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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B49CE it is the complementary color #64B631. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B49CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B49CE shade: #A049C9, #B15BDC, #C26DEF, #D37FFF and #E491FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B49CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B49CE shade: #9B49CE, #8A37BB, #7925A8, #681395 and #570182

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B49CE shade: #9B49CE, #BF49CE, #CE49BA, #CE4996 and #CE4972

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B49CE shade: #9B49CE, #7749CE, #5349CE and #4949CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B49CE shade matches the following richer shades: #9B49CE, #A037E1 and #A424F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B49CE shade: #9B49CE, #975CBC, #936EA9, #8E8197 and #8A9384

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B49CE shade: #5249CE, #7649CE, #9949CE, #BD49CE and #CE49BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B49CE shade: #70299C, #8732BD, #9B49CE, #AD6AD7 and #BF8AE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B49CE shade: #9B49CE, #CE4964 and #49CE64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B49CE shade: #9B49CE, #CE9949 and #49CE99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B49CE shade: #9B49CE, #CE4964, #7ECE49 and #49CEB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B49CE shade: #9B49CE, #CE5749, #7ECE49 and #49C1CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 65 / 0 / 19

HEX #9B49CE

RGB 155 73 206

HSL 276.99, 0.58%, 0.55%

LAB 47.22, 56.34, -55.05

 

Complementary color

CMYK 45 / 0 / 73 / 29

HEX #64B631

RGB 100 182 49

HSL 96.99, 0.58%, 0.45%

LAB 66.81, -47.48, 56.51

 

CMYK 20 / 64 / 0 / 21

HEX #A049C9

RGB 160 73 201

HSL 280.78, 0.54%, 0.54%

LAB 47.57, 56.39, -51.58

 

CMYK 20 / 59 / 0 / 14

HEX #B15BDC

RGB 177 91 220

HSL 280, 0.65%, 0.61%

LAB 54.02, 55.84, -51.98

 

CMYK 19 / 54 / 0 / 6

HEX #C26DEF

RGB 194 109 239

HSL 279.23, 0.8%, 0.68%

LAB 60.46, 55.14, -52.26

 

CMYK 17 / 50 / 0 / 0

HEX #D37FFF

RGB 211 127 255

HSL 279.38, 1%, 0.75%

LAB 66.71, 53.75, -51.05

 

CMYK 11 / 43 / 0 / 0

HEX #E491FF

RGB 228 145 255

HSL 285.27, 1%, 0.78%

LAB 72.2, 49.13, -42.28

 

CMYK 25 / 65 / 0 / 19

HEX #9B49CE

RGB 155 73 206

HSL 276.99, 0.58%, 0.55%

LAB 47.22, 56.34, -55.05

 

CMYK 26 / 71 / 0 / 27

HEX #8A37BB

RGB 138 55 187

HSL 277.73, 0.55%, 0.47%

LAB 40.77, 56.68, -54.52

 

CMYK 28 / 78 / 0 / 34

HEX #7925A8

RGB 121 37 168

HSL 278.47, 0.64%, 0.4%

LAB 34.43, 56.48, -53.63

 

CMYK 30 / 87 / 0 / 42

HEX #681395

RGB 104 19 149

HSL 279.23, 0.77%, 0.33%

LAB 28.32, 55.29, -52.13

 

CMYK 33 / 99 / 0 / 49

HEX #570182

RGB 87 1 130

HSL 280, 0.98%, 0.26%

LAB 22.51, 52.85, -49.89

 

CMYK 25 / 65 / 0 / 19

HEX #9B49CE

RGB 155 73 206

HSL 276.99, 0.58%, 0.55%

LAB 47.22, 56.34, -55.05

 

CMYK 7 / 65 / 0 / 19

HEX #BF49CE

RGB 191 73 206

HSL 293.23, 0.58%, 0.55%

LAB 52.17, 64.57, -46.85

 

CMYK 0 / 65 / 10 / 19

HEX #CE49BA

RGB 206 73 186

HSL 309.02, 0.58%, 0.55%

LAB 53.42, 64.87, -33.22

 

CMYK 0 / 65 / 27 / 19

HEX #CE4996

RGB 206 73 150

HSL 325.26, 0.58%, 0.55%

LAB 51.94, 59.79, -14.4

 

CMYK 0 / 65 / 45 / 19

HEX #CE4972

RGB 206 73 114

HSL 341.5, 0.58%, 0.55%

LAB 50.81, 55.75, 5.46

 

CMYK 25 / 65 / 0 / 19

HEX #9B49CE

RGB 155 73 206

HSL 276.99, 0.58%, 0.55%

LAB 47.22, 56.34, -55.05

 

CMYK 42 / 65 / 0 / 19

HEX #7749CE

RGB 119 73 206

HSL 260.75, 0.58%, 0.55%

LAB 42.98, 48.68, -62.11

 

CMYK 60 / 65 / 0 / 19

HEX #5349CE

RGB 83 73 206

HSL 244.51, 0.58%, 0.55%

LAB 39.68, 42.2, -67.62

 

CMYK 65 / 65 / 0 / 19

HEX #4949CE

RGB 73 73 206

HSL 240, 0.58%, 0.55%

LAB 38.96, 40.71, -68.83

 

CMYK 25 / 65 / 0 / 19

HEX #9B49CE

RGB 155 73 206

HSL 276.99, 0.58%, 0.55%

LAB 47.22, 56.34, -55.05

 

CMYK 29 / 76 / 0 / 12

HEX #A037E1

RGB 160 55 225

HSL 277.06, 0.74%, 0.55%

LAB 46.5, 68.95, -67.04

 

CMYK 33 / 85 / 0 / 5

HEX #A424F3

RGB 164 36 243

HSL 277.1, 0.9%, 0.55%

LAB 46.48, 78.96, -77.24

 

CMYK 25 / 65 / 0 / 19

HEX #9B49CE

RGB 155 73 206

HSL 276.99, 0.58%, 0.55%

LAB 47.22, 56.34, -55.05

 

CMYK 20 / 51 / 0 / 26

HEX #975CBC

RGB 151 92 188

HSL 276.88, 0.42%, 0.55%

LAB 49.33, 41.58, -41.32

 

CMYK 13 / 35 / 0 / 34

HEX #936EA9

RGB 147 110 169

HSL 277.63, 0.26%, 0.55%

LAB 52.08, 25.91, -26.01

 

CMYK 6 / 15 / 0 / 41

HEX #8E8197

RGB 142 129 151

HSL 275.45, 0.1%, 0.55%

LAB 55.77, 9.24, -9.99

 

CMYK 6 / 0 / 10 / 42

HEX #8A9384

RGB 138 147 132

HSL 96, 0.06%, 0.55%

LAB 59.83, -6.16, 6.82

 

CMYK 60 / 65 / 0 / 19

HEX #5249CE

RGB 82 73 206

HSL 244.06, 0.58%, 0.55%

LAB 39.61, 42.05, -67.75

 

CMYK 43 / 65 / 0 / 19

HEX #7649CE

RGB 118 73 206

HSL 260.3, 0.58%, 0.55%

LAB 42.87, 48.48, -62.29

 

CMYK 26 / 65 / 0 / 19

HEX #9949CE

RGB 153 73 206

HSL 276.09, 0.58%, 0.55%

LAB 46.97, 55.89, -55.47

 

CMYK 8 / 65 / 0 / 19

HEX #BD49CE

RGB 189 73 206

HSL 292.33, 0.58%, 0.55%

LAB 51.88, 64.1, -47.33

 

CMYK 0 / 65 / 8 / 19

HEX #CE49BD

RGB 206 73 189

HSL 307.67, 0.58%, 0.55%

LAB 53.56, 65.33, -34.74

 

CMYK 28 / 74 / 0 / 39

HEX #70299C

RGB 112 41 156

HSL 277.04, 0.58%, 0.39%

LAB 32.77, 50.51, -49.13

 

CMYK 29 / 74 / 0 / 26

HEX #8732BD

RGB 135 50 189

HSL 276.69, 0.58%, 0.47%

LAB 39.76, 58.62, -57.35

 

CMYK 25 / 65 / 0 / 19

HEX #9B49CE

RGB 155 73 206

HSL 276.99, 0.58%, 0.55%

LAB 47.22, 56.34, -55.05

 

CMYK 20 / 51 / 0 / 16

HEX #AD6AD7

RGB 173 106 215

HSL 276.88, 0.58%, 0.63%

LAB 56.19, 46.05, -45.75

 

CMYK 15 / 38 / 0 / 12

HEX #BF8AE0

RGB 191 138 224

HSL 276.98, 0.58%, 0.71%

LAB 65.46, 35.74, -36.09

 

CMYK 25 / 65 / 0 / 19

HEX #9B49CE

RGB 155 73 206

HSL 276.99, 0.58%, 0.55%

LAB 47.22, 56.34, -55.05

 

CMYK 0 / 65 / 51 / 19

HEX #CE4964

RGB 206 73 100

HSL 347.82, 0.58%, 0.55%

LAB 50.46, 54.48, 13.41

 

CMYK 65 / 0 / 51 / 19

HEX #49CE64

RGB 73 206 100

HSL 132.18, 0.58%, 0.55%

LAB 73.86, -58.14, 42

 

CMYK 25 / 65 / 0 / 19

HEX #9B49CE

RGB 155 73 206

HSL 276.99, 0.58%, 0.55%

LAB 47.22, 56.34, -55.05

 

CMYK 0 / 26 / 65 / 19

HEX #CE9949

RGB 206 153 73

HSL 36.09, 0.58%, 0.55%

LAB 66.81, 11.54, 48.74

 

CMYK 65 / 0 / 26 / 19

HEX #49CE99

RGB 73 206 153

HSL 156.09, 0.58%, 0.55%

LAB 74.74, -48.53, 15.92

 

CMYK 25 / 65 / 0 / 19

HEX #9B49CE

RGB 155 73 206

HSL 276.99, 0.58%, 0.55%

LAB 47.22, 56.34, -55.05

 

CMYK 0 / 65 / 51 / 19

HEX #CE4964

RGB 206 73 100

HSL 347.82, 0.58%, 0.55%

LAB 50.46, 54.48, 13.41

 

CMYK 39 / 0 / 65 / 19

HEX #7ECE49

RGB 126 206 73

HSL 96.09, 0.58%, 0.55%

LAB 75.49, -46.95, 56.57

 

CMYK 65 / 0 / 13 / 19

HEX #49CEB4

RGB 73 206 180

HSL 168.27, 0.58%, 0.55%

LAB 75.36, -42.17, 2.33

 

CMYK 25 / 65 / 0 / 19

HEX #9B49CE

RGB 155 73 206

HSL 276.99, 0.58%, 0.55%

LAB 47.22, 56.34, -55.05

 

CMYK 0 / 58 / 65 / 19

HEX #CE5749

RGB 206 87 73

HSL 6.32, 0.58%, 0.55%

LAB 52.31, 46.25, 31.76

 

CMYK 39 / 0 / 65 / 19

HEX #7ECE49

RGB 126 206 73

HSL 96.09, 0.58%, 0.55%

LAB 75.49, -46.95, 56.57

 

CMYK 65 / 6 / 0 / 19

HEX #49C1CE

RGB 73 193 206

HSL 185.86, 0.58%, 0.55%

LAB 72.24, -29.06, -16.4

 

Description

Color code: HEX #9B49CE | qconv.com Color code: HEX #9B49CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 73 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 73 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 65 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 65% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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