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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B9CBE it is the complementary color #646341. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B9CBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B9CBE shade: #A09CB9, #B1AECC, #C2C0DF, #D3D2F2 and #E4E4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B9CBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B9CBE shade: #9B9CBE, #8A8AAB, #797898, #686685 and #575472

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B9CBE shade: #9C9DBE, #A49CBE, #AD9CBE, #B79CBE and #BE9CBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B9CBE shade: #9C9DBE and #9C9CBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B9CBE shade matches the following richer shades: #9C9DBE, #8F90CB, #8184D8, #7477E6 and #676BF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B9CBE shade: #9C9DBE, #A9A9B1, #B6B6A4, #C3C296 and #D1CF89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B9CBE shade: #9CAFBE, #9CA6BE, #9C9DBE, #A49CBE and #AD9CBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B9CBE shade: #6A6B9D, #8384AE, #9C9DBE, #B5B5CE and #CECEDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B9CBE shade: #9B9CBE, #BE9CB8 and #ABBE9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B9CBE shade: #9B9CBE, #BE9C9D and #9DBE9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B9CBE shade: #9B9CBE, #BE9CB8, #BEBD9C and #9CBEA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B9CBE shade: #9B9CBE, #BE9CAE, #BEBD9C and #9CBEAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 18 / 0 / 25

HEX #9B9CBE

RGB 155 156 190

HSL 238.29, 0.21%, 0.68%

LAB 65.33, 6.8, -17.64

 

Complementary color

CMYK 0 / 1 / 35 / 61

HEX #646341

RGB 100 99 65

HSL 58.29, 0.21%, 0.32%

LAB 41.24, -5.51, 19.5

 

CMYK 14 / 16 / 0 / 27

HEX #A09CB9

RGB 160 156 185

HSL 248.28, 0.17%, 0.67%

LAB 65.56, 7.33, -14.46

 

CMYK 13 / 15 / 0 / 20

HEX #B1AECC

RGB 177 174 204

HSL 246, 0.23%, 0.74%

LAB 72.21, 7.04, -14.82

 

CMYK 13 / 14 / 0 / 13

HEX #C2C0DF

RGB 194 192 223

HSL 243.87, 0.33%, 0.81%

LAB 78.75, 6.77, -15.18

 

CMYK 13 / 13 / 0 / 5

HEX #D3D2F2

RGB 211 210 242

HSL 241.88, 0.55%, 0.89%

LAB 85.18, 6.52, -15.55

 

CMYK 11 / 11 / 0 / 0

HEX #E4E4FF

RGB 228 228 255

HSL 240, 1%, 0.95%

LAB 91.33, 5.09, -13.05

 

CMYK 18 / 18 / 0 / 25

HEX #9B9CBE

RGB 155 156 190

HSL 238.29, 0.21%, 0.68%

LAB 65.33, 6.8, -17.64

 

CMYK 19 / 19 / 0 / 33

HEX #8A8AAB

RGB 138 138 171

HSL 240, 0.16%, 0.61%

LAB 58.53, 7.12, -17.36

 

CMYK 20 / 21 / 0 / 40

HEX #797898

RGB 121 120 152

HSL 241.88, 0.13%, 0.53%

LAB 51.57, 7.47, -17.1

 

CMYK 22 / 23 / 0 / 48

HEX #686685

RGB 104 102 133

HSL 243.87, 0.13%, 0.46%

LAB 44.43, 7.87, -16.86

 

CMYK 24 / 26 / 0 / 55

HEX #575472

RGB 87 84 114

HSL 246, 0.15%, 0.39%

LAB 37.08, 8.33, -16.67

 

CMYK 18 / 17 / 0 / 25

HEX #9C9DBE

RGB 156 157 190

HSL 238.24, 0.21%, 0.68%

LAB 65.67, 6.56, -17.11

 

CMYK 14 / 18 / 0 / 25

HEX #A49CBE

RGB 164 156 190

HSL 254.12, 0.21%, 0.68%

LAB 66.05, 9.75, -16.48

 

CMYK 9 / 18 / 0 / 25

HEX #AD9CBE

RGB 173 156 190

HSL 270, 0.21%, 0.68%

LAB 66.81, 12.75, -15.26

 

CMYK 4 / 18 / 0 / 25

HEX #B79CBE

RGB 183 156 190

HSL 287.65, 0.21%, 0.68%

LAB 67.7, 16.14, -13.83

 

CMYK 0 / 18 / 1 / 25

HEX #BE9CBC

RGB 190 156 188

HSL 303.53, 0.21%, 0.68%

LAB 68.28, 18.16, -11.77

 

CMYK 18 / 17 / 0 / 25

HEX #9C9DBE

RGB 156 157 190

HSL 238.24, 0.21%, 0.68%

LAB 65.67, 6.56, -17.11

 

CMYK 18 / 18 / 0 / 25

HEX #9C9CBE

RGB 156 156 190

HSL 240, 0.21%, 0.68%

LAB 65.41, 7.13, -17.51

 

CMYK 18 / 17 / 0 / 25

HEX #9C9DBE

RGB 156 157 190

HSL 238.24, 0.21%, 0.68%

LAB 65.67, 6.56, -17.11

 

CMYK 30 / 29 / 0 / 20

HEX #8F90CB

RGB 143 144 203

HSL 239, 0.37%, 0.68%

LAB 61.74, 13.05, -30.5

 

CMYK 40 / 39 / 0 / 15

HEX #8184D8

RGB 129 132 216

HSL 237.93, 0.53%, 0.68%

LAB 58.16, 19.64, -43.47

 

CMYK 50 / 48 / 0 / 10

HEX #7477E6

RGB 116 119 230

HSL 238.42, 0.7%, 0.68%

LAB 54.68, 28.37, -56.9

 

CMYK 58 / 56 / 0 / 5

HEX #676BF3

RGB 103 107 243

HSL 238.29, 0.85%, 0.68%

LAB 51.69, 37.03, -69.03

 

CMYK 18 / 17 / 0 / 25

HEX #9C9DBE

RGB 156 157 190

HSL 238.24, 0.21%, 0.68%

LAB 65.67, 6.56, -17.11

 

CMYK 5 / 5 / 0 / 31

HEX #A9A9B1

RGB 169 169 177

HSL 240, 0.05%, 0.68%

LAB 69.46, 1.55, -4.11

 

CMYK 0 / 0 / 10 / 29

HEX #B6B6A4

RGB 182 182 164

HSL 60, 0.11%, 0.68%

LAB 73.6, -3.2, 9.16

 

CMYK 0 / 1 / 23 / 24

HEX #C3C296

RGB 195 194 150

HSL 58.67, 0.27%, 0.68%

LAB 77.51, -6.84, 22.33

 

CMYK 0 / 1 / 34 / 18

HEX #D1CF89

RGB 209 207 137

HSL 58.33, 0.44%, 0.68%

LAB 81.83, -9.83, 35.09

 

CMYK 18 / 8 / 0 / 25

HEX #9CAFBE

RGB 156 175 190

HSL 206.47, 0.21%, 0.68%

LAB 70.49, -3.37, -9.87

 

CMYK 18 / 13 / 0 / 25

HEX #9CA6BE

RGB 156 166 190

HSL 222.35, 0.21%, 0.68%

LAB 68.06, 1.56, -13.5

 

CMYK 18 / 17 / 0 / 25

HEX #9C9DBE

RGB 156 157 190

HSL 238.24, 0.21%, 0.68%

LAB 65.67, 6.56, -17.11

 

CMYK 14 / 18 / 0 / 25

HEX #A49CBE

RGB 164 156 190

HSL 254.12, 0.21%, 0.68%

LAB 66.05, 9.75, -16.48

 

CMYK 9 / 18 / 0 / 25

HEX #AD9CBE

RGB 173 156 190

HSL 270, 0.21%, 0.68%

LAB 66.81, 12.75, -15.26

 

CMYK 32 / 32 / 0 / 38

HEX #6A6B9D

RGB 106 107 157

HSL 238.82, 0.21%, 0.52%

LAB 46.99, 11.77, -27.18

 

CMYK 25 / 24 / 0 / 32

HEX #8384AE

RGB 131 132 174

HSL 238.6, 0.21%, 0.6%

LAB 56.47, 9.06, -22.26

 

CMYK 18 / 17 / 0 / 25

HEX #9C9DBE

RGB 156 157 190

HSL 238.24, 0.21%, 0.68%

LAB 65.67, 6.56, -17.11

 

CMYK 12 / 12 / 0 / 19

HEX #B5B5CE

RGB 181 181 206

HSL 240, 0.2%, 0.76%

LAB 74.4, 4.95, -12.6

 

CMYK 8 / 8 / 0 / 13

HEX #CECEDF

RGB 206 206 223

HSL 240, 0.21%, 0.84%

LAB 83.23, 3.22, -8.4

 

CMYK 18 / 18 / 0 / 25

HEX #9B9CBE

RGB 155 156 190

HSL 238.29, 0.21%, 0.68%

LAB 65.33, 6.8, -17.64

 

CMYK 0 / 18 / 3 / 25

HEX #BE9CB8

RGB 190 156 184

HSL 310.59, 0.21%, 0.68%

LAB 68.16, 17.41, -9.73

 

CMYK 10 / 0 / 18 / 25

HEX #ABBE9C

RGB 171 190 156

HSL 93.53, 0.21%, 0.68%

LAB 74.75, -12.74, 15.01

 

CMYK 18 / 18 / 0 / 25

HEX #9B9CBE

RGB 155 156 190

HSL 238.29, 0.21%, 0.68%

LAB 65.33, 6.8, -17.64

 

CMYK 0 / 18 / 17 / 25

HEX #BE9C9D

RGB 190 156 157

HSL 358.24, 0.21%, 0.68%

LAB 67.4, 12.75, 4.22

 

CMYK 17 / 0 / 18 / 25

HEX #9DBE9C

RGB 157 190 156

HSL 118.24, 0.21%, 0.68%

LAB 73.8, -17.7, 13.54

 

CMYK 18 / 18 / 0 / 25

HEX #9B9CBE

RGB 155 156 190

HSL 238.29, 0.21%, 0.68%

LAB 65.33, 6.8, -17.64

 

CMYK 0 / 18 / 3 / 25

HEX #BE9CB8

RGB 190 156 184

HSL 310.59, 0.21%, 0.68%

LAB 68.16, 17.41, -9.73

 

CMYK 0 / 1 / 18 / 25

HEX #BEBD9C

RGB 190 189 156

HSL 58.24, 0.21%, 0.68%

LAB 75.91, -5.22, 16.85

 

CMYK 18 / 0 / 15 / 25

HEX #9CBEA1

RGB 156 190 161

HSL 128.82, 0.21%, 0.68%

LAB 73.85, -17.14, 10.89

 

CMYK 18 / 18 / 0 / 25

HEX #9B9CBE

RGB 155 156 190

HSL 238.29, 0.21%, 0.68%

LAB 65.33, 6.8, -17.64

 

CMYK 0 / 18 / 8 / 25

HEX #BE9CAE

RGB 190 156 174

HSL 328.24, 0.21%, 0.68%

LAB 67.86, 15.61, -4.6

 

CMYK 0 / 1 / 18 / 25

HEX #BEBD9C

RGB 190 189 156

HSL 58.24, 0.21%, 0.68%

LAB 75.91, -5.22, 16.85

 

CMYK 18 / 0 / 9 / 25

HEX #9CBEAC

RGB 156 190 172

HSL 148.24, 0.21%, 0.68%

LAB 74.11, -15.05, 5.3

 

Description

Color code: HEX #9B9CBE | qconv.com Color code: HEX #9B9CBE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 156 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 156 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 18 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 18% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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