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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B0276 it is the complementary color #64FD89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B0276. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B0276 shade: #A00271, #B11484, #C22697, #D338AA and #E44ABD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B0276. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B0276 shade: #9B0276, #8A0063, #790050, #68003D and #57002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B0276 shade: #9B0276, #9B024D, #9B0223 and #9B0202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B0276 shade: #9B0276, #97029B, #6E029B, #44029B and #1B029B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B0276 shade matches the following richer shades: #9B0276

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B0276 shade: #9B0276, #8E0F70, #821B69, #752862 and #68355C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B0276 shade: #6D029B, #96029B, #9B0277, #9B024F and #9B0226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B0276 shade: #4A0138, #730157, #9B0276, #C40295 and #ED03B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B0276 shade: #9B0276, #9B4402 and #029B82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B0276 shade: #9B0276, #779B02 and #02779B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B0276 shade: #9B0276, #9B4402, #029B26 and #02599B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B0276 shade: #9B0276, #9B7202, #029B26 and #022B9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 24 / 39

HEX #9B0276

RGB 155 2 118

HSL 314.51, 0.97%, 0.31%

LAB 34.64, 62.38, -22.17

 

Complementary color

CMYK 60 / 0 / 46 / 1

HEX #64FD89

RGB 100 253 137

HSL 134.51, 0.97%, 0.69%

LAB 89.28, -64.41, 43.57

 

CMYK 0 / 99 / 29 / 37

HEX #A00271

RGB 160 2 113

HSL 317.85, 0.98%, 0.32%

LAB 35.42, 62.81, -17.72

 

CMYK 0 / 89 / 25 / 31

HEX #B11484

RGB 177 20 132

HSL 317.2, 0.8%, 0.39%

LAB 40.43, 66.27, -21.58

 

CMYK 0 / 80 / 22 / 24

HEX #C22697

RGB 194 38 151

HSL 316.54, 0.67%, 0.45%

LAB 45.76, 68.57, -24.65

 

CMYK 0 / 73 / 19 / 17

HEX #D338AA

RGB 211 56 170

HSL 315.87, 0.64%, 0.52%

LAB 51.36, 69.86, -27.03

 

CMYK 0 / 68 / 17 / 11

HEX #E44ABD

RGB 228 74 189

HSL 315.19, 0.74%, 0.59%

LAB 57.14, 70.44, -28.9

 

CMYK 0 / 99 / 24 / 39

HEX #9B0276

RGB 155 2 118

HSL 314.51, 0.97%, 0.31%

LAB 34.64, 62.38, -22.17

 

CMYK 0 / 100 / 28 / 46

HEX #8A0063

RGB 138 0 99

HSL 316.96, 1%, 0.27%

LAB 30.17, 56.85, -17.21

 

CMYK 0 / 100 / 34 / 53

HEX #790050

RGB 121 0 80

HSL 320.33, 1%, 0.24%

LAB 25.7, 50.95, -11.86

 

CMYK 0 / 100 / 41 / 59

HEX #68003D

RGB 104 0 61

HSL 324.81, 1%, 0.2%

LAB 21.13, 44.95, -6.15

 

CMYK 0 / 100 / 52 / 66

HEX #57002A

RGB 87 0 42

HSL 331.03, 1%, 0.17%

LAB 16.47, 38.87, 0.03

 

CMYK 0 / 99 / 24 / 39

HEX #9B0276

RGB 155 2 118

HSL 314.51, 0.97%, 0.31%

LAB 34.64, 62.38, -22.17

 

CMYK 0 / 99 / 50 / 39

HEX #9B024D

RGB 155 2 77

HSL 330.59, 0.97%, 0.31%

LAB 33.02, 58.17, 1.84

 

CMYK 0 / 99 / 77 / 39

HEX #9B0223

RGB 155 2 35

HSL 347.06, 0.97%, 0.31%

LAB 32.11, 55.7, 28.17

 

CMYK 0 / 99 / 99 / 39

HEX #9B0202

RGB 155 2 2

HSL 0, 0.97%, 0.31%

LAB 31.84, 54.98, 44.93

 

CMYK 0 / 99 / 24 / 39

HEX #9B0276

RGB 155 2 118

HSL 314.51, 0.97%, 0.31%

LAB 34.64, 62.38, -22.17

 

CMYK 3 / 99 / 0 / 39

HEX #97029B

RGB 151 2 155

HSL 298.43, 0.97%, 0.31%

LAB 35.96, 66.83, -43.05

 

CMYK 29 / 99 / 0 / 39

HEX #6E029B

RGB 110 2 155

HSL 282.35, 0.97%, 0.31%

LAB 28.71, 60.67, -55.14

 

CMYK 56 / 99 / 0 / 39

HEX #44029B

RGB 68 2 155

HSL 265.88, 0.97%, 0.31%

LAB 22.44, 56.33, -65.68

 

CMYK 83 / 99 / 0 / 39

HEX #1B029B

RGB 27 2 155

HSL 249.8, 0.97%, 0.31%

LAB 18.55, 54.37, -72.26

 

CMYK 0 / 99 / 24 / 39

HEX #9B0276

RGB 155 2 118

HSL 314.51, 0.97%, 0.31%

LAB 34.64, 62.38, -22.17

 

CMYK 0 / 99 / 24 / 39

HEX #9B0276

RGB 155 2 118

HSL 314.51, 0.97%, 0.31%

LAB 34.64, 62.38, -22.17

 

CMYK 0 / 89 / 21 / 44

HEX #8E0F70

RGB 142 15 112

HSL 314.17, 0.81%, 0.31%

LAB 32.4, 57.02, -22.05

 

CMYK 0 / 79 / 19 / 49

HEX #821B69

RGB 130 27 105

HSL 314.56, 0.66%, 0.31%

LAB 30.76, 50.31, -20.3

 

CMYK 0 / 66 / 16 / 54

HEX #752862

RGB 117 40 98

HSL 314.81, 0.49%, 0.31%

LAB 29.87, 40.68, -17.36

 

CMYK 0 / 49 / 12 / 59

HEX #68355C

RGB 104 53 92

HSL 314.12, 0.32%, 0.31%

LAB 30.06, 28.61, -13.34

 

CMYK 30 / 99 / 0 / 39

HEX #6D029B

RGB 109 2 155

HSL 281.96, 0.97%, 0.31%

LAB 28.54, 60.54, -55.42

 

CMYK 3 / 99 / 0 / 39

HEX #96029B

RGB 150 2 155

HSL 298.04, 0.97%, 0.31%

LAB 35.78, 66.66, -43.35

 

CMYK 0 / 99 / 23 / 39

HEX #9B0277

RGB 155 2 119

HSL 314.12, 0.97%, 0.31%

LAB 34.69, 62.5, -22.72

 

CMYK 0 / 99 / 49 / 39

HEX #9B024F

RGB 155 2 79

HSL 329.8, 0.97%, 0.31%

LAB 33.08, 58.33, 0.61

 

CMYK 0 / 99 / 75 / 39

HEX #9B0226

RGB 155 2 38

HSL 345.88, 0.97%, 0.31%

LAB 32.15, 55.82, 26.31

 

CMYK 0 / 99 / 24 / 71

HEX #4A0138

RGB 74 1 56

HSL 314.79, 0.97%, 0.15%

LAB 14.19, 36.98, -13.84

 

CMYK 0 / 99 / 24 / 55

HEX #730157

RGB 115 1 87

HSL 314.74, 0.98%, 0.23%

LAB 24.81, 50.3, -18.01

 

CMYK 0 / 99 / 24 / 39

HEX #9B0276

RGB 155 2 118

HSL 314.51, 0.97%, 0.31%

LAB 34.64, 62.38, -22.17

 

CMYK 0 / 99 / 24 / 23

HEX #C40295

RGB 196 2 149

HSL 314.54, 0.98%, 0.39%

LAB 44.16, 74.22, -25.89

 

CMYK 0 / 99 / 24 / 7

HEX #ED03B4

RGB 237 3 180

HSL 314.62, 0.98%, 0.47%

LAB 53.35, 85.51, -29.44

 

CMYK 0 / 99 / 24 / 39

HEX #9B0276

RGB 155 2 118

HSL 314.51, 0.97%, 0.31%

LAB 34.64, 62.38, -22.17

 

CMYK 0 / 56 / 99 / 39

HEX #9B4402

RGB 155 68 2

HSL 25.88, 0.97%, 0.31%

LAB 39.76, 33.39, 49.52

 

CMYK 99 / 0 / 16 / 39

HEX #029B82

RGB 2 155 130

HSL 170.2, 0.97%, 0.31%

LAB 57.14, -40.48, 3.43

 

CMYK 0 / 99 / 24 / 39

HEX #9B0276

RGB 155 2 118

HSL 314.51, 0.97%, 0.31%

LAB 34.64, 62.38, -22.17

 

CMYK 23 / 0 / 99 / 39

HEX #779B02

RGB 119 155 2

HSL 74.12, 0.97%, 0.31%

LAB 59.31, -30.54, 61.63

 

CMYK 99 / 23 / 0 / 39

HEX #02779B

RGB 2 119 155

HSL 194.12, 0.97%, 0.31%

LAB 46.41, -14.48, -27.22

 

CMYK 0 / 99 / 24 / 39

HEX #9B0276

RGB 155 2 118

HSL 314.51, 0.97%, 0.31%

LAB 34.64, 62.38, -22.17

 

CMYK 0 / 56 / 99 / 39

HEX #9B4402

RGB 155 68 2

HSL 25.88, 0.97%, 0.31%

LAB 39.76, 33.39, 49.52

 

CMYK 99 / 0 / 75 / 39

HEX #029B26

RGB 2 155 38

HSL 134.12, 0.97%, 0.31%

LAB 55.68, -57.47, 48.55

 

CMYK 99 / 43 / 0 / 39

HEX #02599B

RGB 2 89 155

HSL 205.88, 0.97%, 0.31%

LAB 36.97, 3.81, -42.12

 

CMYK 0 / 99 / 24 / 39

HEX #9B0276

RGB 155 2 118

HSL 314.51, 0.97%, 0.31%

LAB 34.64, 62.38, -22.17

 

CMYK 0 / 26 / 99 / 39

HEX #9B7202

RGB 155 114 2

HSL 43.92, 0.97%, 0.31%

LAB 50.7, 7.64, 56.7

 

CMYK 99 / 0 / 75 / 39

HEX #029B26

RGB 2 155 38

HSL 134.12, 0.97%, 0.31%

LAB 55.68, -57.47, 48.55

 

CMYK 99 / 72 / 0 / 39

HEX #022B9B

RGB 2 43 155

HSL 223.92, 0.97%, 0.31%

LAB 24.02, 35.11, -63.19

 

Description

Color code: HEX #9B0276 | qconv.com Color code: HEX #9B0276 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 2 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 2 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 24 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 24% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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