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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B08C6 it is the complementary color #64F739. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B08C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B08C6 shade: #A008C1, #B11AD4, #C22CE7, #D33EFA and #E450FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B08C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B08C6 shade: #9B08C6, #8A00B3, #7900A0, #68008D and #57007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B08C6 shade: #9908C3, #C308BB, #C30889, #C30856 and #C30823

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B08C6 shade: #9908C3, #6608C3, #3408C3 and #0808C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B08C6 shade matches the following richer shades: #9908C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B08C6 shade: #9908C3, #9018B3, #8729A2, #7E3992 and #754A81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B08C6 shade: #3308C3, #6608C3, #9808C3, #C308BD and #C3088B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B08C6 shade: #5B0474, #7A069C, #9908C3, #B809EB and #C728F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B08C6 shade: #9B08C6, #C3080E and #08C34C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B08C6 shade: #9B08C6, #C39808 and #08C398

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B08C6 shade: #9B08C6, #C3080E, #33C308 and #08C3BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B08C6 shade: #9B08C6, #C33A08, #33C308 and #0891C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 96 / 0 / 22

HEX #9B08C6

RGB 155 8 198

HSL 286.42, 0.92%, 0.4%

LAB 39.95, 73.98, -62.18

 

Complementary color

CMYK 60 / 0 / 77 / 3

HEX #64F739

RGB 100 247 57

HSL 106.42, 0.92%, 0.6%

LAB 86.76, -70.6, 73.38

 

CMYK 17 / 96 / 0 / 24

HEX #A008C1

RGB 160 8 193

HSL 289.3, 0.92%, 0.39%

LAB 40.41, 73.82, -58.47

 

CMYK 17 / 88 / 0 / 17

HEX #B11AD4

RGB 177 26 212

HSL 288.71, 0.78%, 0.47%

LAB 45.41, 77.17, -61.26

 

CMYK 16 / 81 / 0 / 9

HEX #C22CE7

RGB 194 44 231

HSL 288.13, 0.8%, 0.54%

LAB 50.73, 79.31, -63.36

 

CMYK 16 / 75 / 0 / 2

HEX #D33EFA

RGB 211 62 250

HSL 287.55, 0.95%, 0.61%

LAB 56.28, 80.55, -64.93

 

CMYK 11 / 69 / 0 / 0

HEX #E450FF

RGB 228 80 255

HSL 290.74, 1%, 0.66%

LAB 61.18, 78.66, -59.71

 

CMYK 22 / 96 / 0 / 22

HEX #9B08C6

RGB 155 8 198

HSL 286.42, 0.92%, 0.4%

LAB 39.95, 73.98, -62.18

 

CMYK 23 / 100 / 0 / 30

HEX #8A00B3

RGB 138 0 179

HSL 286.26, 1%, 0.35%

LAB 35.32, 69.19, -58.64

 

CMYK 24 / 100 / 0 / 37

HEX #7900A0

RGB 121 0 160

HSL 285.38, 1%, 0.31%

LAB 30.89, 63.41, -54.56

 

CMYK 26 / 100 / 0 / 45

HEX #68008D

RGB 104 0 141

HSL 284.26, 1%, 0.28%

LAB 26.35, 57.5, -50.4

 

CMYK 29 / 100 / 0 / 52

HEX #57007A

RGB 87 0 122

HSL 282.79, 1%, 0.24%

LAB 21.69, 51.44, -46.14

 

CMYK 22 / 96 / 0 / 24

HEX #9908C3

RGB 153 8 195

HSL 286.52, 0.92%, 0.4%

LAB 39.39, 73.17, -61.35

 

CMYK 0 / 96 / 4 / 24

HEX #C308BB

RGB 195 8 187

HSL 302.57, 0.92%, 0.4%

LAB 46.13, 78.45, -45.43

 

CMYK 0 / 96 / 30 / 24

HEX #C30889

RGB 195 8 137

HSL 318.61, 0.92%, 0.4%

LAB 43.63, 72.11, -19.43

 

CMYK 0 / 96 / 56 / 24

HEX #C30856

RGB 195 8 86

HSL 334.97, 0.92%, 0.4%

LAB 41.92, 67.57, 9.84

 

CMYK 0 / 96 / 82 / 24

HEX #C30823

RGB 195 8 35

HSL 351.34, 0.92%, 0.4%

LAB 41.05, 65.19, 40.19

 

CMYK 22 / 96 / 0 / 24

HEX #9908C3

RGB 153 8 195

HSL 286.52, 0.92%, 0.4%

LAB 39.39, 73.17, -61.35

 

CMYK 48 / 96 / 0 / 24

HEX #6608C3

RGB 102 8 195

HSL 270.16, 0.92%, 0.4%

LAB 31.67, 67.22, -74.3

 

CMYK 73 / 96 / 0 / 24

HEX #3408C3

RGB 52 8 195

HSL 254.12, 0.92%, 0.4%

LAB 26.29, 63.98, -83.39

 

CMYK 96 / 96 / 0 / 24

HEX #0808C3

RGB 8 8 195

HSL 240, 0.92%, 0.4%

LAB 24.21, 63.01, -86.91

 

CMYK 22 / 96 / 0 / 24

HEX #9908C3

RGB 153 8 195

HSL 286.52, 0.92%, 0.4%

LAB 39.39, 73.17, -61.35

 

CMYK 22 / 96 / 0 / 24

HEX #9908C3

RGB 153 8 195

HSL 286.52, 0.92%, 0.4%

LAB 39.39, 73.17, -61.35

 

CMYK 20 / 87 / 0 / 30

HEX #9018B3

RGB 144 24 179

HSL 286.45, 0.76%, 0.4%

LAB 37.55, 66.41, -54.97

 

CMYK 17 / 75 / 0 / 36

HEX #8729A2

RGB 135 41 162

HSL 286.61, 0.6%, 0.4%

LAB 36.64, 56.49, -46.34

 

CMYK 14 / 61 / 0 / 43

HEX #7E3992

RGB 126 57 146

HSL 286.52, 0.44%, 0.4%

LAB 36.81, 44.09, -36.45

 

CMYK 9 / 43 / 0 / 49

HEX #754A81

RGB 117 74 129

HSL 286.91, 0.27%, 0.4%

LAB 38.31, 28.35, -23.76

 

CMYK 74 / 96 / 0 / 24

HEX #3308C3

RGB 51 8 195

HSL 253.8, 0.92%, 0.4%

LAB 26.21, 63.94, -83.52

 

CMYK 48 / 96 / 0 / 24

HEX #6608C3

RGB 102 8 195

HSL 270.16, 0.92%, 0.4%

LAB 31.67, 67.22, -74.3

 

CMYK 22 / 96 / 0 / 24

HEX #9808C3

RGB 152 8 195

HSL 286.2, 0.92%, 0.4%

LAB 39.22, 73.03, -61.62

 

CMYK 0 / 96 / 3 / 24

HEX #C308BD

RGB 195 8 189

HSL 301.93, 0.92%, 0.4%

LAB 46.24, 78.73, -46.42

 

CMYK 0 / 96 / 29 / 24

HEX #C3088B

RGB 195 8 139

HSL 317.97, 0.92%, 0.4%

LAB 43.71, 72.33, -20.52

 

CMYK 22 / 97 / 0 / 55

HEX #5B0474

RGB 91 4 116

HSL 286.61, 0.93%, 0.24%

LAB 22.2, 49.89, -41.44

 

CMYK 22 / 96 / 0 / 39

HEX #7A069C

RGB 122 6 156

HSL 286.4, 0.93%, 0.32%

LAB 31.04, 61.88, -51.87

 

CMYK 22 / 96 / 0 / 24

HEX #9908C3

RGB 153 8 195

HSL 286.52, 0.92%, 0.4%

LAB 39.39, 73.17, -61.35

 

CMYK 22 / 96 / 0 / 8

HEX #B809EB

RGB 184 9 235

HSL 286.46, 0.93%, 0.48%

LAB 47.47, 84.31, -70.97

 

CMYK 19 / 84 / 0 / 4

HEX #C728F6

RGB 199 40 246

HSL 286.31, 0.92%, 0.56%

LAB 52.19, 83.71, -69.4

 

CMYK 22 / 96 / 0 / 22

HEX #9B08C6

RGB 155 8 198

HSL 286.42, 0.92%, 0.4%

LAB 39.95, 73.98, -62.18

 

CMYK 0 / 96 / 93 / 24

HEX #C3080E

RGB 195 8 14

HSL 358.07, 0.92%, 0.4%

LAB 40.91, 64.79, 50.18

 

CMYK 96 / 0 / 61 / 24

HEX #08C34C

RGB 8 195 76

HSL 141.82, 0.92%, 0.4%

LAB 69.19, -65.3, 47.44

 

CMYK 22 / 96 / 0 / 22

HEX #9B08C6

RGB 155 8 198

HSL 286.42, 0.92%, 0.4%

LAB 39.95, 73.98, -62.18

 

CMYK 0 / 22 / 96 / 24

HEX #C39808

RGB 195 152 8

HSL 46.2, 0.92%, 0.4%

LAB 65.02, 4.92, 67.95

 

CMYK 96 / 0 / 22 / 24

HEX #08C398

RGB 8 195 152

HSL 166.2, 0.92%, 0.4%

LAB 70.42, -50.94, 10.25

 

CMYK 22 / 96 / 0 / 22

HEX #9B08C6

RGB 155 8 198

HSL 286.42, 0.92%, 0.4%

LAB 39.95, 73.98, -62.18

 

CMYK 0 / 96 / 93 / 24

HEX #C3080E

RGB 195 8 14

HSL 358.07, 0.92%, 0.4%

LAB 40.91, 64.79, 50.18

 

CMYK 74 / 0 / 96 / 24

HEX #33C308

RGB 51 195 8

HSL 106.2, 0.92%, 0.4%

LAB 69.29, -65.73, 67.71

 

CMYK 96 / 0 / 3 / 24

HEX #08C3BD

RGB 8 195 189

HSL 178.07, 0.92%, 0.4%

LAB 71.39, -40.84, -8.49

 

CMYK 22 / 96 / 0 / 22

HEX #9B08C6

RGB 155 8 198

HSL 286.42, 0.92%, 0.4%

LAB 39.95, 73.98, -62.18

 

CMYK 0 / 70 / 96 / 24

HEX #C33A08

RGB 195 58 8

HSL 16.04, 0.92%, 0.4%

LAB 45.15, 52.75, 54.58

 

CMYK 74 / 0 / 96 / 24

HEX #33C308

RGB 51 195 8

HSL 106.2, 0.92%, 0.4%

LAB 69.29, -65.73, 67.71

 

CMYK 96 / 26 / 0 / 24

HEX #0891C3

RGB 8 145 195

HSL 196.04, 0.92%, 0.4%

LAB 56.33, -14, -34.82

 

Description

Color code: HEX #9B08C6 | qconv.com Color code: HEX #9B08C6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 8 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 8 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 96 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 96% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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