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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B268D it is the complementary color #64D972. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B268D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B268D shade: #A02688, #B1389B, #C24AAE, #D35CC1 and #E46ED4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B268D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B268D shade: #9B268D, #8A147A, #790267, #680054 and #570041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B268D shade: #9C258D, #9C256D, #9C254E, #9C252E and #9C2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B268D shade: #9C258D, #8A259C, #6A259C, #4A259C and #2A259C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B268D shade matches the following richer shades: #9C258D, #AB1699 and #BB06A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B268D shade: #9C258D, #8C3581, #7C4576, #6C546A and #5D645E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B268D shade: #6A259C, #8A259C, #9C258E, #9C256E and #9C254F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B268D shade: #591551, #7A1D6F, #9C258D, #BD2DAC and #D142C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B268D shade: #9B268D, #9C4B25 and #259C7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B268D shade: #9B268D, #8E9C25 and #258E9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B268D shade: #9B268D, #9C4B25, #259C33 and #25769C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B268D shade: #9B268D, #9C6E25, #259C33 and #25539C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 9 / 39

HEX #9B268D

RGB 155 38 141

HSL 307.18, 0.61%, 0.38%

LAB 38.34, 58.24, -30.68

 

Complementary color

CMYK 54 / 0 / 47 / 15

HEX #64D972

RGB 100 217 114

HSL 127.18, 0.61%, 0.62%

LAB 78.2, -54.23, 40.75

 

CMYK 0 / 76 / 15 / 37

HEX #A02688

RGB 160 38 136

HSL 311.8, 0.62%, 0.39%

LAB 38.96, 58.66, -26.57

 

CMYK 0 / 68 / 12 / 31

HEX #B1389B

RGB 177 56 155

HSL 310.91, 0.52%, 0.46%

LAB 45, 59.39, -28.45

 

CMYK 0 / 62 / 10 / 24

HEX #C24AAE

RGB 194 74 174

HSL 310, 0.5%, 0.53%

LAB 51.18, 59.49, -29.87

 

CMYK 0 / 56 / 9 / 17

HEX #D35CC1

RGB 211 92 193

HSL 309.08, 0.57%, 0.59%

LAB 57.42, 59.22, -30.96

 

CMYK 0 / 52 / 7 / 11

HEX #E46ED4

RGB 228 110 212

HSL 308.14, 0.69%, 0.66%

LAB 63.67, 58.74, -31.84

 

CMYK 0 / 75 / 9 / 39

HEX #9B268D

RGB 155 38 141

HSL 307.18, 0.61%, 0.38%

LAB 38.34, 58.24, -30.68

 

CMYK 0 / 86 / 12 / 46

HEX #8A147A

RGB 138 20 122

HSL 308.14, 0.75%, 0.31%

LAB 32.5, 56.53, -28.28

 

CMYK 0 / 98 / 15 / 53

HEX #790267

RGB 121 2 103

HSL 309.08, 0.97%, 0.24%

LAB 26.98, 53.53, -25.05

 

CMYK 0 / 100 / 19 / 59

HEX #680054

RGB 104 0 84

HSL 311.54, 1%, 0.2%

LAB 22.24, 47.79, -20.19

 

CMYK 0 / 100 / 25 / 66

HEX #570041

RGB 87 0 65

HSL 315.17, 1%, 0.17%

LAB 17.5, 41.51, -14.85

 

CMYK 0 / 76 / 10 / 39

HEX #9C258D

RGB 156 37 141

HSL 307.56, 0.62%, 0.38%

LAB 38.4, 58.79, -30.57

 

CMYK 0 / 76 / 30 / 39

HEX #9C256D

RGB 156 37 109

HSL 323.7, 0.62%, 0.38%

LAB 36.92, 54.33, -12.96

 

CMYK 0 / 76 / 50 / 39

HEX #9C254E

RGB 156 37 78

HSL 339.33, 0.62%, 0.38%

LAB 35.87, 51.03, 5.31

 

CMYK 0 / 76 / 71 / 39

HEX #9C252E

RGB 156 37 46

HSL 355.46, 0.62%, 0.38%

LAB 35.18, 48.79, 24.9

 

CMYK 0 / 76 / 76 / 39

HEX #9C2525

RGB 156 37 37

HSL 0, 0.62%, 0.38%

LAB 35.05, 48.37, 30.28

 

CMYK 0 / 76 / 10 / 39

HEX #9C258D

RGB 156 37 141

HSL 307.56, 0.62%, 0.38%

LAB 38.4, 58.79, -30.57

 

CMYK 12 / 76 / 0 / 39

HEX #8A259C

RGB 138 37 156

HSL 290.92, 0.62%, 0.38%

LAB 36.23, 57.39, -43.35

 

CMYK 32 / 76 / 0 / 39

HEX #6A259C

RGB 106 37 156

HSL 274.79, 0.62%, 0.38%

LAB 31.32, 51.03, -51.52

 

CMYK 53 / 76 / 0 / 39

HEX #4A259C

RGB 74 37 156

HSL 258.66, 0.62%, 0.38%

LAB 27.24, 45.55, -58.35

 

CMYK 73 / 76 / 0 / 39

HEX #2A259C

RGB 42 37 156

HSL 242.52, 0.62%, 0.38%

LAB 24.37, 41.55, -63.18

 

CMYK 0 / 76 / 10 / 39

HEX #9C258D

RGB 156 37 141

HSL 307.56, 0.62%, 0.38%

LAB 38.4, 58.79, -30.57

 

CMYK 0 / 87 / 11 / 33

HEX #AB1699

RGB 171 22 153

HSL 307.25, 0.77%, 0.38%

LAB 40.46, 67.44, -34.45

 

CMYK 0 / 97 / 12 / 27

HEX #BB06A5

RGB 187 6 165

HSL 307.29, 0.94%, 0.38%

LAB 43.38, 74.16, -36.87

 

CMYK 0 / 76 / 10 / 39

HEX #9C258D

RGB 156 37 141

HSL 307.56, 0.62%, 0.38%

LAB 38.4, 58.79, -30.57

 

CMYK 0 / 62 / 8 / 45

HEX #8C3581

RGB 140 53 129

HSL 307.59, 0.45%, 0.38%

LAB 37.31, 46.58, -25.08

 

CMYK 0 / 44 / 5 / 51

HEX #7C4576

RGB 124 69 118

HSL 306.55, 0.28%, 0.38%

LAB 37.57, 31.32, -18.05

 

CMYK 0 / 22 / 2 / 58

HEX #6C546A

RGB 108 84 106

HSL 305, 0.13%, 0.38%

LAB 38.85, 14.12, -8.84

 

CMYK 7 / 0 / 6 / 61

HEX #5D645E

RGB 93 100 94

HSL 128.57, 0.04%, 0.38%

LAB 41.61, -3.98, 2.46

 

CMYK 32 / 76 / 0 / 39

HEX #6A259C

RGB 106 37 156

HSL 274.79, 0.62%, 0.38%

LAB 31.32, 51.03, -51.52

 

CMYK 12 / 76 / 0 / 39

HEX #8A259C

RGB 138 37 156

HSL 290.92, 0.62%, 0.38%

LAB 36.23, 57.39, -43.35

 

CMYK 0 / 76 / 9 / 39

HEX #9C258E

RGB 156 37 142

HSL 307.06, 0.62%, 0.38%

LAB 38.45, 58.94, -31.1

 

CMYK 0 / 76 / 29 / 39

HEX #9C256E

RGB 156 37 110

HSL 323.19, 0.62%, 0.38%

LAB 36.96, 54.46, -13.53

 

CMYK 0 / 76 / 49 / 39

HEX #9C254F

RGB 156 37 79

HSL 338.82, 0.62%, 0.38%

LAB 35.9, 51.12, 4.7

 

CMYK 0 / 76 / 9 / 65

HEX #591551

RGB 89 21 81

HSL 307.06, 0.62%, 0.22%

LAB 21.03, 38.04, -20.27

 

CMYK 0 / 76 / 9 / 52

HEX #7A1D6F

RGB 122 29 111

HSL 307.1, 0.62%, 0.3%

LAB 29.82, 48.6, -25.72

 

CMYK 0 / 76 / 10 / 39

HEX #9C258D

RGB 156 37 141

HSL 307.56, 0.62%, 0.38%

LAB 38.4, 58.79, -30.57

 

CMYK 0 / 76 / 9 / 26

HEX #BD2DAC

RGB 189 45 172

HSL 307.08, 0.62%, 0.46%

LAB 46.54, 68.45, -36.01

 

CMYK 0 / 68 / 8 / 18

HEX #D142C0

RGB 209 66 192

HSL 307.13, 0.61%, 0.54%

LAB 53.23, 69.15, -36.95

 

CMYK 0 / 75 / 9 / 39

HEX #9B268D

RGB 155 38 141

HSL 307.18, 0.61%, 0.38%

LAB 38.34, 58.24, -30.68

 

CMYK 0 / 52 / 76 / 39

HEX #9C4B25

RGB 156 75 37

HSL 19.16, 0.62%, 0.38%

LAB 41.59, 31.05, 37.32

 

CMYK 76 / 0 / 22 / 39

HEX #259C7A

RGB 37 156 122

HSL 162.86, 0.62%, 0.38%

LAB 57.63, -40.36, 8.71

 

CMYK 0 / 75 / 9 / 39

HEX #9B268D

RGB 155 38 141

HSL 307.18, 0.61%, 0.38%

LAB 38.34, 58.24, -30.68

 

CMYK 9 / 0 / 76 / 39

HEX #8E9C25

RGB 142 156 37

HSL 67.06, 0.62%, 0.38%

LAB 61.36, -20.18, 56.26

 

CMYK 76 / 9 / 0 / 39

HEX #258E9C

RGB 37 142 156

HSL 187.06, 0.62%, 0.38%

LAB 54.17, -23.91, -15.83

 

CMYK 0 / 75 / 9 / 39

HEX #9B268D

RGB 155 38 141

HSL 307.18, 0.61%, 0.38%

LAB 38.34, 58.24, -30.68

 

CMYK 0 / 52 / 76 / 39

HEX #9C4B25

RGB 156 75 37

HSL 19.16, 0.62%, 0.38%

LAB 41.59, 31.05, 37.32

 

CMYK 76 / 0 / 67 / 39

HEX #259C33

RGB 37 156 51

HSL 127.06, 0.62%, 0.38%

LAB 56.5, -53.23, 44.32

 

CMYK 76 / 24 / 0 / 39

HEX #25769C

RGB 37 118 156

HSL 199.16, 0.62%, 0.38%

LAB 46.65, -10.82, -27.4

 

CMYK 0 / 75 / 9 / 39

HEX #9B268D

RGB 155 38 141

HSL 307.18, 0.61%, 0.38%

LAB 38.34, 58.24, -30.68

 

CMYK 0 / 29 / 76 / 39

HEX #9C6E25

RGB 156 110 37

HSL 36.81, 0.62%, 0.38%

LAB 49.92, 11.35, 45.77

 

CMYK 76 / 0 / 67 / 39

HEX #259C33

RGB 37 156 51

HSL 127.06, 0.62%, 0.38%

LAB 56.5, -53.23, 44.32

 

CMYK 76 / 47 / 0 / 39

HEX #25539C

RGB 37 83 156

HSL 216.81, 0.62%, 0.38%

LAB 35.95, 11.01, -44.33

 

Description

Color code: HEX #9B268D | qconv.com Color code: HEX #9B268D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 38 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 38 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 9 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 9% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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