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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BA304 it is the complementary color #645CFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BA304. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BA304 shade: #A0A300, #B1B512, #C2C725, #D3D938 and #E4EB4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BA304. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BA304 shade: #9BA304, #8A9100, #797F00, #686D00 and #575B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BA304 shade: #9CA404, #A48104, #A45504, #A42A04 and #A40404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BA304 shade: #9CA404, #70A404, #45A404, #1AA404 and #04A418

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BA304 shade matches the following richer shades: #9CA404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BA304 shade: #9CA404, #8F9611, #83881F, #777B2D and #6B6D3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BA304 shade: #A45604, #A48104, #9CA404, #71A404 and #46A404

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BA304 shade: #4F5302, #757B03, #9CA404, #C2CC05 and #E8F406

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BA304 shade: #9BA304, #04A42C and #6C04A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BA304 shade: #9BA304, #049CA4 and #A4049C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BA304 shade: #9BA304, #04A42C, #0C04A4 and #A4047C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BA304 shade: #9BA304, #04A45C, #0C04A4 and #A4044C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 98 / 36

HEX #9BA304

RGB 155 163 4

HSL 63.02, 0.95%, 0.33%

LAB 64.3, -18.92, 66.29

 

Complementary color

CMYK 60 / 63 / 0 / 2

HEX #645CFB

RGB 100 92 251

HSL 243.02, 0.95%, 0.67%

LAB 48.67, 47.87, -78.4

 

CMYK 2 / 0 / 100 / 36

HEX #A0A300

RGB 160 163 0

HSL 61.1, 1%, 0.32%

LAB 64.7, -16.76, 67.3

 

CMYK 2 / 0 / 90 / 29

HEX #B1B512

RGB 177 181 18

HSL 61.47, 0.82%, 0.39%

LAB 71.17, -18.17, 70.44

 

CMYK 3 / 0 / 81 / 22

HEX #C2C725

RGB 194 199 37

HSL 61.85, 0.69%, 0.46%

LAB 77.55, -19.38, 72.25

 

CMYK 3 / 0 / 74 / 15

HEX #D3D938

RGB 211 217 56

HSL 62.24, 0.68%, 0.54%

LAB 83.84, -20.39, 72.94

 

CMYK 3 / 0 / 68 / 8

HEX #E4EB4B

RGB 228 235 75

HSL 62.63, 0.8%, 0.61%

LAB 90.05, -21.24, 72.91

 

CMYK 5 / 0 / 98 / 36

HEX #9BA304

RGB 155 163 4

HSL 63.02, 0.95%, 0.33%

LAB 64.3, -18.92, 66.29

 

CMYK 5 / 0 / 100 / 43

HEX #8A9100

RGB 138 145 0

HSL 62.9, 1%, 0.28%

LAB 57.71, -17.33, 61.35

 

CMYK 5 / 0 / 100 / 50

HEX #797F00

RGB 121 127 0

HSL 62.83, 1%, 0.25%

LAB 50.97, -15.65, 55.75

 

CMYK 5 / 0 / 100 / 57

HEX #686D00

RGB 104 109 0

HSL 62.75, 1%, 0.21%

LAB 44.06, -13.92, 50

 

CMYK 4 / 0 / 100 / 64

HEX #575B00

RGB 87 91 0

HSL 62.64, 1%, 0.18%

LAB 36.95, -12.13, 44.09

 

CMYK 5 / 0 / 98 / 36

HEX #9CA404

RGB 156 164 4

HSL 63, 0.95%, 0.33%

LAB 64.67, -18.98, 66.6

 

CMYK 0 / 21 / 98 / 36

HEX #A48104

RGB 164 129 4

HSL 46.88, 0.95%, 0.33%

LAB 55.69, 3.4, 60.32

 

CMYK 0 / 48 / 98 / 36

HEX #A45504

RGB 164 85 4

HSL 30.38, 0.95%, 0.33%

LAB 44.8, 28.12, 52.82

 

CMYK 0 / 74 / 98 / 36

HEX #A42A04

RGB 164 42 4

HSL 14.25, 0.95%, 0.33%

LAB 37.04, 48.39, 48.1

 

CMYK 0 / 98 / 98 / 36

HEX #A40404

RGB 164 4 4

HSL 0, 0.95%, 0.33%

LAB 33.96, 57.1, 46.44

 

CMYK 5 / 0 / 98 / 36

HEX #9CA404

RGB 156 164 4

HSL 63, 0.95%, 0.33%

LAB 64.67, -18.98, 66.6

 

CMYK 32 / 0 / 98 / 36

HEX #70A404

RGB 112 164 4

HSL 79.5, 0.95%, 0.33%

LAB 61.66, -37.44, 62.98

 

CMYK 58 / 0 / 98 / 36

HEX #45A404

RGB 69 164 4

HSL 95.63, 0.95%, 0.33%

LAB 59.73, -51.78, 60.63

 

CMYK 84 / 0 / 98 / 36

HEX #1AA404

RGB 26 164 4

HSL 111.75, 0.95%, 0.33%

LAB 58.77, -59.97, 59.46

 

CMYK 98 / 0 / 85 / 36

HEX #04A418

RGB 4 164 24

HSL 127.5, 0.95%, 0.33%

LAB 58.64, -60.92, 55.69

 

CMYK 5 / 0 / 98 / 36

HEX #9CA404

RGB 156 164 4

HSL 63, 0.95%, 0.33%

LAB 64.67, -18.98, 66.6

 

CMYK 5 / 0 / 98 / 36

HEX #9CA404

RGB 156 164 4

HSL 63, 0.95%, 0.33%

LAB 64.67, -18.98, 66.6

 

CMYK 5 / 0 / 89 / 41

HEX #8F9611

RGB 143 150 17

HSL 63.16, 0.8%, 0.33%

LAB 59.61, -17.36, 60.21

 

CMYK 4 / 0 / 77 / 47

HEX #83881F

RGB 131 136 31

HSL 62.86, 0.63%, 0.33%

LAB 54.59, -14.95, 51.67

 

CMYK 3 / 0 / 63 / 52

HEX #777B2D

RGB 119 123 45

HSL 63.08, 0.46%, 0.33%

LAB 49.83, -12.57, 40.89

 

CMYK 2 / 0 / 47 / 57

HEX #6B6D3A

RGB 107 109 58

HSL 62.35, 0.31%, 0.33%

LAB 44.76, -9.01, 28.11

 

CMYK 0 / 48 / 98 / 36

HEX #A45604

RGB 164 86 4

HSL 30.75, 0.95%, 0.33%

LAB 45.02, 27.57, 52.96

 

CMYK 0 / 21 / 98 / 36

HEX #A48104

RGB 164 129 4

HSL 46.88, 0.95%, 0.33%

LAB 55.69, 3.4, 60.32

 

CMYK 5 / 0 / 98 / 36

HEX #9CA404

RGB 156 164 4

HSL 63, 0.95%, 0.33%

LAB 64.67, -18.98, 66.6

 

CMYK 31 / 0 / 98 / 36

HEX #71A404

RGB 113 164 4

HSL 79.13, 0.95%, 0.33%

LAB 61.71, -37.05, 63.05

 

CMYK 57 / 0 / 98 / 36

HEX #46A404

RGB 70 164 4

HSL 95.25, 0.95%, 0.33%

LAB 59.76, -51.51, 60.68

 

CMYK 5 / 0 / 98 / 67

HEX #4F5302

RGB 79 83 2

HSL 62.96, 0.95%, 0.17%

LAB 33.68, -11.46, 40.65

 

CMYK 5 / 0 / 98 / 52

HEX #757B03

RGB 117 123 3

HSL 63, 0.95%, 0.25%

LAB 49.44, -15.3, 53.86

 

CMYK 5 / 0 / 98 / 36

HEX #9CA404

RGB 156 164 4

HSL 63, 0.95%, 0.33%

LAB 64.67, -18.98, 66.6

 

CMYK 5 / 0 / 98 / 20

HEX #C2CC05

RGB 194 204 5

HSL 63.02, 0.95%, 0.41%

LAB 78.85, -22.43, 78.45

 

CMYK 5 / 0 / 98 / 4

HEX #E8F406

RGB 232 244 6

HSL 63.03, 0.95%, 0.49%

LAB 92.52, -25.74, 89.86

 

CMYK 5 / 0 / 98 / 36

HEX #9BA304

RGB 155 163 4

HSL 63.02, 0.95%, 0.33%

LAB 64.3, -18.92, 66.29

 

CMYK 98 / 0 / 73 / 36

HEX #04A42C

RGB 4 164 44

HSL 135, 0.95%, 0.33%

LAB 58.75, -59.53, 49.45

 

CMYK 34 / 98 / 0 / 36

HEX #6C04A4

RGB 108 4 164

HSL 279, 0.95%, 0.33%

LAB 29.3, 61.89, -59.67

 

CMYK 5 / 0 / 98 / 36

HEX #9BA304

RGB 155 163 4

HSL 63.02, 0.95%, 0.33%

LAB 64.3, -18.92, 66.29

 

CMYK 98 / 5 / 0 / 36

HEX #049CA4

RGB 4 156 164

HSL 183, 0.95%, 0.33%

LAB 58.49, -30.6, -13.9

 

CMYK 0 / 98 / 5 / 36

HEX #A4049C

RGB 164 4 156

HSL 303, 0.95%, 0.33%

LAB 38.52, 68.98, -39.44

 

CMYK 5 / 0 / 98 / 36

HEX #9BA304

RGB 155 163 4

HSL 63.02, 0.95%, 0.33%

LAB 64.3, -18.92, 66.29

 

CMYK 98 / 0 / 73 / 36

HEX #04A42C

RGB 4 164 44

HSL 135, 0.95%, 0.33%

LAB 58.75, -59.53, 49.45

 

CMYK 93 / 98 / 0 / 36

HEX #0C04A4

RGB 12 4 164

HSL 243, 0.95%, 0.33%

LAB 19.41, 55.89, -76.35

 

CMYK 0 / 98 / 24 / 36

HEX #A4047C

RGB 164 4 124

HSL 315, 0.95%, 0.33%

LAB 36.81, 64.69, -22.43

 

CMYK 5 / 0 / 98 / 36

HEX #9BA304

RGB 155 163 4

HSL 63.02, 0.95%, 0.33%

LAB 64.3, -18.92, 66.29

 

CMYK 98 / 0 / 44 / 36

HEX #04A45C

RGB 4 164 92

HSL 153, 0.95%, 0.33%

LAB 59.3, -52.82, 27.45

 

CMYK 93 / 98 / 0 / 36

HEX #0C04A4

RGB 12 4 164

HSL 243, 0.95%, 0.33%

LAB 19.41, 55.89, -76.35

 

CMYK 0 / 98 / 54 / 36

HEX #A4044C

RGB 164 4 76

HSL 333, 0.95%, 0.33%

LAB 35.01, 59.96, 5.59

 

Description

Color code: HEX #9BA304 | qconv.com Color code: HEX #9BA304 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 163 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 163 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 98 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 98% 36% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

24% - Home | Radley Yeldar
Link: http://ry.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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