 4.34

 

CMYK 36 / 0 / 10 / 6

HEX #98EFD8

RGB 152 239 216

HSL 164.14, 0.73%, 0.77%

LAB 88.62, -31.27, 2.84

 

CMYK 30 / 0 / 8 / 10

HEX #A2E6D3

RGB 162 230 211

HSL 163.24, 0.58%, 0.77%

LAB 86.49, -25.24, 2.43

 

CMYK 22 / 0 / 6 / 14

HEX #ABDCCF

RGB 171 220 207

HSL 164.08, 0.41%, 0.77%

LAB 84.15, -18.45, 1.19

 

CMYK 14 / 0 / 4 / 17

HEX #B5D3CB

RGB 181 211 203

HSL 164, 0.25%, 0.77%

LAB 82.23, -11.53, 0.6

 

CMYK 5 / 0 / 1 / 21

HEX #BEC9C6

RGB 190 201 198

HSL 163.64, 0.09%, 0.77%

LAB 80.07, -4.31, 0.19

 

CMYK 36 / 0 / 30 / 6

HEX #98EFA8

RGB 152 239 168

HSL 131.03, 0.73%, 0.77%

LAB 87.6, -40.56, 26.28

 

CMYK 36 / 0 / 20 / 6

HEX #98EFC0

RGB 152 239 192

HSL 147.59, 0.73%, 0.77%

LAB 88.07, -36.19, 14.56

 

CMYK 36 / 0 / 10 / 6

HEX #98EFD7

RGB 152 239 215

HSL 163.45, 0.73%, 0.77%

LAB 88.6, -31.48, 3.33

 

CMYK 36 / 0 / 0 / 6

HEX #98EFEE

RGB 152 239 238

HSL 179.31, 0.73%, 0.77%

LAB 89.2, -26.31, -7.81

 

CMYK 36 / 9 / 0 / 6

HEX #98DAEF

RGB 152 218 239

HSL 194.48, 0.73%, 0.77%

LAB 83.47, -15.65, -16.9

 

CMYK 65 / 0 / 17 / 10

HEX #51E5BD

RGB 81 229 189

HSL 163.78, 0.74%, 0.61%

LAB 82.63, -48.56, 8.04

 

CMYK 50 / 0 / 14 / 8

HEX #75EACA

RGB 117 234 202

HSL 163.59, 0.74%, 0.69%

LAB 85.45, -40.72, 5.4

 

CMYK 36 / 0 / 10 / 6

HEX #98EFD8

RGB 152 239 216

HSL 164.14, 0.73%, 0.77%

LAB 88.62, -31.27, 2.84

 

CMYK 23 / 0 / 7 / 4

HEX #BCF5E5

RGB 188 245 229

HSL 163.16, 0.74%, 0.85%

LAB 92.42, -21.17, 1.82

 

CMYK 10 / 0 / 3 / 2

HEX #E0FAF3

RGB 224 250 243

HSL 163.85, 0.72%, 0.93%

LAB 96.28, -9.73, 0.47

 

CMYK 35 / 0 / 10 / 6

HEX #9BF0D9

RGB 155 240 217

HSL 163.76, 0.74%, 0.77%

LAB 89.06, -30.71, 2.98

 

CMYK 36 / 33 / 0 / 6

HEX #98A0EF

RGB 152 160 239

HSL 234.48, 0.73%, 0.77%

LAB 68.06, 15.78, -40.55

 

CMYK 0 / 25 / 36 / 6

HEX #EFB498

RGB 239 180 152

HSL 19.31, 0.73%, 0.77%

LAB 78.03, 17.79, 22.61

 

CMYK 35 / 0 / 10 / 6

HEX #9BF0D9

RGB 155 240 217

HSL 163.76, 0.74%, 0.77%

LAB 89.06, -30.71, 2.98

 

CMYK 10 / 36 / 0 / 6

HEX #D798EF

RGB 215 152 239

HSL 283.45, 0.73%, 0.77%

LAB 71.65, 38.44, -34.54

 

CMYK 0 / 10 / 36 / 6

HEX #EFD798

RGB 239 215 152

HSL 43.45, 0.73%, 0.77%

LAB 86.61, -0.51, 34.14

 

CMYK 35 / 0 / 10 / 6

HEX #9BF0D9

RGB 155 240 217

HSL 163.76, 0.74%, 0.77%

LAB 89.06, -30.71, 2.98

 

CMYK 36 / 33 / 0 / 6

HEX #98A0EF

RGB 152 160 239

HSL 234.48, 0.73%, 0.77%

LAB 68.06, 15.78, -40.55

 

CMYK 0 / 36 / 26 / 6

HEX #EF98B1

RGB 239 152 177

HSL 342.76, 0.73%, 0.77%

LAB 72.22, 35.81, 0.73

 

CMYK 0 / 3 / 36 / 6

HEX #EFE898

RGB 239 232 152

HSL 55.17, 0.73%, 0.77%

LAB 90.93, -9.12, 39.79

 

CMYK 35 / 0 / 10 / 6

HEX #9BF0D9

RGB 155 240 217

HSL 163.76, 0.74%, 0.77%

LAB 89.06, -30.71, 2.98

 

CMYK 28 / 36 / 0 / 6

HEX #AB98EF

RGB 171 152 239

HSL 253.1, 0.73%, 0.77%

LAB 67.54, 25.55, -41.26

 

CMYK 0 / 36 / 26 / 6

HEX #EF98B1

RGB 239 152 177

HSL 342.76, 0.73%, 0.77%

LAB 72.22, 35.81, 0.73

 

CMYK 8 / 0 / 36 / 6

HEX #DCEF98

RGB 220 239 152

HSL 73.1, 0.73%, 0.77%

LAB 91.33, -19.76, 40.03

 

Description

Color code: HEX #9BF0D9 | qconv.com Color code: HEX #9BF0D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 240 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 240 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 10 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 10% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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