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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BC8DD it is the complementary color #643722. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BC8DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BC8DD shade: #A0C8D8, #B1DAEB, #C2ECFE, #D3FEFF and #E4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BC8DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BC8DD shade: #9BC8DD, #8AB6CA, #79A4B7, #6892A4 and #578091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BC8DD shade: #9CC8DD, #9CB6DD, #9CA5DD, #A49CDD and #B59CDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BC8DD shade: #9CC8DD, #9CB6DD, #9CA5DD and #9C9CDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BC8DD shade matches the following richer shades: #9CC8DD, #91CCE7, #86D0F2 and #7CD4FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BC8DD shade: #9CC8DD, #A6C4D2, #B1C0C7, #BCBCBD and #C7B8B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BC8DD shade: #9CDDCF, #9CD9DD, #9CC8DD, #9CB7DD and #9CA5DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BC8DD shade: #5EA6C8, #7DB7D2, #9CC8DD, #BAD9E7 and #D9EAF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BC8DD shade: #9BC8DD, #BD9CDD and #DDD79C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BC8DD shade: #9BC8DD, #DD9CC8 and #C8DD9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BC8DD shade: #9BC8DD, #BD9CDD, #DDB09C and #BBDD9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BC8DD shade: #9BC8DD, #D19CDD, #DDB09C and #A8DD9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 10 / 0 / 13

HEX #9BC8DD

RGB 155 200 221

HSL 199.09, 0.49%, 0.74%

LAB 78.17, -9.88, -15.24

 

Complementary color

CMYK 0 / 45 / 66 / 61

HEX #643722

RGB 100 55 34

HSL 19.09, 0.49%, 0.26%

LAB 28.27, 17.88, 21.67

 

CMYK 26 / 7 / 0 / 15

HEX #A0C8D8

RGB 160 200 216

HSL 197.14, 0.42%, 0.74%

LAB 78.31, -9.59, -12.31

 

CMYK 25 / 7 / 0 / 8

HEX #B1DAEB

RGB 177 218 235

HSL 197.59, 0.59%, 0.81%

LAB 84.73, -9.62, -12.74

 

CMYK 24 / 7 / 0 / 0

HEX #C2ECFE

RGB 194 236 254

HSL 198, 0.97%, 0.88%

LAB 91.06, -9.65, -13.16

 

CMYK 17 / 0 / 0 / 0

HEX #D3FEFF

RGB 211 254 255

HSL 181.36, 1%, 0.91%

LAB 96.8, -13.43, -5.05

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 30 / 10 / 0 / 13

HEX #9BC8DD

RGB 155 200 221

HSL 199.09, 0.49%, 0.74%

LAB 78.17, -9.88, -15.24

 

CMYK 32 / 10 / 0 / 21

HEX #8AB6CA

RGB 138 182 202

HSL 198.75, 0.38%, 0.67%

LAB 71.64, -9.83, -14.85

 

CMYK 34 / 10 / 0 / 28

HEX #79A4B7

RGB 121 164 183

HSL 198.39, 0.3%, 0.6%

LAB 64.99, -9.77, -14.46

 

CMYK 37 / 11 / 0 / 36

HEX #6892A4

RGB 104 146 164

HSL 198, 0.25%, 0.53%

LAB 58.21, -9.7, -14.07

 

CMYK 40 / 12 / 0 / 43

HEX #578091

RGB 87 128 145

HSL 197.59, 0.25%, 0.45%

LAB 51.28, -9.6, -13.67

 

CMYK 29 / 10 / 0 / 13

HEX #9CC8DD

RGB 156 200 221

HSL 199.38, 0.49%, 0.74%

LAB 78.23, -9.6, -15.15

 

CMYK 29 / 18 / 0 / 13

HEX #9CB6DD

RGB 156 182 221

HSL 216, 0.49%, 0.74%

LAB 73.38, 0.03, -22.48

 

CMYK 29 / 25 / 0 / 13

HEX #9CA5DD

RGB 156 165 221

HSL 231.69, 0.49%, 0.74%

LAB 68.89, 9.44, -29.35

 

CMYK 26 / 29 / 0 / 13

HEX #A49CDD

RGB 164 156 221

HSL 247.38, 0.49%, 0.74%

LAB 67.19, 16.88, -31.93

 

CMYK 18 / 29 / 0 / 13

HEX #B59CDD

RGB 181 156 221

HSL 263.08, 0.49%, 0.74%

LAB 68.62, 22.03, -29.61

 

CMYK 29 / 10 / 0 / 13

HEX #9CC8DD

RGB 156 200 221

HSL 199.38, 0.49%, 0.74%

LAB 78.23, -9.6, -15.15

 

CMYK 29 / 18 / 0 / 13

HEX #9CB6DD

RGB 156 182 221

HSL 216, 0.49%, 0.74%

LAB 73.38, 0.03, -22.48

 

CMYK 29 / 25 / 0 / 13

HEX #9CA5DD

RGB 156 165 221

HSL 231.69, 0.49%, 0.74%

LAB 68.89, 9.44, -29.35

 

CMYK 29 / 29 / 0 / 13

HEX #9C9CDD

RGB 156 156 221

HSL 240, 0.49%, 0.74%

LAB 66.57, 14.53, -32.95

 

CMYK 29 / 10 / 0 / 13

HEX #9CC8DD

RGB 156 200 221

HSL 199.38, 0.49%, 0.74%

LAB 78.23, -9.6, -15.15

 

CMYK 37 / 12 / 0 / 9

HEX #91CCE7

RGB 145 204 231

HSL 198.84, 0.64%, 0.74%

LAB 79.03, -12.28, -19.37

 

CMYK 45 / 14 / 0 / 5

HEX #86D0F2

RGB 134 208 242

HSL 198.89, 0.81%, 0.74%

LAB 79.95, -14.26, -23.91

 

CMYK 51 / 16 / 0 / 1

HEX #7CD4FD

RGB 124 212 253

HSL 199.07, 0.97%, 0.74%

LAB 81, -15.58, -28.2

 

CMYK 29 / 10 / 0 / 13

HEX #9CC8DD

RGB 156 200 221

HSL 199.38, 0.49%, 0.74%

LAB 78.23, -9.6, -15.15

 

CMYK 21 / 7 / 0 / 18

HEX #A6C4D2

RGB 166 196 210

HSL 199.09, 0.33%, 0.74%

LAB 77.42, -7.03, -10.36

 

CMYK 11 / 4 / 0 / 22

HEX #B1C0C7

RGB 177 192 199

HSL 199.09, 0.16%, 0.74%

LAB 76.78, -3.72, -5.28

 

CMYK 1 / 1 / 0 / 26

HEX #BCBCBD

RGB 188 188 189

HSL 240, 0.01%, 0.74%

LAB 76.27, 0.19, -0.51

 

CMYK 0 / 8 / 11 / 22

HEX #C7B8B2

RGB 199 184 178

HSL 17.14, 0.16%, 0.74%

LAB 75.85, 4.29, 4.95

 

CMYK 29 / 0 / 6 / 13

HEX #9CDDCF

RGB 156 221 207

HSL 167.08, 0.49%, 0.74%

LAB 83.59, -23.43, 0.28

 

CMYK 29 / 2 / 0 / 13

HEX #9CD9DD

RGB 156 217 221

HSL 183.69, 0.49%, 0.74%

LAB 82.87, -18.33, -8.22

 

CMYK 29 / 10 / 0 / 13

HEX #9CC8DD

RGB 156 200 221

HSL 199.38, 0.49%, 0.74%

LAB 78.23, -9.6, -15.15

 

CMYK 29 / 17 / 0 / 13

HEX #9CB7DD

RGB 156 183 221

HSL 215.08, 0.49%, 0.74%

LAB 73.65, -0.51, -22.08

 

CMYK 29 / 25 / 0 / 13

HEX #9CA5DD

RGB 156 165 221

HSL 231.69, 0.49%, 0.74%

LAB 68.89, 9.44, -29.35

 

CMYK 53 / 17 / 0 / 22

HEX #5EA6C8

RGB 94 166 200

HSL 199.25, 0.49%, 0.58%

LAB 64.82, -13.01, -24.31

 

CMYK 40 / 13 / 0 / 18

HEX #7DB7D2

RGB 125 183 210

HSL 199.06, 0.49%, 0.66%

LAB 71.47, -11.88, -19.55

 

CMYK 29 / 10 / 0 / 13

HEX #9CC8DD

RGB 156 200 221

HSL 199.38, 0.49%, 0.74%

LAB 78.23, -9.6, -15.15

 

CMYK 19 / 6 / 0 / 9

HEX #BAD9E7

RGB 186 217 231

HSL 198.67, 0.48%, 0.82%

LAB 84.91, -7.27, -10.29

 

CMYK 10 / 3 / 0 / 5

HEX #D9EAF2

RGB 217 234 242

HSL 199.2, 0.49%, 0.9%

LAB 91.69, -4.06, -5.8

 

CMYK 30 / 10 / 0 / 13

HEX #9BC8DD

RGB 155 200 221

HSL 199.09, 0.49%, 0.74%

LAB 78.17, -9.88, -15.24

 

CMYK 14 / 29 / 0 / 13

HEX #BD9CDD

RGB 189 156 221

HSL 270.46, 0.49%, 0.74%

LAB 69.34, 24.51, -28.45

 

CMYK 0 / 3 / 29 / 13

HEX #DDD79C

RGB 221 215 156

HSL 54.46, 0.49%, 0.74%

LAB 85.19, -6.94, 29.92

 

CMYK 30 / 10 / 0 / 13

HEX #9BC8DD

RGB 155 200 221

HSL 199.09, 0.49%, 0.74%

LAB 78.17, -9.88, -15.24

 

CMYK 0 / 29 / 10 / 13

HEX #DD9CC8

RGB 221 156 200

HSL 319.38, 0.49%, 0.74%

LAB 71.77, 30.96, -12.87

 

CMYK 10 / 0 / 29 / 13

HEX #C8DD9C

RGB 200 221 156

HSL 79.38, 0.49%, 0.74%

LAB 85.2, -17.83, 29.66

 

CMYK 30 / 10 / 0 / 13

HEX #9BC8DD

RGB 155 200 221

HSL 199.09, 0.49%, 0.74%

LAB 78.17, -9.88, -15.24

 

CMYK 14 / 29 / 0 / 13

HEX #BD9CDD

RGB 189 156 221

HSL 270.46, 0.49%, 0.74%

LAB 69.34, 24.51, -28.45

 

CMYK 0 / 20 / 29 / 13

HEX #DDB09C

RGB 221 176 156

HSL 18.46, 0.49%, 0.74%

LAB 75.34, 13.5, 16.46

 

CMYK 15 / 0 / 29 / 13

HEX #BBDD9C

RGB 187 221 156

HSL 91.38, 0.49%, 0.74%

LAB 84.32, -22.55, 28.33

 

CMYK 30 / 10 / 0 / 13

HEX #9BC8DD

RGB 155 200 221

HSL 199.09, 0.49%, 0.74%

LAB 78.17, -9.88, -15.24

 

CMYK 5 / 29 / 0 / 13

HEX #D19CDD

RGB 209 156 221

HSL 288.92, 0.49%, 0.74%

LAB 71.25, 30.84, -25.35

 

CMYK 0 / 20 / 29 / 13

HEX #DDB09C

RGB 221 176 156

HSL 18.46, 0.49%, 0.74%

LAB 75.34, 13.5, 16.46

 

CMYK 24 / 0 / 29 / 13

HEX #A8DD9C

RGB 168 221 156

HSL 108.92, 0.49%, 0.74%

LAB 83.15, -29.16, 26.55

 

Description

Color code: HEX #9BC8DD | qconv.com Color code: HEX #9BC8DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 200 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 200 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 10 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 10% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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