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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BC8E5 it is the complementary color #64371A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BC8E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BC8E5 shade: #A0C8E0, #B1DAF3, #C2ECFF, #D3FEFF and #E4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BC8E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BC8E5 shade: #9BC8E5, #8AB6D2, #79A4BF, #6892AC and #578099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BC8E5 shade: #99C7E4, #99B3E4, #999EE4, #A899E4 and #BD99E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BC8E5 shade: #99C7E4, #99B3E4, #999EE4 and #9999E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BC8E5 shade matches the following richer shades: #99C7E4, #8FC9EF and #85CBF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BC8E5 shade: #99C7E4, #A3C5DA, #AEC2D0, #B8C0C5 and #C2BEBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BC8E5 shade: #99E4D9, #99DCE4, #99C8E4, #99B3E4 and #999FE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BC8E5 shade: #58A3D3, #78B5DC, #99C7E4, #BAD9ED and #DBEBF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BC8E5 shade: #9BC8E5, #C599E4 and #E4E399

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BC8E5 shade: #9BC8E5, #E499C8 and #C8E499

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BC8E5 shade: #9BC8E5, #C599E4, #E4B699 and #B8E499

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BC8E5 shade: #9BC8E5, #DC99E4, #E4B699 and #A2E499

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 13 / 0 / 10

HEX #9BC8E5

RGB 155 200 229

HSL 203.51, 0.59%, 0.75%

LAB 78.42, -7.96, -19.16

 

Complementary color

CMYK 0 / 45 / 74 / 61

HEX #64371A

RGB 100 55 26

HSL 23.51, 0.59%, 0.25%

LAB 28.16, 17.32, 26.31

 

CMYK 29 / 11 / 0 / 12

HEX #A0C8E0

RGB 160 200 224

HSL 202.5, 0.51%, 0.75%

LAB 78.56, -7.73, -16.24

 

CMYK 27 / 10 / 0 / 5

HEX #B1DAF3

RGB 177 218 243

HSL 202.73, 0.73%, 0.82%

LAB 84.98, -7.81, -16.61

 

CMYK 24 / 7 / 0 / 0

HEX #C2ECFF

RGB 194 236 255

HSL 198.69, 1%, 0.88%

LAB 91.09, -9.43, -13.64

 

CMYK 17 / 0 / 0 / 0

HEX #D3FEFF

RGB 211 254 255

HSL 181.36, 1%, 0.91%

LAB 96.8, -13.43, -5.05

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 32 / 13 / 0 / 10

HEX #9BC8E5

RGB 155 200 229

HSL 203.51, 0.59%, 0.75%

LAB 78.42, -7.96, -19.16

 

CMYK 34 / 13 / 0 / 18

HEX #8AB6D2

RGB 138 182 210

HSL 203.33, 0.44%, 0.68%

LAB 71.9, -7.84, -18.83

 

CMYK 37 / 14 / 0 / 25

HEX #79A4BF

RGB 121 164 191

HSL 203.14, 0.35%, 0.61%

LAB 65.26, -7.71, -18.51

 

CMYK 40 / 15 / 0 / 33

HEX #6892AC

RGB 104 146 172

HSL 202.94, 0.29%, 0.54%

LAB 58.49, -7.55, -18.2

 

CMYK 43 / 16 / 0 / 40

HEX #578099

RGB 87 128 153

HSL 202.73, 0.28%, 0.47%

LAB 51.57, -7.35, -17.89

 

CMYK 33 / 13 / 0 / 11

HEX #99C7E4

RGB 153 199 228

HSL 203.2, 0.58%, 0.75%

LAB 78.01, -8.23, -19.26

 

CMYK 33 / 21 / 0 / 11

HEX #99B3E4

RGB 153 179 228

HSL 219.2, 0.58%, 0.75%

LAB 72.64, 2.55, -27.45

 

CMYK 33 / 31 / 0 / 11

HEX #999EE4

RGB 153 158 228

HSL 236, 0.58%, 0.75%

LAB 67.15, 14.31, -35.93

 

CMYK 26 / 33 / 0 / 11

HEX #A899E4

RGB 168 153 228

HSL 252, 0.58%, 0.75%

LAB 67.06, 21.44, -35.98

 

CMYK 17 / 33 / 0 / 11

HEX #BD99E4

RGB 189 153 228

HSL 268.8, 0.58%, 0.75%

LAB 68.9, 27.71, -32.98

 

CMYK 33 / 13 / 0 / 11

HEX #99C7E4

RGB 153 199 228

HSL 203.2, 0.58%, 0.75%

LAB 78.01, -8.23, -19.26

 

CMYK 33 / 21 / 0 / 11

HEX #99B3E4

RGB 153 179 228

HSL 219.2, 0.58%, 0.75%

LAB 72.64, 2.55, -27.45

 

CMYK 33 / 31 / 0 / 11

HEX #999EE4

RGB 153 158 228

HSL 236, 0.58%, 0.75%

LAB 67.15, 14.31, -35.93

 

CMYK 33 / 33 / 0 / 11

HEX #9999E4

RGB 153 153 228

HSL 240, 0.58%, 0.75%

LAB 65.87, 17.16, -37.92

 

CMYK 33 / 13 / 0 / 11

HEX #99C7E4

RGB 153 199 228

HSL 203.2, 0.58%, 0.75%

LAB 78.01, -8.23, -19.26

 

CMYK 40 / 16 / 0 / 6

HEX #8FC9EF

RGB 143 201 239

HSL 203.75, 0.75%, 0.75%

LAB 78.37, -9.17, -24.66

 

CMYK 47 / 18 / 0 / 2

HEX #85CBF9

RGB 133 203 249

HSL 203.79, 0.91%, 0.75%

LAB 78.77, -9.99, -29.44

 

CMYK 33 / 13 / 0 / 11

HEX #99C7E4

RGB 153 199 228

HSL 203.2, 0.58%, 0.75%

LAB 78.01, -8.23, -19.26

 

CMYK 25 / 10 / 0 / 15

HEX #A3C5DA

RGB 163 197 218

HSL 202.91, 0.43%, 0.75%

LAB 77.75, -6.66, -14.21

 

CMYK 16 / 7 / 0 / 18

HEX #AEC2D0

RGB 174 194 208

HSL 204.71, 0.27%, 0.75%

LAB 77.36, -3.89, -9.31

 

CMYK 7 / 3 / 0 / 23

HEX #B8C0C5

RGB 184 192 197

HSL 203.08, 0.1%, 0.75%

LAB 77.23, -1.78, -3.47

 

CMYK 0 / 2 / 4 / 24

HEX #C2BEBB

RGB 194 190 187

HSL 25.71, 0.05%, 0.75%

LAB 77.21, 0.86, 2

 

CMYK 33 / 0 / 5 / 11

HEX #99E4D9

RGB 153 228 217

HSL 171.2, 0.58%, 0.75%

LAB 85.64, -25.51, -2.03

 

CMYK 33 / 4 / 0 / 11

HEX #99DCE4

RGB 153 220 228

HSL 186.4, 0.58%, 0.75%

LAB 83.74, -19.04, -10.66

 

CMYK 33 / 12 / 0 / 11

HEX #99C8E4

RGB 153 200 228

HSL 202.4, 0.58%, 0.75%

LAB 78.28, -8.76, -18.85

 

CMYK 33 / 21 / 0 / 11

HEX #99B3E4

RGB 153 179 228

HSL 219.2, 0.58%, 0.75%

LAB 72.64, 2.55, -27.45

 

CMYK 33 / 30 / 0 / 11

HEX #999FE4

RGB 153 159 228

HSL 235.2, 0.58%, 0.75%

LAB 67.4, 13.75, -35.53

 

CMYK 58 / 23 / 0 / 17

HEX #58A3D3

RGB 88 163 211

HSL 203.41, 0.58%, 0.59%

LAB 64.14, -9.28, -31.49

 

CMYK 45 / 18 / 0 / 14

HEX #78B5DC

RGB 120 181 220

HSL 203.4, 0.59%, 0.67%

LAB 71.01, -9.36, -25.74

 

CMYK 33 / 13 / 0 / 11

HEX #99C7E4

RGB 153 199 228

HSL 203.2, 0.58%, 0.75%

LAB 78.01, -8.23, -19.26

 

CMYK 22 / 8 / 0 / 7

HEX #BAD9ED

RGB 186 217 237

HSL 203.53, 0.59%, 0.83%

LAB 85.09, -5.98, -13.21

 

CMYK 11 / 4 / 0 / 4

HEX #DBEBF5

RGB 219 235 245

HSL 203.08, 0.57%, 0.91%

LAB 92.16, -3.35, -6.65

 

CMYK 32 / 13 / 0 / 10

HEX #9BC8E5

RGB 155 200 229

HSL 203.51, 0.59%, 0.75%

LAB 78.42, -7.96, -19.16

 

CMYK 14 / 33 / 0 / 11

HEX #C599E4

RGB 197 153 228

HSL 275.2, 0.58%, 0.75%

LAB 69.65, 30.15, -31.75

 

CMYK 0 / 0 / 33 / 11

HEX #E4E399

RGB 228 227 153

HSL 59.2, 0.58%, 0.75%

LAB 88.8, -10.71, 36.34

 

CMYK 32 / 13 / 0 / 10

HEX #9BC8E5

RGB 155 200 229

HSL 203.51, 0.59%, 0.75%

LAB 78.42, -7.96, -19.16

 

CMYK 0 / 33 / 12 / 11

HEX #E499C8

RGB 228 153 200

HSL 322.4, 0.58%, 0.75%

LAB 71.86, 34.94, -12.67

 

CMYK 12 / 0 / 33 / 11

HEX #C8E499

RGB 200 228 153

HSL 82.4, 0.58%, 0.75%

LAB 87.03, -21.68, 33.64

 

CMYK 32 / 13 / 0 / 10

HEX #9BC8E5

RGB 155 200 229

HSL 203.51, 0.59%, 0.75%

LAB 78.42, -7.96, -19.16

 

CMYK 14 / 33 / 0 / 11

HEX #C599E4

RGB 197 153 228

HSL 275.2, 0.58%, 0.75%

LAB 69.65, 30.15, -31.75

 

CMYK 0 / 20 / 33 / 11

HEX #E4B699

RGB 228 182 153

HSL 23.2, 0.58%, 0.75%

LAB 77.43, 12.61, 21.08

 

CMYK 19 / 0 / 33 / 11

HEX #B8E499

RGB 184 228 153

HSL 95.2, 0.58%, 0.75%

LAB 85.99, -27.42, 32.08

 

CMYK 32 / 13 / 0 / 10

HEX #9BC8E5

RGB 155 200 229

HSL 203.51, 0.59%, 0.75%

LAB 78.42, -7.96, -19.16

 

CMYK 4 / 33 / 0 / 11

HEX #DC99E4

RGB 220 153 228

HSL 293.6, 0.58%, 0.75%

LAB 71.96, 37.29, -28

 

CMYK 0 / 20 / 33 / 11

HEX #E4B699

RGB 228 182 153

HSL 23.2, 0.58%, 0.75%

LAB 77.43, 12.61, 21.08

 

CMYK 29 / 0 / 33 / 11

HEX #A2E499

RGB 162 228 153

HSL 112.8, 0.58%, 0.75%

LAB 84.72, -34.9, 30.16

 

Description

Color code: HEX #9BC8E5 | qconv.com Color code: HEX #9BC8E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 200 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 200 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 13 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 13% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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