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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BD657 it is the complementary color #6429A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BD657. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BD657 shade: #A0D652, #B1E865, #C2FA78, #D3FF8B and #E4FF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BD657. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BD657 shade: #9BD657, #8AC444, #79B231, #68A01E and #578E0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BD657 shade: #9AD656, #BDD656, #D6CC56, #D6AA56 and #D68756

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BD657 shade: #9AD656, #78D656, #56D657, #56D679 and #56D69B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BD657 shade matches the following richer shades: #9AD656, #9CE745 and #9DF834

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BD657 shade: #9AD656, #99C567, #98B478, #97A389 and #96929A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BD657 shade: #D6CB56, #BED656, #9CD656, #7AD656 and #58D656

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BD657 shade: #71AF2A, #87CE35, #9AD656, #AEDE77 and #C2E699

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BD657 shade: #9BD657, #56D6A9 and #D656CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BD657 shade: #9BD657, #569CD6 and #D6569C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BD657 shade: #9BD657, #56D6A9, #9056D6 and #D65683

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BD657 shade: #9BD657, #56D6CF, #9056D6 and #D6565D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 59 / 16

HEX #9BD657

RGB 155 214 87

HSL 87.87, 0.61%, 0.59%

LAB 79.47, -39.07, 55.44

 

Complementary color

CMYK 40 / 76 / 0 / 34

HEX #6429A8

RGB 100 41 168

HSL 267.87, 0.61%, 0.41%

LAB 32.08, 51.12, -57.57

 

CMYK 25 / 0 / 62 / 16

HEX #A0D652

RGB 160 214 82

HSL 84.55, 0.62%, 0.58%

LAB 79.71, -37.66, 57.94

 

CMYK 24 / 0 / 56 / 9

HEX #B1E865

RGB 177 232 101

HSL 85.19, 0.74%, 0.65%

LAB 86.01, -37.85, 57.04

 

CMYK 22 / 0 / 52 / 2

HEX #C2FA78

RGB 194 250 120

HSL 85.85, 0.93%, 0.73%

LAB 92.22, -37.96, 56.03

 

CMYK 17 / 0 / 45 / 0

HEX #D3FF8B

RGB 211 255 139

HSL 82.76, 1%, 0.77%

LAB 94.84, -32.13, 50.64

 

CMYK 11 / 0 / 38 / 0

HEX #E4FF9E

RGB 228 255 158

HSL 76.7, 1%, 0.81%

LAB 96.2, -23.78, 43.46

 

CMYK 28 / 0 / 59 / 16

HEX #9BD657

RGB 155 214 87

HSL 87.87, 0.61%, 0.59%

LAB 79.47, -39.07, 55.44

 

CMYK 30 / 0 / 65 / 23

HEX #8AC444

RGB 138 196 68

HSL 87.19, 0.52%, 0.52%

LAB 73.09, -38.86, 56.23

 

CMYK 32 / 0 / 72 / 30

HEX #79B231

RGB 121 178 49

HSL 86.51, 0.57%, 0.45%

LAB 66.62, -38.51, 56.65

 

CMYK 35 / 0 / 81 / 37

HEX #68A01E

RGB 104 160 30

HSL 85.85, 0.68%, 0.37%

LAB 60.05, -37.96, 56.34

 

CMYK 39 / 0 / 92 / 44

HEX #578E0B

RGB 87 142 11

HSL 85.19, 0.86%, 0.3%

LAB 53.38, -37.13, 54.69

 

CMYK 28 / 0 / 60 / 16

HEX #9AD656

RGB 154 214 86

HSL 88.13, 0.61%, 0.59%

LAB 79.41, -39.52, 55.78

 

CMYK 12 / 0 / 60 / 16

HEX #BDD656

RGB 189 214 86

HSL 71.72, 0.61%, 0.59%

LAB 81.61, -26.16, 58.85

 

CMYK 0 / 5 / 60 / 16

HEX #D6CC56

RGB 214 204 86

HSL 55.31, 0.61%, 0.59%

LAB 80.82, -11.03, 58.53

 

CMYK 0 / 21 / 60 / 16

HEX #D6AA56

RGB 214 170 86

HSL 39.38, 0.61%, 0.59%

LAB 72.04, 6.68, 48.65

 

CMYK 0 / 37 / 60 / 16

HEX #D68756

RGB 214 135 86

HSL 22.97, 0.61%, 0.59%

LAB 63.59, 25.54, 38.66

 

CMYK 28 / 0 / 60 / 16

HEX #9AD656

RGB 154 214 86

HSL 88.13, 0.61%, 0.59%

LAB 79.41, -39.52, 55.78

 

CMYK 44 / 0 / 60 / 16

HEX #78D656

RGB 120 214 86

HSL 104.06, 0.61%, 0.59%

LAB 77.73, -50.93, 53.44

 

CMYK 60 / 0 / 59 / 16

HEX #56D657

RGB 86 214 87

HSL 120.47, 0.61%, 0.59%

LAB 76.53, -59.92, 51.31

 

CMYK 60 / 0 / 43 / 16

HEX #56D679

RGB 86 214 121

HSL 136.41, 0.61%, 0.59%

LAB 76.95, -55.24, 35.6

 

CMYK 60 / 0 / 28 / 16

HEX #56D69B

RGB 86 214 155

HSL 152.34, 0.61%, 0.59%

LAB 77.54, -48.96, 18.82

 

CMYK 28 / 0 / 60 / 16

HEX #9AD656

RGB 154 214 86

HSL 88.13, 0.61%, 0.59%

LAB 79.41, -39.52, 55.78

 

CMYK 32 / 0 / 70 / 9

HEX #9CE745

RGB 156 231 69

HSL 87.78, 0.77%, 0.59%

LAB 84.3, -47.43, 67.79

 

CMYK 37 / 0 / 79 / 3

HEX #9DF834

RGB 157 248 52

HSL 87.86, 0.93%, 0.59%

LAB 89.18, -54.95, 77.82

 

CMYK 28 / 0 / 60 / 16

HEX #9AD656

RGB 154 214 86

HSL 88.13, 0.61%, 0.59%

LAB 79.41, -39.52, 55.78

 

CMYK 22 / 0 / 48 / 23

HEX #99C567

RGB 153 197 103

HSL 88.09, 0.45%, 0.59%

LAB 74.63, -30.37, 42.25

 

CMYK 16 / 0 / 33 / 29

HEX #98B478

RGB 152 180 120

HSL 88, 0.29%, 0.59%

LAB 69.95, -20.25, 27.54

 

CMYK 7 / 0 / 16 / 36

HEX #97A389

RGB 151 163 137

HSL 87.69, 0.12%, 0.59%

LAB 65.42, -9.1, 12.09

 

CMYK 3 / 5 / 0 / 40

HEX #96929A

RGB 150 146 154

HSL 270, 0.04%, 0.59%

LAB 61.11, 3.03, -3.7

 

CMYK 0 / 5 / 60 / 16

HEX #D6CB56

RGB 214 203 86

HSL 54.84, 0.61%, 0.59%

LAB 80.56, -10.53, 58.24

 

CMYK 11 / 0 / 60 / 16

HEX #BED656

RGB 190 214 86

HSL 71.25, 0.61%, 0.59%

LAB 81.68, -25.76, 58.95

 

CMYK 27 / 0 / 60 / 16

HEX #9CD656

RGB 156 214 86

HSL 87.19, 0.61%, 0.59%

LAB 79.52, -38.79, 55.94

 

CMYK 43 / 0 / 60 / 16

HEX #7AD656

RGB 122 214 86

HSL 103.13, 0.61%, 0.59%

LAB 77.82, -50.31, 53.56

 

CMYK 59 / 0 / 60 / 16

HEX #58D656

RGB 88 214 86

HSL 119.06, 0.61%, 0.59%

LAB 76.58, -59.57, 51.83

 

CMYK 35 / 0 / 76 / 31

HEX #71AF2A

RGB 113 175 42

HSL 87.97, 0.61%, 0.43%

LAB 65.23, -40.56, 57.6

 

CMYK 34 / 0 / 74 / 19

HEX #87CE35

RGB 135 206 53

HSL 87.84, 0.61%, 0.51%

LAB 75.79, -45.28, 64.53

 

CMYK 28 / 0 / 60 / 16

HEX #9AD656

RGB 154 214 86

HSL 88.13, 0.61%, 0.59%

LAB 79.41, -39.52, 55.78

 

CMYK 22 / 0 / 46 / 13

HEX #AEDE77

RGB 174 222 119

HSL 87.96, 0.61%, 0.67%

LAB 83.22, -32.54, 45.32

 

CMYK 16 / 0 / 33 / 10

HEX #C2E699

RGB 194 230 153

HSL 88.05, 0.61%, 0.75%

LAB 87.17, -24.82, 33.76

 

CMYK 28 / 0 / 59 / 16

HEX #9BD657

RGB 155 214 87

HSL 87.87, 0.61%, 0.59%

LAB 79.47, -39.07, 55.44

 

CMYK 60 / 0 / 21 / 16

HEX #56D6A9

RGB 86 214 169

HSL 158.91, 0.61%, 0.59%

LAB 77.84, -45.93, 11.82

 

CMYK 0 / 60 / 3 / 16

HEX #D656CF

RGB 214 86 207

HSL 303.28, 0.61%, 0.59%

LAB 57.52, 64.92, -38.76

 

CMYK 28 / 0 / 59 / 16

HEX #9BD657

RGB 155 214 87

HSL 87.87, 0.61%, 0.59%

LAB 79.47, -39.07, 55.44

 

CMYK 60 / 27 / 0 / 16

HEX #569CD6

RGB 86 156 214

HSL 207.19, 0.61%, 0.59%

LAB 62.18, -4.82, -36.21

 

CMYK 0 / 60 / 27 / 16

HEX #D6569C

RGB 214 86 156

HSL 327.19, 0.61%, 0.59%

LAB 55.43, 57.38, -12.53

 

CMYK 28 / 0 / 59 / 16

HEX #9BD657

RGB 155 214 87

HSL 87.87, 0.61%, 0.59%

LAB 79.47, -39.07, 55.44

 

CMYK 60 / 0 / 21 / 16

HEX #56D6A9

RGB 86 214 169

HSL 158.91, 0.61%, 0.59%

LAB 77.84, -45.93, 11.82

 

CMYK 33 / 60 / 0 / 16

HEX #9056D6

RGB 144 86 214

HSL 267.19, 0.61%, 0.59%

LAB 48.81, 49.2, -57.15

 

CMYK 0 / 60 / 39 / 16

HEX #D65683

RGB 214 86 131

HSL 338.91, 0.61%, 0.59%

LAB 54.65, 54.4, 1.03

 

CMYK 28 / 0 / 59 / 16

HEX #9BD657

RGB 155 214 87

HSL 87.87, 0.61%, 0.59%

LAB 79.47, -39.07, 55.44

 

CMYK 60 / 0 / 3 / 16

HEX #56D6CF

RGB 86 214 207

HSL 176.72, 0.61%, 0.59%

LAB 78.8, -36.6, -7.09

 

CMYK 33 / 60 / 0 / 16

HEX #9056D6

RGB 144 86 214

HSL 267.19, 0.61%, 0.59%

LAB 48.81, 49.2, -57.15

 

CMYK 0 / 60 / 57 / 16

HEX #D6565D

RGB 214 86 93

HSL 356.72, 0.61%, 0.59%

LAB 53.75, 50.89, 22.26

 

Description

Color code: HEX #9BD657 | qconv.com Color code: HEX #9BD657 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 214 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 214 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 59 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 59% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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