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Color name
HEX #9B3F16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B3F16 it is the complementary color #64C0E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B3F16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B3F16 shade: #A03F11, #B15124, #C26337, #D3754A and #E4875D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B3F16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B3F16 shade: #9B3F16, #8A2D03, #791B00, #680900 and #570000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B3F16 shade: #9C3F16, #9C1B16 and #9C1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B3F16 shade: #9C3F16, #9C6316, #9C8716, #8C9C16 and #689C16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B3F16 shade matches the following richer shades: #9C3F16 and #AA3A07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B3F16 shade: #9C3F16, #8D4524, #7F4A33, #705041 and #625550

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B3F16 shade: #9C1635, #9C1A16, #9C3E16, #9C6216 and #9C8516

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B3F16 shade: #53220B, #783011, #9C3F16, #C04E1B and #DF5E25

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B3F16 shade: #9B3F16, #599C16 and #16239C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B3F16 shade: #9B3F16, #169C3E and #3E169C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B3F16 shade: #9B3F16, #599C16, #16749C and #59169C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B3F16 shade: #9B3F16, #319C16, #16749C and #81169C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 86 / 39

HEX #9B3F16

RGB 155 63 22

HSL 18.5, 0.75%, 0.35%

LAB 38.87, 36.32, 41.94

 

Complementary color

CMYK 57 / 18 / 0 / 9

HEX #64C0E9

RGB 100 192 233

HSL 198.5, 0.75%, 0.65%

LAB 73.73, -15.84, -28.7

 

CMYK 0 / 61 / 89 / 37

HEX #A03F11

RGB 160 63 17

HSL 19.3, 0.81%, 0.35%

LAB 39.7, 38.15, 45.04

 

CMYK 0 / 54 / 80 / 31

HEX #B15124

RGB 177 81 36

HSL 19.15, 0.66%, 0.42%

LAB 46.12, 36.37, 43.48

 

CMYK 0 / 49 / 72 / 24

HEX #C26337

RGB 194 99 55

HSL 18.99, 0.56%, 0.49%

LAB 52.59, 34.67, 41.47

 

CMYK 0 / 45 / 65 / 17

HEX #D3754A

RGB 211 117 74

HSL 18.83, 0.61%, 0.56%

LAB 59.04, 33.11, 39.48

 

CMYK 0 / 41 / 59 / 11

HEX #E4875D

RGB 228 135 93

HSL 18.67, 0.71%, 0.63%

LAB 65.45, 31.69, 37.61

 

CMYK 0 / 59 / 86 / 39

HEX #9B3F16

RGB 155 63 22

HSL 18.5, 0.75%, 0.35%

LAB 38.87, 36.32, 41.94

 

CMYK 0 / 67 / 98 / 46

HEX #8A2D03

RGB 138 45 3

HSL 18.67, 0.96%, 0.28%

LAB 32.45, 38, 43.22

 

CMYK 0 / 78 / 100 / 53

HEX #791B00

RGB 121 27 0

HSL 13.39, 1%, 0.24%

LAB 26.3, 39.3, 38.2

 

CMYK 0 / 91 / 100 / 59

HEX #680900

RGB 104 9 0

HSL 5.19, 1%, 0.2%

LAB 20.59, 39.21, 31.21

 

CMYK 0 / 100 / 100 / 66

HEX #570000

RGB 87 0 0

HSL 0, 1%, 0.17%

LAB 15.62, 36.59, 24.31

 

CMYK 0 / 60 / 86 / 39

HEX #9C3F16

RGB 156 63 22

HSL 18.36, 0.75%, 0.35%

LAB 39.04, 36.72, 42.15

 

CMYK 0 / 83 / 86 / 39

HEX #9C1B16

RGB 156 27 22

HSL 2.24, 0.75%, 0.35%

LAB 33.79, 50.97, 37.54

 

CMYK 0 / 86 / 86 / 39

HEX #9C1616

RGB 156 22 22

HSL 0, 0.75%, 0.35%

LAB 33.35, 52.24, 37.14

 

CMYK 0 / 60 / 86 / 39

HEX #9C3F16

RGB 156 63 22

HSL 18.36, 0.75%, 0.35%

LAB 39.04, 36.72, 42.15

 

CMYK 0 / 37 / 86 / 39

HEX #9C6316

RGB 156 99 22

HSL 34.48, 0.75%, 0.35%

LAB 47.04, 17.09, 49.02

 

CMYK 0 / 13 / 86 / 39

HEX #9C8716

RGB 156 135 22

HSL 50.6, 0.75%, 0.35%

LAB 56.54, -3.28, 57

 

CMYK 10 / 0 / 86 / 39

HEX #8C9C16

RGB 140 156 22

HSL 67.16, 0.75%, 0.35%

LAB 61.14, -21.62, 60.29

 

CMYK 33 / 0 / 86 / 39

HEX #689C16

RGB 104 156 22

HSL 83.28, 0.75%, 0.35%

LAB 58.77, -36.52, 57.33

 

CMYK 0 / 60 / 86 / 39

HEX #9C3F16

RGB 156 63 22

HSL 18.36, 0.75%, 0.35%

LAB 39.04, 36.72, 42.15

 

CMYK 0 / 66 / 96 / 33

HEX #AA3A07

RGB 170 58 7

HSL 18.77, 0.92%, 0.35%

LAB 40.55, 44.05, 49.75

 

CMYK 0 / 60 / 86 / 39

HEX #9C3F16

RGB 156 63 22

HSL 18.36, 0.75%, 0.35%

LAB 39.04, 36.72, 42.15

 

CMYK 0 / 51 / 74 / 45

HEX #8D4524

RGB 141 69 36

HSL 18.86, 0.59%, 0.35%

LAB 37.93, 27.99, 33.25

 

CMYK 0 / 42 / 60 / 50

HEX #7F4A33

RGB 127 74 51

HSL 18.16, 0.43%, 0.35%

LAB 37.2, 20.09, 23.24

 

CMYK 0 / 29 / 42 / 56

HEX #705041

RGB 112 80 65

HSL 19.15, 0.27%, 0.35%

LAB 37.05, 11.3, 14.13

 

CMYK 0 / 13 / 18 / 62

HEX #625550

RGB 98 85 80

HSL 16.67, 0.1%, 0.35%

LAB 37.25, 4.41, 4.87

 

CMYK 0 / 86 / 66 / 39

HEX #9C1635

RGB 156 22 53

HSL 346.12, 0.75%, 0.35%

LAB 33.77, 53.49, 18.66

 

CMYK 0 / 83 / 86 / 39

HEX #9C1A16

RGB 156 26 22

HSL 1.79, 0.75%, 0.35%

LAB 33.7, 51.24, 37.45

 

CMYK 0 / 60 / 86 / 39

HEX #9C3E16

RGB 156 62 22

HSL 17.91, 0.75%, 0.35%

LAB 38.85, 37.21, 41.99

 

CMYK 0 / 37 / 86 / 39

HEX #9C6216

RGB 156 98 22

HSL 34.03, 0.75%, 0.35%

LAB 46.79, 17.66, 48.81

 

CMYK 0 / 15 / 86 / 39

HEX #9C8516

RGB 156 133 22

HSL 49.7, 0.75%, 0.35%

LAB 55.99, -2.18, 56.54

 

CMYK 0 / 59 / 87 / 67

HEX #53220B

RGB 83 34 11

HSL 19.17, 0.77%, 0.18%

LAB 20.07, 21.28, 24.94

 

CMYK 0 / 60 / 86 / 53

HEX #783011

RGB 120 48 17

HSL 18.06, 0.75%, 0.27%

LAB 29.78, 29.75, 33.84

 

CMYK 0 / 60 / 86 / 39

HEX #9C3F16

RGB 156 63 22

HSL 18.36, 0.75%, 0.35%

LAB 39.04, 36.72, 42.15

 

CMYK 0 / 59 / 86 / 25

HEX #C04E1B

RGB 192 78 27

HSL 18.55, 0.75%, 0.43%

LAB 47.92, 43.37, 50.03

 

CMYK 0 / 58 / 83 / 13

HEX #DF5E25

RGB 223 94 37

HSL 18.39, 0.74%, 0.51%

LAB 55.91, 47.61, 54.76

 

CMYK 0 / 59 / 86 / 39

HEX #9B3F16

RGB 155 63 22

HSL 18.5, 0.75%, 0.35%

LAB 38.87, 36.32, 41.94

 

CMYK 43 / 0 / 86 / 39

HEX #599C16

RGB 89 156 22

HSL 90, 0.75%, 0.35%

LAB 58, -42, 56.36

 

CMYK 86 / 78 / 0 / 39

HEX #16239C

RGB 22 35 156

HSL 234.18, 0.75%, 0.35%

LAB 22.91, 41.21, -65.64

 

CMYK 0 / 59 / 86 / 39

HEX #9B3F16

RGB 155 63 22

HSL 18.5, 0.75%, 0.35%

LAB 38.87, 36.32, 41.94

 

CMYK 86 / 0 / 60 / 39

HEX #169C3E

RGB 22 156 62

HSL 137.91, 0.75%, 0.35%

LAB 56.38, -53.79, 39.13

 

CMYK 60 / 86 / 0 / 39

HEX #3E169C

RGB 62 22 156

HSL 257.91, 0.75%, 0.35%

LAB 23.67, 50.63, -64.29

 

CMYK 0 / 59 / 86 / 39

HEX #9B3F16

RGB 155 63 22

HSL 18.5, 0.75%, 0.35%

LAB 38.87, 36.32, 41.94

 

CMYK 43 / 0 / 86 / 39

HEX #599C16

RGB 89 156 22

HSL 90, 0.75%, 0.35%

LAB 58, -42, 56.36

 

CMYK 86 / 26 / 0 / 39

HEX #16749C

RGB 22 116 156

HSL 197.91, 0.75%, 0.35%

LAB 45.72, -11.24, -28.87

 

CMYK 43 / 86 / 0 / 39

HEX #59169C

RGB 89 22 156

HSL 270, 0.75%, 0.35%

LAB 27.01, 53.81, -58.66

 

CMYK 0 / 59 / 86 / 39

HEX #9B3F16

RGB 155 63 22

HSL 18.5, 0.75%, 0.35%

LAB 38.87, 36.32, 41.94

 

CMYK 69 / 0 / 86 / 39

HEX #319C16

RGB 49 156 22

HSL 107.91, 0.75%, 0.35%

LAB 56.57, -53.23, 54.55

 

CMYK 86 / 26 / 0 / 39

HEX #16749C

RGB 22 116 156

HSL 197.91, 0.75%, 0.35%

LAB 45.72, -11.24, -28.87

 

CMYK 17 / 86 / 0 / 39

HEX #81169C

RGB 129 22 156

HSL 287.91, 0.75%, 0.35%

LAB 33.22, 60.06, -48.27

 

Description

Color code: HEX #9B3F16 | qconv.com Color code: HEX #9B3F16 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 63 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 63 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 86 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 86% 39% C M Y K

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Provide designers and agencies with accurate color values.

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