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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B255B it is the complementary color #64DAA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B255B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B255B shade: #A02556, #B13769, #C2497C, #D35B8F and #E46DA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B255B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B255B shade: #9B255B, #8A1348, #790135, #680022 and #57000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B255B shade: #9C255B, #9C253C and #9C2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B255B shade: #9C255B, #9C257B, #9C259B, #7C259C and #5C259C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B255B shade matches the following richer shades: #9C255B, #AB165A and #BB0659

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B255B shade: #9C255B, #8C355D, #7C455E, #6C545F and #5D6461

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B255B shade: #9C259C, #9C257C, #9C255C, #9C253D and #9C2D25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B255B shade: #591534, #7A1D48, #9C255B, #BD2D6F and #D14284

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B255B shade: #9B255B, #9C7C25 and #258C9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B255B shade: #9B255B, #5C9C25 and #255C9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B255B shade: #9B255B, #9C7C25, #259C64 and #25459C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B255B shade: #9B255B, #989C25, #259C64 and #29259C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 41 / 39

HEX #9B255B

RGB 155 37 91

HSL 332.54, 0.61%, 0.38%

LAB 36.07, 52, -2.79

 

Complementary color

CMYK 54 / 0 / 25 / 15

HEX #64DAA4

RGB 100 218 164

HSL 152.54, 0.61%, 0.62%

LAB 79.35, -45.8, 16.65

 

CMYK 0 / 77 / 46 / 37

HEX #A02556

RGB 160 37 86

HSL 336.1, 0.62%, 0.39%

LAB 36.87, 52.92, 1.7

 

CMYK 0 / 69 / 41 / 31

HEX #B13769

RGB 177 55 105

HSL 335.41, 0.53%, 0.45%

LAB 42.91, 53.28, -1.1

 

CMYK 0 / 62 / 36 / 24

HEX #C2497C

RGB 194 73 124

HSL 334.71, 0.5%, 0.52%

LAB 49.12, 53.07, -3.27

 

CMYK 0 / 57 / 32 / 17

HEX #D35B8F

RGB 211 91 143

HSL 334, 0.58%, 0.59%

LAB 55.39, 52.56, -5.01

 

CMYK 0 / 52 / 29 / 11

HEX #E46DA2

RGB 228 109 162

HSL 333.28, 0.69%, 0.66%

LAB 61.69, 51.88, -6.45

 

CMYK 0 / 76 / 41 / 39

HEX #9B255B

RGB 155 37 91

HSL 332.54, 0.61%, 0.38%

LAB 36.07, 52, -2.79

 

CMYK 0 / 86 / 48 / 46

HEX #8A1348

RGB 138 19 72

HSL 333.28, 0.76%, 0.31%

LAB 30.25, 50.68, 0.67

 

CMYK 0 / 99 / 56 / 53

HEX #790135

RGB 121 1 53

HSL 334, 0.98%, 0.24%

LAB 24.78, 48.17, 5.2

 

CMYK 0 / 100 / 67 / 59

HEX #680022

RGB 104 0 34

HSL 340.38, 1%, 0.2%

LAB 20.28, 42.69, 11.71

 

CMYK 0 / 100 / 83 / 66

HEX #57000F

RGB 87 0 15

HSL 349.66, 1%, 0.17%

LAB 15.8, 37.08, 18.12

 

CMYK 0 / 76 / 42 / 39

HEX #9C255B

RGB 156 37 91

HSL 332.77, 0.62%, 0.38%

LAB 36.26, 52.29, -2.49

 

CMYK 0 / 76 / 62 / 39

HEX #9C253C

RGB 156 37 60

HSL 348.4, 0.62%, 0.38%

LAB 35.43, 49.62, 16.32

 

CMYK 0 / 76 / 76 / 39

HEX #9C2525

RGB 156 37 37

HSL 0, 0.62%, 0.38%

LAB 35.05, 48.37, 30.28

 

CMYK 0 / 76 / 42 / 39

HEX #9C255B

RGB 156 37 91

HSL 332.77, 0.62%, 0.38%

LAB 36.26, 52.29, -2.49

 

CMYK 0 / 76 / 21 / 39

HEX #9C257B

RGB 156 37 123

HSL 316.64, 0.62%, 0.38%

LAB 37.52, 56.16, -20.82

 

CMYK 0 / 76 / 1 / 39

HEX #9C259B

RGB 156 37 155

HSL 300.5, 0.62%, 0.38%

LAB 39.17, 61.02, -37.88

 

CMYK 21 / 76 / 0 / 39

HEX #7C259C

RGB 124 37 156

HSL 283.87, 0.62%, 0.38%

LAB 34, 54.53, -47.05

 

CMYK 41 / 76 / 0 / 39

HEX #5C259C

RGB 92 37 156

HSL 267.73, 0.62%, 0.38%

LAB 29.41, 48.49, -54.72

 

CMYK 0 / 76 / 42 / 39

HEX #9C255B

RGB 156 37 91

HSL 332.77, 0.62%, 0.38%

LAB 36.26, 52.29, -2.49

 

CMYK 0 / 87 / 47 / 33

HEX #AB165A

RGB 171 22 90

HSL 332.62, 0.77%, 0.38%

LAB 37.79, 60.13, 0.73

 

CMYK 0 / 97 / 52 / 27

HEX #BB0659

RGB 187 6 89

HSL 332.49, 0.94%, 0.38%

LAB 40.27, 66.11, 5.38

 

CMYK 0 / 76 / 42 / 39

HEX #9C255B

RGB 156 37 91

HSL 332.77, 0.62%, 0.38%

LAB 36.26, 52.29, -2.49

 

CMYK 0 / 62 / 34 / 45

HEX #8C355D

RGB 140 53 93

HSL 332.41, 0.45%, 0.38%

LAB 35.81, 41.12, -4.75

 

CMYK 0 / 44 / 24 / 51

HEX #7C455E

RGB 124 69 94

HSL 332.73, 0.28%, 0.38%

LAB 36.65, 27.07, -4.41

 

CMYK 0 / 22 / 12 / 58

HEX #6C545F

RGB 108 84 95

HSL 332.5, 0.13%, 0.38%

LAB 38.47, 11.93, -2.56

 

CMYK 7 / 0 / 3 / 61

HEX #5D6461

RGB 93 100 97

HSL 154.29, 0.04%, 0.38%

LAB 41.7, -3.35, 0.76

 

CMYK 0 / 76 / 0 / 39

HEX #9C259C

RGB 156 37 156

HSL 300, 0.62%, 0.38%

LAB 39.23, 61.18, -38.39

 

CMYK 0 / 76 / 21 / 39

HEX #9C257C

RGB 156 37 124

HSL 316.13, 0.62%, 0.38%

LAB 37.57, 56.3, -21.37

 

CMYK 0 / 76 / 41 / 39

HEX #9C255C

RGB 156 37 92

HSL 332.27, 0.62%, 0.38%

LAB 36.3, 52.39, -3.08

 

CMYK 0 / 76 / 61 / 39

HEX #9C253D

RGB 156 37 61

HSL 347.9, 0.62%, 0.38%

LAB 35.46, 49.69, 15.7

 

CMYK 0 / 71 / 76 / 39

HEX #9C2D25

RGB 156 45 37

HSL 4.03, 0.62%, 0.38%

LAB 36.13, 45.38, 31.47

 

CMYK 0 / 76 / 42 / 65

HEX #591534

RGB 89 21 52

HSL 332.65, 0.62%, 0.22%

LAB 19.67, 33.69, -2.37

 

CMYK 0 / 76 / 41 / 52

HEX #7A1D48

RGB 122 29 72

HSL 332.26, 0.62%, 0.3%

LAB 28.07, 43.17, -2.9

 

CMYK 0 / 76 / 42 / 39

HEX #9C255B

RGB 156 37 91

HSL 332.77, 0.62%, 0.38%

LAB 36.26, 52.29, -2.49

 

CMYK 0 / 76 / 41 / 26

HEX #BD2D6F

RGB 189 45 111

HSL 332.5, 0.62%, 0.46%

LAB 44.01, 60.82, -2.96

 

CMYK 0 / 68 / 37 / 18

HEX #D14284

RGB 209 66 132

HSL 332.31, 0.61%, 0.54%

LAB 50.82, 61.27, -5.28

 

CMYK 0 / 76 / 41 / 39

HEX #9B255B

RGB 155 37 91

HSL 332.54, 0.61%, 0.38%

LAB 36.07, 52, -2.79

 

CMYK 0 / 21 / 76 / 39

HEX #9C7C25

RGB 156 124 37

HSL 43.87, 0.62%, 0.38%

LAB 53.62, 3.4, 49.37

 

CMYK 76 / 10 / 0 / 39

HEX #258C9C

RGB 37 140 156

HSL 188.07, 0.62%, 0.38%

LAB 53.55, -22.88, -16.78

 

CMYK 0 / 76 / 41 / 39

HEX #9B255B

RGB 155 37 91

HSL 332.54, 0.61%, 0.38%

LAB 36.07, 52, -2.79

 

CMYK 41 / 0 / 76 / 39

HEX #5C9C25

RGB 92 156 37

HSL 92.27, 0.62%, 0.38%

LAB 58.21, -40.2, 52.15

 

CMYK 76 / 41 / 0 / 39

HEX #255C9C

RGB 37 92 156

HSL 212.27, 0.62%, 0.38%

LAB 38.63, 5.11, -40.02

 

CMYK 0 / 76 / 41 / 39

HEX #9B255B

RGB 155 37 91

HSL 332.54, 0.61%, 0.38%

LAB 36.07, 52, -2.79

 

CMYK 0 / 21 / 76 / 39

HEX #9C7C25

RGB 156 124 37

HSL 43.87, 0.62%, 0.38%

LAB 53.62, 3.4, 49.37

 

CMYK 76 / 0 / 36 / 39

HEX #259C64

RGB 37 156 100

HSL 151.76, 0.62%, 0.38%

LAB 57.16, -45.45, 20.36

 

CMYK 76 / 56 / 0 / 39

HEX #25459C

RGB 37 69 156

HSL 223.87, 0.62%, 0.38%

LAB 31.92, 20.43, -50.83

 

CMYK 0 / 76 / 41 / 39

HEX #9B255B

RGB 155 37 91

HSL 332.54, 0.61%, 0.38%

LAB 36.07, 52, -2.79

 

CMYK 3 / 0 / 76 / 39

HEX #989C25

RGB 152 156 37

HSL 62.02, 0.62%, 0.38%

LAB 62.16, -15.79, 57.29

 

CMYK 76 / 0 / 36 / 39

HEX #259C64

RGB 37 156 100

HSL 151.76, 0.62%, 0.38%

LAB 57.16, -45.45, 20.36

 

CMYK 74 / 76 / 0 / 39

HEX #29259C

RGB 41 37 156

HSL 242.02, 0.62%, 0.38%

LAB 24.31, 41.46, -63.29

 

Description

Color code: HEX #9B255B | qconv.com Color code: HEX #9B255B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 37 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 37 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 41 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 41% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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