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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B3159 it is the complementary color #64CEA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B3159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B3159 shade: #A03154, #B14367, #C2557A, #D3678D and #E479A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B3159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B3159 shade: #9B3159, #8A1F46, #790D33, #680020 and #57000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B3159 shade: #9B3058, #9B303C and #9B3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B3159 shade: #9B3058, #9B3075, #9B3092, #87309B and #6A309B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B3159 shade matches the following richer shades: #9B3058, #AB2054 and #BC0F50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B3159 shade: #9B3058, #8A415D, #7A5161, #696265 and #597269

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B3159 shade: #9B3092, #9B3075, #9B3059, #9B303D and #9B4030

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B3159 shade: #5C1D34, #7B2746, #9B3058, #BA3A6A and #C95581

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B3159 shade: #9B3159, #9B8730 and #30849B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B3159 shade: #9B3159, #599B30 and #30599B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B3159 shade: #9B3159, #9B8730, #309B72 and #30449B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B3159 shade: #9B3159, #8E9B30, #309B72 and #3D309B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 43 / 39

HEX #9B3159

RGB 155 49 89

HSL 337.36, 0.52%, 0.4%

LAB 37.64, 47.27, 0.78

 

Complementary color

CMYK 51 / 0 / 19 / 19

HEX #64CEA6

RGB 100 206 166

HSL 157.36, 0.52%, 0.6%

LAB 75.83, -40.14, 10.63

 

CMYK 0 / 69 / 48 / 37

HEX #A03154

RGB 160 49 84

HSL 341.08, 0.53%, 0.41%

LAB 38.39, 48.33, 5.17

 

CMYK 0 / 62 / 42 / 31

HEX #B14367

RGB 177 67 103

HSL 340.36, 0.45%, 0.48%

LAB 44.72, 47.99, 2.77

 

CMYK 0 / 56 / 37 / 24

HEX #C2557A

RGB 194 85 122

HSL 339.63, 0.47%, 0.55%

LAB 51.12, 47.34, 0.87

 

CMYK 0 / 51 / 33 / 17

HEX #D3678D

RGB 211 103 141

HSL 338.89, 0.55%, 0.62%

LAB 57.53, 46.55, -0.69

 

CMYK 0 / 47 / 30 / 11

HEX #E479A0

RGB 228 121 160

HSL 338.13, 0.66%, 0.68%

LAB 63.92, 45.71, -2.01

 

CMYK 0 / 68 / 43 / 39

HEX #9B3159

RGB 155 49 89

HSL 337.36, 0.52%, 0.4%

LAB 37.64, 47.27, 0.78

 

CMYK 0 / 78 / 49 / 46

HEX #8A1F46

RGB 138 31 70

HSL 338.13, 0.63%, 0.33%

LAB 31.41, 47.03, 3.67

 

CMYK 0 / 89 / 58 / 53

HEX #790D33

RGB 121 13 51

HSL 338.89, 0.81%, 0.26%

LAB 25.54, 45.65, 7.64

 

CMYK 0 / 100 / 69 / 59

HEX #680020

RGB 104 0 32

HSL 341.54, 1%, 0.2%

LAB 20.23, 42.58, 13.08

 

CMYK 0 / 100 / 85 / 66

HEX #57000D

RGB 87 0 13

HSL 351.03, 1%, 0.17%

LAB 15.77, 37, 19.1

 

CMYK 0 / 69 / 43 / 39

HEX #9B3058

RGB 155 48 88

HSL 337.57, 0.53%, 0.4%

LAB 37.46, 47.58, 1.16

 

CMYK 0 / 69 / 61 / 39

HEX #9B303C

RGB 155 48 60

HSL 353.27, 0.53%, 0.4%

LAB 36.76, 45.11, 18.03

 

CMYK 0 / 69 / 69 / 39

HEX #9B3030

RGB 155 48 48

HSL 0, 0.53%, 0.4%

LAB 36.55, 44.35, 25.27

 

CMYK 0 / 69 / 43 / 39

HEX #9B3058

RGB 155 48 88

HSL 337.57, 0.53%, 0.4%

LAB 37.46, 47.58, 1.16

 

CMYK 0 / 69 / 25 / 39

HEX #9B3075

RGB 155 48 117

HSL 321.31, 0.53%, 0.4%

LAB 38.49, 51.1, -15.6

 

CMYK 0 / 69 / 6 / 39

HEX #9B3092

RGB 155 48 146

HSL 305.05, 0.53%, 0.4%

LAB 39.84, 55.5, -31.36

 

CMYK 13 / 69 / 0 / 39

HEX #87309B

RGB 135 48 155

HSL 288.79, 0.53%, 0.4%

LAB 37.17, 52.33, -41.26

 

CMYK 32 / 69 / 0 / 39

HEX #6A309B

RGB 106 48 155

HSL 272.52, 0.53%, 0.4%

LAB 33.02, 45.79, -48.16

 

CMYK 0 / 69 / 43 / 39

HEX #9B3058

RGB 155 48 88

HSL 337.57, 0.53%, 0.4%

LAB 37.46, 47.58, 1.16

 

CMYK 0 / 81 / 51 / 33

HEX #AB2054

RGB 171 32 84

HSL 337.55, 0.68%, 0.4%

LAB 38.43, 57.29, 5.5

 

CMYK 0 / 92 / 57 / 26

HEX #BC0F50

RGB 188 15 80

HSL 337.46, 0.85%, 0.4%

LAB 40.59, 64.72, 11.59

 

CMYK 0 / 69 / 43 / 39

HEX #9B3058

RGB 155 48 88

HSL 337.57, 0.53%, 0.4%

LAB 37.46, 47.58, 1.16

 

CMYK 0 / 53 / 33 / 46

HEX #8A415D

RGB 138 65 93

HSL 336.99, 0.36%, 0.4%

LAB 37.8, 34.34, -1.86

 

CMYK 0 / 34 / 20 / 52

HEX #7A5161

RGB 122 81 97

HSL 336.59, 0.2%, 0.4%

LAB 39.39, 19.71, -2.27

 

CMYK 0 / 7 / 4 / 59

HEX #696265

RGB 105 98 101

HSL 334.29, 0.03%, 0.4%

LAB 42.27, 3.37, -0.71

 

CMYK 22 / 0 / 8 / 55

HEX #597269

RGB 89 114 105

HSL 158.4, 0.12%, 0.4%

LAB 45.88, -11.18, 1.98

 

CMYK 0 / 69 / 6 / 39

HEX #9B3092

RGB 155 48 146

HSL 305.05, 0.53%, 0.4%

LAB 39.84, 55.5, -31.36

 

CMYK 0 / 69 / 25 / 39

HEX #9B3075

RGB 155 48 117

HSL 321.31, 0.53%, 0.4%

LAB 38.49, 51.1, -15.6

 

CMYK 0 / 69 / 43 / 39

HEX #9B3059

RGB 155 48 89

HSL 337.01, 0.53%, 0.4%

LAB 37.49, 47.68, 0.56

 

CMYK 0 / 69 / 61 / 39

HEX #9B303D

RGB 155 48 61

HSL 352.71, 0.53%, 0.4%

LAB 36.78, 45.18, 17.43

 

CMYK 0 / 59 / 69 / 39

HEX #9B4030

RGB 155 64 48

HSL 8.97, 0.53%, 0.4%

LAB 39.32, 36.94, 28.61

 

CMYK 0 / 68 / 43 / 64

HEX #5C1D34

RGB 92 29 52

HSL 338.1, 0.52%, 0.24%

LAB 21.59, 31.06, 0.51

 

CMYK 0 / 68 / 43 / 52

HEX #7B2746

RGB 123 39 70

HSL 337.86, 0.52%, 0.32%

LAB 29.67, 39.17, 0.8

 

CMYK 0 / 69 / 43 / 39

HEX #9B3058

RGB 155 48 88

HSL 337.57, 0.53%, 0.4%

LAB 37.46, 47.58, 1.16

 

CMYK 0 / 69 / 43 / 27

HEX #BA3A6A

RGB 186 58 106

HSL 337.5, 0.52%, 0.48%

LAB 44.95, 54.91, 1.45

 

CMYK 0 / 58 / 36 / 21

HEX #C95581

RGB 201 85 129

HSL 337.24, 0.52%, 0.56%

LAB 52.4, 50.46, -1.32

 

CMYK 0 / 68 / 43 / 39

HEX #9B3159

RGB 155 49 89

HSL 337.36, 0.52%, 0.4%

LAB 37.64, 47.27, 0.78

 

CMYK 0 / 13 / 69 / 39

HEX #9B8730

RGB 155 135 48

HSL 48.79, 0.53%, 0.4%

LAB 56.59, -2.62, 47.69

 

CMYK 69 / 15 / 0 / 39

HEX #30849B

RGB 48 132 155

HSL 192.9, 0.53%, 0.4%

LAB 51.26, -17.43, -19.66

 

CMYK 0 / 68 / 43 / 39

HEX #9B3159

RGB 155 49 89

HSL 337.36, 0.52%, 0.4%

LAB 37.64, 47.27, 0.78

 

CMYK 43 / 0 / 69 / 39

HEX #599B30

RGB 89 155 48

HSL 97.01, 0.53%, 0.4%

LAB 57.83, -40.01, 47.52

 

CMYK 69 / 43 / 0 / 39

HEX #30599B

RGB 48 89 155

HSL 217.01, 0.53%, 0.4%

LAB 38.09, 8.33, -40.27

 

CMYK 0 / 68 / 43 / 39

HEX #9B3159

RGB 155 49 89

HSL 337.36, 0.52%, 0.4%

LAB 37.64, 47.27, 0.78

 

CMYK 0 / 13 / 69 / 39

HEX #9B8730

RGB 155 135 48

HSL 48.79, 0.53%, 0.4%

LAB 56.59, -2.62, 47.69

 

CMYK 69 / 0 / 26 / 39

HEX #309B72

RGB 48 155 114

HSL 157.01, 0.53%, 0.4%

LAB 57.35, -40.23, 12.86

 

CMYK 69 / 56 / 0 / 39

HEX #30449B

RGB 48 68 155

HSL 228.79, 0.53%, 0.4%

LAB 32.1, 22.27, -49.91

 

CMYK 0 / 68 / 43 / 39

HEX #9B3159

RGB 155 49 89

HSL 337.36, 0.52%, 0.4%

LAB 37.64, 47.27, 0.78

 

CMYK 8 / 0 / 69 / 39

HEX #8E9B30

RGB 142 155 48

HSL 67.29, 0.53%, 0.4%

LAB 61.14, -19.08, 51.98

 

CMYK 69 / 0 / 26 / 39

HEX #309B72

RGB 48 155 114

HSL 157.01, 0.53%, 0.4%

LAB 57.35, -40.23, 12.86

 

CMYK 61 / 69 / 0 / 39

HEX #3D309B

RGB 61 48 155

HSL 247.29, 0.53%, 0.4%

LAB 28.04, 37.2, -56.48

 

Description

Color code: HEX #9B3159 | qconv.com Color code: HEX #9B3159 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 49 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 49 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 43 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 43% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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