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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BEA8A it is the complementary color #641575. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BEA8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BEA8A shade: #A0EA85, #B1FC98, #C2FFAB, #D3FFBE and #E4FFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BEA8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BEA8A shade: #9BEA8A, #8AD877, #79C664, #68B451 and #57A23E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BEA8A shade: #9BEA89, #B5EA89, #CFEA89, #E8EA89 and #EAD189

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BEA8A shade: #9BEA89, #89EA92, #89EAAC, #89EAC6 and #89EAE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BEA8A shade matches the following richer shades: #9BEA89 and #93F57E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BEA8A shade: #9BEA89, #A2DF95, #A9D4A0, #B0C8AB and #B7BDB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BEA8A shade: #CFEA89, #B5EA89, #9BEA89, #89EA91 and #89EAAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BEA8A shade: #5FDD43, #7DE466, #9BEA89, #B8F0AD and #D6F6D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BEA8A shade: #9BEA8A, #89E8EA and #EA89C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BEA8A shade: #9BEA8A, #899BEA and #EA899B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BEA8A shade: #9BEA8A, #89E8EA, #D889EA and #EA8B89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BEA8A shade: #9BEA8A, #89CBEA, #D889EA and #EAA889

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 41 / 8

HEX #9BEA8A

RGB 155 234 138

HSL 109.38, 0.7%, 0.73%

LAB 85.83, -42.06, 39.09

 

Complementary color

CMYK 15 / 82 / 0 / 54

HEX #641575

RGB 100 21 117

HSL 289.38, 0.7%, 0.27%

LAB 25.35, 47.39, -36.91

 

CMYK 32 / 0 / 43 / 8

HEX #A0EA85

RGB 160 234 133

HSL 103.96, 0.71%, 0.72%

LAB 86.01, -41.11, 41.84

 

CMYK 30 / 0 / 40 / 1

HEX #B1FC98

RGB 177 252 152

HSL 105, 0.94%, 0.79%

LAB 92.24, -40.96, 40.68

 

CMYK 24 / 0 / 33 / 0

HEX #C2FFAB

RGB 194 255 171

HSL 103.57, 1%, 0.84%

LAB 94.28, -34.03, 34.14

 

CMYK 17 / 0 / 25 / 0

HEX #D3FFBE

RGB 211 255 190

HSL 100.62, 1%, 0.87%

LAB 95.62, -25.49, 26.56

 

CMYK 11 / 0 / 18 / 0

HEX #E4FFD1

RGB 228 255 209

HSL 95.22, 1%, 0.91%

LAB 97.07, -16.75, 19.09

 

CMYK 34 / 0 / 41 / 8

HEX #9BEA8A

RGB 155 234 138

HSL 109.38, 0.7%, 0.73%

LAB 85.83, -42.06, 39.09

 

CMYK 36 / 0 / 45 / 15

HEX #8AD877

RGB 138 216 119

HSL 108.25, 0.55%, 0.66%

LAB 79.53, -42.23, 40.29

 

CMYK 39 / 0 / 49 / 22

HEX #79C664

RGB 121 198 100

HSL 107.14, 0.46%, 0.58%

LAB 73.14, -42.35, 41.51

 

CMYK 42 / 0 / 55 / 29

HEX #68B451

RGB 104 180 81

HSL 106.06, 0.4%, 0.51%

LAB 66.66, -42.39, 42.71

 

CMYK 46 / 0 / 62 / 36

HEX #57A23E

RGB 87 162 62

HSL 105, 0.45%, 0.44%

LAB 60.08, -42.3, 43.83

 

CMYK 34 / 0 / 41 / 8

HEX #9BEA89

RGB 155 234 137

HSL 108.87, 0.7%, 0.73%

LAB 85.82, -42.2, 39.57

 

CMYK 23 / 0 / 41 / 8

HEX #B5EA89

RGB 181 234 137

HSL 92.78, 0.7%, 0.73%

LAB 87.23, -33.43, 41.66

 

CMYK 12 / 0 / 41 / 8

HEX #CFEA89

RGB 207 234 137

HSL 76.7, 0.7%, 0.73%

LAB 88.88, -23.95, 44.1

 

CMYK 1 / 0 / 41 / 8

HEX #E8EA89

RGB 232 234 137

HSL 61.24, 0.7%, 0.73%

LAB 90.69, -14.41, 46.76

 

CMYK 0 / 11 / 41 / 8

HEX #EAD189

RGB 234 209 137

HSL 44.54, 0.7%, 0.73%

LAB 84.43, -1.03, 38.86

 

CMYK 34 / 0 / 41 / 8

HEX #9BEA89

RGB 155 234 137

HSL 108.87, 0.7%, 0.73%

LAB 85.82, -42.2, 39.57

 

CMYK 41 / 0 / 38 / 8

HEX #89EA92

RGB 137 234 146

HSL 125.57, 0.7%, 0.73%

LAB 85.12, -46.37, 34.01

 

CMYK 41 / 0 / 26 / 8

HEX #89EAAC

RGB 137 234 172

HSL 141.65, 0.7%, 0.73%

LAB 85.58, -41.92, 21.34

 

CMYK 41 / 0 / 15 / 8

HEX #89EAC6

RGB 137 234 198

HSL 157.73, 0.7%, 0.73%

LAB 86.13, -36.76, 8.58

 

CMYK 41 / 0 / 4 / 8

HEX #89EAE0

RGB 137 234 224

HSL 173.81, 0.7%, 0.73%

LAB 86.77, -30.94, -4.13

 

CMYK 34 / 0 / 41 / 8

HEX #9BEA89

RGB 155 234 137

HSL 108.87, 0.7%, 0.73%

LAB 85.82, -42.2, 39.57

 

CMYK 40 / 0 / 49 / 4

HEX #93F57E

RGB 147 245 126

HSL 109.41, 0.86%, 0.73%

LAB 88.45, -50.82, 48.13

 

CMYK 34 / 0 / 41 / 8

HEX #9BEA89

RGB 155 234 137

HSL 108.87, 0.7%, 0.73%

LAB 85.82, -42.2, 39.57

 

CMYK 27 / 0 / 33 / 13

HEX #A2DF95

RGB 162 223 149

HSL 109.46, 0.54%, 0.73%

LAB 83.25, -33.2, 30.23

 

CMYK 20 / 0 / 25 / 17

HEX #A9D4A0

RGB 169 212 160

HSL 109.62, 0.38%, 0.73%

LAB 80.77, -23.85, 21.23

 

CMYK 12 / 0 / 15 / 22

HEX #B0C8AB

RGB 176 200 171

HSL 109.66, 0.21%, 0.73%

LAB 78.16, -13.54, 11.8

 

CMYK 3 / 0 / 4 / 26

HEX #B7BDB6

RGB 183 189 182

HSL 111.43, 0.05%, 0.73%

LAB 75.97, -3.38, 2.8

 

CMYK 12 / 0 / 41 / 8

HEX #CFEA89

RGB 207 234 137

HSL 76.7, 0.7%, 0.73%

LAB 88.88, -23.95, 44.1

 

CMYK 23 / 0 / 41 / 8

HEX #B5EA89

RGB 181 234 137

HSL 92.78, 0.7%, 0.73%

LAB 87.23, -33.43, 41.66

 

CMYK 34 / 0 / 41 / 8

HEX #9BEA89

RGB 155 234 137

HSL 108.87, 0.7%, 0.73%

LAB 85.82, -42.2, 39.57

 

CMYK 41 / 0 / 38 / 8

HEX #89EA91

RGB 137 234 145

HSL 124.95, 0.7%, 0.73%

LAB 85.1, -46.52, 34.49

 

CMYK 41 / 0 / 27 / 8

HEX #89EAAB

RGB 137 234 171

HSL 141.03, 0.7%, 0.73%

LAB 85.56, -42.1, 21.83

 

CMYK 57 / 0 / 70 / 13

HEX #5FDD43

RGB 95 221 67

HSL 109.09, 0.69%, 0.56%

LAB 78.78, -62.2, 62.05

 

CMYK 45 / 0 / 55 / 11

HEX #7DE466

RGB 125 228 102

HSL 109.05, 0.7%, 0.65%

LAB 82.27, -53.33, 51.6

 

CMYK 34 / 0 / 41 / 8

HEX #9BEA89

RGB 155 234 137

HSL 108.87, 0.7%, 0.73%

LAB 85.82, -42.2, 39.57

 

CMYK 23 / 0 / 28 / 6

HEX #B8F0AD

RGB 184 240 173

HSL 110.15, 0.69%, 0.81%

LAB 89.64, -30.1, 26.78

 

CMYK 13 / 0 / 15 / 4

HEX #D6F6D0

RGB 214 246 208

HSL 110.53, 0.68%, 0.89%

LAB 93.78, -17.24, 14.84

 

CMYK 34 / 0 / 41 / 8

HEX #9BEA8A

RGB 155 234 138

HSL 109.38, 0.7%, 0.73%

LAB 85.83, -42.06, 39.09

 

CMYK 41 / 1 / 0 / 8

HEX #89E8EA

RGB 137 232 234

HSL 181.24, 0.7%, 0.73%

LAB 86.49, -27.59, -9.81

 

CMYK 0 / 41 / 17 / 8

HEX #EA89C2

RGB 234 137 194

HSL 324.74, 0.7%, 0.73%

LAB 68.95, 44.37, -13.62

 

CMYK 34 / 0 / 41 / 8

HEX #9BEA8A

RGB 155 234 138

HSL 109.38, 0.7%, 0.73%

LAB 85.83, -42.06, 39.09

 

CMYK 41 / 34 / 0 / 8

HEX #899BEA

RGB 137 155 234

HSL 228.87, 0.7%, 0.73%

LAB 65.52, 13.36, -41.86

 

CMYK 0 / 41 / 34 / 8

HEX #EA899B

RGB 234 137 155

HSL 348.87, 0.7%, 0.73%

LAB 67.84, 38.99, 6.6

 

CMYK 34 / 0 / 41 / 8

HEX #9BEA8A

RGB 155 234 138

HSL 109.38, 0.7%, 0.73%

LAB 85.83, -42.06, 39.09

 

CMYK 41 / 1 / 0 / 8

HEX #89E8EA

RGB 137 232 234

HSL 181.24, 0.7%, 0.73%

LAB 86.49, -27.59, -9.81

 

CMYK 8 / 41 / 0 / 8

HEX #D889EA

RGB 216 137 234

HSL 288.87, 0.7%, 0.73%

LAB 68.34, 45.72, -36.93

 

CMYK 0 / 41 / 41 / 8

HEX #EA8B89

RGB 234 139 137

HSL 1.24, 0.7%, 0.73%

LAB 67.85, 35.88, 16.71

 

CMYK 34 / 0 / 41 / 8

HEX #9BEA8A

RGB 155 234 138

HSL 109.38, 0.7%, 0.73%

LAB 85.83, -42.06, 39.09

 

CMYK 41 / 13 / 0 / 8

HEX #89CBEA

RGB 137 203 234

HSL 199.18, 0.7%, 0.73%

LAB 78.44, -13.04, -21.9

 

CMYK 8 / 41 / 0 / 8

HEX #D889EA

RGB 216 137 234

HSL 288.87, 0.7%, 0.73%

LAB 68.34, 45.72, -36.93

 

CMYK 0 / 28 / 41 / 8

HEX #EAA889

RGB 234 168 137

HSL 19.18, 0.7%, 0.73%

LAB 74.38, 20.53, 25.64

 

Description

Color code: HEX #9BEA8A | qconv.com Color code: HEX #9BEA8A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 234 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 234 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 41 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 41% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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