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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BB7F8 it is the complementary color #644807. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BB7F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BB7F8 shade: #A0B7F3, #B1C9FF, #C2DBFF, #D3EDFF and #E4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BB7F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BB7F8 shade: #9BB7F8, #8AA5E5, #7993D2, #6881BF and #576FAC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BB7F8 shade: #9AB6F8, #9A9DF8, #B19AF8, #CA9AF8 and #E39AF8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BB7F8 shade: #9AB6F8, #9A9DF8 and #9A9AF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BB7F8 shade matches the following richer shades: #9AB6F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BB7F8 shade: #9AB6F8, #A3BAEF, #ACBDE6, #B4C1DE and #BDC4D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BB7F8 shade: #9AEAF8, #9AD1F8, #9AB8F8, #9A9FF8 and #AF9AF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BB7F8 shade: #4D7FF2, #749BF5, #9AB6F8, #C1D2FA and #E8EEFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BB7F8 shade: #9BB7F8, #ED9AF8 and #DDF89A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BB7F8 shade: #9BB7F8, #F89AB8 and #B8F89A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BB7F8 shade: #9BB7F8, #ED9AF8, #F8DA9A and #A5F89A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BB7F8 shade: #9BB7F8, #F89AE6, #F8DA9A and #9AF8AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 26 / 0 / 3

HEX #9BB7F8

RGB 155 183 248

HSL 221.94, 0.87%, 0.79%

LAB 74.58, 6.06, -35.27

 

Complementary color

CMYK 0 / 28 / 93 / 61

HEX #644807

RGB 100 72 7

HSL 41.94, 0.87%, 0.21%

LAB 32.61, 5.98, 39.05

 

CMYK 34 / 25 / 0 / 5

HEX #A0B7F3

RGB 160 183 243

HSL 223.37, 0.78%, 0.79%

LAB 74.71, 6.11, -32.35

 

CMYK 31 / 21 / 0 / 0

HEX #B1C9FF

RGB 177 201 255

HSL 221.54, 1%, 0.85%

LAB 80.93, 4.02, -29.13

 

CMYK 24 / 14 / 0 / 0

HEX #C2DBFF

RGB 194 219 255

HSL 215.41, 1%, 0.88%

LAB 86.68, -0.64, -20.27

 

CMYK 17 / 7 / 0 / 0

HEX #D3EDFF

RGB 211 237 255

HSL 204.55, 1%, 0.91%

LAB 92.41, -4.86, -11.55

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 38 / 26 / 0 / 3

HEX #9BB7F8

RGB 155 183 248

HSL 221.94, 0.87%, 0.79%

LAB 74.58, 6.06, -35.27

 

CMYK 40 / 28 / 0 / 10

HEX #8AA5E5

RGB 138 165 229

HSL 222.2, 0.64%, 0.72%

LAB 68, 6.53, -35.23

 

CMYK 42 / 30 / 0 / 18

HEX #7993D2

RGB 121 147 210

HSL 222.47, 0.5%, 0.65%

LAB 61.29, 7.08, -35.23

 

CMYK 46 / 32 / 0 / 25

HEX #6881BF

RGB 104 129 191

HSL 222.76, 0.4%, 0.58%

LAB 54.45, 7.73, -35.26

 

CMYK 49 / 35 / 0 / 33

HEX #576FAC

RGB 87 111 172

HSL 223.06, 0.34%, 0.51%

LAB 47.46, 8.51, -35.35

 

CMYK 38 / 27 / 0 / 3

HEX #9AB6F8

RGB 154 182 248

HSL 222.13, 0.87%, 0.79%

LAB 74.26, 6.35, -35.78

 

CMYK 38 / 37 / 0 / 3

HEX #9A9DF8

RGB 154 157 248

HSL 238.09, 0.87%, 0.79%

LAB 67.84, 20.43, -45.79

 

CMYK 29 / 38 / 0 / 3

HEX #B19AF8

RGB 177 154 248

HSL 254.68, 0.87%, 0.79%

LAB 68.92, 28.31, -43.97

 

CMYK 19 / 38 / 0 / 3

HEX #CA9AF8

RGB 202 154 248

HSL 270.64, 0.87%, 0.79%

LAB 71.18, 35.41, -40.28

 

CMYK 8 / 38 / 0 / 3

HEX #E39AF8

RGB 227 154 248

HSL 286.6, 0.87%, 0.79%

LAB 73.69, 42.76, -36.18

 

CMYK 38 / 27 / 0 / 3

HEX #9AB6F8

RGB 154 182 248

HSL 222.13, 0.87%, 0.79%

LAB 74.26, 6.35, -35.78

 

CMYK 38 / 37 / 0 / 3

HEX #9A9DF8

RGB 154 157 248

HSL 238.09, 0.87%, 0.79%

LAB 67.84, 20.43, -45.79

 

CMYK 38 / 38 / 0 / 3

HEX #9A9AF8

RGB 154 154 248

HSL 240, 0.87%, 0.79%

LAB 67.1, 22.14, -46.97

 

CMYK 38 / 27 / 0 / 3

HEX #9AB6F8

RGB 154 182 248

HSL 222.13, 0.87%, 0.79%

LAB 74.26, 6.35, -35.78

 

CMYK 38 / 27 / 0 / 3

HEX #9AB6F8

RGB 154 182 248

HSL 222.13, 0.87%, 0.79%

LAB 74.26, 6.35, -35.78

 

CMYK 32 / 22 / 0 / 6

HEX #A3BAEF

RGB 163 186 239

HSL 221.84, 0.7%, 0.79%

LAB 75.54, 4.29, -28.9

 

CMYK 25 / 18 / 0 / 10

HEX #ACBDE6

RGB 172 189 230

HSL 222.41, 0.54%, 0.79%

LAB 76.61, 3.1, -22.35

 

CMYK 19 / 13 / 0 / 13

HEX #B4C1DE

RGB 180 193 222

HSL 221.43, 0.39%, 0.79%

LAB 77.94, 1.57, -15.96

 

CMYK 11 / 8 / 0 / 16

HEX #BDC4D5

RGB 189 196 213

HSL 222.5, 0.22%, 0.79%

LAB 79.1, 0.94, -9.31

 

CMYK 38 / 6 / 0 / 3

HEX #9AEAF8

RGB 154 234 248

HSL 188.94, 0.87%, 0.79%

LAB 88.21, -20.98, -14.52

 

CMYK 38 / 16 / 0 / 3

HEX #9AD1F8

RGB 154 209 248

HSL 204.89, 0.87%, 0.79%

LAB 81.43, -8.22, -24.76

 

CMYK 38 / 26 / 0 / 3

HEX #9AB8F8

RGB 154 184 248

HSL 220.85, 0.87%, 0.79%

LAB 74.78, 5.24, -34.97

 

CMYK 38 / 36 / 0 / 3

HEX #9A9FF8

RGB 154 159 248

HSL 236.81, 0.87%, 0.79%

LAB 68.35, 19.28, -45

 

CMYK 29 / 38 / 0 / 3

HEX #AF9AF8

RGB 175 154 248

HSL 253.4, 0.87%, 0.79%

LAB 68.75, 27.75, -44.24

 

CMYK 68 / 48 / 0 / 5

HEX #4D7FF2

RGB 77 127 242

HSL 221.82, 0.86%, 0.63%

LAB 55.24, 20.28, -62.8

 

CMYK 53 / 37 / 0 / 4

HEX #749BF5

RGB 116 155 245

HSL 221.86, 0.87%, 0.71%

LAB 64.76, 11.65, -49.17

 

CMYK 38 / 27 / 0 / 3

HEX #9AB6F8

RGB 154 182 248

HSL 222.13, 0.87%, 0.79%

LAB 74.26, 6.35, -35.78

 

CMYK 23 / 16 / 0 / 2

HEX #C1D2FA

RGB 193 210 250

HSL 222.11, 0.85%, 0.87%

LAB 84.14, 2.68, -21.48

 

CMYK 8 / 6 / 0 / 1

HEX #E8EEFD

RGB 232 238 253

HSL 222.86, 0.84%, 0.95%

LAB 94.05, 0.81, -7.92

 

CMYK 38 / 26 / 0 / 3

HEX #9BB7F8

RGB 155 183 248

HSL 221.94, 0.87%, 0.79%

LAB 74.58, 6.06, -35.27

 

CMYK 4 / 38 / 0 / 3

HEX #ED9AF8

RGB 237 154 248

HSL 292.98, 0.87%, 0.79%

LAB 74.76, 45.73, -34.44

 

CMYK 11 / 0 / 38 / 3

HEX #DDF89A

RGB 221 248 154

HSL 77.23, 0.87%, 0.79%

LAB 93.81, -23.49, 42.26

 

CMYK 38 / 26 / 0 / 3

HEX #9BB7F8

RGB 155 183 248

HSL 221.94, 0.87%, 0.79%

LAB 74.58, 6.06, -35.27

 

CMYK 0 / 38 / 26 / 3

HEX #F89AB8

RGB 248 154 184

HSL 340.85, 0.87%, 0.79%

LAB 73.89, 38.88, -0.57

 

CMYK 26 / 0 / 38 / 3

HEX #B8F89A

RGB 184 248 154

HSL 100.85, 0.87%, 0.79%

LAB 91.53, -36.57, 38.86

 

CMYK 38 / 26 / 0 / 3

HEX #9BB7F8

RGB 155 183 248

HSL 221.94, 0.87%, 0.79%

LAB 74.58, 6.06, -35.27

 

CMYK 4 / 38 / 0 / 3

HEX #ED9AF8

RGB 237 154 248

HSL 292.98, 0.87%, 0.79%

LAB 74.76, 45.73, -34.44

 

CMYK 0 / 12 / 38 / 3

HEX #F8DA9A

RGB 248 218 154

HSL 40.85, 0.87%, 0.79%

LAB 88.18, 1.67, 35.33

 

CMYK 33 / 0 / 38 / 3

HEX #A5F89A

RGB 165 248 154

HSL 112.98, 0.87%, 0.79%

LAB 90.54, -42.76, 37.37

 

CMYK 38 / 26 / 0 / 3

HEX #9BB7F8

RGB 155 183 248

HSL 221.94, 0.87%, 0.79%

LAB 74.58, 6.06, -35.27

 

CMYK 0 / 38 / 7 / 3

HEX #F89AE6

RGB 248 154 230

HSL 311.49, 0.87%, 0.79%

LAB 75.31, 45.9, -23.69

 

CMYK 0 / 12 / 38 / 3

HEX #F8DA9A

RGB 248 218 154

HSL 40.85, 0.87%, 0.79%

LAB 88.18, 1.67, 35.33

 

CMYK 38 / 0 / 31 / 3

HEX #9AF8AB

RGB 154 248 171

HSL 130.85, 0.87%, 0.79%

LAB 90.3, -43.43, 28.44

 

Description

Color code: HEX #9BB7F8 | qconv.com Color code: HEX #9BB7F8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 183 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 183 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 26 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 26% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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