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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B7783 it is the complementary color #64887C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B7783. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B7783 shade: #A0777E, #B18991, #C29BA4, #D3ADB7 and #E4BFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B7783. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B7783 shade: #9B7783, #8A6570, #79535D, #68414A and #572F37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B7783 shade: #9B7883, #9B787A and #9B7878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B7783 shade: #9B7883, #9B788D, #9B7896, #96789B and #8C789B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B7783 shade matches the following richer shades: #9B7883, #AE657D, #C15277, #D43F70 and #E72C6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B7783 shade: #9B7883, #888B8A, #759E90, #62B196 and #4FC49D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B7783 shade: #9B7896, #9B788D, #9B7883, #9B787A and #9B7F78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B7783 shade: #6E515B, #86636F, #9B7883, #AC8F99 and #BEA7AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B7783 shade: #9B7783, #9B9678 and #78919B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B7783 shade: #9B7783, #839B78 and #78839B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B7783 shade: #9B7783, #9B9678, #789B8F and #787C9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B7783 shade: #9B7783, #959B78, #789B8F and #7D789B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 15 / 39

HEX #9B7783

RGB 155 119 131

HSL 340, 0.15%, 0.54%

LAB 53.82, 16.03, -1.12

 

Complementary color

CMYK 26 / 0 / 9 / 47

HEX #64887C

RGB 100 136 124

HSL 160, 0.15%, 0.46%

LAB 53.79, -15.28, 2.36

 

CMYK 0 / 26 / 21 / 37

HEX #A0777E

RGB 160 119 126

HSL 349.76, 0.18%, 0.55%

LAB 54.21, 17.13, 2.45

 

CMYK 0 / 23 / 18 / 31

HEX #B18991

RGB 177 137 145

HSL 348, 0.2%, 0.62%

LAB 61.03, 16.49, 1.6

 

CMYK 0 / 20 / 15 / 24

HEX #C29BA4

RGB 194 155 164

HSL 346.15, 0.24%, 0.68%

LAB 67.72, 15.92, 0.82

 

CMYK 0 / 18 / 13 / 17

HEX #D3ADB7

RGB 211 173 183

HSL 344.21, 0.3%, 0.75%

LAB 74.29, 15.4, 0.1

 

CMYK 0 / 16 / 11 / 11

HEX #E4BFCA

RGB 228 191 202

HSL 342.16, 0.41%, 0.82%

LAB 80.75, 14.94, -0.59

 

CMYK 0 / 23 / 15 / 39

HEX #9B7783

RGB 155 119 131

HSL 340, 0.15%, 0.54%

LAB 53.82, 16.03, -1.12

 

CMYK 0 / 27 / 19 / 46

HEX #8A6570

RGB 138 101 112

HSL 342.16, 0.15%, 0.47%

LAB 46.82, 16.68, -0.32

 

CMYK 0 / 31 / 23 / 53

HEX #79535D

RGB 121 83 93

HSL 344.21, 0.19%, 0.4%

LAB 39.65, 17.44, 0.58

 

CMYK 0 / 38 / 29 / 59

HEX #68414A

RGB 104 65 74

HSL 346.15, 0.23%, 0.33%

LAB 32.3, 18.32, 1.63

 

CMYK 0 / 46 / 37 / 66

HEX #572F37

RGB 87 47 55

HSL 348, 0.3%, 0.26%

LAB 24.75, 19.34, 2.93

 

CMYK 0 / 23 / 15 / 39

HEX #9B7883

RGB 155 120 131

HSL 341.14, 0.15%, 0.54%

LAB 54.07, 15.45, -0.74

 

CMYK 0 / 23 / 21 / 39

HEX #9B787A

RGB 155 120 122

HSL 356.57, 0.15%, 0.54%

LAB 53.82, 13.96, 4.15

 

CMYK 0 / 23 / 23 / 39

HEX #9B7878

RGB 155 120 120

HSL 0, 0.15%, 0.54%

LAB 53.77, 13.64, 5.25

 

CMYK 0 / 23 / 15 / 39

HEX #9B7883

RGB 155 120 131

HSL 341.14, 0.15%, 0.54%

LAB 54.07, 15.45, -0.74

 

CMYK 0 / 23 / 9 / 39

HEX #9B788D

RGB 155 120 141

HSL 324, 0.15%, 0.54%

LAB 54.37, 17.22, -6.14

 

CMYK 0 / 23 / 3 / 39

HEX #9B7896

RGB 155 120 150

HSL 308.57, 0.15%, 0.54%

LAB 54.66, 18.91, -10.95

 

CMYK 3 / 23 / 0 / 39

HEX #96789B

RGB 150 120 155

HSL 291.43, 0.15%, 0.54%

LAB 54.33, 18.12, -14.41

 

CMYK 10 / 23 / 0 / 39

HEX #8C789B

RGB 140 120 155

HSL 274.29, 0.15%, 0.54%

LAB 53.36, 14.63, -15.97

 

CMYK 0 / 23 / 15 / 39

HEX #9B7883

RGB 155 120 131

HSL 341.14, 0.15%, 0.54%

LAB 54.07, 15.45, -0.74

 

CMYK 0 / 42 / 28 / 32

HEX #AE657D

RGB 174 101 125

HSL 340.27, 0.31%, 0.54%

LAB 51.6, 32.43, -0.57

 

CMYK 0 / 58 / 38 / 24

HEX #C15277

RGB 193 82 119

HSL 340, 0.47%, 0.54%

LAB 50.34, 48.09, 1.51

 

CMYK 0 / 70 / 47 / 17

HEX #D43F70

RGB 212 63 112

HSL 340.27, 0.63%, 0.54%

LAB 50.36, 61.27, 6.17

 

CMYK 0 / 81 / 54 / 9

HEX #E72C6A

RGB 231 44 106

HSL 340.11, 0.8%, 0.54%

LAB 51.65, 71.71, 12.11

 

CMYK 0 / 23 / 15 / 39

HEX #9B7883

RGB 155 120 131

HSL 341.14, 0.15%, 0.54%

LAB 54.07, 15.45, -0.74

 

CMYK 2 / 0 / 1 / 45

HEX #888B8A

RGB 136 139 138

HSL 160, 0.01%, 0.54%

LAB 57.59, -1.3, 0.14

 

CMYK 26 / 0 / 9 / 38

HEX #759E90

RGB 117 158 144

HSL 159.51, 0.17%, 0.54%

LAB 61.87, -17.01, 2.79

 

CMYK 45 / 0 / 15 / 31

HEX #62B196

RGB 98 177 150

HSL 159.49, 0.34%, 0.54%

LAB 66.71, -30.82, 6.29

 

CMYK 60 / 0 / 20 / 23

HEX #4FC49D

RGB 79 196 157

HSL 160, 0.5%, 0.54%

LAB 71.94, -42.27, 9.86

 

CMYK 0 / 23 / 3 / 39

HEX #9B7896

RGB 155 120 150

HSL 308.57, 0.15%, 0.54%

LAB 54.66, 18.91, -10.95

 

CMYK 0 / 23 / 9 / 39

HEX #9B788D

RGB 155 120 141

HSL 324, 0.15%, 0.54%

LAB 54.37, 17.22, -6.14

 

CMYK 0 / 23 / 15 / 39

HEX #9B7883

RGB 155 120 131

HSL 341.14, 0.15%, 0.54%

LAB 54.07, 15.45, -0.74

 

CMYK 0 / 23 / 21 / 39

HEX #9B787A

RGB 155 120 122

HSL 356.57, 0.15%, 0.54%

LAB 53.82, 13.96, 4.15

 

CMYK 0 / 18 / 23 / 39

HEX #9B7F78

RGB 155 127 120

HSL 12, 0.15%, 0.54%

LAB 55.59, 9.63, 7.85

 

CMYK 0 / 26 / 17 / 57

HEX #6E515B

RGB 110 81 91

HSL 339.31, 0.15%, 0.37%

LAB 37.76, 13.84, -1.09

 

CMYK 0 / 26 / 17 / 47

HEX #86636F

RGB 134 99 111

HSL 339.43, 0.15%, 0.46%

LAB 45.82, 16.12, -1.22

 

CMYK 0 / 23 / 15 / 39

HEX #9B7883

RGB 155 120 131

HSL 341.14, 0.15%, 0.54%

LAB 54.07, 15.45, -0.74

 

CMYK 0 / 17 / 11 / 33

HEX #AC8F99

RGB 172 143 153

HSL 339.31, 0.15%, 0.62%

LAB 62.27, 12.59, -1.21

 

CMYK 0 / 12 / 8 / 25

HEX #BEA7AF

RGB 190 167 175

HSL 339.13, 0.15%, 0.7%

LAB 70.65, 9.73, -1.05

 

CMYK 0 / 23 / 15 / 39

HEX #9B7783

RGB 155 119 131

HSL 340, 0.15%, 0.54%

LAB 53.82, 16.03, -1.12

 

CMYK 0 / 3 / 23 / 39

HEX #9B9678

RGB 155 150 120

HSL 51.43, 0.15%, 0.54%

LAB 61.77, -3.27, 16.52

 

CMYK 23 / 6 / 0 / 39

HEX #78919B

RGB 120 145 155

HSL 197.14, 0.15%, 0.54%

LAB 58.61, -6.51, -8.22

 

CMYK 0 / 23 / 15 / 39

HEX #9B7783

RGB 155 119 131

HSL 340, 0.15%, 0.54%

LAB 53.82, 16.03, -1.12

 

CMYK 15 / 0 / 23 / 39

HEX #839B78

RGB 131 155 120

HSL 101.14, 0.15%, 0.54%

LAB 61.33, -15.23, 15.62

 

CMYK 23 / 15 / 0 / 39

HEX #78839B

RGB 120 131 155

HSL 221.14, 0.15%, 0.54%

LAB 54.65, 1.44, -14.17

 

CMYK 0 / 23 / 15 / 39

HEX #9B7783

RGB 155 119 131

HSL 340, 0.15%, 0.54%

LAB 53.82, 16.03, -1.12

 

CMYK 0 / 3 / 23 / 39

HEX #9B9678

RGB 155 150 120

HSL 51.43, 0.15%, 0.54%

LAB 61.77, -3.27, 16.52

 

CMYK 23 / 0 / 8 / 39

HEX #789B8F

RGB 120 155 143

HSL 159.43, 0.15%, 0.54%

LAB 61.15, -14.66, 2.33

 

CMYK 23 / 20 / 0 / 39

HEX #787C9B

RGB 120 124 155

HSL 233.14, 0.15%, 0.54%

LAB 52.7, 5.51, -17.13

 

CMYK 0 / 23 / 15 / 39

HEX #9B7783

RGB 155 119 131

HSL 340, 0.15%, 0.54%

LAB 53.82, 16.03, -1.12

 

CMYK 4 / 0 / 23 / 39

HEX #959B78

RGB 149 155 120

HSL 70.29, 0.15%, 0.54%

LAB 62.67, -8.35, 17.67

 

CMYK 23 / 0 / 8 / 39

HEX #789B8F

RGB 120 155 143

HSL 159.43, 0.15%, 0.54%

LAB 61.15, -14.66, 2.33

 

CMYK 19 / 23 / 0 / 39

HEX #7D789B

RGB 125 120 155

HSL 248.57, 0.15%, 0.54%

LAB 52.02, 9.53, -18.14

 

Description

Color code: HEX #9B7783 | qconv.com Color code: HEX #9B7783 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 119 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 119 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 15 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 15% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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