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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B7ED7 it is the complementary color #648128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B7ED7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B7ED7 shade: #A07ED2, #B190E5, #C2A2F8, #D3B4FF and #E4C6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B7ED7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B7ED7 shade: #9B7ED7, #8A6CC4, #795AB1, #68489E and #57368B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B7ED7 shade: #9B7ED7, #B37ED7, #CB7ED7, #D77ECB and #D77EB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B7ED7 shade: #9B7ED7, #837ED7 and #7E7ED7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B7ED7 shade matches the following richer shades: #9B7ED7, #9670E5 and #9163F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B7ED7 shade: #9B7ED7, #A08BC9, #A499BC, #A9A7AE and #AEB4A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B7ED7 shade: #7E91D7, #827ED7, #9A7ED7, #B27ED7 and #CA7ED7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B7ED7 shade: #6A3FC4, #825ECD, #9B7ED7, #B39DE1 and #CCBDEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B7ED7 shade: #9B7ED7, #D77EA9 and #85D77E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B7ED7 shade: #9B7ED7, #D79A7E and #7ED79A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B7ED7 shade: #9B7ED7, #D77EA9, #BBD77E and #7ED7AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B7ED7 shade: #9B7ED7, #D77E8E, #BBD77E and #7ED7C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 41 / 0 / 16

HEX #9B7ED7

RGB 155 126 215

HSL 259.55, 0.53%, 0.67%

LAB 58.79, 29.93, -41.77

 

Complementary color

CMYK 22 / 0 / 69 / 49

HEX #648128

RGB 100 129 40

HSL 79.55, 0.53%, 0.33%

LAB 50.17, -24.42, 43.05

 

CMYK 24 / 40 / 0 / 18

HEX #A07ED2

RGB 160 126 210

HSL 264.29, 0.48%, 0.66%

LAB 59.02, 30.15, -38.56

 

CMYK 23 / 37 / 0 / 10

HEX #B190E5

RGB 177 144 229

HSL 263.29, 0.62%, 0.73%

LAB 65.71, 29.39, -38.57

 

CMYK 22 / 35 / 0 / 3

HEX #C2A2F8

RGB 194 162 248

HSL 262.33, 0.86%, 0.8%

LAB 72.29, 28.68, -38.6

 

CMYK 17 / 29 / 0 / 0

HEX #D3B4FF

RGB 211 180 255

HSL 264.8, 1%, 0.85%

LAB 78.29, 25.41, -32.96

 

CMYK 11 / 22 / 0 / 0

HEX #E4C6FF

RGB 228 198 255

HSL 271.58, 1%, 0.89%

LAB 84.02, 20.93, -24.06

 

CMYK 28 / 41 / 0 / 16

HEX #9B7ED7

RGB 155 126 215

HSL 259.55, 0.53%, 0.67%

LAB 58.79, 29.93, -41.77

 

CMYK 30 / 45 / 0 / 23

HEX #8A6CC4

RGB 138 108 196

HSL 260.45, 0.43%, 0.6%

LAB 51.97, 30.82, -41.85

 

CMYK 32 / 49 / 0 / 31

HEX #795AB1

RGB 121 90 177

HSL 261.38, 0.36%, 0.52%

LAB 45.01, 31.79, -41.97

 

CMYK 34 / 54 / 0 / 38

HEX #68489E

RGB 104 72 158

HSL 262.33, 0.37%, 0.45%

LAB 37.93, 32.86, -42.09

 

CMYK 37 / 61 / 0 / 45

HEX #57368B

RGB 87 54 139

HSL 263.29, 0.44%, 0.38%

LAB 30.71, 34, -42.2

 

CMYK 28 / 41 / 0 / 16

HEX #9B7ED7

RGB 155 126 215

HSL 259.55, 0.53%, 0.67%

LAB 58.79, 29.93, -41.77

 

CMYK 17 / 41 / 0 / 16

HEX #B37ED7

RGB 179 126 215

HSL 275.73, 0.53%, 0.67%

LAB 61.14, 36.85, -37.9

 

CMYK 6 / 41 / 0 / 16

HEX #CB7ED7

RGB 203 126 215

HSL 291.91, 0.53%, 0.67%

LAB 63.77, 43.97, -33.61

 

CMYK 0 / 41 / 6 / 16

HEX #D77ECB

RGB 215 126 203

HSL 308.09, 0.53%, 0.67%

LAB 64.71, 45.43, -25.33

 

CMYK 0 / 41 / 17 / 16

HEX #D77EB3

RGB 215 126 179

HSL 324.27, 0.53%, 0.67%

LAB 63.85, 41.48, -13.09

 

CMYK 28 / 41 / 0 / 16

HEX #9B7ED7

RGB 155 126 215

HSL 259.55, 0.53%, 0.67%

LAB 58.79, 29.93, -41.77

 

CMYK 39 / 41 / 0 / 16

HEX #837ED7

RGB 131 126 215

HSL 243.37, 0.53%, 0.67%

LAB 56.74, 23.42, -45.14

 

CMYK 41 / 41 / 0 / 16

HEX #7E7ED7

RGB 126 126 215

HSL 240, 0.53%, 0.67%

LAB 56.35, 22.14, -45.77

 

CMYK 28 / 41 / 0 / 16

HEX #9B7ED7

RGB 155 126 215

HSL 259.55, 0.53%, 0.67%

LAB 58.79, 29.93, -41.77

 

CMYK 34 / 51 / 0 / 10

HEX #9670E5

RGB 150 112 229

HSL 259.49, 0.69%, 0.67%

LAB 55.82, 40.14, -54.36

 

CMYK 40 / 59 / 0 / 5

HEX #9163F2

RGB 145 99 242

HSL 259.3, 0.85%, 0.67%

LAB 53.34, 49.58, -65.64

 

CMYK 28 / 41 / 0 / 16

HEX #9B7ED7

RGB 155 126 215

HSL 259.55, 0.53%, 0.67%

LAB 58.79, 29.93, -41.77

 

CMYK 20 / 31 / 0 / 21

HEX #A08BC9

RGB 160 139 201

HSL 260.32, 0.36%, 0.67%

LAB 61.79, 20.59, -29.19

 

CMYK 13 / 19 / 0 / 26

HEX #A499BC

RGB 164 153 188

HSL 258.86, 0.21%, 0.67%

LAB 65.2, 11, -16.64

 

CMYK 3 / 4 / 0 / 32

HEX #A9A7AE

RGB 169 167 174

HSL 257.14, 0.04%, 0.67%

LAB 68.84, 2.05, -3.36

 

CMYK 3 / 0 / 11 / 29

HEX #AEB4A0

RGB 174 180 160

HSL 78, 0.12%, 0.67%

LAB 72.35, -5.74, 9.48

 

CMYK 41 / 33 / 0 / 16

HEX #7E91D7

RGB 126 145 215

HSL 227.19, 0.53%, 0.67%

LAB 61.3, 10.96, -37.98

 

CMYK 40 / 41 / 0 / 16

HEX #827ED7

RGB 130 126 215

HSL 242.7, 0.53%, 0.67%

LAB 56.66, 23.17, -45.27

 

CMYK 28 / 41 / 0 / 16

HEX #9A7ED7

RGB 154 126 215

HSL 258.88, 0.53%, 0.67%

LAB 58.69, 29.65, -41.92

 

CMYK 17 / 41 / 0 / 16

HEX #B27ED7

RGB 178 126 215

HSL 275.06, 0.53%, 0.67%

LAB 61.04, 36.56, -38.07

 

CMYK 6 / 41 / 0 / 16

HEX #CA7ED7

RGB 202 126 215

HSL 291.24, 0.53%, 0.67%

LAB 63.66, 43.68, -33.79

 

CMYK 46 / 68 / 0 / 23

HEX #6A3FC4

RGB 106 63 196

HSL 259.4, 0.53%, 0.51%

LAB 38.91, 48.78, -63

 

CMYK 37 / 54 / 0 / 20

HEX #825ECD

RGB 130 94 205

HSL 259.46, 0.53%, 0.59%

LAB 48.46, 39.18, -52.64

 

CMYK 28 / 41 / 0 / 16

HEX #9B7ED7

RGB 155 126 215

HSL 259.55, 0.53%, 0.67%

LAB 58.79, 29.93, -41.77

 

CMYK 20 / 30 / 0 / 12

HEX #B39DE1

RGB 179 157 225

HSL 259.41, 0.53%, 0.75%

LAB 68.85, 21.76, -31.48

 

CMYK 13 / 19 / 0 / 8

HEX #CCBDEA

RGB 204 189 234

HSL 260, 0.52%, 0.83%

LAB 79.14, 13.89, -20.43

 

CMYK 28 / 41 / 0 / 16

HEX #9B7ED7

RGB 155 126 215

HSL 259.55, 0.53%, 0.67%

LAB 58.79, 29.93, -41.77

 

CMYK 0 / 41 / 21 / 16

HEX #D77EA9

RGB 215 126 169

HSL 331.01, 0.53%, 0.67%

LAB 63.54, 39.96, -7.89

 

CMYK 38 / 0 / 41 / 16

HEX #85D77E

RGB 133 215 126

HSL 115.28, 0.53%, 0.67%

LAB 79.1, -42.4, 36.2

 

CMYK 28 / 41 / 0 / 16

HEX #9B7ED7

RGB 155 126 215

HSL 259.55, 0.53%, 0.67%

LAB 58.79, 29.93, -41.77

 

CMYK 0 / 28 / 41 / 16

HEX #D79A7E

RGB 215 154 126

HSL 18.88, 0.53%, 0.67%

LAB 68.8, 19.35, 23.74

 

CMYK 41 / 0 / 28 / 16

HEX #7ED79A

RGB 126 215 154

HSL 138.88, 0.53%, 0.67%

LAB 79.25, -39.87, 21.93

 

CMYK 28 / 41 / 0 / 16

HEX #9B7ED7

RGB 155 126 215

HSL 259.55, 0.53%, 0.67%

LAB 58.79, 29.93, -41.77

 

CMYK 0 / 41 / 21 / 16

HEX #D77EA9

RGB 215 126 169

HSL 331.01, 0.53%, 0.67%

LAB 63.54, 39.96, -7.89

 

CMYK 13 / 0 / 41 / 16

HEX #BBD77E

RGB 187 215 126

HSL 78.88, 0.53%, 0.67%

LAB 82.2, -23.57, 40.8

 

CMYK 41 / 0 / 20 / 16

HEX #7ED7AC

RGB 126 215 172

HSL 151.01, 0.53%, 0.67%

LAB 79.62, -36.38, 12.95

 

CMYK 28 / 41 / 0 / 16

HEX #9B7ED7

RGB 155 126 215

HSL 259.55, 0.53%, 0.67%

LAB 58.79, 29.93, -41.77

 

CMYK 0 / 41 / 34 / 16

HEX #D77E8E

RGB 215 126 142

HSL 349.21, 0.53%, 0.67%

LAB 62.78, 36.28, 6.4

 

CMYK 13 / 0 / 41 / 16

HEX #BBD77E

RGB 187 215 126

HSL 78.88, 0.53%, 0.67%

LAB 82.2, -23.57, 40.8

 

CMYK 41 / 0 / 7 / 16

HEX #7ED7C7

RGB 126 215 199

HSL 169.21, 0.53%, 0.67%

LAB 80.27, -30.48, -0.49

 

Description

Color code: HEX #9B7ED7 | qconv.com Color code: HEX #9B7ED7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 126 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 126 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 41 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 41% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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