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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BC9DB it is the complementary color #643624. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BC9DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BC9DB shade: #A0C9D6, #B1DBE9, #C2EDFC, #D3FFFF and #E4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BC9DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BC9DB shade: #9BC9DB, #8AB7C8, #79A5B5, #6893A2 and #57818F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BC9DB shade: #99C8DA, #99B6DA, #99A5DA, #9F99DA and #B199DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BC9DB shade: #99C8DA, #99B6DA, #99A5DA and #9999DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BC9DB shade matches the following richer shades: #99C8DA, #8ECDE5, #83D2F0 and #78D6FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BC9DB shade: #99C8DA, #A4C3CF, #B0BEC4, #BBB9B9 and #C6B4AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BC9DB shade: #99DAC9, #99DADA, #99C9DA, #99B7DA and #99A6DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BC9DB shade: #5DA7C4, #7BB7CF, #99C8DA, #B8D8E5 and #D6E9F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BC9DB shade: #9BC9DB, #B799DA and #DAD199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BC9DB shade: #9BC9DB, #DA99C9 and #C9DA99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BC9DB shade: #9BC9DB, #B799DA, #DAAB99 and #BCDA99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BC9DB shade: #9BC9DB, #CB99DA, #DAAB99 and #A8DA99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 8 / 0 / 14

HEX #9BC9DB

RGB 155 201 219

HSL 196.88, 0.47%, 0.73%

LAB 78.38, -10.88, -13.85

 

Complementary color

CMYK 0 / 46 / 64 / 61

HEX #643624

RGB 100 54 36

HSL 16.88, 0.47%, 0.27%

LAB 28.05, 18.65, 20.16

 

CMYK 25 / 6 / 0 / 16

HEX #A0C9D6

RGB 160 201 214

HSL 194.44, 0.4%, 0.73%

LAB 78.52, -10.57, -10.92

 

CMYK 24 / 6 / 0 / 9

HEX #B1DBE9

RGB 177 219 233

HSL 195, 0.56%, 0.8%

LAB 84.94, -10.58, -11.37

 

CMYK 23 / 6 / 0 / 1

HEX #C2EDFC

RGB 194 237 252

HSL 195.52, 0.91%, 0.87%

LAB 91.26, -10.59, -11.81

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 29 / 8 / 0 / 14

HEX #9BC9DB

RGB 155 201 219

HSL 196.88, 0.47%, 0.73%

LAB 78.38, -10.88, -13.85

 

CMYK 31 / 9 / 0 / 22

HEX #8AB7C8

RGB 138 183 200

HSL 196.45, 0.36%, 0.66%

LAB 71.85, -10.85, -13.43

 

CMYK 33 / 9 / 0 / 29

HEX #79A5B5

RGB 121 165 181

HSL 196, 0.29%, 0.59%

LAB 65.21, -10.82, -13.01

 

CMYK 36 / 9 / 0 / 36

HEX #6893A2

RGB 104 147 162

HSL 195.52, 0.24%, 0.52%

LAB 58.43, -10.78, -12.59

 

CMYK 39 / 10 / 0 / 44

HEX #57818F

RGB 87 129 143

HSL 195, 0.24%, 0.45%

LAB 51.51, -10.72, -12.15

 

CMYK 30 / 8 / 0 / 15

HEX #99C8DA

RGB 153 200 218

HSL 196.62, 0.47%, 0.73%

LAB 77.96, -11.17, -13.95

 

CMYK 30 / 17 / 0 / 15

HEX #99B6DA

RGB 153 182 218

HSL 213.23, 0.47%, 0.73%

LAB 73.08, -1.57, -21.32

 

CMYK 30 / 24 / 0 / 15

HEX #99A5DA

RGB 153 165 218

HSL 228.92, 0.47%, 0.73%

LAB 68.57, 7.82, -28.23

 

CMYK 27 / 30 / 0 / 15

HEX #9F99DA

RGB 159 153 218

HSL 245.54, 0.47%, 0.73%

LAB 65.92, 16.37, -32.28

 

CMYK 19 / 30 / 0 / 15

HEX #B199DA

RGB 177 153 218

HSL 262.15, 0.47%, 0.73%

LAB 67.42, 21.8, -29.84

 

CMYK 30 / 8 / 0 / 15

HEX #99C8DA

RGB 153 200 218

HSL 196.62, 0.47%, 0.73%

LAB 77.96, -11.17, -13.95

 

CMYK 30 / 17 / 0 / 15

HEX #99B6DA

RGB 153 182 218

HSL 213.23, 0.47%, 0.73%

LAB 73.08, -1.57, -21.32

 

CMYK 30 / 24 / 0 / 15

HEX #99A5DA

RGB 153 165 218

HSL 228.92, 0.47%, 0.73%

LAB 68.57, 7.82, -28.23

 

CMYK 30 / 30 / 0 / 15

HEX #9999DA

RGB 153 153 218

HSL 240, 0.47%, 0.73%

LAB 65.45, 14.61, -33.04

 

CMYK 30 / 8 / 0 / 15

HEX #99C8DA

RGB 153 200 218

HSL 196.62, 0.47%, 0.73%

LAB 77.96, -11.17, -13.95

 

CMYK 38 / 10 / 0 / 10

HEX #8ECDE5

RGB 142 205 229

HSL 196.55, 0.63%, 0.73%

LAB 79.08, -14.09, -18.23

 

CMYK 45 / 13 / 0 / 6

HEX #83D2F0

RGB 131 210 240

HSL 196.51, 0.78%, 0.73%

LAB 80.3, -16.53, -22.32

 

CMYK 52 / 15 / 0 / 2

HEX #78D6FB

RGB 120 214 251

HSL 196.95, 0.94%, 0.73%

LAB 81.32, -18.01, -26.66

 

CMYK 30 / 8 / 0 / 15

HEX #99C8DA

RGB 153 200 218

HSL 196.62, 0.47%, 0.73%

LAB 77.96, -11.17, -13.95

 

CMYK 21 / 6 / 0 / 19

HEX #A4C3CF

RGB 164 195 207

HSL 196.74, 0.31%, 0.73%

LAB 76.94, -7.78, -9.48

 

CMYK 10 / 3 / 0 / 23

HEX #B0BEC4

RGB 176 190 196

HSL 198, 0.14%, 0.73%

LAB 76.1, -3.6, -4.68

 

CMYK 0 / 1 / 1 / 27

HEX #BBB9B9

RGB 187 185 185

HSL 0, 0.01%, 0.73%

LAB 75.31, 0.7, 0.24

 

CMYK 0 / 9 / 13 / 22

HEX #C6B4AD

RGB 198 180 173

HSL 16.8, 0.18%, 0.73%

LAB 74.61, 5.24, 5.89

 

CMYK 30 / 0 / 8 / 15

HEX #99DAC9

RGB 153 218 201

HSL 164.31, 0.47%, 0.73%

LAB 82.45, -24.11, 1.78

 

CMYK 30 / 0 / 0 / 15

HEX #99DADA

RGB 153 218 218

HSL 180, 0.47%, 0.73%

LAB 82.9, -20.36, -6.59

 

CMYK 30 / 8 / 0 / 15

HEX #99C9DA

RGB 153 201 218

HSL 195.69, 0.47%, 0.73%

LAB 78.23, -11.69, -13.54

 

CMYK 30 / 16 / 0 / 15

HEX #99B7DA

RGB 153 183 218

HSL 212.31, 0.47%, 0.73%

LAB 73.35, -2.12, -20.91

 

CMYK 30 / 24 / 0 / 15

HEX #99A6DA

RGB 153 166 218

HSL 228, 0.47%, 0.73%

LAB 68.83, 7.26, -27.82

 

CMYK 53 / 15 / 0 / 23

HEX #5DA7C4

RGB 93 167 196

HSL 196.89, 0.47%, 0.57%

LAB 64.92, -14.94, -21.94

 

CMYK 41 / 12 / 0 / 19

HEX #7BB7CF

RGB 123 183 207

HSL 197.14, 0.47%, 0.65%

LAB 71.27, -13.19, -18.22

 

CMYK 30 / 8 / 0 / 15

HEX #99C8DA

RGB 153 200 218

HSL 196.62, 0.47%, 0.73%

LAB 77.96, -11.17, -13.95

 

CMYK 20 / 6 / 0 / 10

HEX #B8D8E5

RGB 184 216 229

HSL 197.33, 0.46%, 0.81%

LAB 84.46, -7.8, -9.92

 

CMYK 11 / 3 / 0 / 6

HEX #D6E9F0

RGB 214 233 240

HSL 196.15, 0.46%, 0.89%

LAB 91.17, -4.9, -5.54

 

CMYK 29 / 8 / 0 / 14

HEX #9BC9DB

RGB 155 201 219

HSL 196.88, 0.47%, 0.73%

LAB 78.38, -10.88, -13.85

 

CMYK 16 / 30 / 0 / 15

HEX #B799DA

RGB 183 153 218

HSL 267.69, 0.47%, 0.73%

LAB 67.96, 23.66, -28.97

 

CMYK 0 / 4 / 30 / 15

HEX #DAD199

RGB 218 209 153

HSL 51.69, 0.47%, 0.73%

LAB 83.34, -5.4, 28.96

 

CMYK 29 / 8 / 0 / 14

HEX #9BC9DB

RGB 155 201 219

HSL 196.88, 0.47%, 0.73%

LAB 78.38, -10.88, -13.85

 

CMYK 0 / 30 / 8 / 15

HEX #DA99C9

RGB 218 153 201

HSL 315.69, 0.47%, 0.73%

LAB 70.81, 31.73, -14.91

 

CMYK 8 / 0 / 30 / 15

HEX #C9DA99

RGB 201 218 153

HSL 75.69, 0.47%, 0.73%

LAB 84.41, -16.38, 30.17

 

CMYK 29 / 8 / 0 / 14

HEX #9BC9DB

RGB 155 201 219

HSL 196.88, 0.47%, 0.73%

LAB 78.38, -10.88, -13.85

 

CMYK 16 / 30 / 0 / 15

HEX #B799DA

RGB 183 153 218

HSL 267.69, 0.47%, 0.73%

LAB 67.96, 23.66, -28.97

 

CMYK 0 / 22 / 30 / 15

HEX #DAAB99

RGB 218 171 153

HSL 16.62, 0.47%, 0.73%

LAB 73.76, 14.64, 15.84

 

CMYK 14 / 0 / 30 / 15

HEX #BCDA99

RGB 188 218 153

HSL 87.69, 0.47%, 0.73%

LAB 83.51, -21.15, 28.81

 

CMYK 29 / 8 / 0 / 14

HEX #9BC9DB

RGB 155 201 219

HSL 196.88, 0.47%, 0.73%

LAB 78.38, -10.88, -13.85

 

CMYK 7 / 30 / 0 / 15

HEX #CB99DA

RGB 203 153 218

HSL 286.15, 0.47%, 0.73%

LAB 69.85, 29.97, -25.89

 

CMYK 0 / 22 / 30 / 15

HEX #DAAB99

RGB 218 171 153

HSL 16.62, 0.47%, 0.73%

LAB 73.76, 14.64, 15.84

 

CMYK 23 / 0 / 30 / 15

HEX #A8DA99

RGB 168 218 153

HSL 106.15, 0.47%, 0.73%

LAB 82.25, -28.2, 26.89

 

Description

Color code: HEX #9BC9DB | qconv.com Color code: HEX #9BC9DB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 201 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 201 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 8 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 8% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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