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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BDB33 it is the complementary color #6424CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BDB33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BDB33 shade: #A0DB2E, #B1ED41, #C2FF54, #D3FF67 and #E4FF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BDB33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BDB33 shade: #9BDB33, #8AC920, #79B70D, #68A500 and #579300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BDB33 shade: #9BDB33, #C8DB33, #DBC033, #DB9333 and #DB6533

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BDB33 shade: #9BDB33, #6DDB33, #40DB33, #33DB53 and #33DB80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BDB33 shade matches the following richer shades: #9BDB33 and #9FEE1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BDB33 shade: #9BDB33, #96C746, #91B45A, #8DA06D and #888D80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BDB33 shade: #DBBF33, #CADB33, #9DDB33, #70DB33 and #44DB33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BDB33 shade: #6D9F1C, #85C222, #9BDB33, #ACE156 and #BDE779

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BDB33 shade: #9BDB33, #33DB92 and #D533DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BDB33 shade: #9BDB33, #339DDB and #DB339D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BDB33 shade: #9BDB33, #33DB92, #7033DB and #DB337B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BDB33 shade: #9BDB33, #33DBC4, #7033DB and #DB3349

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 77 / 14

HEX #9BDB33

RGB 155 219 51

HSL 82.86, 0.7%, 0.53%

LAB 80.67, -43.71, 70.19

 

Complementary color

CMYK 51 / 82 / 0 / 20

HEX #6424CC

RGB 100 36 204

HSL 262.86, 0.7%, 0.47%

LAB 34.66, 62.15, -74.64

 

CMYK 27 / 0 / 79 / 14

HEX #A0DB2E

RGB 160 219 46

HSL 80.46, 0.71%, 0.52%

LAB 80.92, -42.08, 71.98

 

CMYK 25 / 0 / 73 / 7

HEX #B1ED41

RGB 177 237 65

HSL 80.93, 0.83%, 0.59%

LAB 87.14, -42.65, 72.36

 

CMYK 24 / 0 / 67 / 0

HEX #C2FF54

RGB 194 255 84

HSL 81.4, 1%, 0.66%

LAB 93.29, -43.09, 72.17

 

CMYK 17 / 0 / 60 / 0

HEX #D3FF67

RGB 211 255 103

HSL 77.37, 1%, 0.7%

LAB 94.46, -35.45, 66.26

 

CMYK 11 / 0 / 52 / 0

HEX #E4FF7A

RGB 228 255 122

HSL 72.18, 1%, 0.74%

LAB 95.76, -27.46, 59.83

 

CMYK 29 / 0 / 77 / 14

HEX #9BDB33

RGB 155 219 51

HSL 82.86, 0.7%, 0.53%

LAB 80.67, -43.71, 70.19

 

CMYK 31 / 0 / 84 / 21

HEX #8AC920

RGB 138 201 32

HSL 82.37, 0.73%, 0.46%

LAB 74.37, -43.04, 69.25

 

CMYK 34 / 0 / 93 / 28

HEX #79B70D

RGB 121 183 13

HSL 81.88, 0.87%, 0.38%

LAB 67.99, -42.14, 67.07

 

CMYK 37 / 0 / 100 / 35

HEX #68A500

RGB 104 165 0

HSL 82.18, 1%, 0.32%

LAB 61.53, -40.98, 63.25

 

CMYK 41 / 0 / 100 / 42

HEX #579300

RGB 87 147 0

HSL 84.49, 1%, 0.29%

LAB 54.96, -39.54, 57.79

 

CMYK 29 / 0 / 77 / 14

HEX #9BDB33

RGB 155 219 51

HSL 82.86, 0.7%, 0.53%

LAB 80.67, -43.71, 70.19

 

CMYK 9 / 0 / 77 / 14

HEX #C8DB33

RGB 200 219 51

HSL 66.79, 0.7%, 0.53%

LAB 83.54, -26.09, 73.88

 

CMYK 0 / 12 / 77 / 14

HEX #DBC033

RGB 219 192 51

HSL 50.36, 0.7%, 0.53%

LAB 77.87, -4.64, 69.28

 

CMYK 0 / 33 / 77 / 14

HEX #DB9333

RGB 219 147 51

HSL 34.29, 0.7%, 0.53%

LAB 66.65, 19.22, 58.76

 

CMYK 0 / 54 / 77 / 14

HEX #DB6533

RGB 219 101 51

HSL 17.86, 0.7%, 0.53%

LAB 56.69, 43.23, 48.95

 

CMYK 29 / 0 / 77 / 14

HEX #9BDB33

RGB 155 219 51

HSL 82.86, 0.7%, 0.53%

LAB 80.67, -43.71, 70.19

 

CMYK 50 / 0 / 77 / 14

HEX #6DDB33

RGB 109 219 51

HSL 99.29, 0.7%, 0.53%

LAB 78.55, -58.86, 67.44

 

CMYK 71 / 0 / 77 / 14

HEX #40DB33

RGB 64 219 51

HSL 115.36, 0.7%, 0.53%

LAB 77.28, -69.19, 65.77

 

CMYK 77 / 0 / 62 / 14

HEX #33DB53

RGB 51 219 83

HSL 131.43, 0.7%, 0.53%

LAB 77.28, -68.34, 53.7

 

CMYK 77 / 0 / 42 / 14

HEX #33DB80

RGB 51 219 128

HSL 147.5, 0.7%, 0.53%

LAB 77.83, -61.78, 33.06

 

CMYK 29 / 0 / 77 / 14

HEX #9BDB33

RGB 155 219 51

HSL 82.86, 0.7%, 0.53%

LAB 80.67, -43.71, 70.19

 

CMYK 33 / 0 / 87 / 7

HEX #9FEE1F

RGB 159 238 31

HSL 82.9, 0.86%, 0.53%

LAB 86.31, -50.97, 80.08

 

CMYK 29 / 0 / 77 / 14

HEX #9BDB33

RGB 155 219 51

HSL 82.86, 0.7%, 0.53%

LAB 80.67, -43.71, 70.19

 

CMYK 25 / 0 / 65 / 22

HEX #96C746

RGB 150 199 70

HSL 82.79, 0.54%, 0.53%

LAB 74.68, -35.56, 57.32

 

CMYK 19 / 0 / 50 / 29

HEX #91B45A

RGB 145 180 90

HSL 83.33, 0.38%, 0.53%

LAB 69.04, -26.71, 41.73

 

CMYK 12 / 0 / 32 / 37

HEX #8DA06D

RGB 141 160 109

HSL 82.35, 0.21%, 0.53%

LAB 63.27, -15.79, 24.44

 

CMYK 4 / 0 / 9 / 45

HEX #888D80

RGB 136 141 128

HSL 83.08, 0.05%, 0.53%

LAB 57.89, -4.33, 6.3

 

CMYK 0 / 13 / 77 / 14

HEX #DBBF33

RGB 219 191 51

HSL 50, 0.7%, 0.53%

LAB 77.61, -4.12, 69.04

 

CMYK 8 / 0 / 77 / 14

HEX #CADB33

RGB 202 219 51

HSL 66.07, 0.7%, 0.53%

LAB 83.68, -25.27, 74.07

 

CMYK 28 / 0 / 77 / 14

HEX #9DDB33

RGB 157 219 51

HSL 82.14, 0.7%, 0.53%

LAB 80.78, -42.97, 70.33

 

CMYK 49 / 0 / 77 / 14

HEX #70DB33

RGB 112 219 51

HSL 98.21, 0.7%, 0.53%

LAB 78.66, -58, 67.58

 

CMYK 69 / 0 / 77 / 14

HEX #44DB33

RGB 68 219 51

HSL 113.93, 0.7%, 0.53%

LAB 77.36, -68.48, 65.87

 

CMYK 31 / 0 / 82 / 38

HEX #6D9F1C

RGB 109 159 28

HSL 82.9, 0.7%, 0.37%

LAB 60.01, -35.7, 56.97

 

CMYK 31 / 0 / 82 / 24

HEX #85C222

RGB 133 194 34

HSL 82.88, 0.7%, 0.45%

LAB 72.02, -41.8, 66.6

 

CMYK 29 / 0 / 77 / 14

HEX #9BDB33

RGB 155 219 51

HSL 82.86, 0.7%, 0.53%

LAB 80.67, -43.71, 70.19

 

CMYK 24 / 0 / 62 / 12

HEX #ACE156

RGB 172 225 86

HSL 82.88, 0.7%, 0.61%

LAB 83.6, -37.82, 60.71

 

CMYK 18 / 0 / 48 / 9

HEX #BDE779

RGB 189 231 121

HSL 82.91, 0.7%, 0.69%

LAB 86.68, -31, 48.82

 

CMYK 29 / 0 / 77 / 14

HEX #9BDB33

RGB 155 219 51

HSL 82.86, 0.7%, 0.53%

LAB 80.67, -43.71, 70.19

 

CMYK 77 / 0 / 33 / 14

HEX #33DB92

RGB 51 219 146

HSL 153.93, 0.7%, 0.53%

LAB 78.14, -58.34, 24.23

 

CMYK 3 / 77 / 0 / 14

HEX #D533DB

RGB 213 51 219

HSL 297.86, 0.7%, 0.53%

LAB 53.63, 78.92, -51.74

 

CMYK 29 / 0 / 77 / 14

HEX #9BDB33

RGB 155 219 51

HSL 82.86, 0.7%, 0.53%

LAB 80.67, -43.71, 70.19

 

CMYK 77 / 28 / 0 / 14

HEX #339DDB

RGB 51 157 219

HSL 202.14, 0.7%, 0.53%

LAB 61.6, -9.02, -39.98

 

CMYK 0 / 77 / 28 / 14

HEX #DB339D

RGB 219 51 157

HSL 322.14, 0.7%, 0.53%

LAB 51.68, 71.65, -18.74

 

CMYK 29 / 0 / 77 / 14

HEX #9BDB33

RGB 155 219 51

HSL 82.86, 0.7%, 0.53%

LAB 80.67, -43.71, 70.19

 

CMYK 77 / 0 / 33 / 14

HEX #33DB92

RGB 51 219 146

HSL 153.93, 0.7%, 0.53%

LAB 78.14, -58.34, 24.23

 

CMYK 49 / 77 / 0 / 14

HEX #7033DB

RGB 112 51 219

HSL 261.79, 0.7%, 0.53%

LAB 39.46, 61.55, -75.37

 

CMYK 0 / 77 / 44 / 14

HEX #DB337B

RGB 219 51 123

HSL 334.29, 0.7%, 0.53%

LAB 50.52, 68.11, -0.1

 

CMYK 29 / 0 / 77 / 14

HEX #9BDB33

RGB 155 219 51

HSL 82.86, 0.7%, 0.53%

LAB 80.67, -43.71, 70.19

 

CMYK 77 / 0 / 11 / 14

HEX #33DBC4

RGB 51 219 196

HSL 171.79, 0.7%, 0.53%

LAB 79.24, -46.57, -0.64

 

CMYK 49 / 77 / 0 / 14

HEX #7033DB

RGB 112 51 219

HSL 261.79, 0.7%, 0.53%

LAB 39.46, 61.55, -75.37

 

CMYK 0 / 77 / 67 / 14

HEX #DB3349

RGB 219 51 73

HSL 352.14, 0.7%, 0.53%

LAB 49.39, 64.55, 28.64

 

Description

Color code: HEX #9BDB33 | qconv.com Color code: HEX #9BDB33 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 219 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 219 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 77 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 77% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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