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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B6A7B it is the complementary color #649584. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B6A7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B6A7B shade: #A06A76, #B17C89, #C28E9C, #D3A0AF and #E4B2C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B6A7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B6A7B shade: #9B6A7B, #8A5868, #794655, #683442 and #57222F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B6A7B shade: #9B697A, #9B696C and #9B6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B6A7B shade: #9B697A, #9B6987, #9B6995, #93699B and #85699B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B6A7B shade matches the following richer shades: #9B697A, #AF5474, #C3406E, #D72C67 and #EB1861

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B6A7B shade: #9B697A, #867D80, #729186, #5EA58C and #4AB993

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B6A7B shade: #9B6995, #9B6987, #9B697A, #9B696D and #9B7269

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B6A7B shade: #6A4753, #835766, #9B697A, #AB8190 and #BC9AA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B6A7B shade: #9B6A7B, #9B9369 and #698E9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B6A7B shade: #9B6A7B, #7A9B69 and #697A9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B6A7B shade: #9B6A7B, #9B9369, #699B89 and #69709B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B6A7B shade: #9B6A7B, #939B69, #699B89 and #70699B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 21 / 39

HEX #9B6A7B

RGB 155 106 123

HSL 339.18, 0.2%, 0.51%

LAB 50.34, 22.18, -1.49

 

Complementary color

CMYK 33 / 0 / 11 / 42

HEX #649584

RGB 100 149 132

HSL 159.18, 0.2%, 0.49%

LAB 57.91, -20.37, 3.74

 

CMYK 0 / 34 / 26 / 37

HEX #A06A76

RGB 160 106 118

HSL 346.67, 0.22%, 0.52%

LAB 50.79, 23.33, 2.2

 

CMYK 0 / 30 / 23 / 31

HEX #B17C89

RGB 177 124 137

HSL 345.28, 0.25%, 0.59%

LAB 57.63, 22.53, 1.25

 

CMYK 0 / 27 / 20 / 24

HEX #C28E9C

RGB 194 142 156

HSL 343.85, 0.3%, 0.66%

LAB 64.34, 21.82, 0.39

 

CMYK 0 / 24 / 17 / 17

HEX #D3A0AF

RGB 211 160 175

HSL 342.35, 0.37%, 0.73%

LAB 70.93, 21.17, -0.4

 

CMYK 0 / 22 / 15 / 11

HEX #E4B2C2

RGB 228 178 194

HSL 340.8, 0.48%, 0.8%

LAB 77.42, 20.59, -1.14

 

CMYK 0 / 32 / 21 / 39

HEX #9B6A7B

RGB 155 106 123

HSL 339.18, 0.2%, 0.51%

LAB 50.34, 22.18, -1.49

 

CMYK 0 / 36 / 25 / 46

HEX #8A5868

RGB 138 88 104

HSL 340.8, 0.22%, 0.44%

LAB 43.33, 23, -0.56

 

CMYK 0 / 42 / 30 / 53

HEX #794655

RGB 121 70 85

HSL 342.35, 0.27%, 0.37%

LAB 36.18, 23.92, 0.54

 

CMYK 0 / 50 / 37 / 59

HEX #683442

RGB 104 52 66

HSL 343.85, 0.33%, 0.31%

LAB 28.88, 24.93, 1.89

 

CMYK 0 / 61 / 46 / 66

HEX #57222F

RGB 87 34 47

HSL 345.28, 0.44%, 0.24%

LAB 21.49, 25.95, 3.72

 

CMYK 0 / 32 / 21 / 39

HEX #9B697A

RGB 155 105 122

HSL 339.6, 0.2%, 0.51%

LAB 50.07, 22.59, -1.3

 

CMYK 0 / 32 / 30 / 39

HEX #9B696C

RGB 155 105 108

HSL 356.4, 0.2%, 0.51%

LAB 49.68, 20.47, 6.47

 

CMYK 0 / 32 / 32 / 39

HEX #9B6969

RGB 155 105 105

HSL 0, 0.2%, 0.51%

LAB 49.61, 20.05, 8.14

 

CMYK 0 / 32 / 21 / 39

HEX #9B697A

RGB 155 105 122

HSL 339.6, 0.2%, 0.51%

LAB 50.07, 22.59, -1.3

 

CMYK 0 / 32 / 13 / 39

HEX #9B6987

RGB 155 105 135

HSL 324, 0.2%, 0.51%

LAB 50.48, 24.78, -8.41

 

CMYK 0 / 32 / 4 / 39

HEX #9B6995

RGB 155 105 149

HSL 307.2, 0.2%, 0.51%

LAB 50.97, 27.34, -15.94

 

CMYK 5 / 32 / 0 / 39

HEX #93699B

RGB 147 105 155

HSL 290.4, 0.2%, 0.51%

LAB 50.3, 25.8, -20.57

 

CMYK 14 / 32 / 0 / 39

HEX #85699B

RGB 133 105 155

HSL 273.6, 0.2%, 0.51%

LAB 48.83, 21.1, -22.96

 

CMYK 0 / 32 / 21 / 39

HEX #9B697A

RGB 155 105 122

HSL 339.6, 0.2%, 0.51%

LAB 50.07, 22.59, -1.3

 

CMYK 0 / 52 / 34 / 31

HEX #AF5474

RGB 175 84 116

HSL 338.9, 0.36%, 0.51%

LAB 47.9, 40.61, -0.57

 

CMYK 0 / 67 / 44 / 24

HEX #C3406E

RGB 195 64 110

HSL 338.93, 0.52%, 0.51%

LAB 47.49, 55.65, 2.87

 

CMYK 0 / 80 / 52 / 16

HEX #D72C67

RGB 215 44 103

HSL 339.3, 0.68%, 0.51%

LAB 48.55, 67.34, 9.14

 

CMYK 0 / 90 / 59 / 8

HEX #EB1861

RGB 235 24 97

HSL 339.24, 0.84%, 0.51%

LAB 50.9, 75.9, 16.67

 

CMYK 0 / 32 / 21 / 39

HEX #9B697A

RGB 155 105 122

HSL 339.6, 0.2%, 0.51%

LAB 50.07, 22.59, -1.3

 

CMYK 0 / 7 / 4 / 47

HEX #867D80

RGB 134 125 128

HSL 340, 0.04%, 0.51%

LAB 53.27, 3.99, -0.4

 

CMYK 21 / 0 / 8 / 43

HEX #729186

RGB 114 145 134

HSL 158.71, 0.12%, 0.51%

LAB 57.61, -13.24, 2.26

 

CMYK 43 / 0 / 15 / 35

HEX #5EA58C

RGB 94 165 140

HSL 158.87, 0.28%, 0.51%

LAB 62.66, -28.37, 6.02

 

CMYK 60 / 0 / 21 / 27

HEX #4AB993

RGB 74 185 147

HSL 159.46, 0.44%, 0.51%

LAB 68.21, -40.76, 9.98

 

CMYK 0 / 32 / 4 / 39

HEX #9B6995

RGB 155 105 149

HSL 307.2, 0.2%, 0.51%

LAB 50.97, 27.34, -15.94

 

CMYK 0 / 32 / 13 / 39

HEX #9B6987

RGB 155 105 135

HSL 324, 0.2%, 0.51%

LAB 50.48, 24.78, -8.41

 

CMYK 0 / 32 / 21 / 39

HEX #9B697A

RGB 155 105 122

HSL 339.6, 0.2%, 0.51%

LAB 50.07, 22.59, -1.3

 

CMYK 0 / 32 / 30 / 39

HEX #9B696D

RGB 155 105 109

HSL 355.2, 0.2%, 0.51%

LAB 49.71, 20.62, 5.91

 

CMYK 0 / 26 / 32 / 39

HEX #9B7269

RGB 155 114 105

HSL 10.8, 0.2%, 0.51%

LAB 51.86, 14.87, 11.32

 

CMYK 0 / 33 / 22 / 58

HEX #6A4753

RGB 106 71 83

HSL 339.43, 0.2%, 0.35%

LAB 34.39, 16.94, -1.05

 

CMYK 0 / 34 / 22 / 49

HEX #835766

RGB 131 87 102

HSL 339.55, 0.2%, 0.43%

LAB 42.16, 20.53, -1.16

 

CMYK 0 / 32 / 21 / 39

HEX #9B697A

RGB 155 105 122

HSL 339.6, 0.2%, 0.51%

LAB 50.07, 22.59, -1.3

 

CMYK 0 / 25 / 16 / 33

HEX #AB8190

RGB 171 129 144

HSL 338.57, 0.2%, 0.59%

LAB 58.39, 18.57, -1.76

 

CMYK 0 / 18 / 12 / 26

HEX #BC9AA6

RGB 188 154 166

HSL 338.82, 0.2%, 0.67%

LAB 66.94, 14.6, -1.5

 

CMYK 0 / 32 / 21 / 39

HEX #9B6A7B

RGB 155 106 123

HSL 339.18, 0.2%, 0.51%

LAB 50.34, 22.18, -1.49

 

CMYK 0 / 5 / 32 / 39

HEX #9B9369

RGB 155 147 105

HSL 50.4, 0.2%, 0.51%

LAB 60.65, -3.76, 23.34

 

CMYK 32 / 8 / 0 / 39

HEX #698E9B

RGB 105 142 155

HSL 195.6, 0.2%, 0.51%

LAB 56.8, -9.53, -11.04

 

CMYK 0 / 32 / 21 / 39

HEX #9B6A7B

RGB 155 106 123

HSL 339.18, 0.2%, 0.51%

LAB 50.34, 22.18, -1.49

 

CMYK 21 / 0 / 32 / 39

HEX #7A9B69

RGB 122 155 105

HSL 99.6, 0.2%, 0.51%

LAB 60.43, -21.06, 22.6

 

CMYK 32 / 21 / 0 / 39

HEX #697A9B

RGB 105 122 155

HSL 219.6, 0.2%, 0.51%

LAB 51.02, 1.92, -19.79

 

CMYK 0 / 32 / 21 / 39

HEX #9B6A7B

RGB 155 106 123

HSL 339.18, 0.2%, 0.51%

LAB 50.34, 22.18, -1.49

 

CMYK 0 / 5 / 32 / 39

HEX #9B9369

RGB 155 147 105

HSL 50.4, 0.2%, 0.51%

LAB 60.65, -3.76, 23.34

 

CMYK 32 / 0 / 12 / 39

HEX #699B89

RGB 105 155 137

HSL 158.4, 0.2%, 0.51%

LAB 60.12, -20.8, 4.12

 

CMYK 32 / 28 / 0 / 39

HEX #69709B

RGB 105 112 155

HSL 231.6, 0.2%, 0.51%

LAB 48.21, 7.89, -24.13

 

CMYK 0 / 32 / 21 / 39

HEX #9B6A7B

RGB 155 106 123

HSL 339.18, 0.2%, 0.51%

LAB 50.34, 22.18, -1.49

 

CMYK 5 / 0 / 32 / 39

HEX #939B69

RGB 147 155 105

HSL 69.6, 0.2%, 0.51%

LAB 62.22, -11.34, 25.31

 

CMYK 32 / 0 / 12 / 39

HEX #699B89

RGB 105 155 137

HSL 158.4, 0.2%, 0.51%

LAB 60.12, -20.8, 4.12

 

CMYK 28 / 32 / 0 / 39

HEX #70699B

RGB 112 105 155

HSL 248.4, 0.2%, 0.51%

LAB 46.86, 14.3, -26.17

 

Description

Color code: HEX #9B6A7B | qconv.com Color code: HEX #9B6A7B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 106 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 106 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 21 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 21% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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