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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B14DA it is the complementary color #64EB25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B14DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B14DA shade: #A014D5, #B126E8, #C238FB, #D34AFF and #E45CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B14DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B14DA shade: #9B14DA, #8A02C7, #7900B4, #6800A1 and #57008E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B14DA shade: #9C14DB, #D114DB, #DB14AF, #DB1479 and #DB1444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B14DA shade: #9C14DB, #6614DB, #3014DB and #1414DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B14DA shade matches the following richer shades: #9C14DB and #A300EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B14DA shade: #9C14DB, #9427C7, #8D3BB4, #864EA1 and #7F618D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B14DA shade: #2E14DB, #6314DB, #9914DB, #CE14DB and #DB14B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B14DA shade: #660D8F, #8110B5, #9C14DB, #AF2DEB and #BD53EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B14DA shade: #9B14DA, #DB142E and #14DB49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B14DA shade: #9B14DA, #DB9914 and #14DB99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B14DA shade: #9B14DA, #DB142E, #56DB14 and #14DBC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B14DA shade: #9B14DA, #DB3514, #56DB14 and #14BADB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 91 / 0 / 15

HEX #9B14DA

RGB 155 20 218

HSL 280.91, 0.83%, 0.47%

LAB 42.05, 76.12, -70.33

 

Complementary color

CMYK 57 / 0 / 84 / 8

HEX #64EB25

RGB 100 235 37

HSL 100.91, 0.83%, 0.53%

LAB 83.05, -67.55, 75.14

 

CMYK 25 / 91 / 0 / 16

HEX #A014D5

RGB 160 20 213

HSL 283.52, 0.83%, 0.46%

LAB 42.43, 75.86, -66.8

 

CMYK 24 / 84 / 0 / 9

HEX #B126E8

RGB 177 38 232

HSL 282.99, 0.81%, 0.53%

LAB 47.7, 78.23, -68.96

 

CMYK 23 / 78 / 0 / 2

HEX #C238FB

RGB 194 56 251

HSL 282.46, 0.96%, 0.6%

LAB 53.24, 79.59, -70.53

 

CMYK 17 / 71 / 0 / 0

HEX #D34AFF

RGB 211 74 255

HSL 285.41, 1%, 0.65%

LAB 58.01, 77.41, -64.93

 

CMYK 11 / 64 / 0 / 0

HEX #E45CFF

RGB 228 92 255

HSL 290.06, 1%, 0.68%

LAB 62.82, 74.06, -57.09

 

CMYK 29 / 91 / 0 / 15

HEX #9B14DA

RGB 155 20 218

HSL 280.91, 0.83%, 0.47%

LAB 42.05, 76.12, -70.33

 

CMYK 31 / 99 / 0 / 22

HEX #8A02C7

RGB 138 2 199

HSL 281.42, 0.98%, 0.39%

LAB 37.06, 72.66, -67.59

 

CMYK 33 / 100 / 0 / 29

HEX #7900B4

RGB 121 0 180

HSL 280.33, 1%, 0.35%

LAB 32.61, 67.24, -63.77

 

CMYK 35 / 100 / 0 / 37

HEX #6800A1

RGB 104 0 161

HSL 278.76, 1%, 0.32%

LAB 28.16, 61.48, -59.74

 

CMYK 39 / 100 / 0 / 44

HEX #57008E

RGB 87 0 142

HSL 276.76, 1%, 0.28%

LAB 23.6, 55.61, -55.63

 

CMYK 29 / 91 / 0 / 14

HEX #9C14DB

RGB 156 20 219

HSL 281.01, 0.83%, 0.47%

LAB 42.28, 76.44, -70.52

 

CMYK 5 / 91 / 0 / 14

HEX #D114DB

RGB 209 20 219

HSL 296.98, 0.83%, 0.47%

LAB 50.89, 84.29, -56.17

 

CMYK 0 / 91 / 20 / 14

HEX #DB14AF

RGB 219 20 175

HSL 313.27, 0.83%, 0.47%

LAB 50.28, 80.05, -31.54

 

CMYK 0 / 91 / 45 / 14

HEX #DB1479

RGB 219 20 121

HSL 329.55, 0.83%, 0.47%

LAB 48.19, 74.46, -2.31

 

CMYK 0 / 91 / 69 / 14

HEX #DB1444

RGB 219 20 68

HSL 345.53, 0.83%, 0.47%

LAB 46.95, 71.02, 28.62

 

CMYK 29 / 91 / 0 / 14

HEX #9C14DB

RGB 156 20 219

HSL 281.01, 0.83%, 0.47%

LAB 42.28, 76.44, -70.52

 

CMYK 53 / 91 / 0 / 14

HEX #6614DB

RGB 102 20 219

HSL 264.72, 0.83%, 0.47%

LAB 34.88, 70.53, -82.95

 

CMYK 78 / 91 / 0 / 14

HEX #3014DB

RGB 48 20 219

HSL 248.44, 0.83%, 0.47%

LAB 30.02, 67.3, -91.17

 

CMYK 91 / 91 / 0 / 14

HEX #1414DB

RGB 20 20 219

HSL 240, 0.83%, 0.47%

LAB 28.81, 66.61, -93.22

 

CMYK 29 / 91 / 0 / 14

HEX #9C14DB

RGB 156 20 219

HSL 281.01, 0.83%, 0.47%

LAB 42.28, 76.44, -70.52

 

CMYK 32 / 100 / 0 / 7

HEX #A300EE

RGB 163 0 238

HSL 281.09, 1%, 0.47%

LAB 44.17, 83.08, -78.19

 

CMYK 29 / 91 / 0 / 14

HEX #9C14DB

RGB 156 20 219

HSL 281.01, 0.83%, 0.47%

LAB 42.28, 76.44, -70.52

 

CMYK 26 / 80 / 0 / 22

HEX #9427C7

RGB 148 39 199

HSL 280.88, 0.67%, 0.47%

LAB 41.01, 66.96, -61.08

 

CMYK 22 / 67 / 0 / 29

HEX #8D3BB4

RGB 141 59 180

HSL 280.66, 0.51%, 0.47%

LAB 41.35, 54.04, -49.45

 

CMYK 17 / 52 / 0 / 37

HEX #864EA1

RGB 134 78 161

HSL 280.48, 0.35%, 0.47%

LAB 42.9, 38.42, -35.77

 

CMYK 10 / 31 / 0 / 45

HEX #7F618D

RGB 127 97 141

HSL 280.91, 0.18%, 0.47%

LAB 45.61, 20.68, -19.66

 

CMYK 79 / 91 / 0 / 14

HEX #2E14DB

RGB 46 20 219

HSL 247.84, 0.83%, 0.47%

LAB 29.9, 67.23, -91.37

 

CMYK 55 / 91 / 0 / 14

HEX #6314DB

RGB 99 20 219

HSL 263.82, 0.83%, 0.47%

LAB 34.53, 70.28, -83.54

 

CMYK 30 / 91 / 0 / 14

HEX #9914DB

RGB 153 20 219

HSL 280.1, 0.83%, 0.47%

LAB 41.82, 76.05, -71.28

 

CMYK 6 / 91 / 0 / 14

HEX #CE14DB

RGB 206 20 219

HSL 296.08, 0.83%, 0.47%

LAB 50.38, 83.81, -57.02

 

CMYK 0 / 91 / 18 / 14

HEX #DB14B3

RGB 219 20 179

HSL 312.06, 0.83%, 0.47%

LAB 50.47, 80.54, -33.59

 

CMYK 29 / 91 / 0 / 44

HEX #660D8F

RGB 102 13 143

HSL 281.08, 0.83%, 0.31%

LAB 27.01, 55.16, -50.58

 

CMYK 29 / 91 / 0 / 29

HEX #8110B5

RGB 129 16 181

HSL 281.09, 0.84%, 0.39%

LAB 34.75, 66.13, -60.82

 

CMYK 29 / 91 / 0 / 14

HEX #9C14DB

RGB 156 20 219

HSL 281.01, 0.83%, 0.47%

LAB 42.28, 76.44, -70.52

 

CMYK 26 / 81 / 0 / 8

HEX #AF2DEB

RGB 175 45 235

HSL 281.05, 0.83%, 0.55%

LAB 48.25, 76.66, -69.78

 

CMYK 21 / 65 / 0 / 6

HEX #BD53EF

RGB 189 83 239

HSL 280.77, 0.83%, 0.63%

LAB 55.32, 66.23, -60.51

 

CMYK 29 / 91 / 0 / 15

HEX #9B14DA

RGB 155 20 218

HSL 280.91, 0.83%, 0.47%

LAB 42.05, 76.12, -70.33

 

CMYK 0 / 91 / 79 / 14

HEX #DB142E

RGB 219 20 46

HSL 352.16, 0.83%, 0.47%

LAB 46.65, 70.2, 41.28

 

CMYK 91 / 0 / 67 / 14

HEX #14DB49

RGB 20 219 73

HSL 135.98, 0.83%, 0.47%

LAB 76.86, -72.28, 57.29

 

CMYK 29 / 91 / 0 / 15

HEX #9B14DA

RGB 155 20 218

HSL 280.91, 0.83%, 0.47%

LAB 42.05, 76.12, -70.33

 

CMYK 0 / 30 / 91 / 14

HEX #DB9914

RGB 219 153 20

HSL 40.1, 0.83%, 0.47%

LAB 67.94, 15.15, 69.35

 

CMYK 91 / 0 / 30 / 14

HEX #14DB99

RGB 20 219 153

HSL 160.1, 0.83%, 0.47%

LAB 77.94, -59.38, 20.25

 

CMYK 29 / 91 / 0 / 15

HEX #9B14DA

RGB 155 20 218

HSL 280.91, 0.83%, 0.47%

LAB 42.05, 76.12, -70.33

 

CMYK 0 / 91 / 79 / 14

HEX #DB142E

RGB 219 20 46

HSL 352.16, 0.83%, 0.47%

LAB 46.65, 70.2, 41.28

 

CMYK 61 / 0 / 91 / 14

HEX #56DB14

RGB 86 219 20

HSL 100.1, 0.83%, 0.47%

LAB 77.69, -66.1, 73.5

 

CMYK 91 / 0 / 12 / 14

HEX #14DBC0

RGB 20 219 192

HSL 171.86, 0.83%, 0.47%

LAB 78.82, -49.87, 0.84

 

CMYK 29 / 91 / 0 / 15

HEX #9B14DA

RGB 155 20 218

HSL 280.91, 0.83%, 0.47%

LAB 42.05, 76.12, -70.33

 

CMYK 0 / 76 / 91 / 14

HEX #DB3514

RGB 219 53 20

HSL 9.95, 0.83%, 0.47%

LAB 49.08, 62.23, 55.69

 

CMYK 61 / 0 / 91 / 14

HEX #56DB14

RGB 86 219 20

HSL 100.1, 0.83%, 0.47%

LAB 77.69, -66.1, 73.5

 

CMYK 91 / 15 / 0 / 14

HEX #14BADB

RGB 20 186 219

HSL 189.95, 0.83%, 0.47%

LAB 69.74, -26.76, -27.38

 

Description

Color code: HEX #9B14DA | qconv.com Color code: HEX #9B14DA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 20 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 20 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 91 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 91% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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