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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B2375 it is the complementary color #64DC8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B2375. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B2375 shade: #A02370, #B13583, #C24796, #D359A9 and #E46BBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B2375. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B2375 shade: #9B2375, #8A1162, #79004F, #68003C and #570029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B2375 shade: #992274, #992254, #992234 and #992222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B2375 shade: #992274, #992294, #7F2299, #5F2299 and #3F2299

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B2375 shade matches the following richer shades: #992274, #A91379 and #B8047F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B2375 shade: #992274, #8A326E, #7B4168, #6B5063 and #5C5F5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B2375 shade: #802299, #992293, #992274, #992254 and #992234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B2375 shade: #561341, #781B5A, #992274, #BB2A8D and #D23CA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B2375 shade: #9B2375, #996022 and #22998F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B2375 shade: #9B2375, #749922 and #227499

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B2375 shade: #9B2375, #996022, #229948 and #225C99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B2375 shade: #9B2375, #998322, #229948 and #223899

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 25 / 39

HEX #9B2375

RGB 155 35 117

HSL 319, 0.63%, 0.37%

LAB 36.85, 55.74, -18.12

 

Complementary color

CMYK 55 / 0 / 37 / 14

HEX #64DC8A

RGB 100 220 138

HSL 139, 0.63%, 0.63%

LAB 79.46, -51.6, 30.33

 

CMYK 0 / 78 / 30 / 37

HEX #A02370

RGB 160 35 112

HSL 323.04, 0.64%, 0.38%

LAB 37.56, 56.38, -13.8

 

CMYK 0 / 70 / 26 / 31

HEX #B13583

RGB 177 53 131

HSL 322.26, 0.54%, 0.45%

LAB 43.55, 57.13, -16.17

 

CMYK 0 / 63 / 23 / 24

HEX #C24796

RGB 194 71 150

HSL 321.46, 0.5%, 0.52%

LAB 49.71, 57.22, -17.97

 

CMYK 0 / 58 / 20 / 17

HEX #D359A9

RGB 211 89 169

HSL 320.66, 0.58%, 0.59%

LAB 55.95, 56.93, -19.39

 

CMYK 0 / 53 / 18 / 11

HEX #E46BBC

RGB 228 107 188

HSL 319.83, 0.69%, 0.66%

LAB 62.2, 56.42, -20.54

 

CMYK 0 / 77 / 25 / 39

HEX #9B2375

RGB 155 35 117

HSL 319, 0.63%, 0.37%

LAB 36.85, 55.74, -18.12

 

CMYK 0 / 88 / 29 / 46

HEX #8A1162

RGB 138 17 98

HSL 319.83, 0.78%, 0.3%

LAB 31.08, 53.93, -15.16

 

CMYK 0 / 100 / 35 / 53

HEX #79004F

RGB 121 0 79

HSL 320.83, 1%, 0.24%

LAB 25.65, 50.84, -11.25

 

CMYK 0 / 100 / 42 / 59

HEX #68003C

RGB 104 0 60

HSL 325.38, 1%, 0.2%

LAB 21.09, 44.85, -5.51

 

CMYK 0 / 100 / 53 / 66

HEX #570029

RGB 87 0 41

HSL 331.72, 1%, 0.17%

LAB 16.44, 38.77, 0.71

 

CMYK 0 / 78 / 24 / 40

HEX #992274

RGB 153 34 116

HSL 318.66, 0.64%, 0.37%

LAB 36.32, 55.41, -18.33

 

CMYK 0 / 78 / 45 / 40

HEX #992254

RGB 153 34 84

HSL 334.79, 0.64%, 0.37%

LAB 35.12, 51.72, 0.27

 

CMYK 0 / 78 / 66 / 40

HEX #992234

RGB 153 34 52

HSL 350.92, 0.64%, 0.37%

LAB 34.32, 49.2, 19.89

 

CMYK 0 / 78 / 78 / 40

HEX #992222

RGB 153 34 34

HSL 0, 0.64%, 0.37%

LAB 34.05, 48.31, 30.8

 

CMYK 0 / 78 / 24 / 40

HEX #992274

RGB 153 34 116

HSL 318.66, 0.64%, 0.37%

LAB 36.32, 55.41, -18.33

 

CMYK 0 / 78 / 3 / 40

HEX #992294

RGB 153 34 148

HSL 302.52, 0.64%, 0.37%

LAB 37.94, 60.13, -35.61

 

CMYK 17 / 78 / 0 / 40

HEX #7F2299

RGB 127 34 153

HSL 286.89, 0.64%, 0.37%

LAB 33.89, 55.6, -45.38

 

CMYK 38 / 78 / 0 / 40

HEX #5F2299

RGB 95 34 153

HSL 270.76, 0.64%, 0.37%

LAB 29.1, 49.57, -53.37

 

CMYK 59 / 78 / 0 / 40

HEX #3F2299

RGB 63 34 153

HSL 254.62, 0.64%, 0.37%

LAB 25.26, 44.61, -59.81

 

CMYK 0 / 78 / 24 / 40

HEX #992274

RGB 153 34 116

HSL 318.66, 0.64%, 0.37%

LAB 36.32, 55.41, -18.33

 

CMYK 0 / 89 / 28 / 34

HEX #A91379

RGB 169 19 121

HSL 319.2, 0.8%, 0.37%

LAB 38.34, 63.39, -18.1

 

CMYK 0 / 98 / 31 / 28

HEX #B8047F

RGB 184 4 127

HSL 319, 0.96%, 0.37%

LAB 40.91, 69.14, -17.64

 

CMYK 0 / 78 / 24 / 40

HEX #992274

RGB 153 34 116

HSL 318.66, 0.64%, 0.37%

LAB 36.32, 55.41, -18.33

 

CMYK 0 / 64 / 20 / 46

HEX #8A326E

RGB 138 50 110

HSL 319.09, 0.47%, 0.37%

LAB 35.62, 44.29, -15.86

 

CMYK 0 / 47 / 15 / 52

HEX #7B4168

RGB 123 65 104

HSL 319.66, 0.31%, 0.37%

LAB 35.97, 30.66, -11.75

 

CMYK 0 / 25 / 7 / 58

HEX #6B5063

RGB 107 80 99

HSL 317.78, 0.14%, 0.37%

LAB 37.42, 14.78, -6.64

 

CMYK 3 / 0 / 2 / 63

HEX #5C5F5D

RGB 92 95 93

HSL 140, 0.02%, 0.37%

LAB 40, -1.6, 0.73

 

CMYK 16 / 78 / 0 / 40

HEX #802299

RGB 128 34 153

HSL 287.39, 0.64%, 0.37%

LAB 34.05, 55.8, -45.11

 

CMYK 0 / 78 / 4 / 40

HEX #992293

RGB 153 34 147

HSL 303.03, 0.64%, 0.37%

LAB 37.88, 59.97, -35.09

 

CMYK 0 / 78 / 24 / 40

HEX #992274

RGB 153 34 116

HSL 318.66, 0.64%, 0.37%

LAB 36.32, 55.41, -18.33

 

CMYK 0 / 78 / 45 / 40

HEX #992254

RGB 153 34 84

HSL 334.79, 0.64%, 0.37%

LAB 35.12, 51.72, 0.27

 

CMYK 0 / 78 / 66 / 40

HEX #992234

RGB 153 34 52

HSL 350.92, 0.64%, 0.37%

LAB 34.32, 49.2, 19.89

 

CMYK 0 / 78 / 24 / 66

HEX #561341

RGB 86 19 65

HSL 318.81, 0.64%, 0.21%

LAB 19.33, 35.36, -12.02

 

CMYK 0 / 78 / 25 / 53

HEX #781B5A

RGB 120 27 90

HSL 319.35, 0.63%, 0.29%

LAB 28.15, 45.59, -14.74

 

CMYK 0 / 78 / 24 / 40

HEX #992274

RGB 153 34 116

HSL 318.66, 0.64%, 0.37%

LAB 36.32, 55.41, -18.33

 

CMYK 0 / 78 / 25 / 27

HEX #BB2A8D

RGB 187 42 141

HSL 319.03, 0.63%, 0.45%

LAB 44.44, 64.6, -20.75

 

CMYK 0 / 71 / 22 / 18

HEX #D23CA3

RGB 210 60 163

HSL 318.8, 0.63%, 0.53%

LAB 51.36, 67.39, -22.92

 

CMYK 0 / 77 / 25 / 39

HEX #9B2375

RGB 155 35 117

HSL 319, 0.63%, 0.37%

LAB 36.85, 55.74, -18.12

 

CMYK 0 / 37 / 78 / 40

HEX #996022

RGB 153 96 34

HSL 31.26, 0.64%, 0.37%

LAB 45.98, 17.88, 43.09

 

CMYK 78 / 0 / 7 / 40

HEX #22998F

RGB 34 153 143

HSL 174.96, 0.64%, 0.37%

LAB 57.18, -33.66, -3.88

 

CMYK 0 / 77 / 25 / 39

HEX #9B2375

RGB 155 35 117

HSL 319, 0.63%, 0.37%

LAB 36.85, 55.74, -18.12

 

CMYK 24 / 0 / 78 / 40

HEX #749922

RGB 116 153 34

HSL 78.66, 0.64%, 0.37%

LAB 58.61, -29.86, 54.02

 

CMYK 78 / 24 / 0 / 40

HEX #227499

RGB 34 116 153

HSL 198.66, 0.64%, 0.37%

LAB 45.81, -11.12, -26.94

 

CMYK 0 / 77 / 25 / 39

HEX #9B2375

RGB 155 35 117

HSL 319, 0.63%, 0.37%

LAB 36.85, 55.74, -18.12

 

CMYK 0 / 37 / 78 / 40

HEX #996022

RGB 153 96 34

HSL 31.26, 0.64%, 0.37%

LAB 45.98, 17.88, 43.09

 

CMYK 78 / 0 / 53 / 40

HEX #229948

RGB 34 153 72

HSL 139.16, 0.64%, 0.37%

LAB 55.68, -49.88, 33.38

 

CMYK 78 / 40 / 0 / 40

HEX #225C99

RGB 34 92 153

HSL 210.76, 0.64%, 0.37%

LAB 38.37, 3.56, -38.66

 

CMYK 0 / 77 / 25 / 39

HEX #9B2375

RGB 155 35 117

HSL 319, 0.63%, 0.37%

LAB 36.85, 55.74, -18.12

 

CMYK 0 / 14 / 78 / 40

HEX #998322

RGB 153 131 34

HSL 48.91, 0.64%, 0.37%

LAB 55.2, -2.03, 51.9

 

CMYK 78 / 0 / 53 / 40

HEX #229948

RGB 34 153 72

HSL 139.16, 0.64%, 0.37%

LAB 55.68, -49.88, 33.38

 

CMYK 78 / 63 / 0 / 40

HEX #223899

RGB 34 56 153

HSL 228.91, 0.64%, 0.37%

LAB 28.03, 27.72, -55.35

 

Description

Color code: HEX #9B2375 | qconv.com Color code: HEX #9B2375 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 35 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 35 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 25 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 25% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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