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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BD937 it is the complementary color #6426C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BD937. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BD937 shade: #A0D932, #B1EB45, #C2FD58, #D3FF6B and #E4FF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BD937. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BD937 shade: #9BD937, #8AC724, #79B511, #68A300 and #579100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BD937 shade: #9AD835, #C6D835, #D8BF35, #D89335 and #D86735

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BD937 shade: #9AD835, #6ED835, #42D835, #35D854 and #35D880

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BD937 shade matches the following richer shades: #9AD835 and #9EEC22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BD937 shade: #9AD835, #95C549, #91B15C, #8C9E6F and #888B83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BD937 shade: #D8BD35, #C8D835, #9CD835, #71D835 and #45D835

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BD937 shade: #6C9D1E, #84C024, #9AD835, #ABDF58 and #BCE57A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BD937 shade: #9BD937, #35D892 and #D335D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BD937 shade: #9BD937, #359CD8 and #D8359C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BD937 shade: #9BD937, #35D892, #7135D8 and #D8357C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BD937 shade: #9BD937, #35D8C2, #7135D8 and #D8354B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 75 / 15

HEX #9BD937

RGB 155 217 55

HSL 82.96, 0.68%, 0.53%

LAB 80.11, -42.64, 68.41

 

Complementary color

CMYK 50 / 81 / 0 / 22

HEX #6426C8

RGB 100 38 200

HSL 262.96, 0.68%, 0.47%

LAB 34.53, 60.41, -72.52

 

CMYK 26 / 0 / 77 / 15

HEX #A0D932

RGB 160 217 50

HSL 80.48, 0.69%, 0.52%

LAB 80.36, -41.03, 70.31

 

CMYK 25 / 0 / 71 / 8

HEX #B1EB45

RGB 177 235 69

HSL 80.96, 0.81%, 0.6%

LAB 86.6, -41.56, 70.47

 

CMYK 23 / 0 / 65 / 1

HEX #C2FD58

RGB 194 253 88

HSL 81.45, 0.98%, 0.67%

LAB 92.76, -41.95, 70.12

 

CMYK 17 / 0 / 58 / 0

HEX #D3FF6B

RGB 211 255 107

HSL 77.84, 1%, 0.71%

LAB 94.5, -35.13, 64.62

 

CMYK 11 / 0 / 51 / 0

HEX #E4FF7E

RGB 228 255 126

HSL 72.56, 1%, 0.75%

LAB 95.8, -27.11, 58.08

 

CMYK 29 / 0 / 75 / 15

HEX #9BD937

RGB 155 217 55

HSL 82.96, 0.68%, 0.53%

LAB 80.11, -42.64, 68.41

 

CMYK 31 / 0 / 82 / 22

HEX #8AC724

RGB 138 199 36

HSL 82.45, 0.69%, 0.46%

LAB 73.79, -42.03, 67.77

 

CMYK 33 / 0 / 91 / 29

HEX #79B511

RGB 121 181 17

HSL 81.95, 0.83%, 0.39%

LAB 67.39, -41.19, 65.98

 

CMYK 36 / 0 / 100 / 36

HEX #68A300

RGB 104 163 0

HSL 81.72, 1%, 0.32%

LAB 60.9, -40.12, 62.77

 

CMYK 40 / 0 / 100 / 43

HEX #579100

RGB 87 145 0

HSL 84, 1%, 0.28%

LAB 54.32, -38.69, 57.29

 

CMYK 29 / 0 / 75 / 15

HEX #9AD835

RGB 154 216 53

HSL 82.82, 0.68%, 0.53%

LAB 79.75, -42.68, 68.69

 

CMYK 8 / 0 / 75 / 15

HEX #C6D835

RGB 198 216 53

HSL 66.63, 0.68%, 0.53%

LAB 82.58, -25.4, 72.35

 

CMYK 0 / 12 / 75 / 15

HEX #D8BF35

RGB 216 191 53

HSL 50.8, 0.68%, 0.53%

LAB 77.35, -5.33, 68.03

 

CMYK 0 / 32 / 75 / 15

HEX #D89335

RGB 216 147 53

HSL 34.6, 0.68%, 0.53%

LAB 66.31, 18.02, 57.5

 

CMYK 0 / 52 / 75 / 15

HEX #D86735

RGB 216 103 53

HSL 18.4, 0.68%, 0.53%

LAB 56.64, 41.17, 47.78

 

CMYK 29 / 0 / 75 / 15

HEX #9AD835

RGB 154 216 53

HSL 82.82, 0.68%, 0.53%

LAB 79.75, -42.68, 68.69

 

CMYK 49 / 0 / 75 / 15

HEX #6ED835

RGB 110 216 53

HSL 99.02, 0.68%, 0.53%

LAB 77.69, -57.34, 65.99

 

CMYK 69 / 0 / 75 / 15

HEX #42D835

RGB 66 216 53

HSL 115.21, 0.68%, 0.53%

LAB 76.39, -67.76, 64.28

 

CMYK 75 / 0 / 61 / 15

HEX #35D854

RGB 53 216 84

HSL 131.41, 0.68%, 0.53%

LAB 76.38, -66.99, 52.26

 

CMYK 75 / 0 / 41 / 15

HEX #35D880

RGB 53 216 128

HSL 147.61, 0.68%, 0.53%

LAB 76.94, -60.46, 31.9

 

CMYK 29 / 0 / 75 / 15

HEX #9AD835

RGB 154 216 53

HSL 82.82, 0.68%, 0.53%

LAB 79.75, -42.68, 68.69

 

CMYK 33 / 0 / 86 / 7

HEX #9EEC22

RGB 158 236 34

HSL 83.17, 0.84%, 0.53%

LAB 85.69, -50.42, 78.97

 

CMYK 29 / 0 / 75 / 15

HEX #9AD835

RGB 154 216 53

HSL 82.82, 0.68%, 0.53%

LAB 79.75, -42.68, 68.69

 

CMYK 24 / 0 / 63 / 23

HEX #95C549

RGB 149 197 73

HSL 83.23, 0.52%, 0.53%

LAB 74.06, -34.8, 55.39

 

CMYK 18 / 0 / 48 / 31

HEX #91B15C

RGB 145 177 92

HSL 82.59, 0.35%, 0.53%

LAB 68.19, -25.03, 39.71

 

CMYK 11 / 0 / 30 / 38

HEX #8C9E6F

RGB 140 158 111

HSL 82.98, 0.2%, 0.53%

LAB 62.66, -14.83, 22.51

 

CMYK 2 / 0 / 6 / 45

HEX #888B83

RGB 136 139 131

HSL 82.5, 0.03%, 0.53%

LAB 57.4, -2.65, 3.88

 

CMYK 0 / 13 / 75 / 15

HEX #D8BD35

RGB 216 189 53

HSL 50.06, 0.68%, 0.53%

LAB 76.83, -4.3, 67.54

 

CMYK 7 / 0 / 75 / 15

HEX #C8D835

RGB 200 216 53

HSL 65.89, 0.68%, 0.53%

LAB 82.73, -24.58, 72.54

 

CMYK 28 / 0 / 75 / 15

HEX #9CD835

RGB 156 216 53

HSL 82.09, 0.68%, 0.53%

LAB 79.86, -41.94, 68.83

 

CMYK 48 / 0 / 75 / 15

HEX #71D835

RGB 113 216 53

HSL 97.91, 0.68%, 0.53%

LAB 77.8, -56.46, 66.14

 

CMYK 68 / 0 / 75 / 15

HEX #45D835

RGB 69 216 53

HSL 114.11, 0.68%, 0.53%

LAB 76.46, -67.21, 64.37

 

CMYK 31 / 0 / 81 / 38

HEX #6C9D1E

RGB 108 157 30

HSL 83.15, 0.68%, 0.37%

LAB 59.34, -35.1, 55.77

 

CMYK 31 / 0 / 81 / 25

HEX #84C024

RGB 132 192 36

HSL 83.08, 0.68%, 0.45%

LAB 71.37, -41.23, 65.48

 

CMYK 29 / 0 / 75 / 15

HEX #9AD835

RGB 154 216 53

HSL 82.82, 0.68%, 0.53%

LAB 79.75, -42.68, 68.69

 

CMYK 23 / 0 / 61 / 13

HEX #ABDF58

RGB 171 223 88

HSL 83.11, 0.68%, 0.61%

LAB 82.99, -37.13, 59.18

 

CMYK 18 / 0 / 47 / 10

HEX #BCE57A

RGB 188 229 122

HSL 82.99, 0.67%, 0.69%

LAB 86.07, -30.33, 47.59

 

CMYK 29 / 0 / 75 / 15

HEX #9BD937

RGB 155 217 55

HSL 82.96, 0.68%, 0.53%

LAB 80.11, -42.64, 68.41

 

CMYK 75 / 0 / 32 / 15

HEX #35D892

RGB 53 216 146

HSL 154.23, 0.68%, 0.53%

LAB 77.25, -56.97, 23.02

 

CMYK 2 / 75 / 0 / 15

HEX #D335D8

RGB 211 53 216

HSL 298.16, 0.68%, 0.53%

LAB 53.33, 77.5, -50.53

 

CMYK 29 / 0 / 75 / 15

HEX #9BD937

RGB 155 217 55

HSL 82.96, 0.68%, 0.53%

LAB 80.11, -42.64, 68.41

 

CMYK 75 / 28 / 0 / 15

HEX #359CD8

RGB 53 156 216

HSL 202.09, 0.68%, 0.53%

LAB 61.21, -9.28, -38.91

 

CMYK 0 / 75 / 28 / 15

HEX #D8359C

RGB 216 53 156

HSL 322.09, 0.68%, 0.53%

LAB 51.32, 70.22, -18.75

 

CMYK 29 / 0 / 75 / 15

HEX #9BD937

RGB 155 217 55

HSL 82.96, 0.68%, 0.53%

LAB 80.11, -42.64, 68.41

 

CMYK 75 / 0 / 32 / 15

HEX #35D892

RGB 53 216 146

HSL 154.23, 0.68%, 0.53%

LAB 77.25, -56.97, 23.02

 

CMYK 48 / 75 / 0 / 15

HEX #7135D8

RGB 113 53 216

HSL 262.09, 0.68%, 0.53%

LAB 39.61, 60.07, -73.4

 

CMYK 0 / 75 / 43 / 15

HEX #D8357C

RGB 216 53 124

HSL 333.87, 0.68%, 0.53%

LAB 50.22, 66.82, -1.22

 

CMYK 29 / 0 / 75 / 15

HEX #9BD937

RGB 155 217 55

HSL 82.96, 0.68%, 0.53%

LAB 80.11, -42.64, 68.41

 

CMYK 75 / 0 / 10 / 15

HEX #35D8C2

RGB 53 216 194

HSL 171.9, 0.68%, 0.53%

LAB 78.32, -45.6, -0.91

 

CMYK 48 / 75 / 0 / 15

HEX #7135D8

RGB 113 53 216

HSL 262.09, 0.68%, 0.53%

LAB 39.61, 60.07, -73.4

 

CMYK 0 / 75 / 65 / 15

HEX #D8354B

RGB 216 53 75

HSL 351.9, 0.68%, 0.53%

LAB 49.07, 63.18, 26.93

 

Description

Color code: HEX #9BD937 | qconv.com Color code: HEX #9BD937 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 217 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 217 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 75 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 75% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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