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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AD2F8 it is the complementary color #652D07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AD2F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AD2F8 shade: #9FD2F3, #B0E4FF, #C1F6FF, #D2FFFF and #E3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AD2F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AD2F8 shade: #9AD2F8, #89C0E5, #78AED2, #679CBF and #568AAC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AD2F8 shade: #9AD2F8, #9AB9F8, #9AA0F8, #AE9AF8 and #C79AF8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AD2F8 shade: #9AD2F8, #9AB9F8, #9AA0F8 and #9A9AF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AD2F8 shade matches the following richer shades: #9AD2F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AD2F8 shade: #9AD2F8, #A3D0EF, #ACCFE6, #B4CDDE and #BDCBD5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AD2F8 shade: #9AF8EB, #9AEBF8, #9AD2F8, #9AB9F8 and #9AA1F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AD2F8 shade: #4DAFF2, #74C1F5, #9AD2F8, #C1E3FA and #E8F4FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AD2F8 shade: #9AD2F8, #D29AF8 and #F8F89A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AD2F8 shade: #9AD2F8, #F89AD2 and #D2F89A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AD2F8 shade: #9AD2F8, #D29AF8, #F8C09A and #C0F89A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AD2F8 shade: #9AD2F8, #EE9AF8, #F8C09A and #A4F89A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 15 / 0 / 3

HEX #9AD2F8

RGB 154 210 248

HSL 204.26, 0.87%, 0.79%

LAB 81.7, -8.75, -24.35

 

Complementary color

CMYK 0 / 55 / 93 / 60

HEX #652D07

RGB 101 45 7

HSL 24.26, 0.87%, 0.21%

LAB 25.74, 22.9, 33.42

 

CMYK 35 / 14 / 0 / 5

HEX #9FD2F3

RGB 159 210 243

HSL 203.57, 0.78%, 0.79%

LAB 81.8, -8.67, -21.5

 

CMYK 31 / 11 / 0 / 0

HEX #B0E4FF

RGB 176 228 255

HSL 200.51, 1%, 0.85%

LAB 87.94, -10.45, -18.47

 

CMYK 24 / 4 / 0 / 0

HEX #C1F6FF

RGB 193 246 255

HSL 188.71, 1%, 0.88%

LAB 93.65, -14.76, -9.82

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFF

RGB 210 255 255

HSL 180, 1%, 0.91%

LAB 97, -14.22, -4.76

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 38 / 15 / 0 / 3

HEX #9AD2F8

RGB 154 210 248

HSL 204.26, 0.87%, 0.79%

LAB 81.7, -8.75, -24.35

 

CMYK 40 / 16 / 0 / 10

HEX #89C0E5

RGB 137 192 229

HSL 204.13, 0.64%, 0.72%

LAB 75.25, -8.56, -24.07

 

CMYK 43 / 17 / 0 / 18

HEX #78AED2

RGB 120 174 210

HSL 204, 0.5%, 0.65%

LAB 68.69, -8.33, -23.81

 

CMYK 46 / 18 / 0 / 25

HEX #679CBF

RGB 103 156 191

HSL 203.86, 0.41%, 0.58%

LAB 62.02, -8.06, -23.55

 

CMYK 50 / 20 / 0 / 33

HEX #568AAC

RGB 86 138 172

HSL 203.72, 0.34%, 0.51%

LAB 55.21, -7.71, -23.3

 

CMYK 38 / 15 / 0 / 3

HEX #9AD2F8

RGB 154 210 248

HSL 204.26, 0.87%, 0.79%

LAB 81.7, -8.75, -24.35

 

CMYK 38 / 25 / 0 / 3

HEX #9AB9F8

RGB 154 185 248

HSL 220.21, 0.87%, 0.79%

LAB 75.04, 4.69, -34.56

 

CMYK 38 / 35 / 0 / 3

HEX #9AA0F8

RGB 154 160 248

HSL 236.17, 0.87%, 0.79%

LAB 68.6, 18.71, -44.6

 

CMYK 30 / 38 / 0 / 3

HEX #AE9AF8

RGB 174 154 248

HSL 252.77, 0.87%, 0.79%

LAB 68.67, 27.48, -44.38

 

CMYK 20 / 38 / 0 / 3

HEX #C79AF8

RGB 199 154 248

HSL 268.72, 0.87%, 0.79%

LAB 70.89, 34.54, -40.74

 

CMYK 38 / 15 / 0 / 3

HEX #9AD2F8

RGB 154 210 248

HSL 204.26, 0.87%, 0.79%

LAB 81.7, -8.75, -24.35

 

CMYK 38 / 25 / 0 / 3

HEX #9AB9F8

RGB 154 185 248

HSL 220.21, 0.87%, 0.79%

LAB 75.04, 4.69, -34.56

 

CMYK 38 / 35 / 0 / 3

HEX #9AA0F8

RGB 154 160 248

HSL 236.17, 0.87%, 0.79%

LAB 68.6, 18.71, -44.6

 

CMYK 38 / 38 / 0 / 3

HEX #9A9AF8

RGB 154 154 248

HSL 240, 0.87%, 0.79%

LAB 67.1, 22.14, -46.97

 

CMYK 38 / 15 / 0 / 3

HEX #9AD2F8

RGB 154 210 248

HSL 204.26, 0.87%, 0.79%

LAB 81.7, -8.75, -24.35

 

CMYK 38 / 15 / 0 / 3

HEX #9AD2F8

RGB 154 210 248

HSL 204.26, 0.87%, 0.79%

LAB 81.7, -8.75, -24.35

 

CMYK 32 / 13 / 0 / 6

HEX #A3D0EF

RGB 163 208 239

HSL 204.47, 0.7%, 0.79%

LAB 81.36, -7.5, -20.02

 

CMYK 25 / 10 / 0 / 10

HEX #ACCFE6

RGB 172 207 230

HSL 203.79, 0.54%, 0.79%

LAB 81.35, -6.51, -15.18

 

CMYK 19 / 8 / 0 / 13

HEX #B4CDDE

RGB 180 205 222

HSL 204.29, 0.39%, 0.79%

LAB 81.09, -4.8, -11.24

 

CMYK 11 / 5 / 0 / 16

HEX #BDCBD5

RGB 189 203 213

HSL 205, 0.22%, 0.79%

LAB 80.92, -2.76, -6.6

 

CMYK 38 / 0 / 5 / 3

HEX #9AF8EB

RGB 154 248 235

HSL 171.7, 0.87%, 0.79%

LAB 91.69, -30.79, -2.57

 

CMYK 38 / 5 / 0 / 3

HEX #9AEBF8

RGB 154 235 248

HSL 188.3, 0.87%, 0.79%

LAB 88.48, -21.47, -14.11

 

CMYK 38 / 15 / 0 / 3

HEX #9AD2F8

RGB 154 210 248

HSL 204.26, 0.87%, 0.79%

LAB 81.7, -8.75, -24.35

 

CMYK 38 / 25 / 0 / 3

HEX #9AB9F8

RGB 154 185 248

HSL 220.21, 0.87%, 0.79%

LAB 75.04, 4.69, -34.56

 

CMYK 38 / 35 / 0 / 3

HEX #9AA1F8

RGB 154 161 248

HSL 235.53, 0.87%, 0.79%

LAB 68.85, 18.15, -44.21

 

CMYK 68 / 28 / 0 / 5

HEX #4DAFF2

RGB 77 175 242

HSL 204.36, 0.86%, 0.63%

LAB 68.5, -7.82, -41.77

 

CMYK 53 / 21 / 0 / 4

HEX #74C1F5

RGB 116 193 245

HSL 204.19, 0.87%, 0.71%

LAB 75.11, -9.59, -33.01

 

CMYK 38 / 15 / 0 / 3

HEX #9AD2F8

RGB 154 210 248

HSL 204.26, 0.87%, 0.79%

LAB 81.7, -8.75, -24.35

 

CMYK 23 / 9 / 0 / 2

HEX #C1E3FA

RGB 193 227 250

HSL 204.21, 0.85%, 0.87%

LAB 88.53, -6.21, -14.86

 

CMYK 8 / 4 / 0 / 1

HEX #E8F4FD

RGB 232 244 253

HSL 205.71, 0.84%, 0.95%

LAB 95.56, -2.26, -5.69

 

CMYK 38 / 15 / 0 / 3

HEX #9AD2F8

RGB 154 210 248

HSL 204.26, 0.87%, 0.79%

LAB 81.7, -8.75, -24.35

 

CMYK 15 / 38 / 0 / 3

HEX #D29AF8

RGB 210 154 248

HSL 275.74, 0.87%, 0.79%

LAB 71.95, 37.74, -39.01

 

CMYK 0 / 0 / 38 / 3

HEX #F8F89A

RGB 248 248 154

HSL 60, 0.87%, 0.79%

LAB 95.76, -13.37, 45.14

 

CMYK 38 / 15 / 0 / 3

HEX #9AD2F8

RGB 154 210 248

HSL 204.26, 0.87%, 0.79%

LAB 81.7, -8.75, -24.35

 

CMYK 0 / 38 / 15 / 3

HEX #F89AD2

RGB 248 154 210

HSL 324.26, 0.87%, 0.79%

LAB 74.65, 42.67, -13.75

 

CMYK 15 / 0 / 38 / 3

HEX #D2F89A

RGB 210 248 154

HSL 84.26, 0.87%, 0.79%

LAB 93.09, -27.49, 41.18

 

CMYK 38 / 15 / 0 / 3

HEX #9AD2F8

RGB 154 210 248

HSL 204.26, 0.87%, 0.79%

LAB 81.7, -8.75, -24.35

 

CMYK 15 / 38 / 0 / 3

HEX #D29AF8

RGB 210 154 248

HSL 275.74, 0.87%, 0.79%

LAB 71.95, 37.74, -39.01

 

CMYK 0 / 23 / 38 / 3

HEX #F8C09A

RGB 248 192 154

HSL 24.26, 0.87%, 0.79%

LAB 81.83, 15.17, 26.87

 

CMYK 23 / 0 / 38 / 3

HEX #C0F89A

RGB 192 248 154

HSL 95.74, 0.87%, 0.79%

LAB 91.99, -33.85, 39.54

 

CMYK 38 / 15 / 0 / 3

HEX #9AD2F8

RGB 154 210 248

HSL 204.26, 0.87%, 0.79%

LAB 81.7, -8.75, -24.35

 

CMYK 4 / 38 / 0 / 3

HEX #EE9AF8

RGB 238 154 248

HSL 293.62, 0.87%, 0.79%

LAB 74.87, 46.03, -34.26

 

CMYK 0 / 23 / 38 / 3

HEX #F8C09A

RGB 248 192 154

HSL 24.26, 0.87%, 0.79%

LAB 81.83, 15.17, 26.87

 

CMYK 34 / 0 / 38 / 3

HEX #A4F89A

RGB 164 248 154

HSL 113.62, 0.87%, 0.79%

LAB 90.49, -43.07, 37.3

 

Description

Color code: HEX #9AD2F8 | qconv.com Color code: HEX #9AD2F8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 210 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 210 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 15 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 15% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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