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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BEBCA it is the complementary color #641435. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BEBCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BEBCA shade: #A0EBC5, #B1FDD8, #C2FFEB, #D3FFFE and #E4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BEBCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BEBCA shade: #9BEBCA, #8AD9B7, #79C7A4, #68B591 and #57A37E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BEBCA shade: #98EAC8, #98EAB2, #98EA9C, #AAEA98 and #C1EA98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BEBCA shade: #98EAC8, #98EADF, #98E0EA, #98CAEA and #98B4EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BEBCA shade matches the following richer shades: #98EAC8, #8EF4CA and #84FECC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BEBCA shade: #98EAC8, #A2E0C7, #ACD6C5, #B6CDC3 and #C0C3C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BEBCA shade: #98EA9C, #98EAB2, #98EAC8, #98EADE and #98E1EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BEBCA shade: #53DDA4, #76E3B6, #98EAC8, #BBF1DB and #DDF8ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BEBCA shade: #9BEBCA, #98AAEA and #EAA798

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BEBCA shade: #9BEBCA, #C898EA and #EAC898

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BEBCA shade: #9BEBCA, #98AAEA, #EA98BA and #EAD998

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BEBCA shade: #9BEBCA, #9F98EA, #EA98BA and #E3EA98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 14 / 8

HEX #9BEBCA

RGB 155 235 202

HSL 155.25, 0.67%, 0.76%

LAB 87.31, -31.5, 8.29

 

Complementary color

CMYK 0 / 80 / 47 / 61

HEX #641435

RGB 100 20 53

HSL 335.25, 0.67%, 0.24%

LAB 21.82, 37.68, 0.36

 

CMYK 32 / 0 / 16 / 8

HEX #A0EBC5

RGB 160 235 197

HSL 149.6, 0.65%, 0.77%

LAB 87.45, -31.05, 11.13

 

CMYK 30 / 0 / 15 / 1

HEX #B1FDD8

RGB 177 253 216

HSL 150.79, 0.95%, 0.84%

LAB 93.69, -30.82, 10.3

 

CMYK 24 / 0 / 8 / 0

HEX #C2FFEB

RGB 194 255 235

HSL 160.33, 1%, 0.88%

LAB 95.58, -23.03, 3.34

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFE

RGB 211 255 254

HSL 178.64, 1%, 0.91%

LAB 97.03, -14.12, -4.19

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 34 / 0 / 14 / 8

HEX #9BEBCA

RGB 155 235 202

HSL 155.25, 0.67%, 0.76%

LAB 87.31, -31.5, 8.29

 

CMYK 36 / 0 / 16 / 15

HEX #8AD9B7

RGB 138 217 183

HSL 154.18, 0.51%, 0.7%

LAB 80.99, -31.72, 9.13

 

CMYK 39 / 0 / 18 / 22

HEX #79C7A4

RGB 121 199 164

HSL 153.08, 0.41%, 0.63%

LAB 74.57, -31.96, 10.03

 

CMYK 43 / 0 / 20 / 29

HEX #68B591

RGB 104 181 145

HSL 151.95, 0.34%, 0.56%

LAB 68.05, -32.2, 10.99

 

CMYK 47 / 0 / 23 / 36

HEX #57A37E

RGB 87 163 126

HSL 150.79, 0.3%, 0.49%

LAB 61.42, -32.42, 12.03

 

CMYK 35 / 0 / 15 / 8

HEX #98EAC8

RGB 152 234 200

HSL 155.12, 0.66%, 0.76%

LAB 86.85, -32.28, 8.65

 

CMYK 35 / 0 / 24 / 8

HEX #98EAB2

RGB 152 234 178

HSL 139.02, 0.66%, 0.76%

LAB 86.37, -36.54, 19.45

 

CMYK 35 / 0 / 33 / 8

HEX #98EA9C

RGB 152 234 156

HSL 122.93, 0.66%, 0.76%

LAB 85.97, -40.31, 30.2

 

CMYK 27 / 0 / 35 / 8

HEX #AAEA98

RGB 170 234 152

HSL 106.83, 0.66%, 0.76%

LAB 86.83, -35.16, 33.54

 

CMYK 18 / 0 / 35 / 8

HEX #C1EA98

RGB 193 234 152

HSL 90, 0.66%, 0.76%

LAB 88.18, -27.22, 35.58

 

CMYK 35 / 0 / 15 / 8

HEX #98EAC8

RGB 152 234 200

HSL 155.12, 0.66%, 0.76%

LAB 86.85, -32.28, 8.65

 

CMYK 35 / 0 / 5 / 8

HEX #98EADF

RGB 152 234 223

HSL 171.95, 0.66%, 0.76%

LAB 87.41, -27.35, -2.59

 

CMYK 35 / 4 / 0 / 8

HEX #98E0EA

RGB 152 224 234

HSL 187.32, 0.66%, 0.76%

LAB 84.96, -19.89, -12.01

 

CMYK 35 / 14 / 0 / 8

HEX #98CAEA

RGB 152 202 234

HSL 203.41, 0.66%, 0.76%

LAB 78.96, -8.6, -21.05

 

CMYK 35 / 23 / 0 / 8

HEX #98B4EA

RGB 152 180 234

HSL 219.51, 0.66%, 0.76%

LAB 73.06, 3.26, -30.06

 

CMYK 35 / 0 / 15 / 8

HEX #98EAC8

RGB 152 234 200

HSL 155.12, 0.66%, 0.76%

LAB 86.85, -32.28, 8.65

 

CMYK 42 / 0 / 17 / 4

HEX #8EF4CA

RGB 142 244 202

HSL 155.29, 0.82%, 0.76%

LAB 89.26, -39.17, 11

 

CMYK 48 / 0 / 20 / 0

HEX #84FECC

RGB 132 254 204

HSL 155.41, 0.98%, 0.76%

LAB 91.75, -45.64, 13.45

 

CMYK 35 / 0 / 15 / 8

HEX #98EAC8

RGB 152 234 200

HSL 155.12, 0.66%, 0.76%

LAB 86.85, -32.28, 8.65

 

CMYK 28 / 0 / 11 / 12

HEX #A2E0C7

RGB 162 224 199

HSL 155.81, 0.5%, 0.76%

LAB 84.54, -24.79, 5.93

 

CMYK 20 / 0 / 8 / 16

HEX #ACD6C5

RGB 172 214 197

HSL 155.71, 0.34%, 0.76%

LAB 82.32, -17.14, 3.86

 

CMYK 11 / 0 / 5 / 20

HEX #B6CDC3

RGB 182 205 195

HSL 153.91, 0.19%, 0.76%

LAB 80.49, -9.66, 2.34

 

CMYK 2 / 0 / 1 / 24

HEX #C0C3C2

RGB 192 195 194

HSL 160, 0.02%, 0.76%

LAB 78.54, -1.22, 0.13

 

CMYK 35 / 0 / 33 / 8

HEX #98EA9C

RGB 152 234 156

HSL 122.93, 0.66%, 0.76%

LAB 85.97, -40.31, 30.2

 

CMYK 35 / 0 / 24 / 8

HEX #98EAB2

RGB 152 234 178

HSL 139.02, 0.66%, 0.76%

LAB 86.37, -36.54, 19.45

 

CMYK 35 / 0 / 15 / 8

HEX #98EAC8

RGB 152 234 200

HSL 155.12, 0.66%, 0.76%

LAB 86.85, -32.28, 8.65

 

CMYK 35 / 0 / 5 / 8

HEX #98EADE

RGB 152 234 222

HSL 171.22, 0.66%, 0.76%

LAB 87.39, -27.57, -2.1

 

CMYK 35 / 4 / 0 / 8

HEX #98E1EA

RGB 152 225 234

HSL 186.59, 0.66%, 0.76%

LAB 85.23, -20.39, -11.6

 

CMYK 62 / 0 / 26 / 13

HEX #53DDA4

RGB 83 221 164

HSL 155.22, 0.67%, 0.6%

LAB 79.75, -50.52, 17.14

 

CMYK 48 / 0 / 20 / 11

HEX #76E3B6

RGB 118 227 182

HSL 155.23, 0.66%, 0.68%

LAB 83, -41.76, 12.41

 

CMYK 35 / 0 / 15 / 8

HEX #98EAC8

RGB 152 234 200

HSL 155.12, 0.66%, 0.76%

LAB 86.85, -32.28, 8.65

 

CMYK 22 / 0 / 9 / 5

HEX #BBF1DB

RGB 187 241 219

HSL 155.56, 0.66%, 0.84%

LAB 91.05, -21.5, 5.02

 

CMYK 11 / 0 / 4 / 3

HEX #DDF8ED

RGB 221 248 237

HSL 155.56, 0.66%, 0.92%

LAB 95.42, -10.81, 2.29

 

CMYK 34 / 0 / 14 / 8

HEX #9BEBCA

RGB 155 235 202

HSL 155.25, 0.67%, 0.76%

LAB 87.31, -31.5, 8.29

 

CMYK 35 / 27 / 0 / 8

HEX #98AAEA

RGB 152 170 234

HSL 226.83, 0.66%, 0.76%

LAB 70.43, 8.82, -34.12

 

CMYK 0 / 29 / 35 / 8

HEX #EAA798

RGB 234 167 152

HSL 10.98, 0.66%, 0.76%

LAB 74.44, 22.78, 17.59

 

CMYK 34 / 0 / 14 / 8

HEX #9BEBCA

RGB 155 235 202

HSL 155.25, 0.67%, 0.76%

LAB 87.31, -31.5, 8.29

 

CMYK 15 / 35 / 0 / 8

HEX #C898EA

RGB 200 152 234

HSL 275.12, 0.66%, 0.76%

LAB 69.95, 32.89, -34.56

 

CMYK 0 / 15 / 35 / 8

HEX #EAC898

RGB 234 200 152

HSL 35.12, 0.66%, 0.76%

LAB 82.42, 5.32, 28.48

 

CMYK 34 / 0 / 14 / 8

HEX #9BEBCA

RGB 155 235 202

HSL 155.25, 0.67%, 0.76%

LAB 87.31, -31.5, 8.29

 

CMYK 35 / 27 / 0 / 8

HEX #98AAEA

RGB 152 170 234

HSL 226.83, 0.66%, 0.76%

LAB 70.43, 8.82, -34.12

 

CMYK 0 / 35 / 21 / 8

HEX #EA98BA

RGB 234 152 186

HSL 335.12, 0.66%, 0.76%

LAB 71.89, 35.34, -4.8

 

CMYK 0 / 7 / 35 / 8

HEX #EAD998

RGB 234 217 152

HSL 47.56, 0.66%, 0.76%

LAB 86.69, -3.46, 34.17

 

CMYK 34 / 0 / 14 / 8

HEX #9BEBCA

RGB 155 235 202

HSL 155.25, 0.67%, 0.76%

LAB 87.31, -31.5, 8.29

 

CMYK 32 / 35 / 0 / 8

HEX #9F98EA

RGB 159 152 234

HSL 245.12, 0.66%, 0.76%

LAB 66.34, 20.95, -40.45

 

CMYK 0 / 35 / 21 / 8

HEX #EA98BA

RGB 234 152 186

HSL 335.12, 0.66%, 0.76%

LAB 71.89, 35.34, -4.8

 

CMYK 3 / 0 / 35 / 8

HEX #E3EA98

RGB 227 234 152

HSL 65.12, 0.66%, 0.76%

LAB 90.53, -14.68, 39.08

 

Description

Color code: HEX #9BEBCA | qconv.com Color code: HEX #9BEBCA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 235 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 235 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 14 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 14% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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