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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AF3D0 it is the complementary color #650C2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AF3D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AF3D0 shade: #9FF3CB, #B0FFDE, #C1FFF1, #D2FFFF and #E3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AF3D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AF3D0 shade: #9AF3D0, #89E1BD, #78CFAA, #67BD97 and #56AB84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AF3D0 shade: #9AF3D0, #9AF3B8, #9AF3A0, #ACF39A and #C4F39A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AF3D0 shade: #9AF3D0, #9AF3E8, #9AE6F3, #9ACEF3 and #9AB6F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AF3D0 shade matches the following richer shades: #9AF3D0 and #91FCD2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AF3D0 shade: #9AF3D0, #A3EACE, #ACE1CC, #B5D7CA and #BECEC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AF3D0 shade: #9AF3A0, #9AF3B8, #9AF3CF, #9AF3E7 and #9AE7F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AF3D0 shade: #50EAAE, #75EEBF, #9AF3D0, #BFF7E1 and #E4FBF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AF3D0 shade: #9AF3D0, #9AACF3 and #F3AC9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AF3D0 shade: #9AF3D0, #CF9AF3 and #F3CF9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AF3D0 shade: #9AF3D0, #9AACF3, #F39ABE and #F3E19A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AF3D0 shade: #9AF3D0, #A39AF3, #F39ABE and #EAF39A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 14 / 5

HEX #9AF3D0

RGB 154 243 208

HSL 156.4, 0.79%, 0.78%

LAB 89.64, -34.28, 8.49

 

Complementary color

CMYK 0 / 88 / 53 / 60

HEX #650C2F

RGB 101 12 47

HSL 336.4, 0.79%, 0.22%

LAB 20.96, 39.9, 3.34

 

CMYK 35 / 0 / 16 / 5

HEX #9FF3CB

RGB 159 243 203

HSL 151.43, 0.78%, 0.79%

LAB 89.76, -33.89, 11.29

 

CMYK 31 / 0 / 13 / 0

HEX #B0FFDE

RGB 176 255 222

HSL 154.94, 1%, 0.85%

LAB 94.32, -30.87, 8.11

 

CMYK 24 / 0 / 5 / 0

HEX #C1FFF1

RGB 193 255 241

HSL 166.45, 1%, 0.88%

LAB 95.67, -22.12, 0.38

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFF

RGB 210 255 255

HSL 180, 1%, 0.91%

LAB 97, -14.22, -4.76

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 37 / 0 / 14 / 5

HEX #9AF3D0

RGB 154 243 208

HSL 156.4, 0.79%, 0.78%

LAB 89.64, -34.28, 8.49

 

CMYK 39 / 0 / 16 / 12

HEX #89E1BD

RGB 137 225 189

HSL 155.45, 0.59%, 0.71%

LAB 83.36, -34.5, 9.35

 

CMYK 42 / 0 / 18 / 19

HEX #78CFAA

RGB 120 207 170

HSL 154.48, 0.48%, 0.64%

LAB 76.99, -34.72, 10.25

 

CMYK 46 / 0 / 20 / 26

HEX #67BD97

RGB 103 189 151

HSL 153.49, 0.39%, 0.57%

LAB 70.53, -34.93, 11.23

 

CMYK 50 / 0 / 23 / 33

HEX #56AB84

RGB 86 171 132

HSL 152.47, 0.34%, 0.5%

LAB 63.97, -35.11, 12.29

 

CMYK 37 / 0 / 14 / 5

HEX #9AF3D0

RGB 154 243 208

HSL 156.4, 0.79%, 0.78%

LAB 89.64, -34.28, 8.49

 

CMYK 37 / 0 / 24 / 5

HEX #9AF3B8

RGB 154 243 184

HSL 140.22, 0.79%, 0.78%

LAB 89.13, -38.94, 20.19

 

CMYK 37 / 0 / 34 / 5

HEX #9AF3A0

RGB 154 243 160

HSL 124.04, 0.79%, 0.78%

LAB 88.69, -43.04, 31.83

 

CMYK 29 / 0 / 37 / 5

HEX #ACF39A

RGB 172 243 154

HSL 107.87, 0.79%, 0.78%

LAB 89.49, -38.3, 36.06

 

CMYK 19 / 0 / 37 / 5

HEX #C4F39A

RGB 196 243 154

HSL 91.69, 0.79%, 0.78%

LAB 90.86, -30.14, 38.11

 

CMYK 37 / 0 / 14 / 5

HEX #9AF3D0

RGB 154 243 208

HSL 156.4, 0.79%, 0.78%

LAB 89.64, -34.28, 8.49

 

CMYK 37 / 0 / 5 / 5

HEX #9AF3E8

RGB 154 243 232

HSL 172.58, 0.79%, 0.78%

LAB 90.23, -29.1, -3.15

 

CMYK 37 / 5 / 0 / 5

HEX #9AE6F3

RGB 154 230 243

HSL 188.76, 0.79%, 0.78%

LAB 86.96, -20.2, -13.75

 

CMYK 37 / 15 / 0 / 5

HEX #9ACEF3

RGB 154 206 243

HSL 204.94, 0.79%, 0.78%

LAB 80.45, -7.91, -23.58

 

CMYK 37 / 25 / 0 / 5

HEX #9AB6F3

RGB 154 182 243

HSL 221.12, 0.79%, 0.78%

LAB 74.06, 5.03, -33.38

 

CMYK 37 / 0 / 14 / 5

HEX #9AF3D0

RGB 154 243 208

HSL 156.4, 0.79%, 0.78%

LAB 89.64, -34.28, 8.49

 

CMYK 42 / 0 / 17 / 1

HEX #91FCD2

RGB 145 252 210

HSL 156.45, 0.95%, 0.78%

LAB 91.82, -40.33, 10.52

 

CMYK 37 / 0 / 14 / 5

HEX #9AF3D0

RGB 154 243 208

HSL 156.4, 0.79%, 0.78%

LAB 89.64, -34.28, 8.49

 

CMYK 30 / 0 / 12 / 8

HEX #A3EACE

RGB 163 234 206

HSL 156.34, 0.63%, 0.78%

LAB 87.53, -27.91, 6.56

 

CMYK 24 / 0 / 9 / 12

HEX #ACE1CC

RGB 172 225 204

HSL 156.23, 0.47%, 0.78%

LAB 85.49, -21.23, 4.74

 

CMYK 16 / 0 / 6 / 16

HEX #B5D7CA

RGB 181 215 202

HSL 157.06, 0.3%, 0.78%

LAB 83.28, -13.76, 2.66

 

CMYK 8 / 0 / 3 / 19

HEX #BECEC8

RGB 190 206 200

HSL 157.5, 0.14%, 0.78%

LAB 81.43, -6.55, 1.11

 

CMYK 37 / 0 / 34 / 5

HEX #9AF3A0

RGB 154 243 160

HSL 124.04, 0.79%, 0.78%

LAB 88.69, -43.04, 31.83

 

CMYK 37 / 0 / 24 / 5

HEX #9AF3B8

RGB 154 243 184

HSL 140.22, 0.79%, 0.78%

LAB 89.13, -38.94, 20.19

 

CMYK 37 / 0 / 15 / 5

HEX #9AF3CF

RGB 154 243 207

HSL 155.73, 0.79%, 0.78%

LAB 89.62, -34.48, 8.98

 

CMYK 37 / 0 / 5 / 5

HEX #9AF3E7

RGB 154 243 231

HSL 171.91, 0.79%, 0.78%

LAB 90.2, -29.33, -2.67

 

CMYK 37 / 5 / 0 / 5

HEX #9AE7F3

RGB 154 231 243

HSL 188.09, 0.79%, 0.78%

LAB 87.24, -20.7, -13.34

 

CMYK 66 / 0 / 26 / 8

HEX #50EAAE

RGB 80 234 174

HSL 156.62, 0.79%, 0.62%

LAB 83.76, -54.15, 17.5

 

CMYK 51 / 0 / 20 / 7

HEX #75EEBF

RGB 117 238 191

HSL 156.69, 0.78%, 0.7%

LAB 86.35, -44.9, 12.45

 

CMYK 37 / 0 / 14 / 5

HEX #9AF3D0

RGB 154 243 208

HSL 156.4, 0.79%, 0.78%

LAB 89.64, -34.28, 8.49

 

CMYK 23 / 0 / 9 / 3

HEX #BFF7E1

RGB 191 247 225

HSL 156.43, 0.78%, 0.86%

LAB 93.03, -22.02, 4.8

 

CMYK 9 / 0 / 4 / 2

HEX #E4FBF2

RGB 228 251 242

HSL 156.52, 0.74%, 0.94%

LAB 96.78, -9.13, 1.74

 

CMYK 37 / 0 / 14 / 5

HEX #9AF3D0

RGB 154 243 208

HSL 156.4, 0.79%, 0.78%

LAB 89.64, -34.28, 8.49

 

CMYK 37 / 29 / 0 / 5

HEX #9AACF3

RGB 154 172 243

HSL 227.87, 0.79%, 0.78%

LAB 71.45, 10.6, -37.43

 

CMYK 0 / 29 / 37 / 5

HEX #F3AC9A

RGB 243 172 154

HSL 12.13, 0.79%, 0.78%

LAB 76.61, 23.79, 19.66

 

CMYK 37 / 0 / 14 / 5

HEX #9AF3D0

RGB 154 243 208

HSL 156.4, 0.79%, 0.78%

LAB 89.64, -34.28, 8.49

 

CMYK 15 / 37 / 0 / 5

HEX #CF9AF3

RGB 207 154 243

HSL 275.73, 0.79%, 0.78%

LAB 71.45, 35.8, -37.09

 

CMYK 0 / 15 / 37 / 5

HEX #F3CF9A

RGB 243 207 154

HSL 35.73, 0.79%, 0.78%

LAB 85, 5.4, 31.04

 

CMYK 37 / 0 / 14 / 5

HEX #9AF3D0

RGB 154 243 208

HSL 156.4, 0.79%, 0.78%

LAB 89.64, -34.28, 8.49

 

CMYK 37 / 29 / 0 / 5

HEX #9AACF3

RGB 154 172 243

HSL 227.87, 0.79%, 0.78%

LAB 71.45, 10.6, -37.43

 

CMYK 0 / 37 / 22 / 5

HEX #F39ABE

RGB 243 154 190

HSL 335.73, 0.79%, 0.78%

LAB 73.47, 37.99, -4.56

 

CMYK 0 / 7 / 37 / 5

HEX #F3E19A

RGB 243 225 154

HSL 47.87, 0.79%, 0.78%

LAB 89.5, -3.83, 36.99

 

CMYK 37 / 0 / 14 / 5

HEX #9AF3D0

RGB 154 243 208

HSL 156.4, 0.79%, 0.78%

LAB 89.64, -34.28, 8.49

 

CMYK 33 / 37 / 0 / 5

HEX #A39AF3

RGB 163 154 243

HSL 246.07, 0.79%, 0.78%

LAB 67.55, 23.21, -43.47

 

CMYK 0 / 37 / 22 / 5

HEX #F39ABE

RGB 243 154 190

HSL 335.73, 0.79%, 0.78%

LAB 73.47, 37.99, -4.56

 

CMYK 4 / 0 / 37 / 5

HEX #EAF39A

RGB 234 243 154

HSL 66.07, 0.79%, 0.78%

LAB 93.42, -16.23, 41.93

 

Description

Color code: HEX #9AF3D0 | qconv.com Color code: HEX #9AF3D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 243 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 243 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 14 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 14% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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