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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B4730 it is the complementary color #64B8CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B4730. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B4730 shade: #A0472B, #B1593E, #C26B51, #D37D64 and #E48F77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B4730. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B4730 shade: #9B4730, #8A351D, #79230A, #681100 and #570000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B4730 shade: #9C472F and #9C2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B4730 shade: #9C472F, #9C642F, #9C812F, #999C2F and #7C9C2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B4730 shade matches the following richer shades: #9C472F, #AC3D1F and #BD340E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B4730 shade: #9C472F, #8B5040, #7B5950, #6A6361 and #5A6C71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B4730 shade: #9C2F53, #9C2F37, #9C452F, #9C622F and #9C7F2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B4730 shade: #5C2A1C, #7C3826, #9C472F, #BB5539 and #CA6D54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B4730 shade: #9B4730, #709C2F and #2F459C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B4730 shade: #9B4730, #2F9C45 and #452F9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B4730 shade: #9B4730, #709C2F, #2F869C and #5B2F9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B4730 shade: #9B4730, #509C2F, #2F869C and #7B2F9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 69 / 39

HEX #9B4730

RGB 155 71 48

HSL 12.9, 0.53%, 0.4%

LAB 40.72, 33.35, 30.25

 

Complementary color

CMYK 52 / 11 / 0 / 19

HEX #64B8CF

RGB 100 184 207

HSL 192.9, 0.53%, 0.6%

LAB 70.52, -19.19, -19.46

 

CMYK 0 / 56 / 73 / 37

HEX #A0472B

RGB 160 71 43

HSL 14.36, 0.58%, 0.4%

LAB 41.46, 35.06, 34.14

 

CMYK 0 / 50 / 65 / 31

HEX #B1593E

RGB 177 89 62

HSL 14.09, 0.48%, 0.47%

LAB 48.06, 33.53, 31.81

 

CMYK 0 / 45 / 58 / 24

HEX #C26B51

RGB 194 107 81

HSL 13.81, 0.48%, 0.54%

LAB 54.64, 32.11, 29.74

 

CMYK 0 / 41 / 53 / 17

HEX #D37D64

RGB 211 125 100

HSL 13.51, 0.56%, 0.61%

LAB 61.16, 30.82, 27.91

 

CMYK 0 / 37 / 48 / 11

HEX #E48F77

RGB 228 143 119

HSL 13.21, 0.67%, 0.68%

LAB 67.63, 29.65, 26.29

 

CMYK 0 / 54 / 69 / 39

HEX #9B4730

RGB 155 71 48

HSL 12.9, 0.53%, 0.4%

LAB 40.72, 33.35, 30.25

 

CMYK 0 / 62 / 79 / 46

HEX #8A351D

RGB 138 53 29

HSL 13.21, 0.65%, 0.33%

LAB 34.06, 34.88, 32.83

 

CMYK 0 / 71 / 92 / 53

HEX #79230A

RGB 121 35 10

HSL 13.51, 0.85%, 0.26%

LAB 27.54, 36.27, 35.22

 

CMYK 0 / 84 / 100 / 59

HEX #681100

RGB 104 17 0

HSL 9.81, 1%, 0.2%

LAB 21.37, 36.99, 32.07

 

CMYK 0 / 100 / 100 / 66

HEX #570000

RGB 87 0 0

HSL 0, 1%, 0.17%

LAB 15.62, 36.59, 24.31

 

CMYK 0 / 54 / 70 / 39

HEX #9C472F

RGB 156 71 47

HSL 13.21, 0.54%, 0.4%

LAB 40.86, 33.69, 31.03

 

CMYK 0 / 70 / 70 / 39

HEX #9C2F2F

RGB 156 47 47

HSL 0, 0.54%, 0.4%

LAB 36.57, 45.05, 25.96

 

CMYK 0 / 54 / 70 / 39

HEX #9C472F

RGB 156 71 47

HSL 13.21, 0.54%, 0.4%

LAB 40.86, 33.69, 31.03

 

CMYK 0 / 36 / 70 / 39

HEX #9C642F

RGB 156 100 47

HSL 29.17, 0.54%, 0.4%

LAB 47.48, 17.61, 38.49

 

CMYK 0 / 17 / 70 / 39

HEX #9C812F

RGB 156 129 47

HSL 45.14, 0.54%, 0.4%

LAB 55.05, 1.11, 46.55

 

CMYK 2 / 0 / 70 / 39

HEX #999C2F

RGB 153 156 47

HSL 61.65, 0.54%, 0.4%

LAB 62.3, -14.86, 53.83

 

CMYK 21 / 0 / 70 / 39

HEX #7C9C2F

RGB 124 156 47

HSL 77.61, 0.54%, 0.4%

LAB 60.13, -27.25, 50.93

 

CMYK 0 / 54 / 70 / 39

HEX #9C472F

RGB 156 71 47

HSL 13.21, 0.54%, 0.4%

LAB 40.86, 33.69, 31.03

 

CMYK 0 / 65 / 82 / 33

HEX #AC3D1F

RGB 172 61 31

HSL 12.77, 0.69%, 0.4%

LAB 41.54, 43.96, 41.22

 

CMYK 0 / 72 / 93 / 26

HEX #BD340E

RGB 189 52 14

HSL 13.03, 0.86%, 0.4%

LAB 43.22, 53.09, 51.07

 

CMYK 0 / 54 / 70 / 39

HEX #9C472F

RGB 156 71 47

HSL 13.21, 0.54%, 0.4%

LAB 40.86, 33.69, 31.03

 

CMYK 0 / 42 / 54 / 45

HEX #8B5040

RGB 139 80 64

HSL 12.8, 0.37%, 0.4%

LAB 40.57, 22.98, 20.06

 

CMYK 0 / 28 / 35 / 52

HEX #7B5950

RGB 123 89 80

HSL 12.56, 0.21%, 0.4%

LAB 41.11, 12.68, 10.71

 

CMYK 0 / 7 / 8 / 58

HEX #6A6361

RGB 106 99 97

HSL 13.33, 0.04%, 0.4%

LAB 42.54, 2.38, 2.12

 

CMYK 20 / 4 / 0 / 56

HEX #5A6C71

RGB 90 108 113

HSL 193.04, 0.11%, 0.4%

LAB 44.36, -5.51, -5.04

 

CMYK 0 / 70 / 47 / 39

HEX #9C2F53

RGB 156 47 83

HSL 340.18, 0.54%, 0.4%

LAB 37.35, 47.79, 4.21

 

CMYK 0 / 70 / 65 / 39

HEX #9C2F37

RGB 156 47 55

HSL 355.6, 0.54%, 0.4%

LAB 36.7, 45.52, 21.15

 

CMYK 0 / 56 / 70 / 39

HEX #9C452F

RGB 156 69 47

HSL 12.11, 0.54%, 0.4%

LAB 40.46, 34.73, 30.56

 

CMYK 0 / 37 / 70 / 39

HEX #9C622F

RGB 156 98 47

HSL 28.07, 0.54%, 0.4%

LAB 46.99, 18.75, 37.95

 

CMYK 0 / 19 / 70 / 39

HEX #9C7F2F

RGB 156 127 47

HSL 44.04, 0.54%, 0.4%

LAB 54.5, 2.23, 45.99

 

CMYK 0 / 54 / 70 / 64

HEX #5C2A1C

RGB 92 42 28

HSL 13.13, 0.53%, 0.24%

LAB 23.72, 21.61, 19.64

 

CMYK 0 / 55 / 69 / 51

HEX #7C3826

RGB 124 56 38

HSL 12.56, 0.53%, 0.32%

LAB 32.38, 28.12, 25.07

 

CMYK 0 / 54 / 70 / 39

HEX #9C472F

RGB 156 71 47

HSL 13.21, 0.54%, 0.4%

LAB 40.86, 33.69, 31.03

 

CMYK 0 / 55 / 70 / 27

HEX #BB5539

RGB 187 85 57

HSL 12.92, 0.53%, 0.48%

LAB 48.71, 39.22, 35.75

 

CMYK 0 / 46 / 58 / 21

HEX #CA6D54

RGB 202 109 84

HSL 12.71, 0.53%, 0.56%

LAB 56.22, 34.44, 30.29

 

CMYK 0 / 54 / 69 / 39

HEX #9B4730

RGB 155 71 48

HSL 12.9, 0.53%, 0.4%

LAB 40.72, 33.35, 30.25

 

CMYK 28 / 0 / 70 / 39

HEX #709C2F

RGB 112 156 47

HSL 84.22, 0.54%, 0.4%

LAB 59.37, -32.08, 49.91

 

CMYK 70 / 56 / 0 / 39

HEX #2F459C

RGB 47 69 156

HSL 227.89, 0.54%, 0.4%

LAB 32.39, 21.82, -50.04

 

CMYK 0 / 54 / 69 / 39

HEX #9B4730

RGB 155 71 48

HSL 12.9, 0.53%, 0.4%

LAB 40.72, 33.35, 30.25

 

CMYK 70 / 0 / 56 / 39

HEX #2F9C45

RGB 47 156 69

HSL 132.11, 0.54%, 0.4%

LAB 56.89, -49.28, 36.43

 

CMYK 56 / 70 / 0 / 39

HEX #452F9C

RGB 69 47 156

HSL 252.11, 0.54%, 0.4%

LAB 28.64, 39.4, -56.08

 

CMYK 0 / 54 / 69 / 39

HEX #9B4730

RGB 155 71 48

HSL 12.9, 0.53%, 0.4%

LAB 40.72, 33.35, 30.25

 

CMYK 28 / 0 / 70 / 39

HEX #709C2F

RGB 112 156 47

HSL 84.22, 0.54%, 0.4%

LAB 59.37, -32.08, 49.91

 

CMYK 70 / 14 / 0 / 39

HEX #2F869C

RGB 47 134 156

HSL 192.11, 0.54%, 0.4%

LAB 51.9, -18.34, -19.28

 

CMYK 42 / 70 / 0 / 39

HEX #5B2F9C

RGB 91 47 156

HSL 264.22, 0.54%, 0.4%

LAB 31.01, 43.44, -52.11

 

CMYK 0 / 54 / 69 / 39

HEX #9B4730

RGB 155 71 48

HSL 12.9, 0.53%, 0.4%

LAB 40.72, 33.35, 30.25

 

CMYK 49 / 0 / 70 / 39

HEX #509C2F

RGB 80 156 47

HSL 101.83, 0.54%, 0.4%

LAB 57.74, -43.44, 47.71

 

CMYK 70 / 14 / 0 / 39

HEX #2F869C

RGB 47 134 156

HSL 192.11, 0.54%, 0.4%

LAB 51.9, -18.34, -19.28

 

CMYK 21 / 70 / 0 / 39

HEX #7B2F9C

RGB 123 47 156

HSL 281.83, 0.54%, 0.4%

LAB 35.29, 50.23, -44.98

 

Description

Color code: HEX #9B4730 | qconv.com Color code: HEX #9B4730 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 71 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 71 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 69 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 69% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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