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Color name
HEX #9B2678

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B2678 it is the complementary color #64D987. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B2678. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B2678 shade: #A02673, #B13886, #C24A99, #D35CAC and #E46EBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B2678. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B2678 shade: #9B2678, #8A1465, #790252, #68003F and #57002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B2678 shade: #9C2578, #9C2558, #9C2538 and #9C2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B2678 shade: #9C2578, #9C2598, #7F259C, #5F259C and #3F259C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B2678 shade matches the following richer shades: #9C2578, #AB167E and #BB0685

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B2678 shade: #9C2578, #8C3572, #7C456C, #6C5465 and #5D645F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B2678 shade: #7E259C, #9C259A, #9C257A, #9C255A and #9C253B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B2678 shade: #591545, #7A1D5E, #9C2578, #BD2D92 and #D142A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B2678 shade: #9B2678, #9C5E25 and #259C8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B2678 shade: #9B2678, #7A9C25 and #257A9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B2678 shade: #9B2678, #9C5E25, #259C47 and #25629C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B2678 shade: #9B2678, #9C8225, #259C47 and #253F9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 23 / 39

HEX #9B2678

RGB 155 38 120

HSL 317.95, 0.61%, 0.38%

LAB 37.32, 55.17, -19.27

 

Complementary color

CMYK 54 / 0 / 38 / 15

HEX #64D987

RGB 100 217 135

HSL 137.95, 0.61%, 0.62%

LAB 78.51, -50.91, 30.61

 

CMYK 0 / 76 / 28 / 37

HEX #A02673

RGB 160 38 115

HSL 322.13, 0.62%, 0.39%

LAB 38.02, 55.81, -14.99

 

CMYK 0 / 68 / 24 / 31

HEX #B13886

RGB 177 56 134

HSL 321.32, 0.52%, 0.46%

LAB 44.08, 56.38, -17.19

 

CMYK 0 / 62 / 21 / 24

HEX #C24A99

RGB 194 74 153

HSL 320.5, 0.5%, 0.53%

LAB 50.3, 56.36, -18.86

 

CMYK 0 / 56 / 18 / 17

HEX #D35CAC

RGB 211 92 172

HSL 319.66, 0.57%, 0.59%

LAB 56.57, 56, -20.18

 

CMYK 0 / 52 / 16 / 11

HEX #E46EBF

RGB 228 110 191

HSL 318.81, 0.69%, 0.66%

LAB 62.85, 55.45, -21.26

 

CMYK 0 / 75 / 23 / 39

HEX #9B2678

RGB 155 38 120

HSL 317.95, 0.61%, 0.38%

LAB 37.32, 55.17, -19.27

 

CMYK 0 / 86 / 27 / 46

HEX #8A1465

RGB 138 20 101

HSL 318.81, 0.75%, 0.31%

LAB 31.45, 53.63, -16.53

 

CMYK 0 / 98 / 32 / 53

HEX #790252

RGB 121 2 82

HSL 319.66, 0.97%, 0.24%

LAB 25.91, 50.8, -12.86

 

CMYK 0 / 100 / 39 / 59

HEX #68003F

RGB 104 0 63

HSL 323.65, 1%, 0.2%

LAB 21.21, 45.17, -7.42

 

CMYK 0 / 100 / 49 / 66

HEX #57002C

RGB 87 0 44

HSL 329.66, 1%, 0.17%

LAB 16.54, 39.06, -1.32

 

CMYK 0 / 76 / 23 / 39

HEX #9C2578

RGB 156 37 120

HSL 318.15, 0.62%, 0.38%

LAB 37.38, 55.75, -19.16

 

CMYK 0 / 76 / 44 / 39

HEX #9C2558

RGB 156 37 88

HSL 334.29, 0.62%, 0.38%

LAB 36.17, 51.98, -0.7

 

CMYK 0 / 76 / 64 / 39

HEX #9C2538

RGB 156 37 56

HSL 350.42, 0.62%, 0.38%

LAB 35.35, 49.36, 18.78

 

CMYK 0 / 76 / 76 / 39

HEX #9C2525

RGB 156 37 37

HSL 0, 0.62%, 0.38%

LAB 35.05, 48.37, 30.28

 

CMYK 0 / 76 / 23 / 39

HEX #9C2578

RGB 156 37 120

HSL 318.15, 0.62%, 0.38%

LAB 37.38, 55.75, -19.16

 

CMYK 0 / 76 / 3 / 39

HEX #9C2598

RGB 156 37 152

HSL 302.02, 0.62%, 0.38%

LAB 39, 60.53, -36.33

 

CMYK 19 / 76 / 0 / 39

HEX #7F259C

RGB 127 37 156

HSL 285.38, 0.62%, 0.38%

LAB 34.47, 55.13, -46.27

 

CMYK 39 / 76 / 0 / 39

HEX #5F259C

RGB 95 37 156

HSL 269.24, 0.62%, 0.38%

LAB 29.8, 49.02, -54.06

 

CMYK 60 / 76 / 0 / 39

HEX #3F259C

RGB 63 37 156

HSL 253.11, 0.62%, 0.38%

LAB 26.1, 43.98, -60.27

 

CMYK 0 / 76 / 23 / 39

HEX #9C2578

RGB 156 37 120

HSL 318.15, 0.62%, 0.38%

LAB 37.38, 55.75, -19.16

 

CMYK 0 / 87 / 26 / 33

HEX #AB167E

RGB 171 22 126

HSL 318.12, 0.77%, 0.38%

LAB 39.14, 63.88, -19.96

 

CMYK 0 / 97 / 29 / 27

HEX #BB0685

RGB 187 6 133

HSL 317.9, 0.94%, 0.38%

LAB 41.83, 70.22, -19.88

 

CMYK 0 / 76 / 23 / 39

HEX #9C2578

RGB 156 37 120

HSL 318.15, 0.62%, 0.38%

LAB 37.38, 55.75, -19.16

 

CMYK 0 / 62 / 19 / 45

HEX #8C3572

RGB 140 53 114

HSL 317.93, 0.45%, 0.38%

LAB 36.62, 44.12, -16.8

 

CMYK 0 / 44 / 13 / 51

HEX #7C456C

RGB 124 69 108

HSL 317.45, 0.28%, 0.38%

LAB 37.16, 29.45, -12.44

 

CMYK 0 / 22 / 6 / 58

HEX #6C5465

RGB 108 84 101

HSL 317.5, 0.13%, 0.38%

LAB 38.67, 13.1, -6

 

CMYK 7 / 0 / 5 / 61

HEX #5D645F

RGB 93 100 95

HSL 137.14, 0.04%, 0.38%

LAB 41.64, -3.77, 1.9

 

CMYK 19 / 76 / 0 / 39

HEX #7E259C

RGB 126 37 156

HSL 284.87, 0.62%, 0.38%

LAB 34.31, 54.93, -46.53

 

CMYK 0 / 76 / 1 / 39

HEX #9C259A

RGB 156 37 154

HSL 301.01, 0.62%, 0.38%

LAB 39.11, 60.85, -37.36

 

CMYK 0 / 76 / 22 / 39

HEX #9C257A

RGB 156 37 122

HSL 317.14, 0.62%, 0.38%

LAB 37.47, 56.03, -20.27

 

CMYK 0 / 76 / 42 / 39

HEX #9C255A

RGB 156 37 90

HSL 333.28, 0.62%, 0.38%

LAB 36.23, 52.18, -1.89

 

CMYK 0 / 76 / 62 / 39

HEX #9C253B

RGB 156 37 59

HSL 348.91, 0.62%, 0.38%

LAB 35.41, 49.56, 16.93

 

CMYK 0 / 76 / 22 / 65

HEX #591545

RGB 89 21 69

HSL 317.65, 0.62%, 0.22%

LAB 20.4, 36.05, -13.09

 

CMYK 0 / 76 / 23 / 52

HEX #7A1D5E

RGB 122 29 94

HSL 318.06, 0.62%, 0.3%

LAB 28.97, 45.99, -16.07

 

CMYK 0 / 76 / 23 / 39

HEX #9C2578

RGB 156 37 120

HSL 318.15, 0.62%, 0.38%

LAB 37.38, 55.75, -19.16

 

CMYK 0 / 76 / 23 / 26

HEX #BD2D92

RGB 189 45 146

HSL 317.92, 0.62%, 0.46%

LAB 45.32, 64.84, -22.39

 

CMYK 0 / 68 / 21 / 18

HEX #D142A6

RGB 209 66 166

HSL 318.04, 0.61%, 0.54%

LAB 52.07, 65.41, -23.61

 

CMYK 0 / 75 / 23 / 39

HEX #9B2678

RGB 155 38 120

HSL 317.95, 0.61%, 0.38%

LAB 37.32, 55.17, -19.27

 

CMYK 0 / 40 / 76 / 39

HEX #9C5E25

RGB 156 94 37

HSL 28.74, 0.62%, 0.38%

LAB 45.92, 20.5, 41.77

 

CMYK 76 / 0 / 9 / 39

HEX #259C8E

RGB 37 156 142

HSL 172.94, 0.62%, 0.38%

LAB 58.15, -35, -1.87

 

CMYK 0 / 75 / 23 / 39

HEX #9B2678

RGB 155 38 120

HSL 317.95, 0.61%, 0.38%

LAB 37.32, 55.17, -19.27

 

CMYK 22 / 0 / 76 / 39

HEX #7A9C25

RGB 122 156 37

HSL 77.14, 0.62%, 0.38%

LAB 59.93, -28.67, 54.4

 

CMYK 76 / 22 / 0 / 39

HEX #257A9C

RGB 37 122 156

HSL 197.14, 0.62%, 0.38%

LAB 47.9, -13.11, -25.46

 

CMYK 0 / 75 / 23 / 39

HEX #9B2678

RGB 155 38 120

HSL 317.95, 0.61%, 0.38%

LAB 37.32, 55.17, -19.27

 

CMYK 0 / 40 / 76 / 39

HEX #9C5E25

RGB 156 94 37

HSL 28.74, 0.62%, 0.38%

LAB 45.92, 20.5, 41.77

 

CMYK 76 / 0 / 54 / 39

HEX #259C47

RGB 37 156 71

HSL 137.14, 0.62%, 0.38%

LAB 56.71, -50.67, 35.16

 

CMYK 76 / 37 / 0 / 39

HEX #25629C

RGB 37 98 156

HSL 209.24, 0.62%, 0.38%

LAB 40.46, 1.28, -37.13

 

CMYK 0 / 75 / 23 / 39

HEX #9B2678

RGB 155 38 120

HSL 317.95, 0.61%, 0.38%

LAB 37.32, 55.17, -19.27

 

CMYK 0 / 17 / 76 / 39

HEX #9C8225

RGB 156 130 37

HSL 46.89, 0.62%, 0.38%

LAB 55.24, 0.04, 50.92

 

CMYK 76 / 0 / 54 / 39

HEX #259C47

RGB 37 156 71

HSL 137.14, 0.62%, 0.38%

LAB 56.71, -50.67, 35.16

 

CMYK 76 / 60 / 0 / 39

HEX #253F9C

RGB 37 63 156

HSL 226.89, 0.62%, 0.38%

LAB 30.28, 24.49, -53.5

 

Description

Color code: HEX #9B2678 | qconv.com Color code: HEX #9B2678 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 38 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 38 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 23 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 23% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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