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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B404E it is the complementary color #64BFB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B404E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B404E shade: #A04049, #B1525C, #C2646F, #D37682 and #E48895

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B404E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B404E shade: #9B404E, #8A2E3B, #791C28, #680A15 and #570002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B404E shade: #9B3F4D and #9B3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B404E shade: #9B3F4D, #9B3F66, #9B3F7F, #9B3F98 and #863F9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B404E shade matches the following richer shades: #9B3F4D, #AD2D41, #BF1C35 and #D00A28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B404E shade: #9B3F4D, #89515A, #786366, #667472 and #54867E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B404E shade: #9B3F80, #9B3F67, #9B3F4E, #9B483F and #9B613F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B404E shade: #612730, #7E333F, #9B3F4D, #B64D5E and #C26B78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B404E shade: #9B404E, #989B3F and #3F739B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B404E shade: #9B404E, #4E9B3F and #3F4E9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B404E shade: #9B404E, #989B3F, #3F9B8C and #423F9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B404E shade: #9B404E, #7D9B3F, #3F9B8C and #5E3F9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 50 / 39

HEX #9B404E

RGB 155 64 78

HSL 350.77, 0.42%, 0.43%

LAB 39.89, 39.28, 10.94

 

Complementary color

CMYK 48 / 0 / 7 / 25

HEX #64BFB1

RGB 100 191 177

HSL 170.77, 0.42%, 0.57%

LAB 71.65, -30.63, -1.35

 

CMYK 0 / 60 / 54 / 37

HEX #A04049

RGB 160 64 73

HSL 354.38, 0.43%, 0.44%

LAB 40.61, 40.63, 15.17

 

CMYK 0 / 54 / 48 / 31

HEX #B1525C

RGB 177 82 92

HSL 353.68, 0.38%, 0.51%

LAB 47.18, 39.63, 12.96

 

CMYK 0 / 48 / 43 / 24

HEX #C2646F

RGB 194 100 111

HSL 352.98, 0.44%, 0.58%

LAB 53.74, 38.59, 11.15

 

CMYK 0 / 44 / 38 / 17

HEX #D37682

RGB 211 118 130

HSL 352.26, 0.51%, 0.65%

LAB 60.26, 37.58, 9.62

 

CMYK 0 / 40 / 35 / 11

HEX #E48895

RGB 228 136 149

HSL 351.52, 0.63%, 0.71%

LAB 66.73, 36.62, 8.29

 

CMYK 0 / 59 / 50 / 39

HEX #9B404E

RGB 155 64 78

HSL 350.77, 0.42%, 0.43%

LAB 39.89, 39.28, 10.94

 

CMYK 0 / 67 / 57 / 46

HEX #8A2E3B

RGB 138 46 59

HSL 351.52, 0.5%, 0.36%

LAB 33.29, 40.08, 13.5

 

CMYK 0 / 77 / 67 / 53

HEX #791C28

RGB 121 28 40

HSL 352.26, 0.62%, 0.29%

LAB 26.87, 40.4, 16.89

 

CMYK 0 / 90 / 80 / 59

HEX #680A15

RGB 104 10 21

HSL 352.98, 0.82%, 0.22%

LAB 20.88, 39.59, 21.48

 

CMYK 0 / 100 / 98 / 66

HEX #570002

RGB 87 0 2

HSL 358.62, 1%, 0.17%

LAB 15.65, 36.65, 23.52

 

CMYK 0 / 59 / 50 / 39

HEX #9B3F4D

RGB 155 63 77

HSL 350.87, 0.42%, 0.43%

LAB 39.68, 39.68, 11.27

 

CMYK 0 / 59 / 59 / 39

HEX #9B3F3F

RGB 155 63 63

HSL 0, 0.42%, 0.43%

LAB 39.38, 38.46, 19.59

 

CMYK 0 / 59 / 50 / 39

HEX #9B3F4D

RGB 155 63 77

HSL 350.87, 0.42%, 0.43%

LAB 39.68, 39.68, 11.27

 

CMYK 0 / 59 / 34 / 39

HEX #9B3F66

RGB 155 63 102

HSL 334.57, 0.42%, 0.43%

LAB 40.38, 42.47, -3.38

 

CMYK 0 / 59 / 18 / 39

HEX #9B3F7F

RGB 155 63 127

HSL 318.26, 0.42%, 0.43%

LAB 41.3, 45.99, -17.48

 

CMYK 0 / 59 / 2 / 39

HEX #9B3F98

RGB 155 63 152

HSL 301.96, 0.42%, 0.43%

LAB 42.45, 50.17, -30.9

 

CMYK 14 / 59 / 0 / 39

HEX #863F9B

RGB 134 63 155

HSL 286.3, 0.42%, 0.43%

LAB 39.56, 45.09, -37.46

 

CMYK 0 / 59 / 50 / 39

HEX #9B3F4D

RGB 155 63 77

HSL 350.87, 0.42%, 0.43%

LAB 39.68, 39.68, 11.27

 

CMYK 0 / 74 / 62 / 32

HEX #AD2D41

RGB 173 45 65

HSL 350.63, 0.59%, 0.43%

LAB 39.82, 52.4, 19.53

 

CMYK 0 / 85 / 72 / 25

HEX #BF1C35

RGB 191 28 53

HSL 350.8, 0.74%, 0.43%

LAB 41.48, 61.76, 29.81

 

CMYK 0 / 95 / 81 / 18

HEX #D00A28

RGB 208 10 40

HSL 350.91, 0.91%, 0.43%

LAB 43.92, 68.4, 41.13

 

CMYK 0 / 59 / 50 / 39

HEX #9B3F4D

RGB 155 63 77

HSL 350.87, 0.42%, 0.43%

LAB 39.68, 39.68, 11.27

 

CMYK 0 / 41 / 34 / 46

HEX #89515A

RGB 137 81 90

HSL 350.36, 0.26%, 0.43%

LAB 41.12, 24.61, 4.83

 

CMYK 0 / 18 / 15 / 53

HEX #786366

RGB 120 99 102

HSL 351.43, 0.1%, 0.43%

LAB 44.05, 8.96, 1.46

 

CMYK 12 / 0 / 2 / 55

HEX #667472

RGB 102 116 114

HSL 171.43, 0.06%, 0.43%

LAB 47.66, -5.64, -0.67

 

CMYK 37 / 0 / 6 / 47

HEX #54867E

RGB 84 134 126

HSL 170.4, 0.23%, 0.43%

LAB 52.33, -18.76, -1.03

 

CMYK 0 / 59 / 17 / 39

HEX #9B3F80

RGB 155 63 128

HSL 317.61, 0.42%, 0.43%

LAB 41.35, 46.15, -18.03

 

CMYK 0 / 59 / 34 / 39

HEX #9B3F67

RGB 155 63 103

HSL 333.91, 0.42%, 0.43%

LAB 40.41, 42.59, -3.96

 

CMYK 0 / 59 / 50 / 39

HEX #9B3F4E

RGB 155 63 78

HSL 350.22, 0.42%, 0.43%

LAB 39.7, 39.78, 10.68

 

CMYK 0 / 54 / 59 / 39

HEX #9B483F

RGB 155 72 63

HSL 5.87, 0.42%, 0.43%

LAB 41.16, 33.86, 21.89

 

CMYK 0 / 37 / 59 / 39

HEX #9B613F

RGB 155 97 63

HSL 22.17, 0.42%, 0.43%

LAB 46.81, 20.01, 29.02

 

CMYK 0 / 60 / 51 / 62

HEX #612730

RGB 97 39 48

HSL 350.69, 0.43%, 0.27%

LAB 24.34, 27.27, 7.31

 

CMYK 0 / 60 / 50 / 51

HEX #7E333F

RGB 126 51 63

HSL 350.4, 0.42%, 0.35%

LAB 32.17, 33.67, 9.03

 

CMYK 0 / 59 / 50 / 39

HEX #9B3F4D

RGB 155 63 77

HSL 350.87, 0.42%, 0.43%

LAB 39.68, 39.68, 11.27

 

CMYK 0 / 58 / 48 / 29

HEX #B64D5E

RGB 182 77 94

HSL 350.29, 0.42%, 0.51%

LAB 47.05, 44.09, 11.7

 

CMYK 0 / 45 / 38 / 24

HEX #C26B78

RGB 194 107 120

HSL 351.03, 0.42%, 0.59%

LAB 55.42, 35.94, 8.24

 

CMYK 0 / 59 / 50 / 39

HEX #9B404E

RGB 155 64 78

HSL 350.77, 0.42%, 0.43%

LAB 39.89, 39.28, 10.94

 

CMYK 2 / 0 / 59 / 39

HEX #989B3F

RGB 152 155 63

HSL 61.96, 0.42%, 0.43%

LAB 62.06, -13.72, 46.71

 

CMYK 59 / 26 / 0 / 39

HEX #3F739B

RGB 63 115 155

HSL 206.09, 0.42%, 0.43%

LAB 46.56, -4.98, -26.88

 

CMYK 0 / 59 / 50 / 39

HEX #9B404E

RGB 155 64 78

HSL 350.77, 0.42%, 0.43%

LAB 39.89, 39.28, 10.94

 

CMYK 50 / 0 / 59 / 39

HEX #4E9B3F

RGB 78 155 63

HSL 110.22, 0.42%, 0.43%

LAB 57.48, -42.05, 40.29

 

CMYK 59 / 50 / 0 / 39

HEX #3F4E9B

RGB 63 78 155

HSL 230.22, 0.42%, 0.43%

LAB 35.74, 18.35, -43.99

 

CMYK 0 / 59 / 50 / 39

HEX #9B404E

RGB 155 64 78

HSL 350.77, 0.42%, 0.43%

LAB 39.89, 39.28, 10.94

 

CMYK 2 / 0 / 59 / 39

HEX #989B3F

RGB 152 155 63

HSL 61.96, 0.42%, 0.43%

LAB 62.06, -13.72, 46.71

 

CMYK 59 / 0 / 10 / 39

HEX #3F9B8C

RGB 63 155 140

HSL 170.22, 0.42%, 0.43%

LAB 58.41, -30.93, -0.29

 

CMYK 57 / 59 / 0 / 39

HEX #423F9B

RGB 66 63 155

HSL 241.96, 0.42%, 0.43%

LAB 31.99, 28.73, -50.03

 

CMYK 0 / 59 / 50 / 39

HEX #9B404E

RGB 155 64 78

HSL 350.77, 0.42%, 0.43%

LAB 39.89, 39.28, 10.94

 

CMYK 19 / 0 / 59 / 39

HEX #7D9B3F

RGB 125 155 63

HSL 79.57, 0.42%, 0.43%

LAB 60.03, -25.1, 43.88

 

CMYK 59 / 0 / 10 / 39

HEX #3F9B8C

RGB 63 155 140

HSL 170.22, 0.42%, 0.43%

LAB 58.41, -30.93, -0.29

 

CMYK 39 / 59 / 0 / 39

HEX #5E3F9B

RGB 94 63 155

HSL 260.22, 0.42%, 0.43%

LAB 34.6, 34.86, -45.68

 

Description

Color code: HEX #9B404E | qconv.com Color code: HEX #9B404E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 64 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 64 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 50 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 50% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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