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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AE07F it is the complementary color #651F80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AE07F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AE07F shade: #9FE07A, #B0F28D, #C1FFA0, #D2FFB3 and #E3FFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AE07F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AE07F shade: #9AE07F, #89CE6C, #78BC59, #67AA46 and #569833

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AE07F shade: #9AE07F, #B4E07F, #CEE07F, #E0D77F and #E0BD7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AE07F shade: #9AE07F, #80E07F, #7FE098, #7FE0B2 and #7FE0CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AE07F shade matches the following richer shades: #9AE07F, #94EC72 and #8FF966

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AE07F shade: #9AE07F, #A0D38C, #A5C699, #ABB9A6 and #B1ADB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AE07F shade: #CEE07F, #B4E07F, #9BE07F, #81E07F and #7FE097

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AE07F shade: #66D03D, #80D85E, #9AE07F, #B4E8A0 and #CEF0C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AE07F shade: #9AE07F, #7FE0D8 and #E07FC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AE07F shade: #9AE07F, #7F9BE0 and #E07F9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AE07F shade: #9AE07F, #7FE0D8, #C47FE0 and #E07F87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AE07F shade: #9AE07F, #7FCBE0, #C47FE0 and #E0947F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 43 / 12

HEX #9AE07F

RGB 154 224 127

HSL 103.3, 0.61%, 0.69%

LAB 82.76, -39.45, 40.6

 

Complementary color

CMYK 21 / 76 / 0 / 50

HEX #651F80

RGB 101 31 128

HSL 283.3, 0.61%, 0.31%

LAB 27.59, 46.21, -40.28

 

CMYK 29 / 0 / 46 / 12

HEX #9FE07A

RGB 159 224 122

HSL 98.24, 0.62%, 0.68%

LAB 82.96, -38.4, 43.36

 

CMYK 27 / 0 / 42 / 5

HEX #B0F28D

RGB 176 242 141

HSL 99.21, 0.8%, 0.75%

LAB 89.23, -38.29, 42.2

 

CMYK 24 / 0 / 37 / 0

HEX #C1FFA0

RGB 193 255 160

HSL 99.16, 1%, 0.81%

LAB 94.05, -35.9, 39.28

 

CMYK 18 / 0 / 30 / 0

HEX #D2FFB3

RGB 210 255 179

HSL 95.53, 1%, 0.85%

LAB 95.36, -27.45, 31.75

 

CMYK 11 / 0 / 22 / 0

HEX #E3FFC6

RGB 227 255 198

HSL 89.47, 1%, 0.89%

LAB 96.79, -18.79, 24.29

 

CMYK 31 / 0 / 43 / 12

HEX #9AE07F

RGB 154 224 127

HSL 103.3, 0.61%, 0.69%

LAB 82.76, -39.45, 40.6

 

CMYK 33 / 0 / 48 / 19

HEX #89CE6C

RGB 137 206 108

HSL 102.24, 0.5%, 0.62%

LAB 76.4, -39.58, 41.79

 

CMYK 36 / 0 / 53 / 26

HEX #78BC59

RGB 120 188 89

HSL 101.21, 0.42%, 0.54%

LAB 69.95, -39.65, 42.98

 

CMYK 39 / 0 / 59 / 33

HEX #67AA46

RGB 103 170 70

HSL 100.2, 0.42%, 0.47%

LAB 63.4, -39.64, 44.11

 

CMYK 43 / 0 / 66 / 40

HEX #569833

RGB 86 152 51

HSL 99.21, 0.5%, 0.4%

LAB 56.76, -39.48, 45.06

 

CMYK 31 / 0 / 43 / 12

HEX #9AE07F

RGB 154 224 127

HSL 103.3, 0.61%, 0.69%

LAB 82.76, -39.45, 40.6

 

CMYK 20 / 0 / 43 / 12

HEX #B4E07F

RGB 180 224 127

HSL 87.22, 0.61%, 0.69%

LAB 84.25, -30.35, 42.79

 

CMYK 8 / 0 / 43 / 12

HEX #CEE07F

RGB 206 224 127

HSL 71.13, 0.61%, 0.69%

LAB 85.99, -20.59, 45.34

 

CMYK 0 / 4 / 43 / 12

HEX #E0D77F

RGB 224 215 127

HSL 54.43, 0.61%, 0.69%

LAB 84.99, -9.07, 44.39

 

CMYK 0 / 16 / 43 / 12

HEX #E0BD7F

RGB 224 189 127

HSL 38.35, 0.61%, 0.69%

LAB 78.33, 4.35, 35.95

 

CMYK 31 / 0 / 43 / 12

HEX #9AE07F

RGB 154 224 127

HSL 103.3, 0.61%, 0.69%

LAB 82.76, -39.45, 40.6

 

CMYK 43 / 0 / 43 / 12

HEX #80E07F

RGB 128 224 127

HSL 119.38, 0.61%, 0.69%

LAB 81.53, -47.61, 38.78

 

CMYK 43 / 0 / 32 / 12

HEX #7FE098

RGB 127 224 152

HSL 135.46, 0.61%, 0.69%

LAB 81.89, -43.9, 26.57

 

CMYK 43 / 0 / 21 / 12

HEX #7FE0B2

RGB 127 224 178

HSL 151.55, 0.61%, 0.69%

LAB 82.4, -38.98, 13.71

 

CMYK 43 / 0 / 9 / 12

HEX #7FE0CC

RGB 127 224 204

HSL 167.63, 0.61%, 0.69%

LAB 83.01, -33.33, 0.86

 

CMYK 31 / 0 / 43 / 12

HEX #9AE07F

RGB 154 224 127

HSL 103.3, 0.61%, 0.69%

LAB 82.76, -39.45, 40.6

 

CMYK 37 / 0 / 52 / 7

HEX #94EC72

RGB 148 236 114

HSL 103.28, 0.76%, 0.69%

LAB 85.76, -48.2, 50.47

 

CMYK 43 / 0 / 59 / 2

HEX #8FF966

RGB 143 249 102

HSL 103.27, 0.92%, 0.69%

LAB 89.18, -56.3, 59.78

 

CMYK 31 / 0 / 43 / 12

HEX #9AE07F

RGB 154 224 127

HSL 103.3, 0.61%, 0.69%

LAB 82.76, -39.45, 40.6

 

CMYK 24 / 0 / 34 / 17

HEX #A0D38C

RGB 160 211 140

HSL 103.1, 0.45%, 0.69%

LAB 79.59, -29.6, 29.96

 

CMYK 17 / 0 / 23 / 22

HEX #A5C699

RGB 165 198 153

HSL 104, 0.28%, 0.69%

LAB 76.49, -19.46, 18.98

 

CMYK 8 / 0 / 10 / 27

HEX #ABB9A6

RGB 171 185 166

HSL 104.21, 0.12%, 0.69%

LAB 73.62, -8.4, 7.99

 

CMYK 1 / 3 / 0 / 30

HEX #B1ADB2

RGB 177 173 178

HSL 288, 0.03%, 0.69%

LAB 71.18, 2.36, -2.06

 

CMYK 8 / 0 / 43 / 12

HEX #CEE07F

RGB 206 224 127

HSL 71.13, 0.61%, 0.69%

LAB 85.99, -20.59, 45.34

 

CMYK 20 / 0 / 43 / 12

HEX #B4E07F

RGB 180 224 127

HSL 87.22, 0.61%, 0.69%

LAB 84.25, -30.35, 42.79

 

CMYK 31 / 0 / 43 / 12

HEX #9BE07F

RGB 155 224 127

HSL 102.68, 0.61%, 0.69%

LAB 82.81, -39.12, 40.68

 

CMYK 42 / 0 / 43 / 12

HEX #81E07F

RGB 129 224 127

HSL 118.76, 0.61%, 0.69%

LAB 81.57, -47.32, 38.84

 

CMYK 43 / 0 / 33 / 12

HEX #7FE097

RGB 127 224 151

HSL 134.85, 0.61%, 0.69%

LAB 81.87, -44.08, 27.06

 

CMYK 51 / 0 / 71 / 18

HEX #66D03D

RGB 102 208 61

HSL 103.27, 0.61%, 0.53%

LAB 75, -56.1, 60.44

 

CMYK 41 / 0 / 56 / 15

HEX #80D85E

RGB 128 216 94

HSL 103.28, 0.61%, 0.61%

LAB 78.76, -48.43, 51.14

 

CMYK 31 / 0 / 43 / 12

HEX #9AE07F

RGB 154 224 127

HSL 103.3, 0.61%, 0.69%

LAB 82.76, -39.45, 40.6

 

CMYK 22 / 0 / 31 / 9

HEX #B4E8A0

RGB 180 232 160

HSL 103.33, 0.61%, 0.77%

LAB 86.97, -29.68, 29.78

 

CMYK 14 / 0 / 19 / 6

HEX #CEF0C2

RGB 206 240 194

HSL 104.35, 0.61%, 0.85%

LAB 91.39, -19.33, 18.62

 

CMYK 31 / 0 / 43 / 12

HEX #9AE07F

RGB 154 224 127

HSL 103.3, 0.61%, 0.69%

LAB 82.76, -39.45, 40.6

 

CMYK 43 / 0 / 4 / 12

HEX #7FE0D8

RGB 127 224 216

HSL 175.05, 0.61%, 0.69%

LAB 83.33, -30.51, -5.03

 

CMYK 0 / 43 / 14 / 12

HEX #E07FC1

RGB 224 127 193

HSL 319.18, 0.61%, 0.69%

LAB 65.65, 46.1, -18.17

 

CMYK 31 / 0 / 43 / 12

HEX #9AE07F

RGB 154 224 127

HSL 103.3, 0.61%, 0.69%

LAB 82.76, -39.45, 40.6

 

CMYK 43 / 31 / 0 / 12

HEX #7F9BE0

RGB 127 155 224

HSL 222.68, 0.61%, 0.69%

LAB 64.43, 7.99, -38.08

 

CMYK 0 / 43 / 31 / 12

HEX #E07F9B

RGB 224 127 155

HSL 342.68, 0.61%, 0.69%

LAB 64.48, 40.62, 1.59

 

CMYK 31 / 0 / 43 / 12

HEX #9AE07F

RGB 154 224 127

HSL 103.3, 0.61%, 0.69%

LAB 82.76, -39.45, 40.6

 

CMYK 43 / 0 / 4 / 12

HEX #7FE0D8

RGB 127 224 216

HSL 175.05, 0.61%, 0.69%

LAB 83.33, -30.51, -5.03

 

CMYK 13 / 43 / 0 / 12

HEX #C47FE0

RGB 196 127 224

HSL 282.68, 0.61%, 0.69%

LAB 63.59, 43.18, -38.97

 

CMYK 0 / 43 / 40 / 12

HEX #E07F87

RGB 224 127 135

HSL 355.05, 0.61%, 0.69%

LAB 63.98, 38.22, 12.25

 

CMYK 31 / 0 / 43 / 12

HEX #9AE07F

RGB 154 224 127

HSL 103.3, 0.61%, 0.69%

LAB 82.76, -39.45, 40.6

 

CMYK 43 / 9 / 0 / 12

HEX #7FCBE0

RGB 127 203 224

HSL 192.99, 0.61%, 0.69%

LAB 77.64, -18.12, -17.79

 

CMYK 13 / 43 / 0 / 12

HEX #C47FE0

RGB 196 127 224

HSL 282.68, 0.61%, 0.69%

LAB 63.59, 43.18, -38.97

 

CMYK 0 / 34 / 43 / 12

HEX #E0947F

RGB 224 148 127

HSL 12.99, 0.61%, 0.69%

LAB 68.43, 26.24, 22.87

 

Description

Color code: HEX #9AE07F | qconv.com Color code: HEX #9AE07F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 224 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 224 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 43 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 43% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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