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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B38B2 it is the complementary color #64C74D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B38B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B38B2 shade: #A038AD, #B14AC0, #C25CD3, #D36EE6 and #E480F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B38B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B38B2 shade: #9B38B2, #8A269F, #79148C, #680279 and #570066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B38B2 shade: #9B38B2, #B238A8, #B23887, #B23866 and #B23845

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B38B2 shade: #9B38B2, #7A38B2, #5938B2, #3838B2 and #3838B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B38B2 shade matches the following richer shades: #9B38B2, #A725C5 and #B212D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B38B2 shade: #9B38B2, #8F4B9F, #835E8C, #777179 and #6C8466

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B38B2 shade: #5838B2, #7938B2, #9938B2, #B238AA and #B23889

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B38B2 shade: #642473, #7F2E92, #9B38B2, #AF4DC6 and #BD6CD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B38B2 shade: #9B38B2, #B23838 and #38B269

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B38B2 shade: #9B38B2, #B29938 and #38B299

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B38B2 shade: #9B38B2, #B23838, #50B238 and #38B2B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B38B2 shade: #9B38B2, #B25C38, #50B238 and #388DB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 69 / 0 / 30

HEX #9B38B2

RGB 155 56 178

HSL 288.69, 0.52%, 0.46%

LAB 42.78, 58.07, -45.87

 

Complementary color

CMYK 50 / 0 / 61 / 22

HEX #64C74D

RGB 100 199 77

HSL 108.69, 0.52%, 0.54%

LAB 72.29, -51.8, 51.02

 

CMYK 8 / 68 / 0 / 32

HEX #A038AD

RGB 160 56 173

HSL 293.33, 0.51%, 0.45%

LAB 43.24, 58.27, -42.13

 

CMYK 8 / 61 / 0 / 25

HEX #B14AC0

RGB 177 74 192

HSL 292.37, 0.48%, 0.52%

LAB 49.56, 58.22, -43.07

 

CMYK 8 / 56 / 0 / 17

HEX #C25CD3

RGB 194 92 211

HSL 291.43, 0.57%, 0.59%

LAB 55.91, 57.83, -43.75

 

CMYK 8 / 52 / 0 / 10

HEX #D36EE6

RGB 211 110 230

HSL 290.5, 0.71%, 0.67%

LAB 62.27, 57.26, -44.26

 

CMYK 8 / 49 / 0 / 2

HEX #E480F9

RGB 228 128 249

HSL 289.59, 0.91%, 0.74%

LAB 68.59, 56.59, -44.68

 

CMYK 13 / 69 / 0 / 30

HEX #9B38B2

RGB 155 56 178

HSL 288.69, 0.52%, 0.46%

LAB 42.78, 58.07, -45.87

 

CMYK 13 / 76 / 0 / 38

HEX #8A269F

RGB 138 38 159

HSL 289.59, 0.61%, 0.39%

LAB 36.54, 57.61, -44.66

 

CMYK 14 / 86 / 0 / 45

HEX #79148C

RGB 121 20 140

HSL 290.5, 0.75%, 0.31%

LAB 30.54, 56.14, -42.84

 

CMYK 14 / 98 / 0 / 53

HEX #680279

RGB 104 2 121

HSL 291.43, 0.97%, 0.24%

LAB 24.85, 53.35, -40.24

 

CMYK 15 / 100 / 0 / 60

HEX #570066

RGB 87 0 102

HSL 291.18, 1%, 0.2%

LAB 19.99, 47.55, -35.96

 

CMYK 13 / 69 / 0 / 30

HEX #9B38B2

RGB 155 56 178

HSL 288.69, 0.52%, 0.46%

LAB 42.78, 58.07, -45.87

 

CMYK 0 / 69 / 6 / 30

HEX #B238A8

RGB 178 56 168

HSL 304.92, 0.52%, 0.46%

LAB 45.8, 61.67, -34.94

 

CMYK 0 / 69 / 24 / 30

HEX #B23887

RGB 178 56 135

HSL 321.15, 0.52%, 0.46%

LAB 44.29, 56.79, -17.46

 

CMYK 0 / 69 / 43 / 30

HEX #B23866

RGB 178 56 102

HSL 337.38, 0.52%, 0.46%

LAB 43.14, 52.88, 1.12

 

CMYK 0 / 69 / 61 / 30

HEX #B23845

RGB 178 56 69

HSL 353.61, 0.52%, 0.46%

LAB 42.34, 50.06, 20.52

 

CMYK 13 / 69 / 0 / 30

HEX #9B38B2

RGB 155 56 178

HSL 288.69, 0.52%, 0.46%

LAB 42.78, 58.07, -45.87

 

CMYK 31 / 69 / 0 / 30

HEX #7A38B2

RGB 122 56 178

HSL 272.46, 0.52%, 0.46%

LAB 38.16, 50.85, -53.53

 

CMYK 50 / 69 / 0 / 30

HEX #5938B2

RGB 89 56 178

HSL 256.23, 0.52%, 0.46%

LAB 34.33, 44.4, -59.94

 

CMYK 69 / 69 / 0 / 30

HEX #3838B2

RGB 56 56 178

HSL 240, 0.52%, 0.46%

LAB 31.54, 39.34, -64.61

 

CMYK 69 / 69 / 0 / 30

HEX #3838B2

RGB 56 56 178

HSL 240, 0.52%, 0.46%

LAB 31.54, 39.34, -64.61

 

CMYK 13 / 69 / 0 / 30

HEX #9B38B2

RGB 155 56 178

HSL 288.69, 0.52%, 0.46%

LAB 42.78, 58.07, -45.87

 

CMYK 15 / 81 / 0 / 23

HEX #A725C5

RGB 167 37 197

HSL 288.75, 0.68%, 0.46%

LAB 43.61, 70.43, -55.57

 

CMYK 18 / 92 / 0 / 15

HEX #B212D8

RGB 178 18 216

HSL 288.48, 0.85%, 0.46%

LAB 45.44, 79.26, -63.51

 

CMYK 13 / 69 / 0 / 30

HEX #9B38B2

RGB 155 56 178

HSL 288.69, 0.52%, 0.46%

LAB 42.78, 58.07, -45.87

 

CMYK 10 / 53 / 0 / 38

HEX #8F4B9F

RGB 143 75 159

HSL 288.57, 0.36%, 0.46%

LAB 43.32, 42.2, -33.83

 

CMYK 6 / 33 / 0 / 45

HEX #835E8C

RGB 131 94 140

HSL 288.26, 0.2%, 0.46%

LAB 45.25, 23.62, -19.57

 

CMYK 2 / 7 / 0 / 53

HEX #777179

RGB 119 113 121

HSL 285, 0.03%, 0.46%

LAB 48.4, 3.92, -3.59

 

CMYK 18 / 0 / 23 / 48

HEX #6C8466

RGB 108 132 102

HSL 108, 0.13%, 0.46%

LAB 52.56, -14.74, 13.41

 

CMYK 51 / 69 / 0 / 30

HEX #5838B2

RGB 88 56 178

HSL 255.74, 0.52%, 0.46%

LAB 34.23, 44.22, -60.11

 

CMYK 32 / 69 / 0 / 30

HEX #7938B2

RGB 121 56 178

HSL 271.97, 0.52%, 0.46%

LAB 38.03, 50.64, -53.75

 

CMYK 14 / 69 / 0 / 30

HEX #9938B2

RGB 153 56 178

HSL 287.7, 0.52%, 0.46%

LAB 42.48, 57.62, -46.36

 

CMYK 0 / 69 / 4 / 30

HEX #B238AA

RGB 178 56 170

HSL 303.93, 0.52%, 0.46%

LAB 45.9, 61.99, -35.96

 

CMYK 0 / 69 / 23 / 30

HEX #B23889

RGB 178 56 137

HSL 320.16, 0.52%, 0.46%

LAB 44.38, 57.06, -18.55

 

CMYK 13 / 69 / 0 / 55

HEX #642473

RGB 100 36 115

HSL 288.61, 0.52%, 0.3%

LAB 27.32, 41, -32.47

 

CMYK 13 / 68 / 0 / 43

HEX #7F2E92

RGB 127 46 146

HSL 288.6, 0.52%, 0.38%

LAB 35.09, 49.51, -39.19

 

CMYK 13 / 69 / 0 / 30

HEX #9B38B2

RGB 155 56 178

HSL 288.69, 0.52%, 0.46%

LAB 42.78, 58.07, -45.87

 

CMYK 12 / 61 / 0 / 22

HEX #AF4DC6

RGB 175 77 198

HSL 288.6, 0.51%, 0.54%

LAB 50.1, 57.52, -45.7

 

CMYK 9 / 48 / 0 / 18

HEX #BD6CD0

RGB 189 108 208

HSL 288.6, 0.52%, 0.62%

LAB 58.13, 47.96, -38.6

 

CMYK 13 / 69 / 0 / 30

HEX #9B38B2

RGB 155 56 178

HSL 288.69, 0.52%, 0.46%

LAB 42.78, 58.07, -45.87

 

CMYK 0 / 69 / 69 / 30

HEX #B23838

RGB 178 56 56

HSL 0, 0.52%, 0.46%

LAB 42.12, 49.27, 28.17

 

CMYK 69 / 0 / 41 / 30

HEX #38B269

RGB 56 178 105

HSL 144.1, 0.52%, 0.46%

LAB 64.72, -50.06, 27.79

 

CMYK 13 / 69 / 0 / 30

HEX #9B38B2

RGB 155 56 178

HSL 288.69, 0.52%, 0.46%

LAB 42.78, 58.07, -45.87

 

CMYK 0 / 14 / 69 / 30

HEX #B29938

RGB 178 153 56

HSL 47.7, 0.52%, 0.46%

LAB 63.78, -1.7, 52.36

 

CMYK 69 / 0 / 14 / 30

HEX #38B299

RGB 56 178 153

HSL 167.7, 0.52%, 0.46%

LAB 65.73, -39.37, 3.06

 

CMYK 13 / 69 / 0 / 30

HEX #9B38B2

RGB 155 56 178

HSL 288.69, 0.52%, 0.46%

LAB 42.78, 58.07, -45.87

 

CMYK 0 / 69 / 69 / 30

HEX #B23838

RGB 178 56 56

HSL 0, 0.52%, 0.46%

LAB 42.12, 49.27, 28.17

 

CMYK 55 / 0 / 69 / 30

HEX #50B238

RGB 80 178 56

HSL 108.2, 0.52%, 0.46%

LAB 64.83, -51.29, 51.53

 

CMYK 69 / 0 / 0 / 30

HEX #38B2B2

RGB 56 178 178

HSL 180, 0.52%, 0.46%

LAB 66.44, -32.5, -9.76

 

CMYK 13 / 69 / 0 / 30

HEX #9B38B2

RGB 155 56 178

HSL 288.69, 0.52%, 0.46%

LAB 42.78, 58.07, -45.87

 

CMYK 0 / 48 / 69 / 30

HEX #B25C38

RGB 178 92 56

HSL 17.7, 0.52%, 0.46%

LAB 48.77, 31.97, 36.01

 

CMYK 55 / 0 / 69 / 30

HEX #50B238

RGB 80 178 56

HSL 108.2, 0.52%, 0.46%

LAB 64.83, -51.29, 51.53

 

CMYK 69 / 21 / 0 / 30

HEX #388DB2

RGB 56 141 178

HSL 198.2, 0.52%, 0.46%

LAB 55.18, -13.48, -26.87

 

Description

Color code: HEX #9B38B2 | qconv.com Color code: HEX #9B38B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 56 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 56 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 69 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 69% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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